關於 spectrum韓團 ，我們在網路上蒐集到這些相關的討論、資訊與評價

連「外國勢力」都關心我們，為我們走上街冒雨遊行，七一我們怎可以不出來上街救自己的香港。

【 6.29 東京冒雨撐港遊行】

下午2時，30人遊行隊伍於日比谷公園出發，約10名日本人參與遊行，當中有關心政治的人，也有第一次參與遊行的日人。

At 2 o'clock in the afternoon, 30 protestors joined the anti-extradition bill march set off at Hibiya Park. There were around 10 Japaneses joined the march. Some of them used to pay attention to political issue while some of them participated in a march for the first time in their life.

「對於日本人，《逃犯條例》是很難理解的，但是香港有百萬人出來遊行，那便是香港給我們的訊息。情況就如北韓人在日本拐帶我們到北韓一樣，這關乎每一個日本人的事。」長年關心北韓問題的佐藤悟志（Satou Satoshi）站在隊頭大喊道。

“The extradition Bill is difficult to understand to the Japanese. However, there were a million people stood up and joined the protest in Hong Kong. That is the message that Hong Kong has given us. The situation is like the issue of North Koreans abducting us to North Korea in Japan. This issue is related to every Japanese,” said Satou Satoshi, a Japanese activist who always pays attention to issue related to North Korea

在6月12日，Tiwtter開始流傳了香港立法會的示威影片，佐藤悟志開始關心修訂《逃犯條例》的事。他認為，台灣、香港和日本共同對抗的是共產黨，所以他形容是劉備和關羽的關係，情如兄弟。

On June 12, the video of Hong Kongers protesting at the Legislative council circulated in Twitter and he started to follow the amendment of the extradition law closely. He thinks that the common enemy of Hong Kong and Japan is the communist party. He described the ‘brotherhood’ between Hong Kong and Japan as the relationship of Liu Bei and Guan Yu, two characters in one of the masterpiece of Chinese classical literature.

打工仔的阿貴是香港Fans，自少聽許冠傑的歌。今日是第一次參與遊行，阿貴說他原本想參加13日的涉谷集會，因為上班未能出席，今次就算下雨也想為香港出分力，「林鄭月娥這樣也不下台，這樣不行的。」

Ah Gui, a normal employee, is a fan of Hong Kong. He has listened to Hong Kong Singer, Sam Hui’s songs since he was a child. This is Ah Gui’s first time joining a march. He was planning to join the public meeting on June 13, but he was not able to join at last due to his work. Therefore, the raniny weather did not obstruct him to stood up for Hong Kong. “Carrie Law is not stepping down now. This is not acceptable,” said Ah Gui.

不願意透露姓的日人遊行人士指，今次香港發生警方暴力鎮壓事件，勾起30年前八九六四的回憶，他又說由13日澀谷遊行開始，不論右翼左翼或是自由主義不同政治光譜的人，都傾向支持香港，這樣「大團結」，在日本是少有的。

A Japanese protestor who does not want to reveal his identity said the violent acts of the police and the excessive force they used against the protesters made him think of the June Forth incident happened 30 years ago. He also mentioned that, regardless of people’s political spectrum, such as the right-wing , the left-wing, or those who support liberalism , tend to support Hong Kong from June 13 when the Shibuya demonstration took place. He said this kind of ‘unity’ is rare in Japan.

Suzuko Hirano

東京採訪：記者關震海 （自我新聞導讀）
英文翻譯：記者 王紀堯

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Voices of Photography
Issue 20 : 冷戰影像．美國因素
Cold War Images．The American Factor

冷戰，一個自二戰後從美國與蘇聯為首的對立關係之中展開，進而影響世界局勢與歷史發展的關鍵詞彙。1950年代起，居於美國反共圍堵政策重要位置的台灣——麥克阿瑟口中的「不沉的航空母艦」——也在美援的推力下，進入了一個新的社會與文化狀態。從意識形態到可口可樂，美國因素至今依舊牽動著東亞世局與我們日常生活的方方面面。在本期專題中，我們從台灣出發，循著東亞島鏈爬行，從冷戰時期的影像檔案，到後冷戰時期的當代攝影創作，對遠去卻仍鮮明的冷戰記憶進行了一次影像考查。

