關於 i want you by my side so that i'll never ，我們在網路上蒐集到這些相關的討論、資訊與評價

【芸能事務所の生き残り方】

本題に入る前に近況報告からさせてください。

昨日もお話しさせていただいたのですが、３日前に募集を開始した「西野亮廣オンライン講演会　〜マーケティング講座【上級編】〜」に期待が集まっているみたいで、昨日の段階では受講生が８５０人だったのですが、今朝見たところ、１７００名を超えていました。本当にありがとうございます。

(こちら↓)
https://silkhat.yoshimoto.co.jp/projects/2158

こちらの講演会は受講料が５３００円となっておりますが、映画『えんとつ町のプペル』のオンラインムビチケ（前売り券）が「３枚」ついてくるので、受講料は実質ほぼ無料です。クラファンの手数料ぐらい。

当然、この講演会をやっても僕には利益なんてないのですが、僕からすると、そんなものよりも、皆で作った映画が一人でも多くの方に観てもらえる方が何千倍も何万倍も嬉しいので、まったく構いません。

モノを届ける為には、何が必要なのか？
人を集める為には、何をしなければならないのか？

今回の講演会では、エンターテイメントに限らず、全てのサービスに関わってくる問題と、その解き方について、かなり踏み込んだ話をしたいと思います。「上級編」とありますが、難しい言葉や、無駄な横文字は使わないので、ご安心ください。


https://silkhat.yoshimoto.co.jp/projects/2158





というわけで、今日の本題です。



今日は「キンコン西野が芸能事務所を作るなら…」というテーマでお話しさせていただきます。



僕は表向きは吉本興業のタレントなのですが、それって表舞台に出る時で、僕の実際の仕事は９割ぐらいが株式会社NISHINOの仕事なんですね。

ただ、吉本興業とバチっているってことはなくて、吉本興業と一緒にした方がいい仕事は一緒にしますし、「ここは組まない方がいいよね」という仕事は組まずに、株式会社NISHINOでやらせてもらっています。そのへんは臨機応変に。

吉本芸人の中では珍しい「吉本愛」がある男です。

やっぱり、なんだかんだ言っても自分を育ててくれた会社なので、その恩は何倍かにして返さないと気持ちが悪い。
だからこそ、ダメな時はかなり強めに「ダメだ」と言います。
かなり強めに(笑)


吉本興業に限らず、あらゆる芸能事務所がおかれている今の状況を、めちゃくちゃフラットな立場から切り取ると……やっぱり、最大の権威であった「テレビ」を観る人が減ってきて、それぞれがYouTubeチャンネルを持ってしまって、「テレビに出たい」というタレントや、「レギュラー番組が欲しい」というタレントが減ってきた。
くわえて吉本興業の場合だと、コロナで劇場もやられてしまって……それによって「いや、劇場でネタをおろすより、ジャルジャルみたいにYouTubeでネタをおろした方が多くの人に見られるし、実入りもいいんじゃね？」というのがバレてしまって……今、全員の頭の中にある疑問は「芸能事務所って本当に必要なの？」だと思います。



インターネットの本質は「直接購入」なので、どうしても「中抜き」の立場は弱くなってしまう。

そんな中、今、各芸能事務所が生き残りをかけて、あれやこれやと手を打っているわけですが、たとえば、こと吉本興業に関していうと、やっぱりこれまで「大仏商売」だったんですよね。

明石家さんまサンがいて、ダウンタウンさんがいて、ナインティナインさんがいて…という。もちろん、その才能を生んだのは吉本興業であることは間違いないのですが、「生んだ才能に乗っかり続けた」というのも、また事実。

それでも、ネットインフラが整うまでは、それでいけたんですよね。
タレントのスケジュールを切って、ギャラ交渉をして、時々、バーターで新人を挟んで…というビジネスモデルを長らくアップデートする必要がなかった。
それはそれで本当に凄いことなんだけども。


だけど今は、ネットインフラ、もっと言うと、動画インフラやダイレクト課金インフラが整ってしまったので、もう「事務所に所属していないと世に出れない」みたいな時代じゃなくなった。

で、「これはヤバイ！」となって、今、慌てて、各芸能事務所デジタル化らしきものを進めているのですが、肌感でいうと７〜８年ぐらい遅い。
「UI、UX、何やそれ？」「オンラインサロンって、儲かりまんの？」という世界です。

本当に、何年も前に止まってしまった時計の針を今、慌てて動かしているから、ガタガタギシギシ鳴っているのが現状です。

頑張っているのは分かるのですが、そこに対する知識が圧倒的に不足しているから、流行っているものを見よう見まねで始めては見るものの、全然イケてないサービスを量産してしまう。
「そういうことじゃねえんだよ」の連続です。


一つ、吉本興業のクラウドファンディング「SILKHAT」に関しては、立ち上げから携わらせてもらった手前、今でも逐一「ここは違う、ここはこうだ」と口を挟ませてもらっているのですが、それ以外の吉本が仕掛けているサービスなんかは、ちょっとよく分からない。

救いは社外取締役で来てくださったビリギャルの坪田さんで、さすが坪田さん案件はイケてるなぁと思うのですが、ただ、坪田さんの身体は一つしかないので、さすがに吉本興業の全てのサービスをカバーすることは難しい。
吉本って、本当に大きな会社なんです。

ネットは特に適者生存の世界で、これまでリアル社会でどれだけ幅をきかせていようが、時代に合っていなかったら、１秒で駆逐されてしまうんです。

時計の針を長年止めていた人が見よう真似で参戦して生き残れる世界じゃないんですね。

今、コロナで食い扶持が減った各芸能事務所が、「新しい収入源を作れ〜」と躍起になっていると思います。

このへんの展開は手に取るように分かるのですが、まぁ、いろんな事務所さんが「オンラインサロン」を始めると思います。

始める理由は「オンラインサロンは、どうやら儲かるらしいから」です。
そして僕の見立てだと、ほぼ１００%失敗します。

「なぜ、ダイレクト課金が成立しているか？」を構造で理解していないからです。
「認知」と「人気」の違いを本質的な部分で理解できていない。

今田さんや東野さん、この前だと華大さんとか千鳥さんとかが「そういうのは、知識の無い社員が旗を振らずに、西野に頼んでやってもらったらいいんだよ」と言っていたんですが、僕本人が言うのもアレですが、本当にそうだと思うんですね。
でも、社員は絶対に聞いてこない。

