Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI
Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!
Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.
Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."
""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s
Anyway, maybe you can explain it better than they do.
Thanks,
tim ""
So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?
Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)
1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm
同時也有8部Youtube影片,追蹤數超過2萬的網紅Akirito's Ukulele,也在其Youtube影片中提到,【コードと歌詞】白日 作詞作曲 : 常田大希 C Bm7-5 E7 Am 時に(は)誰か(を) 知ら(ず)知らず(の)うちに Em F G E7 ...
「g/f chord」的推薦目錄:
- 關於g/f chord 在 Facebook 的最佳貼文
- 關於g/f chord 在 旅行熱炒店Podcast Facebook 的最佳解答
- 關於g/f chord 在 PolyGON結他友 Facebook 的最佳解答
- 關於g/f chord 在 Akirito's Ukulele Youtube 的最佳解答
- 關於g/f chord 在 Akirito's Ukulele Youtube 的最佳解答
- 關於g/f chord 在 Iena Eliena Youtube 的最佳貼文
- 關於g/f chord 在 How to Play G/F# Chord on Guitar #Shorts - YouTube 的評價
- 關於g/f chord 在 結他和弦講解:G Chord F Chord 如何發出完美聲音 - YouTube 的評價
- 關於g/f chord 在 Guitar Chords for Beginners – G/F# - YouTube 的評價
- 關於g/f chord 在 Music chords In The Key Of A, B, C, D, E, F, G Flat, Sharp, Minor 的評價
g/f chord 在 旅行熱炒店Podcast Facebook 的最佳解答
網紅小鎮「舍夫沙萬」與非洲大門「唐吉爾」
Instagram town "Chefchaouen" and gate to Africa "Tangier"
(English version on the bottom)
旅行已經來到尾聲,明天就要飛回波士頓,後天就要回到碼農的日常,老實說是有點不甘願;不過既然還有一天,就把握最後的時間好好看看我在摩洛哥的最後兩個城市吧!
如果在Google以中文搜尋「摩洛哥旅遊」,你會在搜尋結果裡看到許多部落客或博主(大多是女性)的遊記,而他們最大的共通點,就是都去了一個藍色的山城舍夫沙萬(Chefchaouan),並且打扮的漂漂亮亮的,在如夢似幻的藍色階梯上留下Instagram上常見的那種標準網紅照。正是因為這個原因,這個小鎮被我稱為「網紅小鎮」,它在摩洛哥的地位相當於台灣的九份。
在這裡的時間不長,第一天還下著大雨,而且事前一直擔心會不會被中日韓三國的遊客淹沒,幸好這個小鎮給我的經驗超乎預期——第二天艷陽高照,我大清早走到對面山頭上正好可以拍下全景;小鎮裡遊客不少,但幸好還沒多到足以破壞遊興的程度,反而讓我更容易找到人幫我拍照。座落在山上又有獨特風味的小鎮總是有種特別的吸引力,這件事情似乎舉世皆然。在此強烈推薦舍夫沙萬和台灣九份締結姊妹城市XD。
最後一個城市是與歐洲只有一水之隔、距離西班牙南端不到10公里的港都唐吉爾(Tangier)。走了這麼多個摩洛哥城市,現在幾乎已經建立了進入一個城市的SOP:先從車站走到古城,然後試圖在迷宮般的古城裡找到旅店,東西安置好之後輕裝出門散步、吃晚飯然後拍夜景。這也是我對待唐吉爾的方式。
接近日落時分,我來到古城西邊的一處公園,那裡沒有什麼觀光客,只有滿滿的當地人。公園前方就是大海,另一端的伊比利半島在濛瀧中隱約可見。我意識到一件有趣的事情:假設我是站在對岸看過來,非洲大陸的神秘絕對會讓我滿心嚮往;然而從非洲看回去,眼前的歐洲大陸雖然還有許多的地方等著我去探索,那種吸引力和神秘感卻遠遠比不上從歐洲看非洲的感覺。
在此同時,身邊響著當地青少年彈吉他唱歌的聲音。他們唱的照理說應該是摩洛哥當地的音樂,但我卻注意到他們所彈的和弦Am-G-F-E,那正是西班牙南部的代表性音樂佛朗明哥的標準和弦,這再次提醒了我北非和伊比利半島之間無法切斷的文化連結。在他們的歌聲中,我的心思回到了去年一月在西班牙塞維亞(唐吉爾北方150公里)的那個夜晚,我坐在一間微暗的小酒館裡,感受佛朗明哥舞者將內心深處的熱情化為律動的場景……。
It was my last day in Morocco. Tomorrow I'll fly back to Boston and get back to ordinary life tomorrow! But it was not yet the time to feel sad -- still had two more cities to go!