以文化冷戰作為切點，張世倫推究東亞冷戰架構下的圖像線索，剖視美國新聞處與國府的影像敘事策略；單德興與王梅香分別從香港美國新聞處自1950年代起發行的《今日世界》與《四海》畫報，揭開冷戰年代資本主義陣營宣傳戰的紙上烽火；李威儀探查農復會於美援時期拍攝的照片檔案，尋找過往台灣攝影譜系中遺落的美援身影；仲嶺繪里奈以不同世代沖繩攝影家的在地視角，細細解讀戰後沖繩人在美軍佔領與基地環繞下，複雜糾結的認同與抵抗；朴智洙藉由多位南韓攝影家的影像，訴說朝鮮半島分斷體制在北緯38度線間的沉重拉扯；許芳慈則透過藝術家菲奧娜．阿蒙森與萬迪拉塔那的作品，揭示在美國主導的冷戰史學之外的異質論述與歷史創傷。

此外，我們更專訪曾在六○年代派駐台灣的美軍退役士官長肯特．馬修。1965年，23歲年輕的馬修搭上C-54運輸機來到台灣，在隸屬美國空軍的台北通訊站工作，同時兼任台北美軍顧問團軍官俱樂部分部的經理；退休後，他建立了網站，召集許多當年駐台的美國老兵分享在台灣的時代足印。在馬修的軍旅回顧裡，我們彷彿重返歷史現場——美國大兵、俱樂部和基地……。這不只是一個老兵的故事，更是一段屬於台灣的集體記憶。

今年初，對當代視覺文化思考有深遠影響的藝評家約翰．伯格，以高齡90歲辭世。為紀念他，我們邀請影像評論家郭力昕與張世倫在編輯室進行了一場長篇對談，深度評析伯格的觀點論述及其知識份子典型，同時由資深藝評家黃翰荻執筆，追憶伯格敏銳深刻的觀看之道，絕對適合伯格的重度讀者。此外，這期我們也開啟一個新的攝影書選書單元「Photobook Club」，每期邀請一位國際影像工作者、研究者或收藏者，為讀者挑選近來值得關注的攝影書籍，本期將由位在墨爾本的亞太攝影書庫創辦人伯克-史密斯率先為大家介紹。

二月截稿之際，傳來青年藝術家任航輕生的惡耗，讓人震驚不已。我們在2013年的「身體與性」專題曾與任航對話，在他作品中穎異的肢體語言所展露的視覺張力，推進著身體意識的遊戲邊界，令人著迷，也使他成為近年國際攝影圈的一顆新星，但他卻毫不留戀地如流星飛去，告別他正澄亮的藝術生命。謹在此揮手，悼念送行。任航，好走！

◼︎ 購書 | Order : https://goo.gl/rfyotr
◼︎ 訂閱 | Subscribe : https://goo.gl/nYzUQh

Cold War, a historical keyword, refers to a period of time which unfolded after World War II with conflicting relations between the United States and the Soviet Union, affecting the political and historical development of the world. From the 1950s, The U.S.’s anti-communist stronghold Taiwan, which was hailed by McArthur as the “Unsinkable aircraft-carrier”, entered a new social and cultural order under the influence of U.S. Aid. From ideology to Coca-Cola, “The American factor” has been influencing developments in East Asia and our daily lives in more ways than one. In this issue, we set off from Taiwan and move along the East Asian island chain as we look into image archives of the Cold War era to contemporary post-Cold War photography work, conducting a visual study of distant yet fresh Cold War memories.

Using the Cultural Cold War as his point of discussion, Shih-Lun Chang examined the pictorial clues under the framework of the Cold War in East Asia, in order to analyse the strategies of pictorial narratives by the U.S. Information Service and the KMT government; Te-Hsing Shan and Mei-Hsiang Wang respectively made use of the study of World Today and Four Seas, both started by the U.S. Information Service in Hong Kong, to unravel the intense ideological war by the Cold War Capitalist camp on paper. Through his study of the “Joint Commission on Rural Reconstruction” image archives' shots captured during the U.S. Aid Period, Wei-I Lee searched for past images of the U.S. Aid Period left behind in Taiwan's photography spectrum.

Furthermore, Erina Nakamine chose to make use of the local perspectives of three Okinawan photographers from three generations to conduct a detailed study of Okinawans' complicated self-identity and resistance issues while under American rule and surrounded by U.S. military bases. Through the photographic images of many South Korean photographers, Park Jisoo told the heavy-hearted story of struggles that took place in the Korean Peninsula on the 38th parallel. Fang-Tze Hsu's unraveling of alternative discourse and historical trauma outside of the US-centric Cold War historiography was done through a study of Fiona Amundsen and Vandy Rattana's works.

