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在magic photo film這個產品中，有8篇Facebook貼文，粉絲數超過1萬的網紅張作驥電影工作室，也在其Facebook貼文中提到， 久違了。 給大家帶來個好消息，我們於去年年底製作的短片《還記得的樣子》將赴香港參與今年度的 Fresh Wave International Short Film Festival 香港鮮浪潮短片展，可喜可賀！香港的朋友記得手刀買票哦~ We're glad to announce that o...
　同時也有9部Youtube影片，追蹤數超過28萬的網紅#mvcthinh，也在其Youtube影片中提到，QUAY VIDEO QUẢNG CÁO CHỈ VỚI 50K NHƯNG XEM XONG VIDEO CÁC BẠN SẼ RÕ.... Trước tiên để dựng video thì cần chi máy tính đắc tiền nữa? CÓ THỂ DÙNG KINEM...

magic photo film 在 張作驥電影工作室 Facebook 的最讚貼文

張作驥電影工作室 By 張作驥電影工作室

2020-05-09 13:33:11 有 102 人按讚
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久違了。

給大家帶來個好消息，我們於去年年底製作的短片《還記得的樣子》將赴香港參與今年度的 Fresh Wave International Short Film Festival 香港鮮浪潮短片展，可喜可賀！香港的朋友記得手刀買票哦~

We're glad to announce that one of our short film production "Memory" has been selected at this year's Hong Kong Fresh Wave Short Film Festival, hope our friends in Hong Kong can support this film in the cinema!
.
🎬《還記得的樣子》Memory (2020) | 13 min

監製：張作驥
導演：謝惠菁
編劇：謝惠菁
攝影：簡強
演員：楊麗音、方亭、孫秉森、林郁璋

二十年前火車經過的時候，韶光就此停駐。火車往往連結人的記憶與時間，我們不能回到過去，但電影可以。謝惠菁新人執導、張作驥電影工作室製作《還記得的樣子》，充滿了張作驥一直處理的主題：魔幻的時間與記憶。姊姊芳婷患上阿茲海默症，還記得的家庭的樣子，便是一張全家福。全家福內獨欠一人，又見張作驥作品內常有的餐桌對話場面，芳婷問母親為何相片中的人變老；此時那個不在場的兄長，歸來到餐桌旁坐下——就像張作驥的經典《黑暗之光》一樣。

When the train passed by twenty years ago, time remained. Trains are always connected with memories and time. Memory, directed by Hsieh Hui-jing and produced by Chang Tso-chi Film Studio, inherits several themes in Chang’s work. Here memory takes the form of a magic realist space where Fong Ting, who suffers from Alzheimer's disease, is curious about a family photo. She cannot figure out what her brother looks like. Where is her brother? The absent one in the family haunts everyone..In a dining scene frequently featured in Chang’s works, when Fong Ting asks her mother why her brother has become older in the photo, her brother is just returning home bringing with him bittersweet memories. Just like the ending scene of Chang’s classic Darkness and Light.
.
鮮浪潮官網介紹：http://www.freshwave.hk/?a=doc&id=2145

#還記得的樣子 #memory #謝惠菁 #張作驥 #楊麗音 #方亭 #林郁璋 #孫秉森 #鮮浪潮短片展 #freshwaveHK #shortfilm

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小津安二郎：「我只會做豆腐，所以我只賣豆腐。」 Instagram:https://www.instagram.com/changtsochifilm/
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magic photo film 在 2how Facebook 的精選貼文

2how By 2how

2020-01-20 00:26:39 有 162 人按讚
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ทำไมถึงต้องถ่าย Log
คำตอบแบบสั้นๆเร็วๆคือ...

🎬เพราะ RAW มันหนัก

🎬เพราะสี Video มันจบหลังกล้อง

🎬Log เป็น non-destructive ด้านสี
คือใกล้เคียงกับสิ่งที่ image sensor บันทึกได้
ยังไม่ได้มีการปรุงแต่งอะไรในกล้อง
ที่เมื่อทำไปแล้วเอาคืนไม่ได้

🎬Log จึงเป็นทางสายกลาง
ในกรณีที่ต้องการทำโพสต์
ไม่อยากทำงานหนักเท่า raw
แต่แก้สีได้มากกว่าถ่ายเป็นสีวิดีโอ

#######################

แต่การถ่าย log ก็มาพร้อมกับ...

