關於 for me to me差别 ，我們在網路上蒐集到這些相關的討論、資訊與評價

在这个疫情的非常时期，几乎所有的医护人员假期被冻结，全民抗疫，但我希望借我小小的力量，替我们这些年轻医生，争取我们应有的权益。

在3月16日，当大家兵荒马乱的准备封城的时候，我们这一批2017年入职的医生们，静悄悄的收到了来自卫生部的邮件
- 所有2017年入职的医生，将以合约方式，保留原有的职位 UD41, 续约2年。合约结束后，不一定会续约

- 2019年12月份，曾经公开表示如果没有固定职位 permanent post UD44, 将考虑给我们合约 UD43 的职位
- UD41 是属于实习医生的岗位， 也就是所谓的 Housemanship
-UD44 是正式医生， Medical officer
- 两者之间，年薪差别在 RM8000 左右， UD41 没办法申请进入大学进修，在申请贷款方面也会出现一些麻烦，没办法享受应有的年假。拿着 UD41 的薪水，做着 UD 44 的工作。

这对我们而言，是很大的打击，很大的伤害。我们2017年入职，完成2年的实习，照理应该已经是接近一年的正式医生。这两年，我们一起入职的医生们大部分都很优秀，很多已经是在走着专科专业考试的路上了。
但如今，就像这篇文章的同事一样，仿佛被淋了一桶冷水。他们说，再当两年的 UD41 吧!
你能想象，要当5年同样的职位，工作难度增加，但薪水不起，升职遥遥无期吗?
当医生，什么时候开始变成这样了?

我们都很气愤，替自己不值。但我们还保持理智，国家如今需要我们，即便政府对我们如此不堪，我们和同届的同事们依然坚守着抗疫的最前线。
我们没有逃离，没太多废话，穿上全副武装继续工作，但不代表我们容忍。只希望疫情结束，政府可以给我们一个交代，希望民众今可以支持我们。我们是第一批被影响的新医生，后面接踵而来的还有很多批，我们只希望大家可以得到公平的待遇。

如果您支持我们，请帮我们签下许愿书，链接如下
https://www.change.org/p/kementerian-kesihatan-malaysia-per…

别担心，我们都还在抗疫的最前线。因为我们知道，再怎么失望，还是我们最爱的马来西亚 🇲🇾🇲🇾

如果你觉得我应该专心抗疫的话，你好，我刚值完我30个小时的班，检疫了2个可疑病患，睡不到2个小时，谢谢

Disheartening decision by our beloved MOH.

The one we relied on to lead us out of this terrifying COVID-19 situation.

When I was called to serve in Hospital Permai JB for COVID early containment, I said yes, without much hesitation. Taking it as a chance to serve, to repay those training from my alma mater and my precious 2 years housemanship. Even when my home, my family is only 15min away from the hospital, i couldn’t go home and meet them. Most of those worked with us past few weeks here were the contract junior MO. We were in the protective, impermeable suit most of the time, hot, drained, dehydrated. Risking ourself when we are taking nasal sample and then the patient sneeze right onto our face.
I wished our sacrifice will be cherished. In the midst of the global healthcare worker shortage and burnout. We wished.

Today KKM had quietly announced that the thousands of us contract MO will be given another 2 year of contract, and then ALL OF US will be TERMINATED, period.

Citing the reason: there are no more vacant post.

Meanwhile at the same time, my senior colleagues in other hospitals had been told by their superior to continue service, expect to do more job (when we left) even when the pay is small. Because there are others out there with no job. The truth is, are we really equipped and staffed to provide this nation with the necessary public healthcare support? Or there are just simply no more enough resources to continue supporting this system?

Now most of us are seeking alternative pathway and soon will be leaving KKM. Good luck to those remaining. Good luck our citizen, and please, stay healthy.

And I feel like a fool for rejecting a lucrative offer oversea just a few months back. They were telling: come to us. We will treat you the same as our local graduates. Same pay, same term, no contract vs tetap crap.

Then I told people around me, I (once) believe my country will keep me. I was naive.