In addition, we also feature an interview with a retired U.S. Sergeant First Class, Kent Mathieu, who was based in Taiwan in the Sixties. He arrived in Taiwan on a C-54 carrier in 1965 where he worked in Taipei Air Station belonging to the U.S. Air Force in Taipei, while he also took up the post of Manager in the MAAG HQ’s Annex Officer's Club in Taipei. Following his retirement, Mathieu set up a website which served as a depository of memories for many American soldiers who had previously served in Taiwan. Through the memories of Mathieu’s military career, it was as if we were teleported back in time to the era filled with images of U.S. soldiers, clubs, pubs and bases..... These imprints which have been gradually forgotten in Formosa not only formed the stories of many US soldiers once based in Taiwan, but also collective memories belonging to Taiwan as well.

Earlier this year, renowned and influential art critic John Berger passed away at age 90. In memory of him, we invited photography critic Li-Hsin Kuo and Shih-Lun Chang for a long dialogue to conduct an in-depth critique of Berger’s ideas and his identity as an intellectual. At the same time, we invited experienced art critic Han-Di Huang to pen an article detailing Berger’s acute and intense views on seeing, which would certainly satisfy Berger’s ardent fans. In addition, from this issue onwards, we have started a new segment “Photobook Club” where we invite an international image practitioner, author, researcher or collector, to introduce to our readers recent worthy photobook reads. This issue, we open with Daniel Boetker-Smith, who is the founder of Melbourne-based Asia-Pacific Photobook Archive.

As we close our articles collection in February, we have received the sad news of young artist Ren Hang’s suicide, which has left us in deep shock. We had a dialogue with Ren Hang in 2013 for the Bodies and Sex feature, we saw for ourselves the visual tension demonstrated through body language in his works, where he mesmerized all with his pushing of the game boundaries circling the human body. This led him to become the young star of the international photography scene in recent years. With his passing which happened like disappearing shooting stars, his illustrious life as an artist has also ended. We wish to bid him a fond farewell, may you rest in peace, Ren Hang!

---
Voices of Photography 攝影之聲
www.vopmagazine.com

新刊現身 | NEW RELEASE (第20期!!!)

Voices of Photography
Issue 20 : 冷戰影像．美國因素
Cold War Images．The American Factor

冷戰，一個自二戰後從美國與蘇聯為首的對立關係之中展開，進而影響世界局勢與歷史發展的關鍵詞彙。1950年代起，居於美國反共圍堵政策重要位置的台灣——麥克阿瑟口中的「不沉的航空母艦」——也在美援的推力下，進入了一個新的社會與文化狀態。從意識形態到可口可樂，美國因素至今依舊牽動著東亞世局與我們日常生活的方方面面。在本期專題中，我們從台灣出發，循著東亞島鏈爬行，從冷戰時期的影像檔案，到後冷戰時期的當代攝影創作，對遠去卻仍鮮明的冷戰記憶進行了一次影像考查。

以文化冷戰作為切點，張世倫推究東亞冷戰架構下的圖像線索，剖視美國新聞處與國府的影像敘事策略；單德興與王梅香分別從香港美國新聞處自1950年代起發行的《今日世界》與《四海》畫報，揭開冷戰年代資本主義陣營宣傳戰的紙上烽火；李威儀探查農復會於美援時期拍攝的照片檔案，尋找過往台灣攝影譜系中遺落的美援身影；仲嶺繪里奈以不同世代沖繩攝影家的在地視角，細細解讀戰後沖繩人在美軍佔領與基地環繞下，複雜糾結的認同與抵抗；朴智洙藉由多位南韓攝影家的影像，訴說朝鮮半島分斷體制在北緯38度線間的沉重拉扯；許芳慈則透過藝術家菲奧娜．阿蒙森與萬迪拉塔那的作品，揭示在美國主導的冷戰史學之外的異質論述與歷史創傷。