🎬workflow ที่ถูกต้อง

คือต้องมีการทำ online - offline
เพราะสีของ Log มันเอาไปตัดต่อแล้วคนจะงง
และการถ่าย Log มันต้องบันทึกด้วย bitrate ที่สูงขึ้น
ห้องตัดถึงแม้จะบอกว่าตัดไหว แต่จะไม่มีที่เก็บ
ไฟล์จะ original จะอยู่ที่ห้องโพสต์
ห้องตัดจะเก็บแค่ proxy

เวลาตัดต่อไม่ใช่ทุกกล้อง
หรือทุกฟุตที่ใช้ตัดจะเป็น Log
บ้างก็มาจากกล้องที่ถ่าย Log ไม่ได้
บ้างก็เป็นสี sRGB จากกราฟฟิก
ที่ต้องเอามาแปะบนภาพ
บ้างก็เป็น found footage ที่เป็นสี video

เราไม่สามารถเอาฟุตต่างระบบสี
มา cross dissolve ใส่กัน
หรือเอา CG สีวิดีโอมาแปะ
บน BG ที่เป็น Log ได้

ทีมถ่ายถ่าย Log เช็ต bitrate สูงมาอย่างดี
คนตัดจับแปลงเป็น codec เบา
ตัดเสร็จก็เรนเดอร์ส่งไปแก้สีทั้งแตกๆงั้น

🎬ความเข้าใจของผู้ปฏิบัติงาน

ถ่าย Log อ๋อต้องแก้สีอยู่แล้ว
ก็ถ่ายๆไปเลย wb ไม่ต้องปรับจากล้อง
อันนี้คือความเข้าใจผิดอย่างแรง

ขาดการ preview ที่ถูกต้อง
เช่น พอกดถ่าย Log
ทำไมภาพมันสว่างๆ อยากได้มืดๆ
ก็ถ่ายมามืดๆ ทั้งที่ preview ดูสี Log อยู่
พอเข้าโพสต์ noise ยับเลยทีนี้

Log มีตั้งหลายแบบ
โซนี่เองก็มี SLog2 กับ SLog3
เมื่อไหร่ควรใช้ SLog2
เมื่อไหร่ควรใช้ SLog3

ถ่าย Log แล้วเอ๊ะทำไมสีซีดๆ
หวังดี กลัวคนเอาไปทำงานต่อลำบากดึงสี
เลยเร่งสีจากกล้อง ถมสีบน Log ลงไปอีกที
ทำให้ color pipeline เสีย

คนตัดเอาทุกอย่างยำรวมกัน
แล้วพอสีโดดกลัวขายงานไม่ได้
ตัวคนตัดอาจจะปรับสีเอง
หรือโดนสั่งให้ปรับ
เพื่อส่งให้ผู้ใหญ่ดูก่อน
แล้วก็เรนเดอร์สิ่งที่ปรับแล้วนั้น
ส่งต่อให้คนแก้สีทำงานอีกที
โดยบอกว่า "เค้าช่วยปรับมาแล้ว
ปรับต่อได้เลย น่าจะเร็วขึ้น"
หืมมมมมมมมมมมม

คนแก้สีก็ไม่เข้าใจ
บางทีเจอไฟล์ Log ก็บอกให้ทีมกล้อง
ปรับสีที่กล้องให้เยอะขึ้นตอนถ่าย Log
จะได้ปรับในโพสต์ได้ง่ายขึ้น
ซึ่งก็ผิดอีก

###############################

สรุปคือ ไม่ควรถ่าย Log ถ้าไม่พร้อมจริงๆ
การถ่าย Log ไม่ใช่ยาวิเศษ
ไม่ใช่กระแส หรือถ่ายเป็นแฟชั่นตามๆกัน
ถ้าทำแบบนั้น มันจะออกมาเละ
กว่าการถ่ายสีวิดีโอปรกติ

เพราะ....

ที่ bitrate หรือ bit depth เท่ากัน สีวิดีโอ
ไล่ระดับความสว่างได้เนียนกว่า Log

สีวิดีโอ Rec.709 ยังคงเป็นมาตรฐานกลาง
เราสามาถถ่ายเป็น Rec.709 ได้ทุกกล้อง
แล้วตัดต่อ cross dissolve ใส่กันได้ทันที

สีวิดีโอ Rec.709 ไม่ต้องการ preview
ไม่ต้องการอุปกรณ์เพิ่ม ทำงานสะดวก
ต้นทุนในการถ่ายทำถูกกว่า

ก็พิจารณาตามความเหมาะสมครับ
#ครอบครัวมีสุขถ่ายLogเมื่อพร้อม
Why do you have to take a Log
A quick quick answer is...