#关于BLW

常常都会有妈妈来问我一些关于BLW的问题
其中我最常遇到的
是 "好不容易说服保姆进行BLW"
每次看见这个句子 就让我心惊胆颤
因为很多时候我们做足了功课
意外发生时都可能手足无措
更何况是没有做功课的保姆
很多长辈有错误的观念
例如说Gag的时候大力拍背 用手指抠食物等
这些都是不正确的方式
孩子开始辅食品的第一步
不管是TW喂食粥泥或者BLW自主离乳都好
父母最先应该学的不是变化辅食
而是 【哈姆立克急救法】
请参考 👉https://youtu.be/Xpemid6Mla8

不要觉得喂食粥泥就没有Choke的风险
花生粥里的花生 萝卜丁 马铃薯丁 香蕉 苹果
这些都是高风险 Choke 的食材
TW的宝宝也需要过度 从粥水到固体 的时期
所以也一定要学会急救措施才可以
想要进行BLW 更加一定要先学会急救
这是为了预防 Choke 的发生
可以第一时间进行急救
我们无法把意外发生的几率降为0
但是我们可以降低意外发生的几率

如果你真的是聘请保姆照顾孩子
而保姆在这之前没有任何BLW的知识的话
我真心的建议大家不要为了 BLW 这个名词而执着
就让保姆喂食 父母回家后在进行 FF (Finger Food)
让孩子尽早过度从粥水到固体的阶段即可
我相信每个父母的目标是一致的
就是让孩子可以尽快学会自己吃饭而已
而不是为了让孩子挂着BLW的名义
若干年后孩子上学了
也不会有人在意你的宝贝是BLW还是TW的
所以千万不要为了名义而执着冒险
不管是 BLW 还是 TW+FF
大家的终点都一样
就是早一点和迟一点到达的差别而已
早一点到达没有奖金
迟一点到达没有惩罚
最多就是多抹几个月的地板
别把孩子的生命搭进这个莫名其妙的比赛里
拿孩子的生命赌一个万一
成功了只赢得一个BLW的名义
但是输了会让你后悔一生

Yesterday we experienced every parents worst nightmare!!!!

While it’s still raw, I need to share my story to everyone with babies/children just so people know how quickly a child can choke & stop breathing etc in a matter of seconds/minutes.

Theo nearly died yesterday 😭 because he choked on some food (uk guideline correctly sized finger foods of egg mayo sandwich soldiers & soft melon sticks)
He has eaten this so many times before. Melon & anything on bread are some of his favourite foods.

The reason I am telling you is because most of you know how Theo is such an incredible eater & I always had the attitude “It will never happen to me because I’m so careful” I Always sit with him when he eats, I always chopped his foods into “non choking small sizes”.
I am always so careful, Yet it still happened & We nearly lost our baby.

I was sat next to him while he was eating in his high chair when i accidentally kicked my coffee over. (I think at that moment I must have startled him while he had food in his mouth 😭)
You know what it’s like when a drink spills, you naturally jump out your seat & leg it to the kitchen for some kitchen roll or tea towels etc. It took me seconds to run to the kitchen & back.
I chucked down 5 squares of kitchen roll & that’s all it took time wise. I took my eyes off him for Seconds!!!!!

I heard a muffled sound, I looked over at Theo to find him slumped to the side of his high chair, blue lips & eyes rolled to the back of his head, having a seizure.

Some people don’t know the difference between gagging & choking and think they need to listen for a cough to know their baby is chocking.
THERE WAS NO COUGH TO WARN ME!!!!
Because there was absolutely no air going in or out!!!!

He stopped breathing & his whole body went so blue & lifeless he looked dead 😭 An image that just keeps flashing back over & over in my head, that feeling of complete terror as my heart was ripping into a million pieces as I thought I was going to have to say goodbye to the most precious little soul in my life 💔 a moment I’m not sure I will ever get over.

If it wasn’t for the fact me & Jamie knew first aid & knew to keep going with back blows & chest thrusts until he could breathe . And most importantly called for an ambulance immediately at the start, while I was doing the back blows etc, Jamie was on the phone. I think one more minute & he would have died 😭

The moment I felt his little body give up, followed by blood coming out his mouth was the moment we both completely lost our shit with panic. I think the whole road could hear our desperate screams. Reality kicked in that we could lose him, because nothing was working.

