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《從前，有個荷里活》(2019)Quentin Tarantino的作品總是劍走偏鋒，由數段看似互不相關的片段編織而成，融合後現代思想的黑色幽默和極端暴力，《從前，有個荷里活》處處不無導演對60年代荷里活黃金時代的迷戀，將當時紙醉金迷的生活表露無遺，對西部片衷心致敬，對嬉皮士含沙射影。電影採用「瑣碎式敍事」，並非劇情主導，主要記錄60年代荷里活的風土人情，跟隨主角感受一下當時人的生活百態，偏慢節奏無疑令不少主流觀眾為之卻步，要求觀眾對時代背景有基本了解也算曲高和寡，絕非入門級作品，不過全靠Leonardo DiCaprio和Brad Pitt的精彩演出和角色互動，配合QT獨具慧眼的氣氛操作和鏡頭運用，令情節淡而有味，玩味處處，絲毫不覺冗長沉悶。《從前，有個荷里活》並非QT最佳之作，難以跟《危險人物》和《希魔撞正殺人狂》等經典作品相提並論，而且QT的獨特風格，在這裏明顯收斂得多，一心想看電影如何豪邁奔放大灑血漿的觀眾難免會失望，不過QT作為後現代主義大師，敢於跳出框架，擺脫公式，自由發揮，在戲中流露出自己對電影的情迷，不落當今荷里活刻板「政治正確」的俗套，以純粹電影創作獲得一眾電影愛好者青睞，證明了作品技藝之高，乃芸芸商業片中一股清流。評價：A#hkig #OnceUponaTimeinHollywood #QuentinTarantino #movie #movies #film #films #review #moviereview #moviereviews #filmreview #filmreviews #從前有個荷里活 #從前有個好萊塢 #戲 #睇戲 #戲迷 #觀後感 #影評 #電影 #電影評論 #電影心得

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關於leonardo dicaprio movies 在 JUST ดู IT. Facebook 的最佳解答
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leonardo dicaprio movies 在 JUST ดู IT. Facebook 的最佳解答

By JUST ดู IT.

2021-07-25 18:00:04 有 1,617 人按讚

“ถ้า Leonardo DiCaprio ไม่ได้เป็นคนวาดรูป Rose
ใน Titanic แล้วใครละเป็นคนวาด?”

ปฏิเสธไม่ได้ว่า ฉากที่ Jack วาดรูปเปลือยของ Rose นั้นถือเป็นหนึ่งในฉากที่น่าจดจำที่สุดของภาพยนตร์ยอดตำนาน Titanic แต่รู้หรือไม่? ว่าคนที่วาดรูปนั้นไม่ใช่ Leonardo DiCaprio!

แม้ว่า Leonardo DiCaprio จะเป็นหนึ่งในนักแสดงที่เก่งที่สุดในยุคนี้ แต่ฝีมือด้านการวาดรูปของเขากลับดูไม่ได้เอาเสียเลย

ผู้กำกับ James Cameron ได้แก้ไขปัญหาโดยการนำนักวาดฝีมือดีที่เขารู้จักมาช่วย ซึ่งก็คือ…ตัวเขาเอง! โดย James เลือกถ่าย close-up มือของเขาขณะกำลังวาดเพื่อก่อนจะนำฟุตเทจไปใช้ในขั้นตอนตัดต่อ

แต่อุปสรรคในฉากนี้ก็ยังไม่หมดเพราะว่า James ถนัดมือซ้าย ส่วน Leo นั้นถนัดมือขวา ทางสตูดิโอจึงต้องใช้เทคนิคภาพสะท้อนเพื่อทำให้เหมือนว่า James ใช้มือขวาในการวาดรูป

และสำหรับใครที่สงสัยว่าตอนนี้ภาพวาดอยู่ที่ไหน? ทาง ABC news ได้รายงานว่าภาพวาดได้ถูกประมูลไปเป็นที่เรียบร้อยแล้ว ด้วยราคาสูงถึง $16,000 (500,000 กว่าบาท)

Titanic ไททานิค
ดูได้แล้ววันนี้ ที่ Disney+ Hotstar

ลิงก์: https://www.hotstar.com/th/movies/titanic/1770001166/watch

#จดอ #JUSTดูIT #Titanic #DisneyPlusHotstarTH | ที่มา:
- https://www.thethings.com/who-drew-rose-portrait-in-titanic/
- https://abcnews.go.com/Entertainment/kate-winslet-nude-titanic-sketch-sold-highest-bidder/story?id=13311716

JUST ดู IT.