此外，我們更專訪曾在六○年代派駐台灣的美軍退役士官長肯特．馬修。1965年，23歲年輕的馬修搭上C-54運輸機來到台灣，在隸屬美國空軍的台北通訊站工作，同時兼任台北美軍顧問團軍官俱樂部分部的經理；退休後，他建立了網站，召集許多當年駐台的美國老兵分享在台灣的時代足印。在馬修的軍旅回顧裡，我們彷彿重返歷史現場——美國大兵、俱樂部和基地……。這不只是一個老兵的故事，更是一段屬於台灣的集體記憶。

今年初，對當代視覺文化思考有深遠影響的藝評家約翰．伯格，以高齡90歲辭世。為紀念他，我們邀請影像評論家郭力昕與張世倫在編輯室進行了一場長篇對談，深度評析伯格的觀點論述及其知識份子典型，同時由資深藝評家黃翰荻執筆，追憶伯格敏銳深刻的觀看之道，絕對適合伯格的重度讀者。此外，這期我們也開啟一個新的攝影書選書單元「Photobook Club」，每期邀請一位國際影像工作者、研究者或收藏者，為讀者挑選近來值得關注的攝影書籍，本期將由位在墨爾本的亞太攝影書庫創辦人伯克-史密斯率先為大家介紹。

二月截稿之際，傳來青年藝術家任航輕生的惡耗，讓人震驚不已。我們在2013年的「身體與性」專題曾與任航對話，在他作品中穎異的肢體語言所展露的視覺張力，推進著身體意識的遊戲邊界，令人著迷，也使他成為近年國際攝影圈的一顆新星，但他卻毫不留戀地如流星飛去，告別他正澄亮的藝術生命。謹在此揮手，悼念送行。任航，好走！

◼︎ 購書 | Order : https://goo.gl/rfyotr
◼︎ 訂閱 | Subscribe : https://goo.gl/nYzUQh

Cold War, a historical keyword, refers to a period of time which unfolded after World War II with conflicting relations between the United States and the Soviet Union, affecting the political and historical development of the world. From the 1950s, The U.S.’s anti-communist stronghold Taiwan, which was hailed by McArthur as the “Unsinkable aircraft-carrier”, entered a new social and cultural order under the influence of U.S. Aid. From ideology to Coca-Cola, “The American factor” has been influencing developments in East Asia and our daily lives in more ways than one. In this issue, we set off from Taiwan and move along the East Asian island chain as we look into image archives of the Cold War era to contemporary post-Cold War photography work, conducting a visual study of distant yet fresh Cold War memories.

Using the Cultural Cold War as his point of discussion, Shih-Lun Chang examined the pictorial clues under the framework of the Cold War in East Asia, in order to analyse the strategies of pictorial narratives by the U.S. Information Service and the KMT government; Te-Hsing Shan and Mei-Hsiang Wang respectively made use of the study of World Today and Four Seas, both started by the U.S. Information Service in Hong Kong, to unravel the intense ideological war by the Cold War Capitalist camp on paper. Through his study of the “Joint Commission on Rural Reconstruction” image archives' shots captured during the U.S. Aid Period, Wei-I Lee searched for past images of the U.S. Aid Period left behind in Taiwan's photography spectrum.

Furthermore, Erina Nakamine chose to make use of the local perspectives of three Okinawan photographers from three generations to conduct a detailed study of Okinawans' complicated self-identity and resistance issues while under American rule and surrounded by U.S. military bases. Through the photographic images of many South Korean photographers, Park Jisoo told the heavy-hearted story of struggles that took place in the Korean Peninsula on the 38th parallel. Fang-Tze Hsu's unraveling of alternative discourse and historical trauma outside of the US-centric Cold War historiography was done through a study of Fiona Amundsen and Vandy Rattana's works.

In addition, we also feature an interview with a retired U.S. Sergeant First Class, Kent Mathieu, who was based in Taiwan in the Sixties. He arrived in Taiwan on a C-54 carrier in 1965 where he worked in Taipei Air Station belonging to the U.S. Air Force in Taipei, while he also took up the post of Manager in the MAAG HQ’s Annex Officer's Club in Taipei. Following his retirement, Mathieu set up a website which served as a depository of memories for many American soldiers who had previously served in Taiwan. Through the memories of Mathieu’s military career, it was as if we were teleported back in time to the era filled with images of U.S. soldiers, clubs, pubs and bases..... These imprints which have been gradually forgotten in Formosa not only formed the stories of many US soldiers once based in Taiwan, but also collective memories belonging to Taiwan as well.