僕は日本の名だたる企業さんから社員向けの講演会のオファーを受けるのですが、吉本興業から頼まれたことは一回もありません。

自分で言うとカドが立つので嫌なのですが、でも実際問題、クラウドファンディングで日本で一番支援を集めていて、オンラインサロンで日本で一番会員を集めていて、なんか国内最大の広告賞を取っている。
…そんな奴が、自分とこの会社にいて、カジュアルにアドバイスを求められる距離にいるんだったら、アドバイスを求めた方がよくないですか？

渡辺直美ちゃんにインスタの運営方法を聞いた方がよくないですか？
カジサックやオリラジの中田君にYouTubeの勉強会を開いてもらった方がよくないですか？


でも、それをしないんです。なぜか？
「プライド」です。

芸能事務所とテレビというタッグはこれまで本当に強くて、タレントはあくまで「使う存在」だったので、「教えてくださ〜い」とは言えない。

現役のバリバリ第一線でやっている人が、隣にいるんです。これ、勿体無いでしょ。

僕が吉本興業の社長なら、西野にギャラ１００万円渡して、なんばグランド花月に吉本の全社員を入れて、西野のマーケティング講座をやります。もしくは西野の書籍「革命のファンファーレ」あたりを全社員に配ります。
#どうせ西野は100万円を全額寄付します

これビッグマウスでも天狗でも何でもなくて、普通のビジネスマインドを持った人からすると、かなりフラットな意見だと思います。


で、今日の本題である「キンコン西野が芸能事務所を作るなら…」というところなのですが、やっぱり、今、一番時代を切り取れているのは、「結果を残しているプレイヤー」であることは間違いないんです。

そこに、あらゆる情報が集中しているので。やっぱり、その人が一番、知識がある。

　
その上で、僕が芸能事務所を作るのなら…………トッププレイヤーに株を持たせます。
むしろ、事務所の方から頼みこんで、事務所の株を持ってもらう。

　
株を持ってもらうのが難しいというのであれば、顧問料として業務ごとに契約して、事務所の売り上げのパーセンテージ渡します。

吉本興業でやるYouTubeならば、顧問料として、カジサックやオリラジ中田君に僅かでもパーセンテージを渡します。

そうすると、カジサックやオリラジ中田君は、吉本興業のYouTubeを盛り上げようとして、他の吉本芸人のYouTubeチャンネルの宣伝を自発的に行ってくれるので。


これから「タレントに株を渡せる事務所」と「タレントに株を渡せない事務所」の明暗は大きく分かれてくると思います。

今日のオンラインサロンの記事は、ここから、さらに踏み込んだ話をしたいと思います。

よろ！

　
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino

▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065

━━━
２０２０年１２月２５日公開！
映画『えんとつ町のプペル』

▼オンラインムビチケ（特典付き）の購入はこちら↓
https://mvtk.jp/Film/070395

▼上映館はこちら
https://theater.toho.co.jp/toho_theaterlist/poupelle.html…
[how to survive the entertainment office]

Let me make a status report before entering the chase.

I was able to talk to you yesterday, but I started recruiting 3 days ago, ′′ Ryo Nishino Online Lecture ~ Marketing course [Advanced Edition]~" it seems that there is a lot of expectations for yesterday's stage, and I'm going to have a good time with the students There were 850 people, but I just saw it in the morning, and it was over 1700 people. Thank you so much.

(here ↓)
https://silkhat.yoshimoto.co.jp/projects/2158

This lecture is 5300 yen for the enrollment fee, but the online bangabandhu (advance tickets) of the movie ′′ a town ′′ is coming with ′′ 3 pieces ′′ so I'm going to enroll The fee is virtually almost free. About the fees of a fan.

Of course, I don't have any profit to do this lecture, but from me, it's a thousand times more than that, it's a lot of people who have been able to watch a lot of movies that we all made. I'm so happy that I'm so happy that I'm so happy that I'm

What do you need to deliver things?
What do you have to do to collect people?

In this lecture, I would like to talk about the problem that is involved in all services, and the problem that is involved in all services, and the solving of it." it is an advanced version." but it is difficult words and useless. I don't use the side letters, so please rest assured.


https://silkhat.yoshimoto.co.jp/projects/2158





So today's chase.



Today we will talk about the theme of ′′ if xin nishino is going to make an entertainment office..."



I'm officially a talent for yoshimoto kogyo, but it's time to go on the stage, and my actual work is about 9 % of Nishino Co Ltd.

It's just that I'm not drumstick with yoshimoto kogyo, but I'm going to have a good time with yoshimoto kogyo, and I'm going to have a good time with the work that I don't have to set up here, but I'm going to do it I'm giving it to you. I'm flexing it.

This is a man who has a rare ′′ Yoshimoto Love ′′ among yoshimoto comedians.

As expected, it's a company that raised me even if I said it, so i feel bad if I don't return it to a few times.
That's why when you can't do it, it's pretty strong to say ′′ no
Pretty strong lol


It's not limited to yoshimoto kogyo, but when you cut the current situation that every entertainment office is in a flat position...... as expected, there are many people who watch ′′ TV ′′ that was the biggest authority, and each one is youtube I have a channel, and I have lost the talent of ′′ I want to be on TV ′′ and ′′ I want a regular program,"
In the case of yoshimoto kogyo in the mouth, the theater was also hit in corona...... by that, ′′ No, it's a lot of people who put down the story on Youtube like jal rather than lowering the story in the theater. I found out that it's good to have a good time?" now I think that the question in everyone's head is ′′ I really need an entertainment office?"