I gave Chefchaouen a nickname "Instagram town", as many bloggers (primarily female) posted their perfect IG photos of this place. In these photos they usually addressed well, and sat on the stairs in this fairy-tale-like blue city. I was worried about its popularity, and it was raining when I arrived; fortunately, my experience was not ruined. Indeed there were many tourists, but the city is still pleasant and tranquil enough to enjoy, and it cleared up in the morning, which gave me a good chance to take the full view of the city.
It's so interesting that mountain cities around the world are extraordinarily attractive to tourists. The most popular counterpart in Taiwan is Jiufeng. I think it'd be a very good idea for Chefchaouen and Jiufeng to become sister cities, haha.
My last city is Tangier. Located in the northern tip of Africa, it's less than 10 km from the southern tip of Spain. I entered this city with my "standard operator process" (SOP): walking from station to the Medina, finding my hostel in the maze-like streets, going out to explore and have dinner, and finally taking night photography, just like I did elsewhere in Morocco.
Around the sunset, I visited a ocean view park outside the Medina. It wasn't very touristy -- most people there were local. Looking out from the park, mountains in Iberian peninsular are vaguely visible. Here I realized one interesting thing: if I was on the European continent looking over here, I wouldn't be able to resist the attraction of the mysterious continent Africa; while looking at Europe from Africa at this park, Europe doesn't seem as attractive, even though there are still many places I want to go there.
Meanwhile, I could hear the sounds of singing and guitar from some local teenagers. They were singing local songs, but the chord progression, Am-G-F-E, is the same as the typical Flamenco chords. This again reminded me of the cultural connection between the Iberia and north Africa. While hearing the sounds, my mind went back to January 2017, at a dimming bistro in Seville (only 150 km north from Tangier), where I watched a Flamenco dancer turned his deepest passion into moves....
g/f chord 在 PolyGON結他友 Facebook 的最佳解答
http://www.polygon.guitars/score/4026/CHORD
|C G |F G
(當) (瓦)解自(我) 破(鏡)內是誰
|C G |F G
(當)(看)穿銀(河) 誰在(仰)望故居
|C G |F G
(當) 色(相) 粉(碎)全部(故)事告吹
|Am G | F C/E
(當) 思(想) 已熟 (睡)
|Dm G | C
( )讓愛光(臨)在(當)下裡
g/f chord 在 Akirito's Ukulele Youtube 的最佳解答
【コードと歌詞】白日 作詞作曲 : 常田大希
C Bm7-5 E7 Am
時に(は)誰か(を) 知ら(ず)知らず(の)うちに
Em F G E7 Am E7 Bm7-5
(傷)つ(け)てし(ま)ったり( ) (失)(っ)た(り)
E7 Am G F G C
し(て)初め(て) 犯した(罪)(を)( )知(る)
Bm7-5 E7 Am
戻れない(よ)、 (昔)のように(は)
Em F G C
煌めい(て)見(え)た(と)して(も)
Cmaj7 Bm7-5 E7 Am
(明)日へ (と)歩 (き)出さな(きゃ)
Em F G C
雪が(降)り(頻)(ろう)と(も)
Am F
(今)の僕には (何)ができるの?
G E7
(何)になれるの? (誰)かのために
Am D F
( )生きる( )なら正(し)いことばかり
G G7
(言)ってらん(ない)よな
Am F
(ど)こかの街で (また)出逢えたら
G E7
(僕)の名前を (覚)えていますか?