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จากพ็อดแคสคุยหนัง สู่ชาแนลหนังที่กี๊ก (Geek) ที่สุดในประเทศไทย มีน้องคนนึงให้คำนิยามเราว่า "จะเรียกว่าเพจก็ไม่ถูก จะเรียกยูทูบเบอร์ก็ไม่มั่นใจ เรียก จดอ.ละกัน"

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leonardo dicaprio movies 在 Chris電影宇宙 Facebook 的最佳解答

By Chris電影宇宙

2019-07-26 22:26:32 有 1 人按讚

《從前，有個荷里活》(2019)

Quentin Tarantino的作品總是劍走偏鋒，由數段看似互不相關的片段編織而成，融合後現代思想的黑色幽默和極端暴力，《從前，有個荷里活》處處不無導演對60年代荷里活黃金時代的迷戀，將當時紙醉金迷的生活表露無遺，對西部片衷心致敬，對嬉皮士含沙射影。電影採用「瑣碎式敍事」，並非劇情主導，主要記錄60年代荷里活的風土人情，跟隨主角感受一下當時人的生活百態，偏慢節奏無疑令不少主流觀眾為之卻步，要求觀眾對時代背景有基本了解也算曲高和寡，絕非入門級作品，不過全靠Leonardo DiCaprio和Brad Pitt的精彩演出和角色互動，配合QT獨具慧眼的氣氛操作和鏡頭運用，令情節淡而有味，玩味處處，絲毫不覺冗長沉悶。

《從前，有個荷里活》並非QT最佳之作，難以跟《危險人物》和《希魔撞正殺人狂》等經典作品相提並論，而且QT的獨特風格，在這裏明顯收斂得多，一心想看電影如何豪邁奔放大灑血漿的觀眾難免會失望，不過QT作為後現代主義大師，敢於跳出框架，擺脫公式，自由發揮，在戲中流露出自己對電影的情迷，不落當今荷里活刻板「政治正確」的俗套，以純粹電影創作獲得一眾電影愛好者青睞，證明了作品技藝之高，乃芸芸商業片中一股清流。

評價：A

#hkig #OnceUponaTimeinHollywood #QuentinTarantino #movie #movies #film #films #review #moviereview #moviereviews #filmreview #filmreviews #從前有個荷里活 #從前有個好萊塢 #戲 #睇戲 #戲迷 #觀後感 #影評 #電影 #電影評論 #電影心得

Tags: leonardo dicaprio movies hkig OnceUponaTimeinHollywood QuentinTarantino movie movies film films review moviereview moviereviews filmreview filmreviews 從前有個荷里活從前有個好萊塢戲睇戲戲迷觀後感影評電影電影評論電影心得

Chris電影宇宙

About author

從電影窺探宇宙萬物。沒有最細膩的文筆，只有最誠懇的觀感。 By一位熱愛電影的香港00後大學生

leonardo dicaprio movies 在 Xiaxue Facebook 的最讚貼文

By Xiaxue

2017-05-28 15:42:10 有 406 人按讚

Another great response to Shrey Bhargava's self righteous pity party. Every minority is invited to join! Come, let's blame the majority race for everything that's wrong in our lives, it is never our fault, it is because we are oppressed! Wow, so convenient!

Shrey has written another post boohooing about how racism (yawn), how minorities don't get roles easily in singapore, and how the Chinese are blind because we have privileged.

Cut your crap. If a Chinese director wants to make a movie about Chinese NS men, that's his fucking prerogative. If it features Indians or Malays as token characters, that's also his freedom and right. Why? You think every local movie needs to have an Indian main character then it's not considered racist is it?

In that case I ask... why are Bollywood movies full of only Indians? Why aren't one of the leads in 3 Idiots any race other than Indian?!!! Such an atrocity and blatant racism. Sure, Bollywood shows are in Tamil, but hey I don't care, this is as racist as The Voice asking for Chinese speakers! I don't care, include a Chinese mute character please, and he must not be a token role! Otherwise the director is racist! 🙄

Obviously like Donovan said there are privileges to being a majority race, a majority anything. That much is undeniable. While the Chinese in singapore should be mindful of consideration for all the other ethnic groups and always be respectful, but the automatic assumption that jobs be not only handed to you, but CREATED FOR you purely for the sake of your race isn't one of them.

Singapore is built on meritocracy.

Keep up your self victimizing charade and keep blaming society for your failures in life - you will find that soon nobody respects you.

And unlike the white liberals who have been indoctrinated with white guilt since their school days and think they have to pay for their ancestors' crime, you will find Singaporeans way less susceptible to your guilt tripping. Asians, including Indians and Chinese alike, don't subscribe to victim-playing. We work hard and succeed despite the odds - I suggest you get on with the program. Nobody owes you or your race a level playing field. Your whining rings hollow, since you exist in one of the most racially harmonious countries in the world, where the govt has taken careful steps to ensure equality for all the 4 main races.

Dear Shrey Bhargava,

As far as I can tell from your post, there was nothing racist about your Ah Boys to Men audition and I'll be kind enough to tell you and the 3000-odd people whom have shared your post why.