The essence of the internet is ′′ direct purchase so the position of ′′ inside ′′ is going to be weak.

In such a way, each entertainment office has survived, and it is hitting their hands with this, but for example, about yoshimoto kogyo, it was a ′′ Daibutsu business ′′ so far.

There is a akashiya san, and there is downtown, and there is a nine nine nine... Of course, there is no doubt that it is yoshimoto kogyo who gave birth to the talent, but it is also a fact that ′′ I have continued to be born with the talent that I have been born,"

Still, until the net infrastructure is done, it's done.
I didn't have to update my business model for a long time, when I cut my talent schedule, negotiate galaga, and sometimes, in remembrance of the newcomer...
That's really amazing though.


But now, net infrastructure, more to say, video infrastructure and direct charge infrastructure have been set up, so it's no longer an era like ′′ if you don't belong to the office, you can't get out of the world

So," this is crazy!" and now I'm in a hurry, and I'm going to have a good time with each entertainment office digital, but it's about 7 TO 8 years late with the skin feeling.
′′ UI, UX, what is that?"" the online salon is profitable?"

Really, I'm in a hurry to move the needle on the clock that has stopped years ago, so it's the current situation that I'm going to have a good time with the tagaytay snipe.

I know you're working hard, but the knowledge of there is overwhelming, so I'm going to see what's trending, and I'm going to have a good time with a lot of people who are in the middle of the day, and I'm going to have a mass production of
It's a row of ′′ it's not that kind of thing


One, as for yoshimoto kogyo's crowdfunding ′′ Silkhat ′′ in front of the launching, I still have a mouth-to-mouth ′′ it's different here, it's like this other than that I don't really understand the service that yoshimoto is planting.

Salvation is the outside director of the biryani, and I think that the case is cool, but it's just that there's only one body of Mr. Bamboo, so I'm going to go to the middle of the day, and I'm going to have a good time with yoshimoto kogyo Covering the services of the.
Yoshimoto is a really big company.

The net is especially the world of the fittest survival, and how wide it is in real society so far, but if it is not right in the era, it will be destroyer in 1 seconds.

It's not a world where people who have been stopping the needle in the clock for many years can survive and survive.

Now, I think that each entertainment office, which has lost the the in corona, is scrambling to make a new source of income ~"

I know I'm going to get this strange expansion, but I think all kinds of offices will start the ′′ Online Salon ′′

The reason to start is ′′ the online salon seems to be profitable
And when it's my likened, almost 100 % fail.

Because I don't understand the structure of ′′ why the direct charge is completed?"
I don't understand the difference between ′′ cognitive ′′ and ′′ popularity ′′ in an intrinsic part.

Imada-San and higashino-San, last time, Mr. Hua-San and chidori-San said, ′′ that's what I wish I could ask nishino to do without knowledge without throwing the flag But that's what I'm saying, but I really think it is.
But employees never listen.

I'm getting an offer for a lecture for employees from a Japanese famous company, but I've never been asked by yoshimoto kogyo.

I don't like it because I'm going to say it myself, but it's actually a problem, crowdfunding is collecting the most support in Japan, and I'm collecting the most members in Japan at the online salon, and I'm going to have the biggest advertising I'm taking it.
... isn't it better to ask for advice if that kind of guy is in this company and in the distance where he can ask for advice casual?

Isn't it better to ask Naomi Watanabe how to operate her instagram?
Isn't it better to have a youtube study session for kazi and olli nakata?


But I don't do that. Why?
It's ′′ pride

The tag called entertainment office and tv is really strong so far, and the talent was only ′′ the existence of use," so I can't say ′′ let me know,"

There are people who are doing it on the front line of the active crunching. This is not spoiled, is it?

If I am the president of yoshimoto kogyo, I will give you 100 yen to nishino, and I will put all employees of yoshimoto in nanbagurando huā yuè, and I will do a marketing course in nishino. Or handing out nishino's book ′′ Fanfare of the revolution ′′ to all employees.
#どうせ西野は100万円を全額寄付します

I think it's a pretty flat opinion from a person with a normal business mind, not a big mouse or tengu.


So, today's chase, ′′ if xin nishino is going to make a entertainment office..." but now, the most era is," the player who leaves the result ′′ Things are not wrong.

There, because all the information is focused. As expected, the person is the most knowledgeable.

　
On Top of that, if I'm going to make an entertainment office............ I'll bring stocks to the top player.
Rather, I'm going to ask you from the office, and I'm going to have a office stock.

　
If it is difficult to get stocks, sign up for each business as an adviser fee and pass the percentage of the sales of the office.

If you're on Youtube at yoshimoto kogyo, you'll give a little percentage to kazi and olli nakata as an adviser.

So, kazi and olli nakata are going to elevate yoshimoto kogyo's Youtube, and they are voluntarily going to promote the youtube channel of other yoshimoto comedians.


From now on, I think that the light of ′′ the office that can pass stocks to talent ′′ and ′′ the office that can't give stocks to talent ′′ will be divided greatly.

Today's online salon article, from here, I would like to talk about stepping in further.

Happy birthday!

