On the surface, Shang-Chi and the Legend of the Ten Rings looks like your usual Marvel superhero movie. Sure, it has action, humour and the mandatory CGI-heavy climatic fight scene but what struck me was its underlying theme of grief and how it fractures the family. After a death in the family, both Shang-Chi & his father coped differently but in equally harmful ways resulting in miscommunication and misunderstanding between the two.
This line in the movie left a deep impression in me: “Stop hiding. It only prolongs the pain.” When it comes to dealing with grief, how true that is.
For me, Tony Leung portrayed the father brilliantly. Yes, he is cast as a villain but not in a grand flamboyant manner like Loki or Thanos. Instead, the way he carries the character softens it, and that makes him relatable. He is the anchor of the movie. Just like how other Asian stars we are familiar with - Michelle Yeoh, Fala Chen & Yuen Wah - hold their own weight.
And the action. Oh my, it is a feast for the eyes. Except for the final battle which is too CGI for my liking, the other fight scenes are reminiscent of past Jackie Chan-style kung fu and Crouching Tiger, Hidden Dragon-style wuxia choreography. 👏👏👏 Love it!
Oh, and there are TWO post-credit scenes - one during mid-credits and the other at the end of everything. You won’t want to miss them because 2 Avengers show up in one of them! 😁
Shang-Chi and the Legend of the Ten Rings opens in cinemas on 1 Sep 2021.
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【Wan Chin:Opportunists, Here Comes Payback Time】
A February 27, 2018 op-ed published by the Australian Broadcasting Corporation (ABC; see note) made a bold claim that Australians must revise what they already knew regarding the cultural practices behind Lunar New Year. Having lived in Beijing for ten years before emigrating to Australia, the Mainland Chinese author argued that the Lunar New Year activities Australians are familiar with, such as the lion dance, are nothing like what she had seen back in China before her move to Australia. This is obviously the author’s way to reject the Cantonese culture and the culture of Hong Kong in the name of “China”. I’m afraid that in the near future, overseas Hong Kongers can only watch northern-style lion dances, stuff themselves with Beijing dumplings, and drown themselves out with China Central Television’s “New Year’s Gala” as part of their Lunar New Year celebrations.
Let’s talk a little bit about the bygone days of Hong Kong. During the 1960s and the 1970s, Cantonese kung fu, as well as other elements of Cantonese culture in Hong Kong, had come to represent and define what Chinese kung fu and Chinese culture were. Yet sometimes what was clearly local Cantonese kung fu styles were foolishly misbranded as “Shaolin Kung Fu” for the purpose of self- and other-deception. In the ’80s, the Communist Chinese government released the movie Shaolin Temple in an attempt to revive China’s traditional martial arts, thereby usurping Hong Kongers’ past efforts to promote China. In the ’90s, Hong Kong directors committed the despicable crime of hiring northern Chinese martial artists to play the great Cantonese kung-fu master Wong Fei-Hung. This is an act akin to self-sabotage, as they managed to erode the Hong Kong Cantonese film and television industry painstakingly built by earlier actors such as Kwan Tak-Hing and Cho Tat-Wah, leaving nothing to posterity. The Wong Fei-Hung portrayed by Kwan Tak-Hing entrenched in my memory was not too removed from modern times. He wore costumes that were actual clothing worn during the early Chinese Republican period. He got rid of the queue hairstyle, and spoke Cantonese. On the other hand, the Wong Fei-Hung portrayed by northern Chinese martial artists such as Jet Li or Vincent Zhao wore clothing hailing from the Qing dynasty, kept the queue that symbolized the Qing dynasty, and had their dialogues dubbed in Cantonese.
During the early years of the Republic of China, Wong Fei-Hung’s student Lam Sai-Wing (nicknamed “Porky Wing”) published illustrated treatises on Hung Ga Kuen for the very first time. On the covers of “Taming the Tiger Fist” and the “Tiger-Crane Paired Form Fist”, Lam called a spade a spade and wrote the words Cantonese Martial Arts – not “Chinese kung fu”, nor “Chinese fist styles”.
Full Version: http://www.passiontimes.hk/article/05-07-2018/45649
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Check out this fun video we did in a day last year 😆去年一天即興與澳洲的演員朋友們拍攝的短片。
It is out! Unleash the 1 day shoot of very randomly crazy short "Hong Kong Shogun" featuring Xin Sarith Wuku, JuJu Chan, Andrew Dasz, Joe Fiorello, Antony Szeto, Mike Leeder, Nobuaki Shimamoto, Trung Ly, Adrian Chino Castro https://www.youtube.com/watch?v=79pziD-1pQM
Indie filmmaker Maria Tran has just finished her wacky online upload short film “Hong Kong Shogun” and it can be viewed here.