You were tasked to perform the role of a 'full blown Indian' and you have interpreted that as having to 'portray a caricature of my race' and being 'reduced to my accent'.

The casters were not racist and the element of racism here is non-existent because that was the role that is being demanded of you here, whether it was that of a Singaporean Indian, North Indian, British Indian or Red Indian.

Suppose Samuel L. Jackson had tried to audition for the role of Jack Dawson in Titanic, a part that really went to Leonardo DiCaprio. It is obvious that he would have been turned down because he was black. Now, is this not a clear-cut case of racial discrimination? Surely no one (maybe except that crazy Sangeetha) would be absurd enough to claim that the directors or scriptwriters of Titanic were racist and had "reduced" Jackson down to his skin colour?

That is because the role of Jack Dawson (may he rest in peace at the bottom of the Atlantic) is one of a white man.

Why is it somehow more 'wrong' for you to portray the role of a stereotypical Indian from India, than for Wang Wei Liang to portray the stereotypical Chinese gangster, or for Maxi Lim to portray the role of a stereotypical bootlicking yes-man recruit, or for Tosh Zhang to portray a stereotypical authoritative army Sergeant?

If Wang Wei Liang were to drop out of the Lobang King role right now and I be in line to audition for the role, I'd be similarly asked by the casting director to play the role of a 'full blown ah beng'.

That would mean me summoning out to the best of my abilities the most vicious, stereotypical characteristics of a Chinese 'ah beng'. I'd have to speak in subpar broken English, exercise a liberal use of dialect profanities and demonstrate an aptitude for violence in the face of problems.

I have no doubt in my mind that a lot of the ones whom are throwing support behind you right now would not similarly rally and call to arms in the same righteous manner for me because I had to depict a caricature of the stereotypical Chinese hooligan.

Yet what is the difference? Certainly not all Chinese 'ah bengs' are characterised with the same rebellious, malingering characteristics like that of Wang Wei Liang's character. I have done my National Service alongside some of them (in a god-forsaken rifleman unit no less), and most of them in fact are some of the most patriotic men I have ever seen.

Why is a racial stereotype anymore of a grievous injustice than the stereotype of an occupation, a cultural identity or any other form of stereotype? It is not.

If your objection is with being pigeonholed into a simplified, hackneyed image of a particular person, then you must similarly condemn all forms of stereotypes in film - not just stereotypes that are played along racial lines. And it is unnecessary for me to point out that stereotypes in the arts are ubiquitous in any and all forms.

In your follow-up post, you ramp up your distinct brand of illogic. You claim that it is wrong for the minority character to be of insignificance because this is a film that is a "SINGAPOREAN story".

But this begs the question. What defines being 'Singaporean'? Given that 40% of our population are comprised of foreigners and non-residents, isn't it just as wrong that these Filipinos, Indonesians, Japanese and Koreans are utterly unrepresented in Ah Boys to Men? Is it fair to stick to the 'Chinese, Malay, Indian' categorisation that in the first place, is a categorisation formulated on arbitrary standards by our government?

Is there any reason why your standard of what is 'Singaporean' should take priority over mine, or over the casting director's?

Yes, actors need jobs and it is certainly true that a racial minority would not enjoy the luxury of roles to pick from in comparison to one in the racial majority. But it is not clear WHY this is unfair, which is what you seem to me implying by "Minority actors do not have the privilege to pick and choose what to audition for".

Of course majorities benefit. The same can be said for people whom are right-handed, whom are tall, whom are lucky enough to be born with our five senses. When you lament that "Minority actors do not have the privilege to pick and choose what to audition for", you are no longer making an argument against racism, rather, you are making an argument against reality i.e., the racial proportion of our population.

I have observed this for some time among the young Singaporeans who are most active on social media. One of the most troubling cultural trends as of late is this idiotic penchant to leap at every slightest opportunity they get to call out racism, from the Toggle blackface issue and the Kiss92 incident to a Smartlocal video from last year.

Of course racism exists in Singapore (or anywhere else in the world for that matter), but reducing any and all issues down to race is not very helpful. There are far more productive ways to tackle discrimination. And that begins with changing the institutional framework of our society, such as the freedom of our press and media, so racial minorities are empowered to best represent their own unique cultures. Nit-picking on little details in the media is not one of them.

Like the Nobel Laureate Milton Friedman said: “One of the great mistakes is to judge policies and programs by their intentions rather than their results.” I commend your well-intentioned attempt to speak out against what you have perceived is 'racism', but your analysis is incorrect and your methods are in fact entirely retrogressive.

P.S. It was quite interesting to see how that Vimeo video on your wall provided a most comical caricature of Arabs being equated with bombs/terrorism. It appears that it is just your own racial identity that is most fragile, and that the rest of us must tread precariously around. I wonder if it was only I who cringed so hard?