　
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino

▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065

━━━
Released on December 25, 2020!
The movie in a town ′′

▼ Buy Online Bangabandhu (with perks) here ↓
https://mvtk.jp/Film/070395

▼ here is the screening hall
https://theater.toho.co.jp/toho_theaterlist/poupelle.html#region7Translated

【キンコン西野、HYDE愛を語る】

今日は大切なお知らせが二つございます。

まず一つ目ですが、映画『えんとつ町のプペル』のオンラインムビチケの発売が開始しました。

コチラ→https://mvtk.jp/Film/070395

前売価格なので、若干お買い得になっていて、一般が１５００円。子供が８００円です。
でもって、オンラインムビチケ（前売券）の購入特典として、「特製スマホ壁紙」がプレゼントされます。

こちらは、初公開となる映画『えんとつ町のプペル』のメインビジュアルです。



個人的にメチャクチャお気に入りの一枚で、今日は、この絵のことを少しだけ説明させていただきます。

主人公のプペルとルビッチが煙突の上に座って、上を向いているのですが、「上を向く」というのが今作のテーマでもあるんですね。

劇中、高いところが苦手な煙突掃除屋の少年のルビッチ君が、ハシゴを登る時に下を見ちゃうシーンがあります。
下を見ると、体重が後ろにかかるもんですから、立てかけてあるハシゴが揺れるんですね。

それに対して、下で見守っていたルビッチ君のお父さんの「ブルーノ」さんが、「下を見るから揺れるんだ。上を見ろ」とアドバイスするわけですが、これはハシゴに引っ掛けた世の理で、僕らは上を向いている時は体力的に少々大変でも頑張れる。

それこそコロナなんて「来月終わります」と言ってもらえたら、その希望をオカズに１ヶ月ぐらいの貧乏は我慢できる。

だけど、コロナの場合は「いつ終わるか分からない」という、「希望が取り除かれた状態」だから、精神的にかなりグラついてしまう。ともすれば鬱っぽくなる。

そう考えると、「希望」というのは、僕らが生きていく上で必要なもので、「上を見る理由」を提供することは僕ら表現者の仕事の一つでもあるなぁと思いました。

　
映画『えんとつ町のプペル』は来年公開に延期する話も上がったのですが、「いやいや、今年公開しよう！」とワガママを言いました。
大変なのは百も承知で、だけど、だからこそ、皆と同じように大変な中で頑張って、頑張って頑張って結果を出す。

その姿を見せることができたら、「ああ、こんな中でも死ぬ気で努力すれば活路が見いだせるんだな」と思ってもらえて、誰かの規模になることができるなぁと思って、今年公開に踏み切りました。

　
メインビジュアルは、そういう気持ちを全部込めて、「煙に覆われて、なかなか星が見つからない町の中で、それでも上を見続ける主人公達の横顔」にして見ました。
この絵が頑張る人のお守りになると嬉しいです。
オンラインムビチケをご購入いただけると、特典で付いてきますので、是非！



https://mvtk.jp/Film/070395

んでもって、大切なお知らせの二つ目です。

昨夜、YouTubeの生配信で喋ったのですが、HYDEさん愛が爆発してしまって１時間近く喋っちゃったので、あたらめて短くまとめます。

映画『えんとつ町のプペル』のオープニング主題歌「ハロウィンパーティ プペルver.」の配信が開始されました。

コチラ→https://hyde.lnk.to/hppoupelleTP

HYDEさんが子供達と歌っているのですが、これ、本当にビックリするぐらいカッコイイので、一度聴いてください。
僕は昨夜から、かれこれ２０回ぐらい聴いています。



こちらの楽曲は、もともと２０１２年頃に発表されていたんです。

それが、もう、とっても素敵で……まもなく、日本にもハロウィンが一つの文化として根付いて、その後、様々なハロウィンソングが世に出てきたのですが、僕個人的には、この楽曲を超える「ハロウィンソング」には出会わなかったんですね。

やっぱりブッちぎりだったんです。



映画『えんとつ町のプペル』のオープニングシーンの脚本を書くときも、後ろにずっとこの曲を流していて、この曲に引っ張られるようにオープニングを書いたんですね。

で、いよいよ「オープニング曲の制作をしよう」という段階に差し掛かった時に、「いや、ちょっと待てよ」と。

２０１２年から、HYDEさんの「ハロウィンパーティ」を超える曲が出てこなくて、んでもって、そもそも「ハロウィンパーティー」を流しながら、この曲に合うように本を書いてしまっている。
この条件で、「ハロウィンパーティーを超える曲なんて作れるんだっけ？」と思ったんですね。

というわけで、「一旦、ダメ元で、HYDEさんに、この曲を使わせていただけるか、お願いしてみよう」と。で、「ダメだったら、頑張って作ろう」ということで、話がまとまったんです。



やっぱり、「イイものはイイ」ので。

変にエゴをこじらせて、何でもかんでも「自分でやる」とするのではなくて、素晴らしいものにあやかれるのなら、あやかった方がイイ。
それが製作総指揮の仕事だなぁと思ったんです。

で、ダメ元で、HYDEさんにお願いしたところ、これが本当に本当にありがたいことに、なんとHYDEさんが、そもそも『えんとつ町のプペル』のファンでいてくださって、快く「オッケー」をくださったんです。

こんなにありがたいことはありません。

そして、もっとありがたいのはここからです。
ここから僕のHYDE愛が爆発するのですが……映画館で流すとなると規格も変わりますし、さらには前後の音楽とのバランスもあって、今回、「ハロウィンパーティー」を映画用にアレンジする必要があったんですね。


そこからのHYDEさんが本当に最高すぎたのですが、HYDEさんったら、楽曲を提供して終わりじゃないんです。

「えんとつ町」には、こういう音は鳴らない」とか「煙の中から聴こえてくる音は、こっちだ」といった感じで、映画用のアレンジを本当にトコトン付き合ってくださったんです。

テレビのインタビューだと「オッケー、オッケー」といった軽い感じで受けて、サクッとやりました感が出ていますが、どっこい、皆さんが思われている「トコトン付き合う」の５倍ぐらいトコトン付き合ってくださった。

歌詞も若干変わってるんです。

もともと歌詞の中に、「月明かり」というワードがあったのですが、「えんとつ町」は煙に覆われて空を知らない町なので、月も知らないので、「月明かり」が「薄明かり」になっていたり、その他にも、えんとつ町にあるハズがないものは歌詞から省いて、えんとつ町仕様に変えてくださったんです。

