今早為Asian Medical Students Association Hong Kong (AMSAHK)的新一屆執行委員會就職典禮作致詞分享嘉賓,題目為「疫情中的健康不公平」。
感謝他們的熱情款待以及為整段致詞拍了影片。以下我附上致詞的英文原稿:
It's been my honor to be invited to give the closing remarks for the Inauguration Ceremony for the incoming executive committee of the Asian Medical Students' Association Hong Kong (AMSAHK) this morning. A video has been taken for the remarks I made regarding health inequalities during the COVID-19 pandemic (big thanks to the student who withstood the soreness of her arm for holding the camera up for 15 minutes straight), and here's the transcript of the main body of the speech that goes with this video:
//The coronavirus disease 2019 (COVID-19) pandemic, caused by the SARS-CoV-2 virus, continues to be rampant around the world since early 2020, resulting in more than 55 million cases and 1.3 million deaths worldwide as of today. (So no! It’s not a hoax for those conspiracy theorists out there!) A higher rate of incidence and deaths, as well as worse health-related quality of life have been widely observed in the socially disadvantaged groups, including people of lower socioeconomic position, older persons, migrants, ethnic minority and communities of color, etc. While epidemiologists and scientists around the world are dedicated in gathering scientific evidence on the specific causes and determinants of the health inequalities observed in different countries and regions, we can apply the Social Determinants of Health Conceptual Framework developed by the World Health Organization team led by the eminent Prof Sir Michael Marmot, world’s leading social epidemiologist, to understand and delineate these social determinants of health inequalities related to the COVID-19 pandemic.
According to this framework, social determinants of health can be largely categorized into two types – 1) the lower stream, intermediary determinants, and 2) the upper stream, structural and macro-environmental determinants. For the COVID-19 pandemic, we realized that the lower stream factors may include material circumstances, such as people’s living and working conditions. For instance, the nature of the occupations of these people of lower socioeconomic position tends to require them to travel outside to work, i.e., they cannot work from home, which is a luxury for people who can afford to do it. This lack of choice in the location of occupation may expose them to greater risk of infection through more transportation and interactions with strangers. We have also seen infection clusters among crowded places like elderly homes, public housing estates, and boarding houses for foreign domestic helpers. Moreover, these socially disadvantaged people tend to have lower financial and social capital – it can be observed that they were more likely to be deprived of personal protective equipment like face masks and hand sanitizers, especially during the earlier days of the pandemic. On the other hand, the upper stream, structural determinants of health may include policies related to public health, education, macroeconomics, social protection and welfare, as well as our governance… and last, but not least, our culture and values. If the socioeconomic and political contexts are not favorable to the socially disadvantaged, their health and well-being will be disproportionately affected by the pandemic. Therefore, if we, as a society, espouse to address and reduce the problem of health inequalities, social determinants of health cannot be overlooked in devising and designing any public health-related strategies, measures and policies.
