關於 like water空耳 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【乾到裂】天氣乾到人都燥？#移民煲湯

⭐少吃辛辣多喝蜂蜜水
⭐保持肺及呼吸道濕潤有助預防感冒
#星期二提升正能量

移民點煲湯？
雪梨無花果湯抗乾燥
✈️ 香港人習慣喝湯養生，移民後怎樣煲湯？人在異鄉煲湯材料可能不易買，其實只要留意食材屬性，尋常食材亦能煲碗靚湯，有助強身防病！💪🏻

如果住在比較乾燥的地區，特別容易出現皮膚乾燥、喉嚨乾癢、眼乾唇燥、痰涎帶血絲、流鼻血等症狀，心情也會煩躁不安，因為空氣由鼻子吸入後首先到達肺部，所以想紓緩乾燥症狀宜潤燥養肺，適量進食具潤肺生津、養陰潤燥功效的食材，例如雪梨、雪耳、花旗參、百合、芝麻、蜂蜜、枇杷、無花果等。食材簡單易買的蘋果雪梨無花果湯具有滋陰潤肺作用，無花果選擇曬乾或新鮮都皆可以，同樣有潤肺功效。

無花果 — 性平，有潤肺健脾開胃、潤腸通便、清熱解毒、催乳功效，滋陰潤燥作用很適合秋天食用，對老年、孕婦、小兒便秘有明顯療效。

蘋果雪梨無花果湯
功效：滋陰潤肺，紓緩天氣乾燥引起的皮膚乾、喉嚨乾、眼乾等症狀。
材料：蘋果1個、雪梨2個、粟米1根、乾百合15克、新鮮無花果3枚、花旗參15克
做法：
1. 所有材料洗淨，蘋果、雪梨去皮去芯切大塊，粟米去衣去鬚切段；無花果切半備用。
2. 鍋中加入2000毫升水，放入全部材料，武火煮至水滾，調文火煮1.5小時，最後下鹽調味即可。

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Making soup in a foreign country
Snow pear and fig soup to combat dryness

✈️ Hong Kong citizens are used to drinking soup to maintain our health, but how do we make soup when we have immigrated to another country? It might not be easy to get our hands on the ingredients, but as long as we pay attention to the nature of the ingredients, we will still be able to make healthy and tasty soups! 💪🏻

Those who stay in dryer areas might develop skin dryness, dry and itchy throat, and dry eyes and lips, have blood-streaked sputum, and develop a bloody nose. At the same time, these individuals might also experience frustration.

When we breathe, the air enters the lungs first. In order to relieve symptoms related to dryness, we should moisten the lungs by consuming ingredients such as snow pear, snow fungus, American ginseng, lily, sesame seeds, honey, loquat, and fig.

We can use simple ingredients such as apple, snow pear, and fig to make soup that can nourish the yin and moisten the lungs. As for fig, either dried or fresh fruit is fine, as both have lung-moistening properties.

Fig - mild in nature. It has the effect of moistening the lungs and strengthening the spleen, stimulating appetite, loosening the bowels to relieve constipation, clearing heat and detoxifying. Fig can help to promote breast milk production. Its effect on nourishing yin and relieving dryness are very suitable to consume during autumn. It has an obvious effect on constipation of the elderly, pregnant women and children.

Apple and snow pear soup with fig
Effects: Nourishes yin and lungs, relieves dry skin, dry throat, dry eyes and other symptoms caused by dry weather.
Ingredients: 1 apple, 2 snow pears, 1 corn, 15g dried lily bulb, 3 fresh fig, 15g American ginseng
Preparation:
1. Rinse all ingredients thoroughly. Peel and seed the apple and snow pear and cut into large chunks. Peel corn and cut into pieces. Cut the fig into half.
2. Combine all ingredients with 2000ml of water in a pot and cook on high heat until boiling. Turn to low heat and simmer for 1.5 hours. Add salt to taste.