んで、また、子供の声との相性が抜群！
ロックミュージシャンと子供が、メチャクチャイイ感じに融合している。

　
一言でいうと、「HYDEさんが好きだ」ということです。



学生時代、僕はアルバイトで、ラルク・アン・シエルさんのコンサートスタッフをさせていただいたんです。

スタッフはステージに背を向けて、お客さんの方を見なきゃいけないのですが、両耳は全部ステージの方を向いていて、実は、その時のライブに、まだ出会う前の梶原君も来ていて、僕はスタッフとして、梶原君はお客さんとして、ラルクさんのライブに参加させていただいたんです。

ときどき梶原君と、その話になるのですが、あの日、あのライブを観て、ステージ上のラルクさんを観て感じたことは、僕も梶原君も全く同じで、僕らが目指したのは「お笑い」だったのですが、もうちょっと大きな枠として捉えた時に、「いつか、あっち側に行ってみたいな」と思ったんです。

なんか、本当にキラキラしていた。

コンサートの撤収でパイプ椅子とかを片付けながら、「あっち側に行きたい」と、ずっと思っていました。



なので、今回、こういった形でご一緒させていただくことになったのは、あの日の自分の希望でしかなくて、もしタイムマシン的なものがあれば、あの日に戻って「お前、メチャクチャ頑張ったら、いけるぞ」と彼に言ってやりたいです。



まぁ、とにかく、HYDEさんが映画『えんとつ町のプペル』用に作り直してくださった「ハロウィンパーティー」が本当に、本当に最高なので、是非、聴いてみてください。

　
あと、とはいえ「いただきっぱなし」は気持ちが悪いので、今回、お力を貸してくださったHYDEさんに対して、また、HYDEさんをずっと支えてくださったファンの皆様、スタッフの皆様に対して、僕なりの恩返しはさせていただきます。

そちらは１１月上旬に発表します。

そのアクションでもって、「あの日の僕の胸を熱くさせてくれたHYDEさんって、こんなにカッコイイだぜ」ということを、あらためて、世の中にお伝えします。

お楽しみに。



西野亮廣(キングコング)
　

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[Xin Nishino, Hyde talks about love]

We have two important news today.

It's the first one, but the movie ′′ a no-′′ online bangabandhu is now on sale.

Here → https://mvtk.jp/Film/070395

It's an early bird price, so it's a bit of a bargain, and the general is 1500 yen. The child is 800 yen.
′′ Special Smartphone Wallpaper ′′ will be present as a special gift for the purchase of online bangabandhu (early bird tickets).

This is the main visual of the first movie ′′ a in town ′′ (in Japanese)



One of my personal favorites, and today, I'm going to explain a little bit about this painting.

The protagonist," and Ruby are sitting on the chimney, and they are on their way up, but it is also the theme of the creation of the creation.

In the play, there is a scene where the chimney cleaner boy, who is not good at high, is looking down when climbing the ladder.
When you look down, the weight is behind, so the propped ladders are swaying.

On the other hand, Levitch's father, Bruno, who was watching downstairs," is swaying because he looks down. Look up I advise you, but this is the understanding of the world that hook up to the ladders, and when we are on the way, we can do our best to be a bit hard.

If you say corona is ′′ it will end next month you can resist the poor for about 1 months in the wank.

But in the case of Corona, ′′ I don't know when it's going to end," it's a state of hope removed," so it's mentally quite a bit of a I feel depressed.

If you think so, ′′ hope ′′ is what we need to live, so I thought that providing ′′ the reason to see above ′′ is also one of the work of our expressions. I'm sorry.

　
The movie ′′ a town ′′ has risen to the public next year, but," no, no, let's publish this year!" I was selfish.
I know it's hard, but that's why I'm going to do my best in the middle of the day, and I'm going to do my best, and I'm going to do my

If you can show the appearance," oh, if you try to die in this way, you'll find a find," and you'll be able to become someone's scale, and you'll be able to publish this year. I went to the crossing.

　
The main visual is all about that feeling," I saw it in a town where I can't find a star, and I still keep looking up,"
I would be happy if this painting would be the amulet of the person who works hard.
If you can buy online bangabandhu, you'll be able to follow it with special benefits, so come on!



https://mvtk.jp/Film/070395

And it's the second one of the important announcement.

Last night, I talked about a live broadcast on Youtube, but Hyde's love exploded, and I talked about it for almost 1 hours, so I'm going to have a short summary of it.

The opening theme song ′′ Halloween party persie ver." for the movie ′′ a ′′ has started.

Here → https://hyde.lnk.to/hppoupelleTP

Hyde is singing with the kids, but this is really cool to be surprised, so please listen to it once.
I've been listening to it about 20 times since last night.



This song was originally announced around 2012

It's already very nice...... soon, Halloween will be rooted as one culture in Japan, and after that, various Halloween songs came out in the world, but I personally, over this song ′′ You didn't meet the Halloween song.

I knew it was a prude.



Even when I wrote the script of the opening scene of the movie ′′ a in town ′′ I've been playing this song for a long time, and I wrote the opening to be pulled by this song.

So, when I finally got to the stage of ′′ Let's make an opening song," no, wait a minute,"

Since 2012, I didn't have a song over Hyde's ′′ Halloween party ′′ and I wrote a book to fit this song while playing ′′ Halloween party ′′ in the first place.
In this condition," I thought I could make a song over Halloween party?"

So," I'm going to ask Hyde to use this song once," So," if you don't do it, let's make it hard," the story was organised.



As expected," good things are good,"

It's better to be able to take a look at the ego, not to ′′ do it yourself ′′ but if you're going to be aya by something wonderful.
I thought it was the work of the production general command.

So, I asked Hyde for a bad time, and this is really a blessing, and Hyde was a fan of ′′ a town ′′ in the first place, and I was delighted to give you ′′ okay ′′

There's never been such a blessing.

And more thankful is from here.
My Hyde love is exploding from here, but...... when it comes to the movie theater, the standard changes, and even more, there is also a balance with the music before and after, and this time, I'm going to have a ′′ Halloween party ′′ for the movie You needed to arrange it.


Hyde from there was really the best, but Hyde-San, it's not the end of offering songs.

