關於 what can i do for you chords ，我們在網路上蒐集到這些相關的討論、資訊與評價

Repost Cover from 4 years ago 🤣🙈🤓
HAPPY CHRISTMAS EVE❤️🎄🎊
Added little of my own song writing in it~
It took me a long day to practice Ukulele & Sing along with the original & new lyrics!
Hope that you will like it the Christmas Version of I Miss You by Joyce Chu 😊

Ukulele Chords & Lyrics:
Bb C Am
It’s Christmas Day, I want you by my side
Bb C Am
It’s Christmas Day, I want to lie in your arms
Bb C Am Dm
It’s Christmas Day, I want to let you know that
Bb C
I miss you…

F Am
想要传送一封短信给你
Bb C F
我好想好想你
Bb Am
想要立刻打通电话给你
Bb C
我好想好想你

F Am
今天起床的第一件事情
Bb C F
就是好想好想你
Bb Am
今天圣诞节 你会去哪里啊？
Bb C
我好想好想你

Bb C Am Dm
每次当我一说我好想你 你都不相信
Bb C F Bb C
但却总爱问我有没有想你
Bb C Am Dm
我不懂的甜言蜜语 所以只说好想你
Bb C
反正说来说去 都只想让你开心

F Am Dm Am
好想你 好想你 好想你 好想你
Bb F
是真的真的好想你
Bb C
不是假的假的好想你
F Am Dm Am
好想你 好想你 好想你 好想你
Bb F
是够力够力好想你
Bb C
真的西北西北好想你
好想你F Am Dm Am Bb F Bb C

It was almost 3 in the morning
I cant sleep without you
When I close my eyes you’re all that I see
I cant help myself with that

Everytime I tell you that I miss you I really mean it
Oh Baby you are the one & only one
I don’t know what I can do to show you how much I miss you
All I wish is just to make you smile for me

Oh baby I miss you I miss you I miss you
I really really do miss you
Not just saying saying I miss you
Oh baby I miss you I miss you I miss you
Remember I’m here for you
Always always be here for you
I miss you F Am
Dm Am
It’s Christmas day
Bb F
我好想你
Bb DmM7
好想你
C
I miss you
Bb C
It’s Christmas day//

Blog 4

I have a second confession to make. I actually quite admire Taylor Swift. I know, I know. I know she gets a lot of hate, and a lot of people don’t necessarily see her music as “real music”, whatever that means. I know liking her music is sometimes seen as “uncool”- how dare any serious musician say they like her stuff, it’s only for silly teenage girls. But if I’m honest, fewer and fewer people treat the whole Cantopop market as “real music” as well, so perhaps we kinda do share that in common. 🤷🏻‍♀️ So who am I to diss it? I actually really admire her, and definitely count her as one of my previously unspoken inspirations. I do resonate with the way she writes... because it’s kind of the way I write.

I recently watched her NPR Tiny Desk Concert, and if you don’t know about Tiny Desk, perhaps you could check it out and be inspired - it’s a YouTube channel where artists and musicians perform in a tiny cramped space behind a work desk - and it’s brilliant. I love the rawness of it, the realness of it, and the closeness of it. It takes what happens on a big stage into your average office work space. It was a surprise to see Taylor Swift there, because it usually features up-and-coming artists or jazz musicians, performances of which I enjoy thoroughly also. But this was a surprising one, and so I clicked. I admit I even got a tad bit emotional after watching it, not because of anything else but the fact that I can resonated with so so much the stuff she said about songwriting and her creative process, and I enjoyed how she picked the songs and played completely alone, stripped down and raw, in the songs’ demo versions. In between songs, she shared thoughts and her creative process so openly and vulnerably, and how she wrote her songs as self-therapy, usually with just one instrument, in her pajamas, in the middle of the night. In that format, she somehow still managed to find a dominant spot in the mainstream and manufactured pop world - and that was so reassuring for me because that’s how I have written a TON of my songs.