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#男 #女 #我枯燥 #陰虛

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

剛剛生日一個月，亦即係啱啱30歲咗一個月。

好似冇乜特別，個人都冇乜成熟到，但係身體病痛就多咗，年頭腰痛，跟住耳仔痛，搞唔掂，越嚟越虧

以前生日冇乜特別感言想講，但係30歲都算係一個關口，我個心亦都好澎湃，好多嘢好想講，點知真係太忙又病，隔咗一個月嘅今天先講。

最重要唔係將心入面嘅說話講出嚟，而係當你好感性去講一啲嘢嘅時候，好自然就會有人過嚟like，跟住再順勢賣廣告，咁就可以達到最強嘅廣告收益，等多啲人買我嘅書，訂閱我。呢個先至係重點，冇錯，我係冇改變過我係銅臭商人呢一個本質

當我反思人生嘅時候，我唔係首先諗起自己做過乜，有啲咩人生成就，搵幾多錢，幫過咩人，識啲咩人，做過啲乜嘢想過新聞嘅事。呢啲都唔係咁重要，我係諗翻起我溝過嘅所有女。真係有《挪威的森林》嘅感覺 - 曾經係生命中出現嘅人，然後你慢慢對佢嘅印象變得模糊；但係又有一啲人，你永遠都記得。其中有位大學同學，人美心善讀書叻，幫我解決好多人生麻煩，阿爸阿媽都好鍾意佢。結論係，我真係一個仆街。

間中我都會觀察一下同我同年紀嘅人做緊啲乜嘢嘢，有啲我識嘅，有啲我完全唔認識。最近互相挑機隻揪嘅兩位富家子弟，同我年紀相若。我最近好鍾意嘅Serrini，新朋友游學修、去咗台灣嘅李拾壹、viuTV乘載住電台夢嘅旁白君Sam......好似大家都有啲嘢做緊，慢慢改變緊個社會，好多人都有自己嘅目標同夢想。

我人生都比較空洞，冇乜嘢夢想或者人生追求，但係有好多目標想做，鍾意成就感。比起一般金融人，我冇咁鍾意錢，所以我係一個怪胎。大概同我差唔多年紀嘅金融人會炫耀自己買咗樓、有靚車、有名牌，呢啲我全部都冇。別人有細屋轉大屋，最近我搬咗屋，生活條件比以前仲要差。有時我覺得，搵唔到錢唔緊要，錢越搵得多，反而束縛左靈魂嘅自由。生活簡單啲使少啲，安貧樂道，唔好太多牽掛，咁自然個人就會慢慢有少少骨氣，講嘢就開始有少少串。

呢幾年每次認識新朋友，啲人都問我做緊乜，我發現呢個問題好難回答。呢幾個禮拜我都越洋網上同一位知名社交媒體公司創辦人傾偈，佢都成日問我到底做緊啲乜嘢，點解咩都識啲，我都答佢唔到，尤其是我英文有限，用英文答就更加難答。

我係一個跨界別的怪胎，你話我喺媒體人，我係。我亦都係一個投資者，投資唔同資產，亦投資別人。我出過五本書，都OK暢銷。我係一個作家，仲可以扮嘢自己係文化人；亦都有金融嘅參與，做過基金做過上市公司。我會創業，發展自己嘅事業，賺下錢，養吓人。我係一個持續進修嘅學生，準備讀人生第三個碩士。

我冇一個既定嘅人生事業軌跡，亂到七彩，我諗未來都只會越嚟越亂，既然係咁，咁就跟着人生嘅劇本繼續行，當人哋繼續問我係邊個嘅時候，我唯有都係繼續胡說八道。

至於移民，我一定會，但唔係好似大家咁諗，呢一兩年就要走去英國、台灣乜乜乜。未有2019年之前，早喺2016年嘅時候，我已經決定40歲之前要去台灣

我比自己一個時間，大概四年後我就會離開。我依家唔想走，係因為仲有好多人喺香港努力緊，亦都有好多人喺香港受緊苦，呢班朋友嘅苦難通常係三年後會得到一個解決，如果三年後佢哋出返嚟，發現世界已經冇晒同路人，各組他方，個感覺一定好難受。