But amazingly we managed to get him back after jamie blew a hard, quick breath into his mouth, that must have dislodged whatever it was.
HE TOOK HIS FIRST BREATH 🙌🏽 after what felt like forever trying to stop him choking. After a few more breaths, He came round all disoriented at first & just wanted to cuddle. Phew....

But Panic wasn’t over 😫 5 minutes later he had another seizure I’m guessing from lack of oxygen. (Both thinking here we go again, screaming at the operator on the phone, begging her to help us)
I had to Put him into the recovery position on the floor & had to sit next to him helplessly while he went in & out on consciousness until the ambulance arrived with some oxygen.

We were taken to hospital & after lots of checks he was so incredibly brave & strong he was sent home later that same night.
The photo is of him totally exhausted having a lovely snooze in daddy’s arms, having his final check before we went home.💙

This isn’t an attention message in any way, because he is absolutely fine now!
it’s purely to make people aware of how easily something like this can happen.
And please please please do not have that same attitude I did that “it won’t happend to me because I’m so careful”
It doesn’t matter how careful you are, accidents still happen & this happened in a matter of seconds!!!!

If your baby was to choke & stop breathing would you honestly hand on heart know what to do???

Because if you don’t....

please take 10mins of your time to read the NHS advice for choking page.
• https://www.nhs.uk/…/pregnancy-and-ba…/helping-choking-baby/

And the short YouTube clips of what to do when a baby/child chokes including CPR
• https://youtu.be/I3pvuYMcPg4
• https://youtu.be/aXaLc-AwX2g

I can honestly say through all the panic & upset that our slight memory of first aid helped us save our baby’s life.

Our story could have been so different but
We feel so incredibly lucky that he is still alive! 💙💙💙💙💙💙💙💙💙💙
There must have been a guardian angel watching over us yesterday 💕😇

Please feel free to share this story to all your baby mumma friends, I’ll make it public so people can

***EDIT*** also ask your friends and family that look after your little ones the exact same question above.... what would you do?
If they can’t answer, get them to watch the videos too 😊

Experts are made, not born!
They don’t come from no where.
精英是被训练出来的，他们不会凭空而生。

以下是朋友在日本观赏一个很烂的乐队后，问日本朋友说，“他们那么烂，为什那么多人来看他们？”。日本人的回答，值得我们好好省思。
From the Japanese, “if we don’t support them (a local Japanese band) when they are lousy, how they can get better?”......

This gave me a new paradigm of thoughts! Let’s reflect!

What Pete Teo said in his latest article: In Search of A Bigger Canvas, with his permission, I decided to translate it. Hope you Enjoy it.
一位令人敬仰的艺人Pete Teo 写了一篇文字，我觉得颇有共鸣，是以尝试翻译之。这是我的尝试：

寻找大一点的画布

我是从来没有跟任何公司签过约的。我的演艺生涯基本就是独立艺人的身份行走。那并不容易，不过我觉得我算做得不错了。如果你有兴趣的话：这是我走过的路，你看看吧。
首先你需要了解的是：你可以走的路是被你所在的市场的大小所主宰，这个要素比你是否有才华更重要。在马来西亚这个小市场，你是逆流而上的。小的市场意味着你缺少机会。
缺少机会你就成长得很慢。作品的数量对艺术家来说很重要。如果你三年只能拍出一部电影，而你的中国同行一年可以拍一部，五年后你还是一个新人，而他或她已经是一个老手了。
唯一可以改变这个事实的，就是进入大的市场。你可以移居过去，或者在马来西亚做你的作品然后输出去。如果国语不是你作品的媒介语，输出外国更是明显的事实。不过呢，不管怎么做都是难啊。

基于个人的理由，我选择留在马来西亚。所以我尽力的将我的作品推出海外。我演艺生涯的前十年我都是在日本和韩国巡演。可以这样做，你特别需要运气。
不过呢，你越努力的做，你会越幸运。很多人认为才华是艺人的一切。其实，才华虽然重要不过却不足以让你成功。努力是很关键的呢。记得，你的同行们也是很有才华的哩。所以，努力是成败的关键。
既然出口我们的艺人是那么的重要，我不明白为什么我们的政府机构如此的漠视我们土生土长的才华。比如，FINAS并没有致力向海外推荐我们的艺人。希盟政府对这件事也没有任何远见和展望。