Very, very early on in my career, before R&K, one producer once said to me, “you’re not the best singer, you’re not really a great guitar player, piano you’re a little better but still not that great... but with everything put together, mayyyybe you would be able to become a little bit of something.”

And for me, to see someone like Taylor Swift do so well in this world, someone who doesn’t belt like Beyoncé, doesn’t shred on the guitar like John Mayer, doesn’t play keys like Alicia Keys, doesn’t riff like Ariana Grande... for someone like Taylor Swift to be the mega success that she is... is undeniably impressive, and downright inspiring to me. She doesn’t use fancy techy gear, she doesn’t use fancy chords, she doesn’t do fancy grooves or sing fancy riffs. She just writes songs like she writes her diary - but she’s also smart and catchy and commercial about it. She is an amazing storyteller of her own life, and without necessarily being the best at singing or any instrument, she was the best at telling her unique stories. With everything put together, and a strong belief in herself - she has used this creativity of hers to garner millions and millions of fans all around the world.

Sometimes, the mastery of a craft looks different for different people. Sometimes it’s not about technical perfection. Sometimes, those who are imperfect, broken, hurt, but headstrong, open, authentic, courageous, and unapologetic are more interesting. It’s like found their own way to harness their scars or life experiences, and turn them into doors leading to their eventual evolution through creativity. They tell stories instead of showing off. It’s reassuring and also comforting that this still sells, with this much competition in the market, and resonates with me so much.

I then watched the TED talk by Elizabeth Gilbert, author of Eat Pray Love after the tiny desk because Taylor said she watched it with tears when inspiration didn’t come. And I just teared myself also. Touched tears. Tears of inspiration. Tears of joy in finding people that seem to think like me, who share the weight of my worries, but are successful and made an impact in the world. I found myself nodding viciously in agreement idiotically in my own living room, when they share the anxieties, insecurities and fears that typically consume the mind of creatives. I am definitely an overthinker so I’m a victim of all that was mentioned. Ok, you’ll have to watch it to understand. But it felt like I was meant to listen to this. It’s based on the daunting feeling of failure when inspiration doesn’t come, or feeling like your best work is “untoppable” and therefore your best days are behind you. But inspiration isn’t from within you. Inspiration is this mysterious force in the universe, and you just have to catch it when it comes, and even when it doesn’t, just keep showing up for your part of the job anyway until it does. And when time comes, let inspiration, this outer force in the universe take over. You don’t have to be sad for writing a bad song, or too proud for writing a good one. Don’t beat yourself up, and just keep doing what you do. Leave that fear behind you. Absolutely life changing.

And with this, I’m gonna go turn on my water tap of inspiration and try to work on some songwriting now. Thanks for checking in 🙂

Till next time.
Choose love, and bring light.

xRobynn

#robynnblogs
Do share what you think on what my next confession should be. 🙂

推推推！
我老闆真的酷！
My BOSS SIFU really cool！
陶山
來吧來吧🤗

陶山是一位知名的华语流行乐制作人，知名作品有陈芳语的【爱你】，谢和弦和王诗安的【爱不需要装乖】，林宥嘉的【感同身受】等等。在西雅图长大的陶山因为一首莫文蔚和柯有伦的 [爱死你]而来到台湾，开始为这里的音乐圈写歌与制作。今天的陶山因为写过许多金曲已是圈子里有口碑的金牌制作人，也为这事你啊来的华语流行音乐产业丰富许多。最近，他对音乐的热情被导入他新的音乐品牌SKR Music， 透过这个品牌他希望能够让更多好艺人，好的华语音乐被更多人看到。

适用人群：
• 对音乐行业有兴趣的社会各界人士，音乐背景不限。

时间：22/5/2019 - 24/5/2019
（星期三至星期五）

大师级音乐课室系列
Skot Suyama 陶山 Vocal
Production Master Workshop

Master Bio:

Skot Suyama 陶山 is a Mandopop record producer best known for penning hit tracks such as Kimberley Chen’s 爱你, R-Chord’s 爱不需要装乖, Yoga Lin’s 感同身受 and many more. Born in Seattle and of Japanese-American ancestry, he came to Taiwan after the success of his first song, Karen Mok and Alan Kuo’s ‘爱死你’ which kickstarted his interest and contributions to the Mandopop scene at large. A well-respected veteran producer within the industry for his ability to write hit songs, Skot has been a direct contributor to many representative works of the contemporary Mandopop scene over the last decade. In the last few years, his passion has led him to start his own record label SKR Music, under which he hopes to hone artistically-sound artists and music which bring Mandopop to the wider world.