我唔想離開，只是掏空孕育我嘅土地，一走了之。以我有限嘅財力和能力，我諗我可以做到多啲嘢。

假如無災無難，四年後嘅我應該唔會太窮，離開香港之前，我會預定攞10,000,000出嚟系統化我而家做緊嘅事，我師傅Steven Tsoi和魏華星成日同我講Social Impact乜乜乜，講到我都有啲洗咗腦。睇吓我呢幾年投資表現如何，話唔定可以再多啲。反正我去台灣生活，都唔會洗到啲咩大錢。

形式係點唔重要，可能係一個信托，可能係一個初創加速器，可能係一間Venture。我會揀一啲我信任得過嘅人協助管理，包括為中大同學仔定期做嘅獎學金，當中大同學仔做啲文化嘢（係呀，最近新亞劇社有兩位同學仔問我攞錢想做話劇，我應承咗幫佢哋），以及幫一啲想創業嘅中大同學仔。

呢一個月比較觸動我係出席咗大學同學，港台DJ King Yim嘅一個喪禮，佢係一個好鍾意笑嘅好人，人緣極好，所有新生代嘅歌手音樂人都有送上最後一點心意，好好道別。我唔係好回憶得到同佢大學上堂嘅片段，因為我根本唔上堂，但係後尾喺大學出事嘅時候，我見到佢，當時各有各忙，簡單傾幾句就算。後來佢亦都搵我上佢嘅音樂節目，大家好輕鬆嘅音樂做晃子，講咗自己想講嘅嘢出嚟。

喺佢嘅告別式上面，聽到唔同人分享佢生活嘅點滴，有時都會感嘆好人真係走得早。既然上帝仲未要我落地獄，咁我就唯有盡量珍惜可以生存嘅日子，做吓啲自己想做嘅嘢。

還慶幸，做人雖然有時有啲囂張，但尚算剛柔並重，能夠謙虛嘅時候我會謙虛，如果性格太平凡，咁就冇辦法識到朋友。希望係香港呢四年，盡量好好生存，唔好死。

多謝盧覓雪、Hailey，還有神秘人朋友記得我生日，同我食咗今年唯一一個生日蛋糕。

差唔多啦，啲字數夠啦，係時候買廣告

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❖歌詞在下面❖

演唱：劉聰KEY.L/Kafe.Hu
作詞：Kafe.Hu/劉聰KEY.L/大傻DamnShine
作曲：劉聰KEY.L/Kafe.Hu
和聲：creditcard王薇伊
編曲：老道；KAFE.HU
混音：小武（童言一）

