關於 tube distortion pedal ，我們在網路上蒐集到這些相關的討論、資訊與評價

I am so thankful being guitar teacher. When I see my Skype lesson students review note, this makes me so happy!! Thanks so much everyone!! 🌈🙏❤️🎵
.
. ////Hey my friend, thank you again for yesterday’s lesson! I really enjoyed it and it was very motivating! You showed me an exercise where you kind of went up chromatically with a specific finger pattern, you remember? Would you mind sending me a sheet for that? You told me that you have one. Other than that, this is my summary from yesterday’s lesson:

Amplification
Tilt your amp slightly so you hear yourself properly
Set it up properly so it cuts through the mix (Bass 4, Mids 6, Treble 😎
Kemper Amp is good for a variety of sounds but a tube amp is good for your sound

Overdrive Pedals
It’s good to have two OD pedals with two different gauges of gain
Pedal Distortion is more convenient and easier to set up because of volume issues
Good Pedals don’t change the general tone of your guitar and your playing but add gain and embrace the overtones

Being depressed/ unmotivated
„When you have to go to bed but you’re not tired, you have two options: Either you wait and you will eventually get tired, or you go to bed and see what happens…“ Keep in mind that playing guitar is your job!
Practice simple/ foundational things like groove and timing/ things that will get you in the mood
When you’re not able to develop the feel for it, practice purely technical stuff

Practice
Have a set list of things you always do like bending, rhythm, timing, groove, etc…

Dynamics
If 100% is the peak of your volume you might turn the volume down just a little. But from there it’s possible to play softer and expand the dynamic range in the lower register.
Practice different patterns or lines with different dynamics

251
You only need 3-4 different lines that you expand upon.
Take one line and try to squeeze the most amount of potential out of it
Practice the same line in all keys

Music Tip
Charlie Parker - Blues for Alice
Charlie Parker - Confirmation
See you soon my friend!

All the best from Germany,
T R //// @thommyrosenkranz

德國憤怒合成器男孩的TLC啊哈哈哈～

Yeahhh... ermmmm............that definitely just happenned....

Multitrack stems for this live jam are now available here :-
https://www.patreon.com/lookmumnocomputer

#TLC No Scrubs Live #Cover / #Remix

Sequenced by two Arturia Beatstep pro's The first beatstep was controlling the two synth lines that were running, which i programmed in at the start on the keyboard. It also controls all the drums, running between two different beats. one for verse (4 to da flooowr) and a breakdown beat for the chorus's, basically just breaking up the kick drum pattern. The second Beatstep in this one was only controlling the JUNO (BUT HOW DO YOU SEQUENCE A POLYPHONIC INSTRUMENT WITH A BEATSTEP PRO??) easy.... the drum channel. assign all of the drum pads to different keys, that way you can play in a polyphonic synth line.
- The first synth line was a single oscillator, running into a moog style ladder filter, with not much attack on its envelope so it sounded like a slow clumsy man being followed by a trombone. In the cover i was adjusting the octave at some points but not much.

- The big bassline which comes in in the chorus is 2 synths. The main part is a triple oscillator going into a ms20 style filter, then into 2 sets of distortion, the second one (a SAFETY VALVE TUBE) has a switch which enables it which boosts the volume, this switch also engages the second bass synth which is a further 3 oscillators and a very low sub oscillator to turn on. These go into a juno style chorus widener and all that stuff. (this switch also fires out a 5v signal to turn up the VCA on the snare spring reverb, and the decay on the high hats) *talk about modular presets hey*

-The juno has 2 midi cables connecting it to the beatstep pro above, so it can send midi and receive midi.

-sadly after however many takes i did of this cover at some point kosmo's face turned off and i didnt realise DOH :(.

-My vocals are running into a roland vocal processor, so i can turn on a pitched down vocal, to add more dynamics, its also going into some saturation and some delay which i turn on and off at points.

-The ms10 is just going through a handful of pedals to make it sound a bit more gnarly, which is tough to saturate a single oscillator synth, so i send it through smallr room reverb first, then into a pitch downing cheapo chinese pedal, then into some distortion then into more reverb. the first instance of reverb gives the distortion something to bite on, instead of just boosting the signal of just a single wave, which aint too fun at all!

I literally listenned to the song a couple of times then just took the essence and forgot most of it haha. hence it ain't really a cover but more a live remix or summit? aaaah who knows!!

Also! the kick trigger is also sent to an envelope generator, which sends out an inverted output to open VCA's on the bass channels, hence you get that snazzy sidechain Ducking **quack quack*

#SunlessEffect #WinterOverdrive

[Ryan開箱系列第一集]

歡迎大家收看Ryan吉他指南，在這一系列中我會介紹許多我覺得好聽的效果器，推薦給大家！讓大家在挑選器材時更有方向！


Winter Overdrive，開發於法國裔手工效果器公司Sunless Effect，以經典TS類型效果器作為基底，加上可調整的低頻控制，增加許多音色的可塑性，獨特的Tight鈕可以收緊低頻，讓破音不再黏糊糊。
在Low Gain時，也可以透過調低Tight鈕，放開低頻的束縛，讓Low Gain更加厚實飽滿，增加存在感，讓你的聲音可以清楚被聽見！