Because RAW is heavy.

Because Video color is over behind the camera.

🎬 Log is non-destructive color
It's close to what image sensor records.
Haven't had any additions on camera yet.
When you do it, you can't take it back

🎬 Log so it's the middle line
In case of making a post
Don't wanna work as hard as raw
But it's more colorful than a video color.

#######################

But a log shoot also comes along...

🎬 the right workflow

Online - offline is required.
Because the color of Log is edited and people will be confused.
And Log shooting it has to be recorded with higher bitrate
Cutting room, even if I can cut it, I won't have storage.
The original file will be at the post room.
Cutting room will only be proxy

Editing time not every camera
Or every foot cut off will be Log
Some are from cameras that can't be captured by Log.
Some are sRGB colors from graphics
I have to put it on the picture.
Some are found footage colors video

We can't take foot from color system
Let's cross dissolve on each other
Or bring a video colored CG
On BG that can be Log

The team took a good high bitrate log shake.
The cutter converts to codec lightly.
After cutting, Renders send them to color correction.

The understanding of the practitioners.

Log shot. Oh, need to color correction.
Well, take it. Wb. No need to adjust from the camera.
This one is a misunderstanding.

Lack of the right review
Example of Log Film
Why the picture is bright? I want it dark.
It's a dark photo with review. I'm watching Log color.
When I get into a post of noise, I'm wrinkled now.

There are many types of Log.
Sonny also has SLog2 and SLog3
When to use SLog2
When to use SLog3

I have taken a log. Why are you so pale?
I'm afraid that I'm afraid that I'm going to work. I '
So I can speed up the color from the camera on Log.
Fuck the color pipeline

Cutter puts everything together.
And when I'm skipping, I can't sell
The cutter might adjust the color by himself.
Or be ordered to adjust
To send to the adults first.
And runder, that adjustment
Passing on to the color correction to work again
saying ′′ I have helped adjust
Adjustable. It should be faster ′′
Hmmmm

Color correction people don't understand.
Maybe found a log file and told the camera team.
Adjust more camera color when you shoot Log
It's easier to adjust in posts.
Which is wrong again.

###############################

In conclusion, I shouldn't take Log photos if I'm not ready.
Log shooting is not a magic pill
Not trendy or taken in fashion.
If you do that, it will come out loud.
Over a normal video coloring

Because....

At bitrate or bit depth equals video color
Smooth lightness gradient than Log

Video color Rec. 709 is still central standard
We can take it as Rec. 709 got every camera.
And edit cross dissolve to wear right away.

Video color Rec. 709 don't want a preview
Don't need more equipment. Easy to work
The cost of filming is cheaper

Consider it according to decency.
#ครอบครัวมีสุขถ่ายLogเมื่อพร้อมTranslated

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2how

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www.2how.com twiiter @2how youtube youtube.com/2how Google+ @2how 2how.com ให้ความรู้เรื่องการถ่ายภาพนิ่ง การพิมพ์ภาพ ภาพเคลื่อนไหว อุปกรณ์ถ่ายภาพ อุปกรณ์การสร้างงานทางด้านการนำเสนอ และเทคโนโลยีในการนำเสนอบนสื่อต่างๆ เรามีความเคลื่อนไหวของข้อมูลข่าวสารตลอดเวลา สามารถติดตามความหลากหลายและความสดใหม่ของเราผ่านทาง facebook fanpage twiiter @2how youtube youtube.com/2how Google+ @2how
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magic photo film 在 Cake's Film Facebook 的最讚貼文

Cake's Film By Cake's Film

2019-08-09 15:48:39 有 81 人按讚
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Cherry Lam 林小美
makeup .. Seoul Magic
venue .. La Garland Studio
photo .. Cake's Film
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
❝⠀#CAKESFILM⠀❞
⠀
hongkong • wedding & portrait
www.cakesfilm.com
ig: instagram.com/cakesfilm

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Cake's Film

About author
精緻的蛋糕甜品，需要花時間去製作，需要花心思去令它變得具色香味，變成一種可欣賞的藝術！Cake’s Film 這個名字源自這個理念。 希望為女生打造具藝術感的照片，讓同樣也欣賞的妳們，去珍藏每張照片，珍藏每個美好時刻。
Rebecca Chan 女攝影師 放映心中美好畫面 用女生視覺記錄你人生重要時刻。 www.cakesfilm.com 拍攝歡迎聯絡email：[email protected]
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magic photo film 在 #mvcthinh Youtube 的精選貼文