Master Workshop Duration: 3 days

1. What is Vocal Production?
What does a vocal producer do?
2. Gear basics. Mic, Pre-Amp, EQ, Compressor
3. Setting up the Pro-Tools session, getting ready for the artist
4. Meeting the artist: getting to know what kind of artist they are, and the psychology of recording an artist. The mental and psychological aspects of a singer
- When to push
- When to listen
- How to read a singer and what they really mean when they complain
- How to get the arrangement super comfortable in the headphones, and balance the reverb, and delay so that the singer can give you their best performance
- The ‘groove’ of a recording session
- How much ‘pre-roll’ to give
- How much time to give between takes for the singer to res their voice
- The different backgrounds of singers and how that effects the recording technique. For example, Singers that developed their skills from Karaoke or singing competitions often like to sing the entire song through to get the right emotion for each part. Singer Songwriter or demo singers who have a recording background usually prefer to go part by part, etc. While seasoned veteran singers may prefer to speed through a recording session either because they’re busy and need to go to their next engagement, or because they already know the power of the computer and vocal editing.
- How long should you chat with a singer before recording? Get to know them and start building trust before you even press record.
- How to keep the singers confidence always high, so you can get the best performance out of them.
- When to make a comment, and when to just let the singer keep singing. What happens to the singer’s confidence when you give a negative comment like ‘You’re out of tune’, or ‘you’re rushing’ etc.
- When to show the artist another way of singing a certain line. And when to give up on your idea.
- How to create a bond with the singer in very short amount of time, so that you both are on the same team and both doing your best for the song

Skill Sharing course:
1. Recording the artist and selecting takes, different approaches to recording the song

2. Finding harmonies, and recording harmonies. Going in depth with many examples. How to find the 3rd, and the 5th harmonies and how to adjust them according to what the chords are playing behind. How many tracks to record, and how to pan them. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (王艳薇)框不住的爱

3. Adding ad-libs. Showing examples of when the ad-libs are too much, or in the wrong place. Showing the corrected examples. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (陈忻玥)Just You and Me,

4. Tuning vocals. Bring in a session and show them step by step how I tune vocals in all of my vocal productions. Example pro-tools session : (陈忻玥)Nobody Ever Wonders, (王艳薇)天使亲吻过的声音

5. Adjusting the timing of vocals / Aligning vocals. Show step by step using previous pro-tools sessions of songs that I’ve created. How to edit the timing of rap vocals. Example pro-tools session : (陈忻玥)Just You and Me, (李杰明)神秘

6. Trouble Shooting Vocal Editing. Get rids of pops and clicks, and bad cross fades. Show examples of each, and how to solve common vocal editing problems. Example pro-tools session : (傅又宣)Better This Way Unplugged

每晚7点至11点
地址：Livehouse @Lion Studio
115B Commonwealth Drive
Singapore 149597

课时：共12小时 (3节课，每节课4小时，英文再加一点点外国人华文授课）

费用：S$550新元/-

网上报名：http://Skot.peatix.com
咨询：+65 81800537 或 contact@livehouse.sg

(备注：报名者需预付200元订金*，此金额将从总费用中扣除。余下金额（例: S$550新元-S$200新元= S$350新元）
直接支付于Livehouse Pte Ltd
咨询方式：+65 81800537
或 contact@livehouse.sg

Date : 22nd-24th May 2019
( Wednesday- Friday)
Time: 7pm-11pm

Total No. of Hours: 12Hrs
(4Hrs x 3 lesson conducted in English )

(Note: Register here with S$200 deposit*, which will be deducted from the total fees. The rest amount (e.g. S$550-S$200= S$350/-) is directly payable to Livehouse before workshop commences.)
Contact +65 81800537or email to contact@livehouse.sg for enquiries.