Earlier this year, renowned and influential art critic John Berger passed away at age 90. In memory of him, we invited photography critic Li-Hsin Kuo and Shih-Lun Chang for a long dialogue to conduct an in-depth critique of Berger’s ideas and his identity as an intellectual. At the same time, we invited experienced art critic Han-Di Huang to pen an article detailing Berger’s acute and intense views on seeing, which would certainly satisfy Berger’s ardent fans. In addition, from this issue onwards, we have started a new segment “Photobook Club” where we invite an international image practitioner, author, researcher or collector, to introduce to our readers recent worthy photobook reads. This issue, we open with Daniel Boetker-Smith, who is the founder of Melbourne-based Asia-Pacific Photobook Archive.

As we close our articles collection in February, we have received the sad news of young artist Ren Hang’s suicide, which has left us in deep shock. We had a dialogue with Ren Hang in 2013 for the Bodies and Sex feature, we saw for ourselves the visual tension demonstrated through body language in his works, where he mesmerized all with his pushing of the game boundaries circling the human body. This led him to become the young star of the international photography scene in recent years. With his passing which happened like disappearing shooting stars, his illustrious life as an artist has also ended. We wish to bid him a fond farewell, may you rest in peace, Ren Hang!

---
Voices of Photography 攝影之聲
www.vopmagazine.com

字幕由[cacabadger]認領編輯^^
FB粉絲團 https://goo.gl/3buH6u
有聽覺障礙的觀眾朋友提出希望有字幕，我也希望可以加上字幕讓有這方面需求的朋友可以更方便，但是因為我實在沒有時間可以加字幕，所以希望麻煩有時間的觀眾朋友如果願意的話幫忙我加上字幕，要編輯某支影片字幕的人可以先用facebook私訊我認領影片，然後我會在該影片資訊欄第一行寫該影片由某某人(綽號也可以，純粹想讓大家知道要謝謝哪位辛苦的觀眾XD)認領字幕了，這樣就不會有重複加字幕害大家做白工的問題了~謝謝大家:))
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影片中介紹的產品

MISSHA - Color Filter Shadow Palette # 1
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MISSHA - Color Filter Shadow Palette # 2
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以上產品皆為本人自行購買
__
影片中使用音樂為YouTube免費提供
Old Friend
Words
Clear Air Somewhere Sunny
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我的膚質接近中性，冬天偏乾一點，生理期前偏混合肌
膚色大約是
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Dermablend - Cover Creme Broad Spectrum SPF # Natural Beige

字幕由[辰馨]認領編輯^^
FB粉絲團 https://goo.gl/3buH6u
有聽覺障礙的觀眾朋友提出希望有字幕，我也希望可以加上字幕讓有這方面需求的朋友可以更方便，但是因為我實在沒有時間可以加字幕，所以希望麻煩有時間的觀眾朋友如果願意的話幫忙我加上字幕，要編輯某支影片字幕的人可以先用facebook私訊我認領影片，然後我會在該影片資訊欄第一行寫該影片由某某人(綽號也可以，純粹想讓大家知道要謝謝哪位辛苦的觀眾XD)認領字幕了，這樣就不會有重複加字幕害大家做白工的問題了~謝謝大家:))
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影片介紹的產品

SUQQU - 晶采立體粉底液 # 102
https://goo.gl/0yycbR

Jouer - Luminizing Moisture Tint # Golden
https://goo.gl/snahZs

the SAEM - 重點遮瑕液 # 2.0
the SAEM - 重點遮瑕液 # 粉色
the SAEM - 重點遮瑕液 # 膚色
(韓文色號是寫修容，不知為何台灣的網站要寫膚色XDDDD)
https://goo.gl/hg6sns

Amazing Cosmetics - AMAZINGCONCEALER Corrector # Light/Medium
http://goo.gl/jlOZbT