Filmed in one day in Kowloon Park, Hong Kong, Maria collaborates with the local filmmakers including actress Juju Chan (“Crouching Tiger, Hidden Dragon 2”), Antony Szeto (Director “Fist of the Dragon” & “Wushu”), Casting director extraordinaire; Mike Leeder, LA based actioneer Xin Wuku Sarith and others.
Shot on Panasonic GH4 and with a two person crew (including Maria as camera operator), this clip has proven to be full of kung fu silliness, tacky tropes & name dropping galore.
“This was definitely fast and furious, point and shoot style. Skeleton story and no storyboards. This was the first time I got to candidly collaborate with my long time martial arts genre colleagues from abroad in the most unorganized and light hearted way.” says Maria.
Trung Ly came on board as fight choreographer/ action director for this spoofy clip after devising with the Dong Thanh Alliance Martial Arts Crew back in Sydney.
“It was definitely a challenge and feel like a race against time to shoot all of this in a span of hours. We had to rely and push the actors into precision in their movement to get 1-3 take wonders.” says Trung.
SYNOPSIS: Hong Kong Shogun is an action comedy about international P.I; Charlie (Maria Tran), teaming up with larrikin rookie Tom (Xinh Wuku Sarith) to find the criminal kingpin; The Hong Kong Shogun. After many mistaken identities such with Cat Burglar (Joe Fiorello), Antonio Del Toro (Andrew Dasz) and The Show Girl (Juju Chan); they finally find what they are looking for. But are they ready to face the real shogun?
Amongst the stupid mayhem and illogic; Hong Kong Shogun is an original entertaining piece of work that pushes the boundaries of over-the-top action comedy in the contemporary setting.
Nhà làm phim Maria Trần vừa hoàn thành phim khùng điên "Hồng Kông Shogun" và nó có thể được xem tại đây.
Quay trong một ngày tại Công viên Kowloon, Hồng Kông, Maria cộng tác với các nhà làm phim địa phương bao gồm nữ diễn viên Juju Chan ( "Crouching Tiger, Hidden Dragon 2"), Antony Szeto (
đạo diễn "Fist of the Dragon" & "Wushu"), người casting quốc tế; Mike Leeder, võ sĩ Mỹ
Xin Wuku Sarith và những người khác. Quay trên máy ảnh Panasonic GH4 và với một phi hành đoàn hai người (bao gồm cả Maria như vận hành máy quay), clip này đã chứng minh được đầy đủ các dại kung fu, ý tưởng ngớ ngẩn và tính năng nổi tiếng tại Hồng Kông.
“Phim nay quay rac la nhanh; Câu chuyện khong co chieu sau và không có cốt truyện. Đây là lần đầu tiên tôi đã cộng tác với các đồng nghiệp thời gian dài thể loại võ thuật của tôi từ nước ngoài một cách tận tình chưa được tổ chức và ánh sáng nhất. "Maria nói.
Trung Lý la nguoi dao dien hanh dong trong clip nay sau khi tap dot voi Crew ở Sydney.
"Đó chắc chắn là một thách thức và cảm thấy giống như một cuộc chạy đua với thời gian để quay tất cả boi canh trong một khoảng thời gian giờ. Chúng tôi đã phải dựa và đẩy các diễn viên vào độ chính xác trong phong trào của họ để có được 1-3 takes. " Nói Trung.
TÓM TẮT: Hồng Kông Shogun là một bộ phim hài hành động về P.I quốc tế; Charlie (Maria Trần), hợp tác với Tom (Xin Wuku Sarith) để tìm các trùm tội phạm; Hồng Kông Shogun. Sau nhiều sắc nhầm lẫn như vậy với Cát chống trộm (Joe Fiorello), Antonio Del Toro (Andrew Dasz) và The Girl (Juju Chan); cuối cùng họ đã tìm thấy những gì họ đang tìm kiếm. Nhưng họ đã sẵn sàng để đối mặt với những shogun thực?
Trong số các tình trạng lộn xộn ngu ngốc; Hồng Kông Shogun là một mảnh giải trí mà đẩy ranh giới của bộ phim hài hành động trong bối cảnh đương đại.
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Tiger style is a mystical form of kung - fu first made popular by the Wu-Tang Clan. Tiger style is so ridiculously badass that even if you are ... ... <看更多>
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