Although a higher rate of incidence and deaths have been widely observed in the socially disadvantaged groups, especially in countries with severe COVID-19 outbreaks, this phenomenon seems to be less discussed and less covered by media in Hong Kong, where the disease incidence is relatively low when compared with other countries around the world. Before the resurgence of local cases in early July, local spread of COVID-19 was sporadic and most cases were imported. In the earlier days of the pandemic, most cases were primarily imported by travelers and return-students studying overseas, leading to a minor surge between mid-March and mid-April of 874 new cases. Most of these cases during Spring were people who could afford to travel and study abroad, and thus tended to be more well-off. Therefore, some would say the expected social gradient in health impact did not seem to exist in Hong Kong, but may I remind you that, it is only the case when we focus on COVID-19-specific incidence and mortality alone. But can we really deduce from this that COVID-19-related health inequality does not exist in Hong Kong? According to the Social Determinants of Health Framework mentioned earlier, the obvious answer is “No, of course not.” And here’s why…
In addition to the direct disease burden, the COVID-19 outbreak and its associated containment measures (such as economic lockdown, mandatory social distancing, and change of work arrangements) could have unequal wider socioeconomic impacts on the general population, especially in regions with pervasive existing social inequalities. Given the limited resources and capacity of the socioeconomically disadvantaged to respond to emergency and adverse events, their general health and well-being are likely to be unduly and inordinately affected by the abrupt changes in their daily economic and social conditions, like job loss and insecurity, brought about by the COVID-19 outbreak and the corresponding containment and mitigation measures of which the main purpose was supposedly disease prevention and health protection at the first place. As such, focusing only on COVID-19 incidence or mortality as the outcomes of concern to address health inequalities may leave out important aspects of life that contributes significantly to people’s health. Recently, my research team and I collaborated with Sir Michael Marmot in a Hong Kong study, and found that the poor people in Hong Kong fared worse in every aspects of life than their richer counterparts in terms of economic activity, personal protective equipment, personal hygiene practice, as well as well-being and health after the COVID-19 outbreak. We also found that part of the observed health inequality can be attributed to the pandemic and its related containment measures via people’s concerns over their own and their families’ livelihood and economic activity. In other words, health inequalities were contributed by the pandemic even in a city where incidence is relatively low through other social determinants of health that directly concerned the livelihood and economic activity of the people. So in this study, we confirmed that focusing only on the incident and death cases as the outcomes of concern to address health inequalities is like a story half-told, and would severely truncate and distort the reality.
Truth be told, health inequality does not only appear after the pandemic outbreak of COVID-19, it is a pre-existing condition in countries and regions around the world, including Hong Kong. My research over the years have consistently shown that people in lower socioeconomic position tend to have worse physical and mental health status. Nevertheless, precisely because health inequality is nothing new, there are always voices in our society trying to dismiss the problem, arguing that it is only natural to have wealth inequality in any capitalistic society. However, in reckoning with health inequalities, we need to go beyond just figuring out the disparities or differences in health status between the poor and the rich, and we need to raise an ethically relevant question: are these inequalities, disparities and differences remediable? Can they be fixed? Can we do something about them? If they are remediable, and we can do something about them but we haven’t, then we’d say these inequalities are ultimately unjust and unfair. In other words, a society that prides itself in pursuing justice must, and I say must, strive to address and reduce these unfair health inequalities. Borrowing the words from famed sociologist Judith Butler, “the virus alone does not discriminate,” but “social and economic inequality will make sure that it does.” With COVID-19, we learn that it is not only the individuals who are sick, but our society. And it’s time we do something about it.
Thank you very much!//
Please join me in congratulating the incoming executive committee of AMSAHK and giving them the best wishes for their future endeavor!
Roger Chung, PhD
Assistant Professor, CUHK JC School of Public Health and Primary Care, @CUHK Medicine, The Chinese University of Hong Kong 香港中文大學 - CUHK
Associate Director, CUHK Institute of Health Equity
同時也有2部Youtube影片,追蹤數超過236的網紅Sharon Lee,也在其Youtube影片中提到,11.11 要到了, 如果你们也在考虑想尝试淘宝的彩妆,可以参考下。这次买了巨多的腮红, 打亮, 和我最爱的眼影盘,应有尽有! 3CE 02:15 1. 3CE玩色眼唇套装 https://detail.tmall.com/item.htm?spm=a1z10.1-b-s.w5003-231872...