kafe.hu：
廣播通知航班起飛留下回聲
走之前和freeman再抱一抱
機場通道 熄滅又亮的車燈
安保員說先生 請戴好口罩

抱歉忘了摘耳機
習慣性地認為音樂藏在我身體
私人情緒 檢測不到
從客廳沙發 跳進機艙的喧鬧

我的行李箱 沒有鋰電池
除了衣物之外 只剩夢想和偏執
板著臉的值機小姐 給我點面子
為它貼張易碎 以免碰撞到現實

一股憂鬱 和心情通了電
類似情況很有趣 像黑色幽默片
進艙門的瞬間 和明星朋友見了面
但不好意思 我的座位還在那後邊

KEY.L劉聰：
穿過 雲層 雲朵 之中
你的 身影 錯亂 時空
萬家 燈火 我的 理想
生活 奔波 背井 離鄉

感謝你的祝福
可我需要獨處
我坐在經濟艙
顛簸的情緒讓我反反复复

走孤獨的路途
你看星星無數
思念在星星上
流星雨淋一場
hey baby不哭
*

撥不通的電話
遍布星辰的晚上
跟我輕輕唱
就算你在經濟艙

撥不通的電話
信號丟失雲層上
孩子別緊張
生活不是競技場

kafe.hu：
平常心 最怕平常中病變
像塊冰 忘了be water的經驗
Homie說 你這麼拼
當然需要信心
鷹 不可以留戀地平線
這艙位畢竟 看不見 窗外的神有求必應
種子發芽前和泥土比拼
直到足以和天空比鄰
不可思議的韌性 來自經歷 你別不信

一律千篇的夜 那些足印涉過艱險
幫我滅卻 驕傲惰性
當被壓抑和沮喪 逼到了臨界
了解champion的翻譯是冠軍
yeah lets begin

心心相 印 的人別停止想念
傷口清清創 並著風再次凜冽
身在經濟艙 可我心在天邊
和我輕輕唱 在經濟艙

KEY.L劉聰：
撥不通的電話
遍布星辰的晚上
看到山外山
雖然坐在經濟艙

撥不通的電話
信號丟失雲層上
要做人上人
雖然你在經濟艙
（她說）

撥不通的電話
遍布星辰的晚上
跟我輕輕唱
就算你在經濟艙

撥不通的電話
信號丟失雲層上
孩子別緊張
生活不是競技場

kafe.hu：
心心相 印 的人別停止想念
傷口清清創 並著風再次凜冽
身在經濟艙 可我心在天邊
和我輕輕唱 在經濟艙

廣播通知航班到達留下回聲
旅途中沒有閉眼睛睡一覺
黑夜中 像在海上的信號燈
空姐說 再見先生 很有禮貌

耳機用光了電池
沒了音樂我又回到了現實
某種情緒再忘不掉
從經濟艙跳上舞台的喧鬧
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❖歌曲上架平台
➸ 網易云音樂 | http://music.163.com/song?id=1492049185&userid=1450149887
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（歡迎查詢合作/投稿音樂/攝影作品等等）

❖Original Photo by Leonardo Yip

❖歌曲版權為歌手本人及其音樂公司所有，本頻道只作推廣及宣傳之用，若喜歡他們的音樂請到以上平台鏈接購買歌曲支持。

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❖喜歡的請分享及訂閱本頻道❖

《Manta》Cover - Lexie Liu 刘柏辛 ( Tina Hu Music Cover)

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Lyrics

Manta

作词：刘柏辛
作曲：刘柏辛

Not a swimming pool, It's an ocean
(游泳池不够，我要一片汪洋)

Dive in that cash, like l'm chosen
(在海底的宝藏里狂欢，就像我是天选之子)

That my 24 karat, got you frozen ya?
(二十四克拉的鉆石，冰冷又闪耀)

活在不一样世界又怎样?

He'll be on the surface, Lur, lurkin'
(他在地表以上偷偷观察着我)

Overheated up, That gon' make me nervous
(炽热的目光穿透海面，这高温让我紧张不已)

水里呼吸著 扇动不属于我的翅膀
Lucifer(路西法)

别慌这不是我的名字呢

Now he can start the fishing, buy me another-round
(时间到，他的阴谋要开始了)

Diamonds on me like I'm fresh outta water
(我从海面浮现，亮晶晶的鉆石点缀在我的身体)

A Mariner
(他像一个海员一样熟练)

Reelin' reelin' me in with that thin line
(温柔地用纤细的鱼线慢慢引我上钩)

Fly underwater
(在海底飞行)

I don't need no manner
(我打破所有规则)

绝不会干涸的

我为海洋染色

Fly underwater
(在海底飞行)

I don't need no manner
(我打破所有规则)

绝不会干涸的

我为海洋染色

Manta
(魔鬼鱼)

I fly in water, lil Manta
(小魔鬼鱼在海底飞行)