感謝大家收看 每週更新



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演出、線上教學、北部一對一教學、合作邀約：請直接私訊

訂閱Facebook: Ryan吉他指南
https://www.facebook.com/Ryan-吉他指南-106309064052698/

00:00 オープニングデモ演奏
01:31 オープニングトーク
01:40 今回紹介する製品（UNIVERSAL AUDIO/ARROW）について
02:53 UNIVERSAL AUDIOとは
04:20 UNIVERSAL AUDIOのオーディオI/Fラインナップについて
05:02 ARROWの特徴
06:48 Unisonテクノロジーとは
08:11 付属UADプラグインについて
09:30 サウンドチェック- BOSS CE-1
10:07 サウンドチェック- Marshall Plixi Super Lead 1959 -
10:58 サウンドチェック- Fender ’55 Tweed Deluxe -
12:17 サウンドチェック- ENGL E765 Retro Tube -
12:52 サウンドチェック- Raw Distortion -
13:24 サウンドチェックを終えての総評
15:17 ARROWを導入する際の注意点
17:04 エンディングデモ演奏

※「BOSS CE-1」は現在は「BRIGADE CHORUS PEDAL」に変更されています。

製品ページ
https://hookup.co.jp/products/universal-audio/arrow

ギター、機材関連動画発信しています！少しでも参考になりましたらぜひシェア、いいね、登録ボタンポチよろしくお願いいたします！

ギタリスト山口和也のチャンネルです。
大阪出身。幼少の頃よりピアノを学び、15才でギターを始める。2002年頃からライブ・サポート、セッション・ギタリストとしてのレコーディング参加（近年ではクリス・ハート、JYJジュンス（ex.東方神起）、今井麻美、所ジョージなど）、プロとしての活動を開始。2006年、ブルージィなスタイルを生かして、すべての作曲／アレンジ／プログラミングを担当したブルース・ギター・インスト・アルバム『Mojo Tribe』を発表。ギター・インストラクターとしての活動も行っており、プロアマ問わず数百人のギタリストへの指導経験を持つ。ギター＆ベース教則本やギター誌講座の執筆活動の他、楽器メーカーのアドバイザーとして新製品の開発にも携わり、デモンストレーション演奏やクリニックでも国内外にて活動。
◎フェイスブックアカウント⇒https://www.facebook.com/kazuya.yamaguchi.guitar
◎インスタグラムアカウント⇒https://www.instagram.com/kkkzzzyyy/
◎ツイッターアカウント⇒https://twitter.com/kkkzzzyyy

山口和也 無料プライベートギターレッスンを受講する
⇒https://www.kazuya-yamaguchi.net/lesson

山口和也 とセッションする
⇒https://www.kazuya-yamaguchi.net/blank-1

山口和也 ギターセミナーを受講する
⇒https://www.kazuya-yamaguchi.net/news

著作一覧 (リットーミュージック、シンコーミュージック)
常に「最高のギターの音」が出せる方法
⇒https://www.amazon.co.jp/dp/4845632624/ref=cm_sw_r_tw_dp_U_x_3AYzBbEF095D4

ギター「無移動コード・チェンジ」エクササイズ
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弾くだけでギターのテクニックとセンスが磨かれる66のブルース
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イントロからエンディングまで! 完奏方式で完全制覇! “使える"ブルース・ギター
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イントロからエンディングまで! 完奏方式で完全制覇! “使える"ジャズ・ギター
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4小節を1分繰り返す!ギター・ループ・トレーニング[ROCK/BLUES編]
⇒http://amzn.to/2gmNR6S

4小節を1分繰り返す! ギター・ループ・トレーニング[JAZZ/FUNK編]
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パワー・コードから前進! ブルースで覚える大人のコード・ワーク
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ペンタトニックから前進! ブルースで覚える大人のスケール・ワーク
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16ビートが身につく！ ファンクで覚える大人のカッティング
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指が動くようになる! プロ実践のギター上達法51
⇒http://amzn.to/2zmpf5C

編曲/示範 by 葉宇峻
Demo/Composement by paupauband
for cooperation offer:
paupauband@hotmail.com
facebook.com/paupauband

Shopping for a British distortion pedal? Try NUX Brownie!
Classical British rock tones of 1970’s are packed into this little box.


How it works?
By using a hybrid of circuits, we create preamp and power tube distortion characteristics. You’ll be amazed to hear the warm and organic tone reproduced by it.

A special designed BJT input stage makes this distortion pedal breakup in a way when the preamp tube starts to distort. Also, Brownie has an asymmetrical clipping circuit with which you can simulate some of the characteristics of a tube amplifier. It can also keep the bottom tight by processing bass frequencies from getting muddy when they are distorted.

NUX Brownie uses a low-pass tone control filter to simulate the Variac effect (lower the voltage going into the amplifier) for rounding of your tone. The range of tone is controlled yet very useful in dialing the high end response.

The power clipping circuit is crafted from modern low noise op-amp and two red LED. It can create symmetrical clipping that distort both half of the signal and keep the sound smooth. True bypass circuits with a high quality TPDP mechanical foot switch makes the bypass signal clarity.

Specification
● Luminous knobs for checking on the dark stage
● Strong and lightweight aluminum die-cast chassis
● 9V center negative DC supply,90mA current draw
● Weight
174g/ 6 oz
● Dimensions
94(L)×51（w）×53（H）mm3.7(L)×2.0（W）×2.08（H）inches