KATE - 雙用立體眉彩筆 (扁平芯) #BR-3
http://goo.gl/h3cxfW

INGLOT - AMC Eyeliner Gel # 77
https://goo.gl/ukxzPi

ANASTASIA BEVERLY HILLS - Subculture Palette
https://goo.gl/LbvUvX

LORAC - PRO Palette 3
https://goo.gl/ufM46a

BECCA - Luminous Blush # Dahlia
https://goo.gl/A931Ef

MAC - Powder Blush # Peaches
https://goo.gl/fJ23Cs

LORAC - Pro Contour Palette
https://goo.gl/1E04jr

Etude House - 琺瑯瓷 釉光潤澤唇膏 # BE101
https://goo.gl/2QGoWs

MAC - Lipstick # Kinda Sexy
https://goo.gl/431mZO

Stila - Stay All Day Liquid Lipstick # Aria
https://goo.gl/Xg1JMf

以上產品皆為本人自行購買
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影片中使用音樂為YouTube免費提供
Italian Morning
Noel
Arabian Sand
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我的膚質接近中性，冬天偏乾一點，生理期前偏混合肌
膚色大約是
MAC NC20
Too Faced Cocoa Powder Foundation # Golden Light
Tarte Amazonian Clay 12-Hour Full Coverage Foundation # Light Sand
e.l.f. Moisturizing Foundation Stick # Nude
Make Up For Ever ULTRA HD FOUNDATION Fluid foundation # Y245
Too Faced Born This Way Foundation # Warm Nude
Kat Von D Lock-It Foundation # 49
SUQQU Frame Fix Liquid Foundation Lightness # 102
Urban Decay - Naked Skin Weightless Ultra Definition Liquid Makeup # 3.0
Marc Jacobs Beauty - Re(marc)able Full Cover Foundation Concentrate # Bisque
Neutral 27
Dermablend - Smooth Liquid Camo Foundation # Camel
Dermablend - Cover Creme Broad Spectrum SPF # Natural Beige

之後懷孕後期到寶寶出生初期應該影片產出狀況會是一團亂
但因為愛用品是我自己最喜歡看的單元. 我會盡力維持愛用品上傳頻率的!
只是寶寶出生後可能會多一些母嬰用品XD
✌ More Catie ⇊ ------------------------­---------------------------
Blog: http://hellocatie.pixnet.net/blog
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IG: https://instagram.com/hellocatie45/
微博: http://weibo.com/u/5857005306
For business inquiries ▸▸ byumoe88@gmail.com (business only!!)
♦♦♦徵求字幕♦♦♦
需要志同道合的美妝愛好者加入創作行列
徵求中 / 英 / 日 / 韓 字幕
上字幕教學➛ https://goo.gl/iURCeD (頁面裡有影片教學)
*注意* 已經有字幕的語言別就不用重複提供囉, 真的很感激大家的幫忙
如果你有提交字幕, 麻煩務必來信byumoe88@gmail.com聯繫
我會寄送小卡片致謝
希望能透過大家的努力, 讓我們製作的影片給世界上更多人看到☺
✌ More information about this video⇊ -------------------
◂◂Products I mentioned▸▸
日本牛乳屋 無咖啡因奶茶及咖啡 (在日本阿卡將買的, 台灣網拍也找的到)
七七乳加巧克力 (台灣人都知道哪買, 不是台灣人的: 便利商店有單條包裝, 家樂福等家庭量販超市有大包裝)
NARS Radiance Primer Broad Spectrum SPF 35 Sunscreen 裸光妝前乳 (粉紅色包裝那隻, 保濕度好, 擦上臉會有很自然的水光, 偏油肌可能比較不適合喔)
YSL Volupté Tint-In-Oil 情挑誘色美唇精粹 #13
wet n wild photofocus concealer #light/medium beige (我用稍微有點太深, 中間膚色的捧油用這色很合適喔, 皮膚比較白的可以再買白一個色號)
NARS Lip Gloss 星燦唇蜜 #ARAGON
shu uemura 植村秀 武士刀眉筆 #07 (不是自動的喔!!我影片中字卡上錯了)
MILANI Baked Blush #luminoso (影片中忘記說, 腮紅內有附一個刷子, 但刷子極爛 收到就可以丟了XD)
MUJI Cleansing Oil 無印良品敏感肌卸妝油 (算是目前我用過的開架中成分比較好, 卸妝力好又不熏眼的優秀卸妝油)


Hope you enjoy this video!
XO - Catie

✌ FAQ ⇊ ------------------------­---------------------------
What camera do you use使用的相機: Panasonic GF7
What's your skin type我的膚質: Normal to dry中性(眼下偏乾)
What software do you use to edit video影像剪輯軟體: 威力導演

DISCLAIMER:
This is NOT a sponsored video!

Music:
「Kevin MacLeod」創作的「Carefree」是根據「Creative Commons Attribution」(https://creativecommons.org/licenses/by/4.0/) 授權使用
來源：http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400037
演出者：http://incompetech.com/