Devilfish Manta
(他们叫我魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

I fly like a Manta
(我像魔鬼鱼一样沉默地飞翔)

I fly in water, lil Manta
(在水世界的飞行家)

Devilfish Manta
(小魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

Glitter on my skin I'm a shiner
(肌肤上的水珠滚动下来，我的光芒更加灿烂)

Got a flight to catch tomorrow back to China
(明天我还得飞回中国)

我的行踪 难以捉摸在哪

but when I bust it open boy you better swim
(但当机会的大门敞开，你最好使劲游起来)

那麽危险怎么还要追

但我没有时间可以浪费

我从未试过在陆地上飞起来

I'll be ridin'on a wave drippin' water tonight
(我只是喜欢乘着海浪腾空跃起)

Manta
(魔鬼鱼)

I fly in water, lil Manta
(小魔鬼鱼在海底飞行)

Devilfish Manta
(他们叫我魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

I fly like a Manta
(我像魔鬼鱼一样沉默飞翔)

I fly in water, lil Manta
(水世界的飞行家)

Devilfish Manta
(小魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

Devilfish…

Fly underwater
(在海底飞行)

I don't need no manner
(我打破所有规则)

绝不会干涸的

我为海洋染色

Fly underwater
(在海底飞行)

I don't need no manner
(我打破所有规则)

绝不会干涸的

我为海洋染色

Manta
(魔鬼鱼)

I fly in water, lil Manta
(小魔鬼鱼在海底飞行)

Devilfish Manta
(他们叫我魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

I fly like a Manta
(我像魔鬼鱼一样沉默地飞翔)

I fly in water, lil Manta
(水世界的飞行家)

Devilfish Manta
(小魔鬼鱼)

Call on me, I don't need no romancer
(别找我了，我不需要多余的浪漫)

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🛒我的工具哪裡買►
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麥克風 Blue Microphone Spark SL： https://amzn.to/2CWZuQJ ( Currently sold out online)
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相機三腳架： https://amzn.to/2ZjbLWY
打光燈 ：https://amzn.to/2NIbmrS

DISCLAIMER: Links included in this description might be affiliate links. If you purchase a product or service with the links that I provide I may receive a small commission. There is no additional charge to you! Thank you for supporting my channel so I can continue to provide you with free content each week! (免責聲明：此說明中包含的鏈接可能是會員鏈接。如果您通過我提供的鏈接購買產品或服務，我可能會收取少量佣金。您無需支付任何額外費用！感謝您對我的頻道的支持，因此我可以每周繼續為您提供免費的內容！)

#刘柏辛 #Manta #翻唱

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■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

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《天氣之子-Grand Escape》小提琴版本 | Violin Cover by Lin Tzu An of Grand Escape from Weathering with you

這次拍攝嘗試了很多新的手法，而且裡面藏了蠻多小巧思。
第一次使用同一空間分飾兩角，然後用左右聲道來配合畫面（要帶耳機才能聽見！）
還有一開始的開頭動畫裡的細小灰塵就像電影裡的水滴一樣。
最後最後採用一鏡到底加轉場來結尾，這樣的呈現方式大家喜歡嗎？

特別感謝 他，在旅行 提供場地拍攝！！


歡迎大家在沒有下雨的週末到信義區香堤大道，聽這些cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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Here comes my weekly updated cover.

I tried new things in this video and there are a lot of surprising ideas.
It was my first time acting two characters in a space and use the left and right channels to match the pictures (use the headphones!!!)
Also, the tiny dust at the beginning is like the water drops in the movie.
Last but not least, I end up with lip dub and transition.
Comment below let me know if you like my new tryy.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Another week, another cover. Let's goooo, hope y’all like this!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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【Cover by AnViolin】每週上傳新的小提琴cover影片，
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還想看子安cover什麼歌？留言跟我說 ！

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#GrandEscape
#天氣之子
#Weatheringwithyou
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