jc social media 在 Bigi Yang楊佩綺 Facebook 的最佳解答
非常 #時尚範兒 的夜晚
RATHER 2019/aw v.s 凱渥新世代超模
曲高慶 、賴郁庭 Yu Ting Lai
曾昕晨 Tseng Xin Chen 、林蔚廷Weiting Lin 、李潔如 Li Jie Zu 、潘昱璇 潘星妤 《雙胞胎姐妹》、陳怡文 、林宜蓁 Bella Lin 、
紀思寧 Szuning Jocelyn Chi 、王寧 、
胡晏慈 、Denden Hu 、張芷緹、劉芷涵 、
吳逸忞 Yi Min Wu 、黃語涵 、施怡慧 Shih Boa 、何済如 Ju Ho 、陳宣㚥 Jenny Chen Jc
在一場fashion show 中 、最重要的元素之一 是整體models顯露出來的質感 、於台步行進間 、讓服裝隨著自信的步伐飄揚起來 ❤️
昨晚的服裝秀 非常美 充滿 #時尚範兒
#感謝有妳們每一位 ❤️
#Thanks to Creation of Image | b to B Branding Marketing Planner 品牌行銷策略 、邱馨誼 Chiu Bigmary Jessie 小白 ~ 感謝創意無限的企劃、每一個環結都讓您們想到了❤️
#Thanks to Taiwan Fashion brand RATHER 台灣設計師團隊顯露出的國際街頭混搭風采 ~ 來賓們完全給予正評正能量互動!感謝 Martin 、Althea 與 設計師團隊的投入付出 及 尊重每一位參與活動企劃的專業人員、您們的用心、我們真的能感受的到❤️
#Thanks to Social media PR | 鈞霈公關 e & a 、Lily Chiang 感謝您們現場調度與媒體接待、邀請許多重要人物登場~ 陳庭妮 Nini Chen 吳珊儒 VOGUE CM Liu Yvonne Sung ❤️
#Thanks to DECO | Lucas Chen & Chris 、絮絮 、的優質舞台陳列設計 、「質感 」就在細節中❤️
#Thanks to Visual expression | 葉峻慶老師 的文青風視覺藝術呈現 、來賓們讚嘆到不行❤️
#Thanks to Lighting design |
阿連老師 Kuo Chin Lien 用心的燈光排列、與觀眾近距離的座位區、接收到不刺眼卻又呈現時尚感 、俐落手法掌控的燈光、實屬難得的一件事❤️
#Thanks to Hair| designed by Driven | Ken Shih hair dresser team & Jade 花了許多時間的討論與發想❤️
#Thanks to Makeup | 小君老師團隊 總是以細膩快速的手法 達成每一次服裝秀場不同的妝容❤️
#Thanks to Stylist | 葉又慈 、我們都好愛那幾頂大帽子❤️
#Thanks to Model agency | Catwal Tw / Catwalk Asia | 董事總經理 Alicia Hsuan 宣美齡、超級經紀人 May Chen 、無敵強大後台前置作業總控Jim Chin-jung Kuo ~Vivi + Yuan 前來觀秀~以上少一個都不行❤️
#rathet2019aw #凱渥新世代超模 #fashionevent #fashionshow #catwalkasia #catwalktaipei #fashiononairbigi #creativedirector
jc social media 在 謙預 Qianyu.sg Facebook 的最佳貼文
【加減乘除的人生】
I have been very broke and very broken before.
(60 cents in bank, hello!)
In those dreadful days of brokenness, I spent countless long nights binge watching Youtube and blog surfing. From midnight all the way to dawn.
I lamented at how many other people are more successful, eloquent, smarter and better-looking than me.
Influencers, bloggers, content creators, Youtubers...
The more I watched and read, the more broken and stupid I felt.
My failed businesses have knocked the wind out of me and I lost the confidence to be a Feng Shui practitioner, despite Shifu and my husband egging me on.
I assumed I would suck at it, just like how I failed at everything else.
I hid for a very long long time in my eggshell, refusing to tell people that I know Metaphysics or the Dharma to help them with their life problems.
I can't even help myself. How am I qualified to help them?
Fast forward 5 years later, I am blessed with a growing audience through my writing and FB Livestreams.
That I am able to monetise what I have been learning for the past 11 years and changing people's lives, one Bazi at a time.
What's more astonishing was I self-taught myself into doing up videos on the topics that matter most to my heart.
Watching YouTube make my dreams come true. #yesmumthatstrue
You may have read that I produced a Vesak Day video, a Mothers' Day video, a Summer Health Guide and a Father's Day video for Shifu in the last 2 months. Their combined total views are over 3000.
It felt bittersweet to hear from my husband he liked my videos.
You see, years ago, when I was crippled by my business, I asked the Husband if his company needed a marketing person for their social media.
I thought they could do better in their FB marketing and gave him a lot of ideas.