#mvcthinh By #mvcthinh

2021-05-05 10:00:11 有 9,254 人看過 有 570 人喜歡
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QUAY VIDEO QUẢNG CÁO CHỈ VỚI 50K NHƯNG XEM XONG VIDEO CÁC BẠN SẼ RÕ....
Trước tiên để dựng video thì cần chi máy tính đắc tiền nữa? CÓ THỂ DÙNG KINEMASTER và các phần mềm dựng film ngay trên điện thoại
Link kênh facebook của KineMasterVietnam
https://www.facebook.com/KineMaster.vietnam
Link kênh youtube của KineMaster
https://www.youtube.com/user/KineMasterApp

Rõ ràng để quay video đẹp thì không thể ko đầu tư thiết bị quay.

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Đèn thì mình dùng 3 cây, một cây đánh nhẹ phía background để nó sáng cái nền, 2 cây đánh sáng hai bên, còn mua loại nào thì tùy ngân sách các bạn, mua đèn 40w cũng ok.


1. Đây là background PVC - mình đang dùng khá nhiều màu mua từ shop này, giao hàng đóng gói kĩ và background mịn lắm luôn.
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4. Đây là quả chân c-stand mà studio mình dùng, nếu đầu tư cái này thì nên là studio chuyên chụp luôn
https://bit.ly/2SbrZS2
5. Còn nếu không đủ tiền mua thì có thể chọn loại rẻ hơn https://bit.ly/2SfSq9f
6. Blutack : https://bit.ly/3eFgx8M - mình dùng để dính tranh, cố định vật trên set quay, vì nó dễ dàng dính cũng như gỡ ra mà không rách hay dính lại vết dơ, không hề luôn, xịn lắm
7. Đây là cây Magic Arm thần thánh : https://bit.ly/3eHQP3E - Mình mua nhiều loại nhiều hãng nhiều giá rồi, nhưng của Andoer mình thấy xài ổn nhất, giá cũng hơi mắc nhưng chắc chắn, đỡ hơn mua loại tầm 100-200k mà về vài bữa hư. Bên nước ngoài mình xem họ đầu tư cái magic arm này cũng trên 1tr 1 cái. Có thể tìm loại Smallrig thương hiệu này uy tín đảm bảo hơn, nhưng giá cao hơn gấp đôi gấp 3 lận : https://bit.ly/2Rl7vpq

8. Bàn xoay : https://bit.ly/2RfnXb5 , nếu mà không có sẵn đồ gì xoay được thì có thể đầu tư cái này để quay sản phẩm, mình thì ít dụng nhưng sau video này chắc cũng dùng nhiều, vì làm bàn xoay bánh nó hơi bất tiện, không có tự động, phải động vào bàn xoay nhiều lúc làm camera rung lắc khá khó chịu.

Tổng thiệt hại để quay video quảng cáo bao gồm
50k tiền cam và nước cam.
và một đống tiền đầu tư thiết bị, tài sản cố định giúp ta kiếm ra tiền...
Cam với nước cam thì uống đi cho bổ thân bổ cánh nha ^^

Đùa thôi chứ bạn thấy video thế nào ? Cho mình xin cảm nhận để sau này làm video trau chuốt hơn nha ^^.

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Xin chào, mình là Thịnh, mình hiện đang là một Food stylist - Art Director tự do. Và cũng là một Lifestyle Photographer tự do. Mình chỉ có giỏi về chụp ảnh đồ ăn và đồ vật linh tinh thôi. Không tin vào Instagram @mvcthinh để xem nghen. Mình thích chụp hình và cũng thích "giao du" với nhiều bạn bè. Nên mình mới lập kênh Youtube này để chia sẻ mọi thứ mà mình biết về nghề của mình, về kiến thức mà mình học được, cũng như để giao lưu kết bạn với mọi người trên youtube. Nhờ youtube mà mình biết được thêm hơi bị nhiều thứ và nhiều bạn hay ho. Cho nên mình cũng hi vọng được kết bạn và biết thêm bạn. Bạn đó. Chính xác. Người đang đọc cái này đó =)). Nhớ Sub kênh của mình nghen. Cám ơn triệu triệu con tim À bạn cũng có thể ủng hộ hiện kim để giúp mình có kinh phí làm video chất lượng nha, cám ơn các bạn. https://unghotoi.com/mvcthinh
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magic photo film 在 Brandon Li Youtube 的最讚貼文

Brandon Li By Brandon Li

2020-09-29 04:05:37 有 39,619 人看過 有 1,578 人喜歡
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Only have one light? No Problem! Here's an in-depth tutorial on how to digitally multiply that light to fill a wide shot. Join my film school (& download my raw footage): https://myfilm.school/multiply-lights. For existing students: footage will be available in the Editing Bootcamp Course.