恰恰相反，所有的噪音都集中在拨款和施舍。当然资助年轻刚起步的电影人是很重要的，我却不同意官方拨款给已经成名了的电影人。我觉得不如将这些款项导入到税收优惠政策或者建立起出口管道。

当然可以取得资助是很好，不过你得接受的一个事实就是：作为艺术家你得为自己负责任。如果你尽在那里呻吟，你除了得到一个坏名声之外，什么也得不到。倒不如行动起来，因为空口不做什么都是假的。
这任务很困难，不过大家一起做就可能比较容易了。所以，请跟你的同行们互通信息互享资源，大家携手合作。相信我，一个人打拼你可能事倍功半；可是当大家一起来做你们的机会会翻倍。这不是在玩零和游戏。

除了音乐人的身份之外，我也属于那一代被称为马来西亚新浪潮导演的其中一员。有那么几年，我们在国际电影节上面辛苦的暂露头角。不过到了最后我们还是败下来了。原因虽然很复杂，简单来说可以归咎于我们的离散。我们得从中学习。

这个世代在国外寻找机会的艺人当中，数Bront Palarae 特别特出。他勇敢的在亚洲各个城市耕耘，他努力，有智慧，有行动。还有其他像他这样在行动耕耘的马来西亚艺术家，他们给了我们希望。

请谨记，马来西亚有很多的人才。有很多复杂的原因导致这些人才无法闪耀，不过更关键的是，他们没有信心和曝光的机会。在严厉竞争的世界里，你得有自信。

不管你是一个艺术家，还是对艺术有兴趣的人。你得了解，人们的认可培养信心。来自本土的认可可以筑起艺术家的自信，可是最快批评任何本土艺术家的人们就是我们自己人，而且往往是同行们。

我不是说不容许有善意及正面的批评，我们当然应该严谨的评论，这有别于不经大脑的恶意批评。这里的分别就是“意图”。让我告诉你一个故事：

有一次我受到我一位日本乐迷的邀请去看他镇上的一个乐队。这个乐队惨不忍听。我忍不住问这家伙为什么他会支持这么烂的乐队，他的回答令我反省。如果他们烂的时候没有人支持，那他们怎样变好？

你看，这就是我们和日本的差别。我们时常踩我们的艺术家来自我感觉良好。日本人也会批评自己的艺术家可是他们却带着正面的意图。这就是虽然日本的草根艺术圈子也像我们一样那么参差不齐，他们却有着国际水平的艺术圈而我们没有。
我有一次在东京和Tun Mahathir 讨论过这个问题，他当然是哈日的，不过我不觉得他了解国际水准的人才是需要本土的栽培的。或许他尝试过，然后灰心了。不管如何，我们还是得加油。
我说了这么多，主要还是：小市场当然有很多阻碍，不过才华和努力同样重要。智慧很重要不过你也得靠运气。同样关键的是，栽培艺术家需要整个社群的力量。

我们缺乏的就是这最后的关键。到处可见的是：我们因为觉得不重要，所以没有公共政策来培育年轻的艺术家。我们也不了解孕育世界级的艺术家需要的种种，我们以为世界级的艺术家是凭空诞生的。

最后，什么样的人民就有什么样的政府，同样的，什么样的人民就有什么样的艺术圈。就像任何的群体，它源自个体。所以，简而言之，你必备才华，努力，运气，是的，你也需要培育的。

祝你好运。

This is the Original:

IN SEARCH OF A BIGGER CANVAS

I have spent almost the entirety of my career as an unsigned indie artist. It hasn’t been a walk in the park but I guess I’ve done pretty good. This was what my road looked like and, if you are interested, how you might traverse it...

The first thing to understand is that you path is almost entirely determined by the size of your market, even more than how good you are. In a small market like Malaysia. you fight uphill all the time. Small market means lack of opportunity.