* The S$200/- Deposit is non-refundable in the event that the attendee wishes to withdraw from the workshop on day of commencement!

What do you think about this tutorial? Leave a comment in a comment section and make sure to subscribe to my channel and hit the bell icon for new contents from me!! cheers!!

Can you believe how james hill play his ukulele. Basically, he played melody and chords and beat at the same time. here is my realisation of his version of Bille jean. I hope you enjoy it.

His original video→https://youtu.be/dEDHdBG_5ac


Billie Jean James Hill Tutorial

James Hill Billie Jean Ukulele Tutorial

Amazing drum set technique

Imaginary band

Here is an English cover of "Kimi ni Todoke" by Japanese band flumpool. It was the theme song for the 2010 movie of the same name.

I have been getting a lot of requests for this song for a while, so I finally decided to give it a try. It was fun to translate into English and play around with the words (as always!), but it was a bit challenging to actually sing it with my vocal range, so the vocals aren't my best :-$

Also, there were a few places where it was hard to tell if the subject was "you" or "me" (Japanese doesn't always use a subject in each sentence), so please understand that this translation is just my interpretation :) Hope you like it!

～♪～♪～♪～♪～♪～

今日は、皆さんからいただいたリクエストの中で特に人気のあったflumpoolの「君に届け」の英語訳を作って歌ってみました(^^)/　この曲は、2010年の映画『君に届け』の主題歌でした。

この曲を英語に訳すのは、いつもと同じように楽しい作業でしたが、歌うことに関しては、歌えるキーに直してみると低い部分は低く、高い部分はかなり高いので歌うのがとても困難でした（ボーカルが怪しいところがあるかと思います(笑)）。また、歌詞については、主語が「僕」なのか「君」なのか分かりにくい部分があったので、この翻訳はあくまでも私の解釈です。気に入っていただけると嬉しいです(^^♪ Enjoy!

～♪～♪～♪～♪～♪～
曲情報 / SONG INFO
～♪～♪～♪～♪～♪～

flumpool / Kimi ni Todoke (May It Reach You)
Released 2010
Lyrics: Ryuta Yamamura / Music: Kazuki Sakai
English Lyrics: Rebecca Butler Watanabe

flumpool／君に届け
2010年リリース
作詞：山村隆太／作曲：阪井一生
英語詞： 渡辺レベッカ

～♪～♪～♪～♪～♪～
リンク / LINKS
～♪～♪～♪～♪～♪～

■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai

■Chords
(Coming soon)

～♪～♪～♪～♪～♪～
歌詞／LYRICS
～♪～♪～♪～♪～♪～

Oh, the way you look at me
With your eyes, precious and round
And your hands so small
And voice, a playful nasal sound

When you smile a smile so rare
I know I’m lucky to view
Yeah, you make another dream
I dreamed that day come true

Why do I find myself desiring
The happiness of everyone that passes by me?
Want to share my joy with all the world

Honestly, the day that we met
I can say it truly was the best in a while
And I want to protect that enchanting smile
Every day my feelings will grow
Which every coming year ‘til we are old
Want you to know how I really feel inside
I won’t hide the words only I can say
And hope that, now, they can find their way
Straight into your heart

There are times you want to run
And times you cry or break down
There are argument and always
Something to worry about

But you keep on walking forward
In your own special way
Underneath the sunlight pouring through the trees
You’re lovely

As lies and jealousy surround me, I won’t stray
Oh steady heart, please help to ground me
For I just have one simple wish

And now I am closing my eyes
Picturing a future by your side and I can see
That incredible smile that you showed to me
There’s one thing, just one thought that stays
On my mind forever and always
I love you so much I can’t keep it in
As I spin the words that I’ll only say
To you alone, may they find their way
Straight into your heart