Learn Filmmaking for Photographers: https://filmmakingforphotographers.com/

Godox LC500R RGB Light Wand: https://geni.us/godox-lc500r
Syrp Genie II: https://geni.us/syrp-genieii-3axi
Magic Carpet Carbon Fibre slider: https://geni.us/syrp-magic-carpet

My Gimbal: https://bdn.li/my-gimbal
My Gimbal Masterclass: https://gimbalmasterclass.com/brandon/

GOT A QUESTION FOR ME? CHECK MY HUGE LIST OF FILMMAKING Q&A! https://learn.unscripted.com/faq/

MY OTHER GEAR: https://learn.unscripted.com/gear/

Music by Audiosocket! Join here: https://audiosocket.com/?fpr=brandonli
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I am a participant in the Amazon Services LLC Associates Program and B&H Photo Video Affiliate program, affiliate advertising programs designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com and bhphotovideo.com. Additionally, I participate in other affiliate programs, and sometimes get a commission through purchases made through my links.

post-title
Brandon Li

About author
I'm a nomadic filmmaker on an endless world tour. Most of my main projects are on Vimeo. This is my channel for experimenting with new ideas. All my gear: https://learn.unscripted.com/gear Filmmaking FAQ: https://learn.unscripted.com/faq My Vimeo page is better: http://www.vimeo.com/rungunshoot My homepage: www.brandonli.com Unscripted Studio: http://myfilm.school/youtube Facebook.com/rungunshoot instagram: @brandon_l_li Please no gear questions on FB or Insta
449000 subscribers 15632825 viewes
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magic photo film 在 Brandon Li Youtube 的精選貼文

Brandon Li By Brandon Li

2020-09-23 05:56:20 有 90,632 人看過 有 4,091 人喜歡
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It's hard to keep lights and filmmaking gear out of the shot. So here's a fun technique for removing unwanted objects, replacing them, or even re-lighting your scene in post. Learn Filmmaking for Photographers: https://filmmakingforphotographers.com/

Godox UL150 Silent LED: https://geni.us/godox-ul150
Godox LC500R RGB Light Wand: https://geni.us/godox-lc500r
Syrp Genie II: https://geni.us/syrp-genieii-3axi
Magic Carpet Carbon Fibre slider: https://geni.us/syrp-magic-carpet

Manfrotto Gimboom: https://geni.us/gimboom

My complete run-and-gun film school: https://myfilm.school/delete-lights
My Gimbal Masterclass: https://gimbalmasterclass.com/brandon/

My Gimbal: https://bdn.li/my-gimbal

GOT A QUESTION FOR ME? CHECK MY HUGE LIST OF FILMMAKING Q&A! https://learn.unscripted.com/faq/

MY OTHER GEAR: https://learn.unscripted.com/gear/

Music:
"Unbreakable" - Elad Perez
"Oscillating Form" - Charlie Ryan
"Building Up" - Greg McKay
"Synthetic Network"- CK Martin
"Four Leaf Clover" - Oran Loyfer

All music from Artlist.io! Join Artlist for music and sound fx (2 extra months free): https://geni.us/artlistbrandonl

Join Artgrid stock footage: https://geni.us/artgridbrandon
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I am a participant in the Amazon Services LLC Associates Program and B&H Photo Video Affiliate program, affiliate advertising programs designed to provide a me

post-title
Brandon Li

About author
I'm a nomadic filmmaker on an endless world tour. Most of my main projects are on Vimeo. This is my channel for experimenting with new ideas. All my gear: https://learn.unscripted.com/gear Filmmaking FAQ: https://learn.unscripted.com/faq My Vimeo page is better: http://www.vimeo.com/rungunshoot My homepage: www.brandonli.com Unscripted Studio: http://myfilm.school/youtube Facebook.com/rungunshoot instagram: @brandon_l_li Please no gear questions on FB or Insta
449000 subscribers 15632825 viewes
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