′′ a town ′′ doesn't sound like this or ′′ the sound of listening from the smoke is this way it's really a ton of place for the movie.

In a TV interview, I received a light feeling like ′′ okay, okay I feel like I'm going to have a quick time, but I'm going to have a good time, but I'm going to have a good time with the ′′ place dating ′′ that everyone is thinking about. Thank you for dating me.

The lyrics are slightly different.

There was originally a word ′′ Moonlight ′′ in the lyrics, but ′′ a town ′′ is a town that is covered in smoke and does not know the sky, so I don't even know the moon, so the ′′ Moonlight ′′ is ′′ thin ′′ It's been a light, and other things that are not in a town, I left it from the lyrics and changed it to a town specification.

And also great compatibility with children's voice!
Rock musician and kids are fused with a mess.

　
In One Word, it means ′′ I like Hyde,"



In my school days, I was a part-time job, and I was able to do a concert staff of ral ann.

The staff has to turn back on the stage and see the customer, but both ears are all looking for the stage, and actually, the live of the time, and the sugawara-kun before he still met. And I was a staff, and sugawara-kun was a customer, and I was able to participate in the live of Mr. Ral.

Sometimes it's going to be a story with sugawara-kun, but that day, I saw that live, and I saw Mr. Ral on stage, and I was also the same as sugawara-kun, and we aim for it ′′ It was a comedy, but when I captured it as a little bigger frame, I thought, ′′ someday, I'd like to go to the other side,"

It was really sparkling.

I've always thought that I want to go to the other side while cleaning up the pipe chair at the evacuation of the concert.



So, this time, I'm going to be with you in this form, and I'm going to have a good time with my hope that day, and if there's a time machine, I'll go back to that day ′′ you're so messed up I want to tell him that if you do your best, you'll be able to do it



Well, anyway, the ′′ Halloween party ′′ that Hyde recreated for the movie ′′ a no-in-town ′′ is really the best, so please listen to it.

　
Later, ′′ I'm left ′′ is disgusting, so I'm going to have a good time with Hyde, and I'm going to have a good time with Hyde, and I'm going to have a good time with all the fans who have been able to support Hyde for a long time, and I'm going to I will give back.

We will announce it in early November.

With the action, I will tell the world that Hyde, who made my chest hot that day, is so cool,"

Look forward to it.



Ryo Nishino (King Kong)
　

▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
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https://nishino73.thebase.in/items/25497065Translated

[時事英文] 喬丹對科比的追悼頌詞

完整影片: https://youtu.be/y1zlbsG_wk8

我感謝瓦妮莎和科比一家讓我今天有機會發言。

I'm grateful to Vanessa and the Bryant family for the opportunity to speak today.

★★★★★★★★★★★★

我很感激能在這裡致敬Gigi，並懷念Kobe留給我們所有人的禮物-那些他作為籃球運動員、實業家、講故事的人和身為一位父親所取得的成就。不論在籃球比賽、生活中以及作為父親，科比盡其所能，毫無保留的付出。

I'm grateful to be here to honor Gigi and celebrate the gifts that Kobe gave us all – what he accomplished as a basketball player, as a businessman, and a storyteller and as a father. In the game of basketball, in life, as a parent – Kobe left nothing in the tank. He left it all on the floor.

★★★★★★★★★★★★

科比和我是非常親密的朋友，這也許讓人驚訝。但是我們的確是非常親密的，科比是我親愛的朋友。他就像我的弟弟。每個人一直都想談論比較我倆。而我只想談論柯比。

Maybe it surprised people that Kobe and I were very close friends. But we were very close friends. Kobe was my dear friend. He was like a little brother. Everyone always wanted to talk about the comparisons between he and I. I just wanted to talk about Kobe.

★★★★★★★★★★★★

他曾在11:30、2:30甚至凌晨3點打電話、發短信給我，談論背框動作、步法，有時甚至是三角戰術。起初，這是一種麻煩。爾後變成了某種熱情，這個孩子充滿了有永遠不知道的熱情。熱情是很棒的。如果你愛某個東西，如果你對某個東西有強烈的熱情，那麼你會盡所能去嘗試和理解。

He used to call me, text me, 11:30, 2:30, 3 o'clock in the morning, talking about post-up moves, footwork, and sometimes, the triangle. At first, it was an aggravation. But then it turned into a certain passion. This kid had passion like you would never know. It's an amazing thing about passion. If you love something, if you have a strong passion for something, you would go to the extreme to try to understand or try to get it.

★★★★★★★★★★★★

科比·布萊恩特對我來說，是一個鼓舞人心的人，因為他不是僅在乎我如何打比賽，而是他想要如何打比賽。他想成為他所能成為的最好的籃球運動員。認識他之後，我就想成為我能成為的最好的哥哥。

What Kobe Bryant was to me was the inspiration that someone truly cared about the way either I played the game or the way that he wanted to play the game. He wanted to be the best basketball player that he could be. And as I got to know him, I wanted to be the best big brother that I could be.

★★★★★★★★★★★★

要做到這一點，你必須忍受麻煩，無論是深夜的電話或愚蠢的問題。當我得知科比·布萊恩特正努力成為一個更好的人-一個更好的球員時，我感到非常自豪。我們談論生意問題，談論家庭，談論一切，他就是想成為一個更好的人。

To do that, you have to put up with the aggravation, the late-night calls, or the dumb questions. I took great pride as I got to know Kobe Bryant that he was just trying to be a better person – a better basketball player. We talked about business, we talked about family, we talked about everything. And he was just trying to be a better person.

★★★★★★★★★★★★

現在，我感覺被他耍了，接下來我不得不接受我又要有一個哭泣的梗圖了...

Now, he's got me and I'll have to look at another crying meme for the next ...