And no matter how many sides of you I see
Maybe I’m overstating what I mean
But every one of them makes my heart skip a beat
And I wanna hold you tight

And if you were filled up inside with a sadness
I would go to your side to comfort you
I’d be there in the blink of an eye

Hear these words, the words that I shout
That I could not say to you ‘til now: “I love you”
Now I sing it aloud straight into your heart

来年も　再来年も
rainen mo sarainen mo
今以上に　君が好きで
ima ijou ni kimi ga suki de
それぐらい　僕のすべてで
sore gurai boku no subete de
僕にしか言えない言葉を　見つけたから
boku ni shika ienai kotoba wo mitsuketa kara
心まで交わしたい想い　君に届けたい
kokoro made kawashitai omoi kimi ni todoketai

Here is my English version of Owarinaki Tabi (Endless Journey) by Mr.Children! ミスチルの「終わりなき旅」を英語で歌ってみました♪

This is my favorite Mr.Children song. I'm afraid I didn't do it justice because there were a lot of chords I'm not used to, so my playing is rather stilted and the tempo is sort of all over the place. But I hope my version helps English-speakers appreciate this song :)

ミスチルの曲の中で一番好きな曲です♪
なので、もっと上手に弾きたかったのですが、普段弾かないコードがたくさんあって苦労しましたし、テンポもめちゃくちゃになってしまいました(^_^;)　しかし、この英語バージョンが色々な方に役立てば嬉しいです(^O^)

～♪～♪～♪～♪～♪～♪～
渡辺レベッカHP
http://BlueEyedUtaUtai.jimdo.com
～♪～♪～♪～♪～♪～♪～

Lyrics

Never looking back again
Down the road I’ve been running
Ran ‘til I could hardly breathe
I’ve got my eyes set on the future I can see
I set my dreams free

So hard to light a fire inside
It’s chiseling away my life
Like a sharpened grating knife
But I will drag along the shadows with the light
And carry on

And so I sing out, ‘til my voice rings out
That I only want someone to hold me dear
And I say to myself, don’t be a child anymore
But I keep looking for answers here

On the other side of every unturned key
There is something brand new waiting just for me
I know, I know that’s what keeps me moving on and on
Life’s never perfect, full of ups and downs
But nothing’s stopping me from trying the next door down
I will keep searching, I know there’s more to myself
The journey never ends

Even when I find a friend
Or someone with an ear to lend
The loneliness is calling out
But there is someone out there who couldn’t live without
Me by their side

And though your heart’s been torn all apart and
You cry for someone to love the pain away
You needn’t worry, ‘cause time will callously erase
Everything you ever felt someday

If you think until you cave under the strain
You’ll start to get so fed up with everything
Until you just want to quietly escape it all
But the higher that the wall is in front of you
All the better you will feel once you’ve made it through
I’m not ready to give up, I haven’t reached my limit yet

The times just keep on getting more complicated
And we seek the price we’ll pay
So people try to reconcile
Try to fit into the role they think they ought to play
Never stoop to imitation, ‘cause of you there’s only one
You won’t ever find a recipe for life, there is none

Never looking back again
Down the road I’ve been running
Ran ‘til I could hardly breathe
I see the path my dreams will take in front of me

On the other side of every unturned key
There is something brand new waiting, just you see
You know, just knowing that will keep you moving on and on
Life’s never perfect, full of ups and downs
But nothing’s stopping you from trying the next door down
Keep on, keep searching ‘cause there’s a better you out there

We can take the hesitation in our hearts
Make it positive and turn it into a new start
Always, as long as we just keep moving on and on

嫌なことばかりでは無いさ
iya na koto bakari de wa nai sa
さあ次の扉をノックしよう
saa tsugi no tobira wo nokku shiyou
もっと大きなはずの自分を探す
motto ooki na hazu no jibun wo sagasu
終わりなき旅　終わりなき旅
owari naki tabi owari naki tabi