Crucially, lack of opportunity also means you grow slower. Velocity of output is vital to any artist. If you made 1 film every 3 years compared to a peer in China who makes 1 film per year, you’d still be a newbie after 5 years while s/he’d already be a veteran.

The only way to overcome this is to tap into bigger markets. You can do this by moving to work in a bigger market, or stay in Malaysia and export to foreign markets. This is especially so if you don’t primarily work in BM, the biggest sub-market in Msia. Either way, it is hard.

Due to personal circumstances, I chose to remain in Malaysia. This means maximising every opportunity to play / exhibit my work offshore. As a result, the first decade of my career were largely spent on the road in Japan and Korea. You need to be kinda lucky to accomplish this.

Yet, the harder you work, the luckier you get. Most people think talent in an artist is everything. It isn’t. Truth is, talent is necessary but insufficient for success. Hard work is crucial. Remember, most of your peers are talented too. Thus hard work is the difference maker.

Given the importance of export markets to our artists, I’ve been baffled by the lack of support from our public institutions. FINAS, for instance, has done little to facilitate exports in the past. The PH govt is likewise showing no vision or leadership in this matter.

Rather, all the chatter has so far been about grants and handouts. While important to help young filmmakers get started, I see little need to fund established filmmakers through grants. Much better to divert funds to tax incentives and the setting up of export channels.

Either way, good though it would be to get help from public policy - it is important to accept that you are fundamentally on your own. If all you do is sit and moan, then you ain’t gonna accomplish much other than a reputation for moaning. It is better to act. Talk is cheap.

The task is difficult, but it is easier if you hunt as a group. So remember to share resources and contacts. Help each other. Trust me, work alone and you will likely not get out at all. Hunt as a group and your chances multiply by many fold. This is not a zero sum game.

Other than being a musician, I also belong to a generation of filmmakers known as “Malaysian New Wave”. For a few years, we beat the odds in the international film festival circuit. Yet In the end we failed. The reason is complex but came down to our failure to continue to hunt as a group. We must learn from this.

Of the current generation of artists working to establish offshore opportunities, Bront Palarae stands out. He ploughs the field all over Asia and shows no fear. He works hard, act smart and walks the talk. There are others like him. They are the hope.

Please remember that, despite everything, Malaysia is a talented land. The reason most of our talents have often been wasted is complex - but it is underlined often by a lack of confidence and exposure. You need self-belief to be out there where competition is fierce.

Whether you are an artist, or just an interested layman, you need to understand that confidence comes from validation. And the most basic source of arts validation comes from local support. Yet the quickest to damn Malaysian artists are Malaysians themselves, often fellow artists.

I am not saying there is no room for objective critique - of course we must be critical - but there is a difference between thoughtless bitchiness and critique - and the difference is: intention. Let me tell you a true story to illustrate my point...

I was once invited by a Japanese fan to watch his neighbourhood band. The band sucked to high heavens. But when asked why he supported a band that he knew to be terrible, his reply was revealing:

“If we don’t support them when they are shit, how can they get good?”

See, his reply is the difference between Japan and Malaysia. We thrash our own often for selfish validation. They criticise their own too but with positive intention. That’s why, despite having grassroot scenes as uneven as ours, they have a world class arts scene and we don’t.

I once discussed this with Tun Mahathir in Tokyo. He is of course a big admirer of Japan. But I am not sure he understood the importance of local support in nurturing world class artists. Perhaps he tried but was disappointed. Either way we must try harder at it.

I have taken long to get here, but my point is: there are many elements required to overcome the handicap of small markets. Talent is important but so is hard work. Smartness is important but so is luck. Equally crucial is ability to nurture artists as a community...

It is this last element that we are most missing. The evidence is everywhere. From lack of public policies that nurture young artists (as if they are unimportant), to lack of understanding of how world class artists are formed (as though they exist in a vacuum).

Ultimately, much as we deserve the government we have, we also deserve the arts we have. And as with everything that involves the collective, it really begins with the individual. So, in a nutshell, you must be talented, hardworking, lucky, and yes - nurturing too.

Good luck.

From the very first day for me as a boy who live in Brunei went to study at malaysia, this is what my Malaysian Friends tend to ask me always ,pls do enjoy this skits ,share the Video if you feel the same way too
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