Am D F
(そ)の(頃)にはきっ(と)
G G7 E7
春風が吹くだろ(う) ( ) ( )
Am F
(真)っ新に生ま(れ)変わって
G C
人(生)一から(始)めようが
E7 F
へば(り)ついて(離)れない
F#m7-5 E7
地続(き) の今を(歩い)ているんだ
Am F G C
(真)っ白に全(て)さよなら 降り(し)きる雪(よ)
E7 F F#m7-5
全てを包み(込)んでくれ( ) 今日だけは
G C
(全)てを (隠)してく(れ)
C Bm7-5 E7 Am Am F G
C Bm7-5 E7 Am
(も)う戻れない(よ)、 (昔)のように(は)
Em F G C
羨ん(で)し(ま)った(と)して(も)
Cmaj7 Bm7-5 E7 Am
(明)日 へ(と) 歩(き)出さな(きゃ)
Em F G C
雪が降(り)(頻) (ろう)と (も)
Am F
(い)つものように(笑)ってたんだ
G E7
(分)かり合えると(思)ってたんだ
Am D F
( )曖昧なサ(イ)ンを 見落と(し)て
G G7
途方のない( )間違い探(し)
Am F
(季)節を越えて (ま)た出逢えたら
G E7
(君)の名前を(呼)んでもいいかな
Am D F
(そ)の(頃)にはきっ(と)
G G7 E7
春風が吹くだろ(う) ( ) ( )
Am F
(真)っ新に生ま(れ)変わって
G C
人(生)一から(始)めようが
E7 F
首(の)皮一枚(繋)がった
F#m7-5 E7
如何し(よ)うも無い今を (生)きていくんだ
Am F G C
(真)っ白に全(て)さよなら 降り(し)きる雪(よ)
E7 F
全てを包み(込)んでくれ( ) 今日だけは
F#m7-5 G C Bm7-5 E7 Am F G C C7
(全)てを (忘)れさせ(て) くれよ
F Am Dm
(朝)目覚めたら (ど)っかの誰か(に)
G C
なって(や)しないかな( )
A Dm E7
な れ(や)しないよ(な) (聞)き流してくれ
F Am Dm G C
(忙)しない(日)常の中(で) 歳だ(け)を重ね(た)
A Dm
その(向)こう側(に)
Dm E7
待ち受(け)るのは 天国(か)地獄か
Am F
いつ(だ)って人は鈍(感)だもの
G C
わか(りゃ)しないんだ(肚)の中
E7 F
それで(も)愛し(愛)され
F#m7-5 E7
生きて(行く)のが定(め)と知って
Am F
(後)悔ばかりの(人)生だ
G C
取り(返)しのつかな(い)過ちの
E7 F
(一つ)や二つ(く)らい
F#m7-5
誰にでも(あ)るよな
G7 E7
(そ)んなんもんだ(ろ)う
Am F
(真)っ新に生ま(れ)変わって
G C
人(生)一から(始)めようが
E7 F
へば(り)ついて(離)れない
F#m7-5 E7
地続(き) の今を(歩い)ているんだ
Am F G C
(真)っ白に全(て)さよなら 降り(し)きる雪(よ)
E7 F F#m7-5
全てを包み(込)んでくれ( ) 今日だけは
G C
(全)てを (隠)してく(れ)
C Bm7-5 E7 Am Am F G C

g/f chord 在 Akirito's Ukulele Youtube 的最佳解答
僕が使ってる弦 ワース▶︎ https://amzn.to/2WlUwlU
【コード&歌詞】
Bm7 Em A7 D
まるで魔法のように簡単に広まってく噂話
Bm7 Em A7 D
偏見を前にピュアも正義もあったもんじゃない
Bm7 Em A7 D
仕方ない どうしようもない そう言ってわがまま放題大人たち
Bm7 Em A7 D
どうぞご自由に 嫌ってくれて別にかまわない
Bm7 Em A7 D
Let me show 神様も ハマるほどの 大嘘を oh
Bm7 Em A7 D
誰も ハリボテと 知るよしもない 完璧な
G F#7 Bm7 E7
Lie and lie lie and lie そして少しの愛で
Em A7 D D
Let me show 欲張りの その向こうを
Bm7 Em A7 D
Bm7 Em A7 D
STOP! 偽のウォーアイニー まき散らして暴走してるあなたたち
Bm7 Em A7 D
使って華麗に浴びるわ9桁のビルシャワー
Bm7 Em A7 D
怪しい おかしい それ以外なにも感じられない私
Bm7 Em A7 D
時代の声に 責め立てられる筋合いはない
Bm7 Em A7 D
Let me show 神様も ハマるほどの 大嘘を oh
Bm7 Em A7 D A D. G Bm E7 Em7 F#7
Let you show そのbeautiful その奥の野生のかけら
G Bm E7 Em7 F#7
A D G F#7
早くデマカセに気づいて 騙してたわけに気づいて
Bm7 E7 A7 A7 G F#7 Bm7 E7 Em7A D
誰に何度裏切られても 目を覚まして 笑って one more time
Bm7 Em A7 D
Let me show 神様も ハマるほどの 大嘘を oh
Bm7 Em A7 D
誰も ハリボテと 知るよしもない 完璧な