★★★★★★★★★★★★

我告訴我的妻子，我不會哭，因為我不想在接下來的三四年中看到自己的梗圖。都是因為科比·布萊恩特。我很確定凡妮莎和他的朋友都會這樣說–他知道如何以一種會影響你，即使他讓你覺得討厭。但你總會喜愛他，因為他可以激發出最棒的你，我便是如此。

I told my wife I wasn't gonna do this cause I didn't want to see that for the next three or four years. That is what Kobe Bryant does to me. I'm pretty sure Vanessa and his friends all can say the same thing – he knows how to get to you in a way that affects you personally, even though he's being a pain in the ass. But you have a sense of love for him and the way that he can bring out the best in you. And he did that for me.

★★★★★★★★★★★★

我們不僅可以談論與籃球相關的一切，也可以談論生活大小事。而且，隨著生活推進，越來越少有朋友可以進行這樣的談話。更別提能和自己的競爭對手相知相伴，共同成長。

We could talk about anything that related to basketball but we could talk about anything that related to life. And we, as we grew up in life, rarely have friends that we can have conversations like that. Well, it's even rarer when you can grow up against adversaries and have conversations like that.

★★★★★★★★★★★★

無論他在哪遇到我，都視我為一個挑戰。而我也欽佩他這樣的熱情，你很少看到一個人每天都在尋找並努力提升自己，不僅在運動方面，而是做為父親與丈夫皆是如此。他的所作所為以及他與Vanessa和孩子們的分享都讓我有所啟發。

No matter where he saw me, it was a challenge. And I admired him because his passion, you rarely see someone who is looking and trying to improve each and every day, not just in sports, but as a parent, as a husband. I am inspired by what he's done, and what he's shared with Vanessa, and what he's shared with his kids.

★★★★★★★★★★★★

Vanessa, Natalia, Bianka, Capri，你們會一直在我與我妻子的心裡與禱告中。我們會永遠在你們身邊，永遠。我還想向所有在這場巨大的悲劇中受難家庭提出慰問和支持。

To Vanessa, Natalia, Bianka, Capri, my wife and I will keep you close in our hearts and our prayers. We will always be here for you. Always. I also want to offer our condolences and support to all the families affected by this enormous tragedy.

★★★★★★★★★★★★

科比做任何事都全力以赴。繼籃球之後，他展現了我們所不知道的他所擁有的創造力。在退休時，他似乎很高興，因為他發現了新的熱情所在。並且他也繼續以社區教練的身份回饋社會。更重要的是，他是一位了不起的父親，一位了不起的丈夫，他將自己奉獻給家人，並全心全意地愛著女兒們。他就是這樣毫無保留，我想這就是他要我們做的。

Kobe gave every last ounce of himself to whatever he was doing, After basketball, he showed a creative side to himself that I didn't think any of us knew he had. In retirement, he seemed so happy. He found new passions. And he continued to give back, as a coach, in his community. More importantly, he was an amazing dad, amazing husband, who dedicated himself to his family and who loved his daughters with all his heart. Kobe never left anything on the court. And I think that's what he would want for us to do.

★★★★★★★★★★★★

沒有人知道我們有多少時間。這就是為什麼我們必須活在當下，我們必須享受當下，我們必須盡可能將精力與時間與家人、朋友和摯愛之人分享。活在當下意味著享受與我們能觸及的每一件事。

No one knows how much time we have. That's why we must live in the moment, we must enjoy the moment, we must reach and see and spend as much time as we can with our families and friends and the people that we absolutely love. To live in the moment means to enjoy each and every one that we come in contact with.

★★★★★★★★★★★★

科比·布萊恩特（Kobe Bryant）死後，我的一部分也死了。我目光所及的這個會場與這個世界，你們中的一部分也死了，否則你不會在這裡。這些是我們必須與之共處的回憶，也是我們應當從中學習的。

When Kobe Bryant died, a piece of me died. And as I look in this arena and across the globe, a piece of you died, or else you wouldn't be here. Those are the memories that we have to live with and we learn from.

★★★★★★★★★★★★

我向你保證，從今天開始，我會銘記著我有一個弟弟，並儘我所能盡力提供幫助。

I promise you from this day forward, I will live with the memories of knowing that I had a little brother and I tried to help in every way I could.

★★★★★★★★★★★★

我的弟弟，安息吧

Please, rest in peace little brother.

★★★★★★★★★★★★

完整逐字稿: http://bit.ly/2SXGcQD

哭泣的梗圖: http://bit.ly/2I0e9JO

美國總統對科比追悼: http://bit.ly/3cjikyC

籃球術語: http://bit.ly/2wIVFLz

時事英文大全: http://bit.ly/2WtAqop

★★★★★★★★★★★★

圖片來源: https://cnn.it/391rEoH

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::Like I'm Gonna Lose You::
I found myself dreaming
In silver and gold
Like a scene from a movie
That every broken heart knows
We were walking on moonlight
And you pulled me close
Split second and you disappeared
And then I was all alone
I woke up in tears
With you by my side
A breath of relief
And I realized
No, we're not promised tomorrow
So I'm gonna love you like I'm gonna lose you
I'm gonna hold you like I'm saying goodbye
Wherever we're standing
I won't take you for granted
'Cause we'll never know when, when we'll run out of time
So I'm gonna love you like I'm gonna lose you
I'm gonna love you like I'm gonna lose you
In the blink of an eye
Just a whisper of smoke
You could lose everything
The truth is you never know
So I'll kiss you longer, baby (hey)
Any chance that I get
I'll make the most of the minutes
And love with no regrets
Let's take our time to say what we want (say what we want)
Use what we got before it's all gone (all gone
'Cause no (no), we're not promised tomorrow
So I'm gonna love you like I'm gonna lose you (lose you)
I'm gonna hold you (hey) like I'm saying goodbye
Wherever we're standing (yeah)
I won't take you for granted
'Cause we'll never know when, when we'll run out of time
So I'm gonna love (I'm gonna love you) you like I'm gonna lose you (like I'm gonna lose you)
I'm gonna love you (love you) like I'm gonna lose you
I'm gonna love you like I'm gonna lose you (oh, like I'm gonna lose you)
I'm gonna hold you like I'm saying goodbye
Wherever we're standing
I won't take you for granted
'Cause we'll never know when, when we'll run out of time
So I'm gonna love (I'm gonna love you) you like I'm gonna lose you (like I'm gonna lose you)
I'm gonna love you (love you) like I'm gonna lose you

แหล่งที่มา: LyricFind

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Best song while i in lockdown?but sad lyrics ?