The husband brushed me off, saying that his boss was unlikely to have the budget to take me in. I tried bargaining for just $200/mth for trial. But was turned down flat. #stingy
I was forced to come out and do something on my own. #女人當自強
Life feels like a Ferris wheel of deja vu sometimes.
2001. My first attempt in doing videos started in NUS Buddhist Society. I was sought to be the Vice-Chairperson in the Freshmen Orientation Camp committee. At that time, my mum bought a Sony camcorder and somehow we came up with the idea of doing a video, introducing Buddhism to the freshies, modelled after the 城人雜誌 variety show.
We went to a few temples in Singapore, of Tibetan, Mahayana and Theravada linages, showcasing the difference in various styles of prostration and offerings. My Chairman Vincent Kwan and another Comm. member starred in the video, while I did the voiceover and shooting.
I had to beg my Bizad friend who was a whiz in IT stuff, to help me edit. I parked like an owl at his home for several nights till after midnight.
Despite all the efforts we put in, the video wasn't well-received by the freshies. They felt Buddhism is one complicated maze after watching it. But the seniors liked it.
I learnt the importance of understanding my target market and perceived customisation.
Not that I understood that better when I did businesses.
I only got it after I became a Feng Shui practitioner and marketing online for a year through more trial and error.
Before the few videos I did this year, I had produced videos for Shifu a few years back. They received generally good response on his budding FB page. Despite being very low key, he has major underground Peach Blossom Luck and much goodwill among his clientele after all.
But nothing like these recent videos that get shared 11-13 times, with reach over 500-600% of the page's fan base.
I don't know what clicked inside me this year, to be able to produce videos that people like.
To be able to do FB Lives that get shared, reacted and commented, and be told that I'm natural on screen, when I used to have onscreen fright.
Feels like Disney magic at work, doesn't it? (Okay, I admit I used Feng Shui.)
I look back and discover life is a game of arithmetic.
My story-telling competitions in primary school.
A librarian in secondary school.
My leadership roles in JC and NUS.
My key role in project presentations in Uni.
Door-to-door and telephone surveys.
A barista in Coffee Bean.
Modelling for Carrie's.
A banquet waitress at Royal Scotts (where the fish head flew onto the table, sauce and fish eyeballs and all, as I was cutting up the fish)
Tutoring children.
Meeting tens of thousands of passengers in SQ.
Being the merchandiser, photographer and graphics designer for my failed blogshop business.
Tagging along the generous and strict Shifu, who taught me for free all these 11 years.
Knowing Sam Choo and Tavia Wong, in 2015 July, opened up my eyes to the IM world and learnt branding + FB marketing knowledge that my NUS professors miss out.
The rejections, the failures...
Take out any one of these, and I would lose that courage, gungho-ness, eloquence, marketability and skilfulness in handling people and trying new things, that you see now.
I sometimes see clients who lament about their less-than-desirable family backgrounds.
Or their companies who do not give them the pay and environment they crave.
Or their partners who always hold them back.
They tell me their dreams and ask me what they can do.
I would eagerly tell them their favourable elements and industries to work in.
Over time, I observed clients can know how to use their favourable elements, and yet have massively different results.
The difference lies not just in their attitude towards life, but what skills they have amassed over the years.
People have dreams, but few make serious effort to gain a skill that will push them an inch closer to their aspirations.
Or they get so caught up in life's dramas that they forgot they can.
I have seen too many clients resigned to tough life. Especially those with children.
It's like they have bid farewell to Life, before they even get near the coffin. #趕去投胎嗎
My Bazi indicated that I would be doing what I studied as a career.
I was telling Shifu, strange that I wasn't.
He told me, I was. With all the heavy duty articles I post on FB, the copywriting I learnt, landing pages, 50 over FB Livestreams, 11 workshops, I am marketing Chinese Metaphysics and Dharma.
Derrick, my web designer, remarked that he had never seen a geomancer who does marketing online the way I did. Very different from what he had seen.
I realised they are right. I am very marketing-slanted in the way I do things. NUS Bizad will be so proud of this alumni.
On my down days, I would think it is too late for me to be doing all these when I'm hitting 40.
On my up days like today, I would think if not now, when?