G F#7 Bm7 E7
Lie and lie lie and lie そして少しの愛で
Em A7 D Bm7
Let me show 欲張りの その向こうを
使用してるウクレレのレビュー動画
▶︎ https://youtu.be/7Tfbiu6lJyg

g/f chord 在 Iena Eliena Youtube 的最佳貼文
Cik iena kongsikan video cik iena dan rakan pejabat dari Jakarta Indonesia yang sangat pemalu. Sebelum aktiviti team building syarikat kami, kami memang tak pernah berborak. Imam memang sangat pemalu. Kawan-kawan pejabat yang lain pun tak berborak sangat dengan imam. Sebab katanya one way communication.
Actually imam memang pemalu tambah lagi dia tak berapa fasih berbahasa Malaysia and English jadi sebab tu dia diam je. So masa team building tu iena cuba berborak dengan dia. Berborak dalam bahasa Indonesia Mix Malaysia.
Seronok juga iena bertutur dalam bahasa Indonesia. Memandangkan iena selalu juga tengok video dari Youtuber INdonesia so iena boleh lah cakap Indonesia sikit :)
Kemudian kami lepak, Imam main gitar dan nyanyi sama-sama dengan iena.
Okay je Imam ni sebenarnya cuma dia segan nak bercakap sebab tak tau sangat bahasa Malaysia. Ouh ya maaf sebab tak bawa microfone jadi banyak noise. Bunyi hujan dan cengkerik. Kami punya team building dalam Hutan.
Now imam da balik ke pejabat di Jakarta. takdapat lah iena berborak baha Indonesia lagi :D
Iena kongsikan chord gitar yang kami refer masa main lagu ni.
(Intro) Am G F
Am G F
Am Dm
Kemarin engkau masih ada disini
G C
Bersamaku menikmati rasa ini
F Bm
Berharap semua takkan pernah berakhir
E E
Bersamamu.. bersamamu
Am Dm
Kemarin dunia terlihat sangat indah
G C
Dan denganmu merasakan ini semua
F Bm
Melewati hitam putih hidup ini
E E
Bersamamu.. bersamamu
(Reff)

g/f chord 在 結他和弦講解:G Chord F Chord 如何發出完美聲音 - YouTube 的美食出口停車場

練習解說文、圖、譜都在小學雞結他網http://guitarhk.com/請LIKE一下我的fanspage,更多結他資訊等緊 ... ... <看更多>
g/f chord 在 Guitar Chords for Beginners – G/F# - YouTube 的美食出口停車場

How to play an open G / F# chord This lesson is from our series "Guitar Chords for Beginners" In this series you'll learn easy guitar chords ... ... <看更多>
g/f chord 在 How to Play G/F# Chord on Guitar #Shorts - YouTube 的美食出口停車場
Hey :) Ready to learn another cool grip under 30 seconds? Let's take a look at the G / F# Chord. Sounds a bit weird on its own, ... ... <看更多>