If you wait for me
Then, I'll come back to you
On my own
On my own (yeah)
And I say (ayy)
Back in 2012
School bells would send us out at lunch
Talk under the tree about our favorite shows and stupid ones
Parents sat me down one night
Told me that we couldn't stay
Went to bed thinking about you
Woke up on a plane, ayy
Wish I never left
'Cause you took away my breath
You can say that we were young
But, me and you were meant
For eternity, no surgery
Could take you off my heart
Just hang onto my words and we'll make it through this part, yeah
If you wait for me
Then, I'll come back to you
On my own
On my own (ayy)
And I say
I've been waiting for this day to come
It's finally getting closer
On our way to graduate
And then I'll be heading over
You my treasure, I'm your soldier
Stay up 'til the night is over
We talking on the phone
But want your head between my shoulders
Saving up for a ticket on the side
Been a minute of our time
When I see you, I might cry
No lie, that's on my gravestone
Promise me you'll stay close
Days without you, yeah, I hate those
Ayy
If you wait for me
Then, I'll come back to you
On my own
On my own
And I say
If you wait for me
Then, I'll come back to you
On my own
On my own
And I say
Plane ride to your city
Took an Uber to your house, yeah (to your house)
Had to keep it secret from you
Did it unannounced
Doorbell, parents saw me
Sat me down on the couch
Talked to them about my life
They told me they were truly proud
Two knocks, door open
You were standing there with him
So shocked, I don't get it
Can we run it back again?
Room spinning, palms sweaty
But I'm sober
"I've been in love with you forever"
Is what I wish I would have told her

Don’t forget to like,comment and subscribe‼️

? Baby, can we talk? ? Trying to talk to someone in 2020 is hard. TALK2U is about that struggle.

–––

SO HYPE to share my first original collab release, featuring the amazing @Jacobi! Inspired by the likes of Brandy & Kehlani, TALK2U pays homage to iconic 90s R&B duets with its sensual songwriting and performance.

–––

Written by: Neil Fletcher & Elise Go
Produced by: David Bakhash, Ben Barsocchini, Elise Go
Guitars by: Miles Nalasa
Mixed / Mastered by: Thomas Iannello

–––

Directed by Jordan Hwang
IG: @jordanhwang
Website: http://www.jordanhwang.com

–––

Credits:
Director / Producer / Editor: Jordan Hwang
Director of Photography: Darren Samuels
Production Designer: Olivia Amalia Temblador Ferguson
Key Grip: Sam Kim
Gaffer: Wooho Kim
Art Dept: Gabe Ferguson
Makeup: Elise Go
Hair: Linda Shih
On Set Photographer: Bert Alexander
Logo: Emmanuel Guzman

SUBSCRIBE FOR MOAR: http://bit.ly/2sGrt1u
SUBSCRIBE TO JACOBI'S CHANNEL: https://bit.ly/2MQP0o9
–––

Follow me on the socialz:
IG: http://instagram.com/nihaoelise
Spotify: https://spoti.fi/2KAWr17
Twitter: http://twitter.com/nihaoelise
FB: http://facebook.com/nihaoelise
–––
Follow Jacobi here:
IG: https://www.instagram.com/jacobimusic/
–––
Lyrics:
Damn
It's been a while since I've seen ya
No calls, no texts, no likes
Yeah
Boy, I'll admit that I've been missing ya
I'm thinkin' 'bout you all night

Body on mine
I need it now, now, now
Want your lips for my kissin'
Boy, let's go down, down, down
Why you gotta make me wait
You know it's never too late, you're more than
Welcome to stay
Won't push you away, 'cause babe

I just wanna TALK2U
Boy can you give me an answer
No we don't communicate like we used to
I really wanna get through and TALK2U
'Cause if you let me through
The things that we could do
If you let me TALK2U

Yeah yeah
Yeah yeah
Yeah yeah
I just wanna TALK2U
Yeah yeah
Yeah yeah
Yeah
Baby let me TALK2U

Damn
Been way too long since I been feelin' ya (Feelin' ya)
You're the only one that gets me high
Yeah
I won't forget about that feelin' ya
That touch, your face, those eyes

Right into mine, you spin me round, round, round
You're the one I've been missin' boy (Girl) let's go down, down, down
Why you gotta make me wait (Uh)
You know it's never too late, you're more than
Welcome to stay
Won't push you away, 'cause babe

I just wanna (just wanna talk) TALK 2 U
Boy, can you give me an answer
No we don't communicate like we used to (like we used to, like we used to)
I really wanna get through and TALK2U
'Cause if you let me through (If you let me through)
The things that we could do, (Oh)
If you let me TALK2U

Yeah yeah
Yeah yeah
Yeah yeah
I just wanna TALK2U
Yeah yeah
Yeah yeah
Yeah
Baby let me TALK2U

You're the one that's in my head
When I'm all alone in bed
And it drives me crazy just to know you're somewhere else instead
Keep the memories close to me (Close to me)
But I still need your body (Body)
I check my phone so desperate just to know where you might be (I)

Think about you all the time (All the time)
In my mind I fantasize (Fantasize)
Us laying side by side (Oh)
Your eyes lookin' into mine
Baby hear me out (Hear me out)
I gotta know if you're down
We could make it if we tried
I just gotta do this right

Baby let me TALK2U (I wanna TALK2U)
Boy, can you give me an answer
No we don't communicate like we used to
I really wanna get
Through and TALK2U
('Cause if you let me through) I been spendin' all this time
(The things that we could do) Gotta work it out or try to get you off my mind
Baby can we talk (Whoa)
Baby, tell me
Why you gotta make it so difficult?