The more you practice, the more polished you get at doing something.
You have seen me at my most amateurish on FB, writing and doing Livestreams.
I hope it had inspired you in one way or another. If not for the better, at least don't make the same mistakes I did. Make better ones. 😄
If you wish to join me on my journey, as I take my baby step into Youtube, you can subscribe to me at:
https://www.youtube.com/channel/UCweF0iGnkE2kxMlMDcDvnqA
There is only one video uploaded so far. No channel art. No fancy words. No custom URL as I would need 100 subs before I qualify.
That 4-minute video was my very first video on Chinese Metaphysics and got me over 1459 views on Facebook, since 2016 June.
I only have 350+ friends now. Does that mean each of you watch it thrice? 😍
I will gradually edit my FB videos, throw in the subtitles, and upload them on Youtube. It won't be monetised so that next time, you can binge watch my videos with no interruption.
While I have a couple of videos in the pipeline, I do not have concrete plans what I wish to do for my Youtube channel.
But life is a game of arithmetic. As long as I am moving in my favourable direction, I am going to grow into a health stocky broccoli. Non-GMO.
Stay with me, my friend. Let's see how high we can soar together.
My barebone channel -
https://www.youtube.com/channel/UCweF0iGnkE2kxMlMDcDvnqA
.........
Fun fact: I'm still using a Sony camera for my videos.
📸: The man who didn't want to employ me
jc social media 在 Sharon Lee Youtube 的精選貼文
11.11 要到了, 如果你们也在考虑想尝试淘宝的彩妆,可以参考下。这次买了巨多的腮红, 打亮, 和我最爱的眼影盘,应有尽有!
3CE 02:15
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2. 3CE云朵唇釉
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3. 3CE单色腮红
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EGGLIPS 06:11
1. 芭比限定版!韩国EGLIPS芭比联名款马卡龙柔焦控油粉饼唇釉套盒https://item.taobao.com/item.htm?spm=a230r.1.14.29.53583861mHCOvQ&id=614359413844&ns=1&abbucket=6#detail
腮红 07:53
1. JC/Joocyee酵色×乐乐茶联名乐桃三色渐变腮红
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2. 大英博物馆 X Hello Kitty X 橘朵埃及冒险浮雕腮红
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3. Girlcult樱桃小丸子联名系列情绪腮红
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4. FLORTTE/花洛莉亚星愿修容腮红粉3色一体盘组合裸妆自然提亮阴影
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5. 独角兽浮雕腮红
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眼线笔 14:21
1. FLORTTE/花洛莉亚水果沙拉系列彩色防水眼线液笔眼线笔
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眼影盘 15:35
1. 花知晓独角兽五色眼影盘
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2. susisu苏西苏幸运币女神九色金币眼影盘
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4. 完美日记魔卡少女樱礼盒
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粉底液 21:00
1. JC/Joocyee酵色雾茶粉底液
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打亮 22:00
1. 【故宫新彩妆】星空土豆泥高光闪粉
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Music by MYSM - Look At Those Clouds - https://thmatc.co/?l=128F11EB
#Taobao #Makeup #Chinabrand #TaobaoHaul
Social Media
Website: https://www.snowmansharing.com
Facebook: https://www.facebook.com/snowmansharing
Instagram: https://www.instagram.com/snowmansharing
Email me at snowmansharing@gmail.com
jc social media 在 先知瑪莉Mary See the Future Youtube 的精選貼文
▲ 全新編曲演繹
▲ 首次合作 超強陣容
▲ 橫跨四間唱片廠牌鉅獻
|Mary See the Future ✗ 聖皓 / 麋先生 Mixer ✗ 宇庭 / Hello Nico ✗ 易祺 / Vast & Hazy|
新編曲以 live 能錄製的聲音取代了原曲的鋼琴,並改為聖皓和宇庭男女合唱,雖曲調、配唱的段落及改編討論了許久,但大夥在拍攝空檔模仿彼此演出時的表情和歌聲,或是開玩笑互嗆,使得拍攝與練團的歡樂程度讓人忘了時間。Vast & Hazy 的易祺則用木吉他與合成器為歌曲做了最美的妝點,跳脫錄音作品的編排,增加了個人編曲的慣性與特色。間奏的延伸改為吉他手之間的對話,三方錄製過程中,相互丟出樂句,彷彿回到吉他英雄的時代,隨後由 Bass 手 Fish 與鼓手 Eric 為歌曲拉到另一個閱聽層次,不由自主地讓人將整首歌不斷回放。
這次合作的促成來自於 Roger 在專輯錄製階段,偶然和 Josh 提及「我好像可以聽到聖皓唱〈Ariel〉這首歌的聲音」,Josh 回道:「我也有想過要在 Music Session 來場大亂鬥」,也因這樣的發想而改變了原定只有四位團員的拍攝企劃,確認編曲方向後大家便開始回想各自欣賞、還未有機會合作的音樂人,最終幸運敲定了非這幾位莫屬的合作。
影像製作則找來了拾光影像團隊,早在多年前 Mary See the Future 就和導演 Fred 合作過〈禮拜天情人〉Music Session,睽違多年,由導演 Fred 帶領多位專業人員,挑戰多人編制的現場演出拍攝,光影及燈束配合節奏閃現,以 MV 的規格拍攝這支錄音作品,完整地展現了這首歌的氛圍。
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詞 | Lyricist:陳繁齊
曲 | Composer:Josh
編曲|Arrangement:Mary See the Future
|Special Guest|
主唱|Male Vocalist:聖皓(麋先生 Mixer)
主唱|Female Vocalist:詹宇庭(Hello Nico)
吉他/合成器 | Guitarist & Synthesizer 林易祺(Vast & Hazy)
|Song Credit|
編曲 Arrangement:Mary See the Future
製作人 Producer:Josh Ba
錄音師 Recording Engineer:Roger Hsu、 Mori
錄音室 Recording Studio:海波浪製作 Wave Productions
混音師 Mixing Engineer:Roger Hsu
母帶後期處理工程師 Mastering Engineer:Roger Hsu
混音、母帶後期處理錄音室 Mixing & Mastering Studio:27 Club Studio
OP:未卜娛樂有限公司 WayFarer Entertainment Co. Ltd.
|Video Credit|
製作| 拾光影像整合工作室
導演| 林士傑 Fred Lin
攝影師| 彭茯星
攝大助| 邱秉鴻
攝影二助| 王志愷
燈光師| 紀朝元 JC
燈光大助| 許富嘉
燈光助理| 吳芳源 鄭誌元
攝影器材| 和寬攝影器材有限公司
燈光器材| 貞寶企業有限公司
造型|Stylist:郭介衛 Caper Kuo
化妝|Makeup Artist:陳立修 ReeveCLS
髮型|Hair Stylist:高國凱 Jonathan Kao
場地協力|Studio:海波浪製作 Wave Productions
特別感謝|Special Thanks:相知國際股份有限公司、添翼創越工作室、黑市音樂、艾森音響、plain-me、Mori、詹雅涵、蕭麒峰
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Mary See the Future《musickness:finale》演唱會
演出日期:2020/1/22 (三)
入場時間:18:30 (以現場狀況為主)
演出時間:19:30 (以現場狀況為主)
演出地點:台大體育館一樓
購票方式:KKTIX及全台全家便利商店
售票連結:https://reurl.cc/zyp1XV
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|社群媒體 Social Media|
Facebook:http://bit.ly/msf_FB
Instagram:http://bit.ly/msf_IG
Twitter:https://twitter.com/msf_tw_official
Weibo:http://bit.ly/msf_weibo
Website:http://maryseethefuture.tw/
|數位串流 Streaming|
StreetVoice:http://bit.ly/2FTBg7U
KKBOX:http://bit.ly/36cB9jr
Spotify:https://spoti.fi/2pRZY44
Apple Music:https://apple.co/364BWDq
myMusic:http://bit.ly/2Wdqh0z
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*本案獲文化部影視及流行音樂產業局108年補助
#MarySeetheFuture #先知瑪莉
#麋先生 #HelloNico #VastandHazy
#musickness #Ariel