國際級影音製作,全球一千五百萬人追蹤的 Nas Daily 介紹台灣防疫成果 看得好感動!
謝謝 阿滴英文 的努力促成 真的太帥了怎麼辦
感動也要學英文!一起來看影片
內容多多,看不完先分享,有空回來看
Why this country is a coronavirus hero
防疫英雄國的故事
corona 源自 crown 皇冠這個字
皇冠病毒 冠狀病毒 記起來了吧
I am scared of coronavirus, because it’s very contagious.
我很恐懼新冠肺炎,因為傳染性很強
In most countries. This is how coronavirus cases look like.
在大多數國家,新冠肺炎案例數的曲線長這樣
cases 在此是指 confirmed cases 確診病例
Higher, higher and higher.
往上,往上,再往上
It looks impossible to stop.
看起來無法遏止
But there is one country that put an end to coronavirus and made it completely flat entirely by itself, and no one is talking enough about this country.
但是有一個國家,完全靠自己的力量,阻止了疫情
讓曲線趨緩,而很多人根本不知道這個國家
put an end to 阻止
make sth flat 壓平 使趨緩
entirely 完全地
by itself 靠自己
No one is talking enough about 沒人講得夠多 代表受到低估忽視
This is the story of TAIWAN.
這是台灣的故事
One of the closest countries to China, but surprisingly one with very little coronavirus.
身為世界上最鄰近中國的國家之一,卻驚人地防疫成功
very little 幾乎沒有
In Taiwan, only 429 people got infected, only 6 people died and for the last 17 days, zero local cases were reported.
在台灣,只有 429 位患者,僅 6 位死者,而在過去連續 17 天,沒有任何本土案例
local case 本土案例
report 通報
Zero!
零個本土案例!
And best of all, Taiwan did not lock down the country.
最棒的是,台灣並沒有鎖國
best of all 最讚的是
lock down 封鎖
The schools remained open, shops remained open, and the economy remained open.
學校照常營運、店家照常營業、經濟也照常運作
remain 保持
Even sport events continued, but without the fans. Because people were social-distancing.
甚至棒球比賽也繼續,只是沒有觀眾,因為大家在保持社交距離
social distancing 社交安全距離
In Taiwan, people took this very seriously from the beginning and everybody did their part to wear masks and social-distance.
在台灣,我們從最一開始就很謹慎應對,而且每一個人都很認真戴上口罩、保持社交距離
This is impressive, but not surprising.
這很令人敬佩、但卻不會令人驚訝
對比句法:A, but not B
impressive 讓人驚艷的
surprising 讓人驚訝的
Taiwan was one of the first to ban flights from Wuhan. The first to test people. The first to take coronavirus seriously before anyone else did.
台灣從很早就開始管制武漢來的旅客、開始快篩、開始認真看待疫情,早過其他國家。
one of the first 最早的之一
test 篩檢
And here’s the crazy part. All of this, they did alone.
最瘋狂的是,他們獨自辦到了這一切。
See, most nations do not recognize Taiwan as a country, and the World Health Organization doesn’t either for political reasons.
大多數國家因為政治因素,不承認台灣是一個國家,而世界衛生組織也不承認台灣是個國家。
recognize 承認、認可
Which means, they don’t get much help from other countries during this tragedy.
這代表說,台灣在這場悲劇中,沒有得到什麼外援
Yet despite that, they succeeded and beat coronavirus alone.
但是他們還是成功地控制住疫情
succeed 成功
beat 打擊
Now, they’re helping other countries do it too!
現在,他們在協助其他國家做到一樣的事!
They shipped 17,000,000 masks to the United States, to Europe, to the Philippines, to Japan, and even to the small island nation of Fiji.
他們捐贈了一千七百萬個口罩給美國、歐洲、菲律賓、日本,甚至是小島國斐濟
ship 運送
Yes, Fiji!
沒錯,斐濟
Even though we may not be recognized as a country, we’re still a part of the global community and we are here to help. Taiwan can help!
雖然我們不被承認是一個國家,我們還是國際社會的一份子,讓我們來幫忙。Taiwan can help!
global community 國際社會﹑全球社會
It’s easy to lose hope when you look at the world map and look at the infection rates.
如果看著世界地圖、看著感染率,很容易失去希望
lose hope 失去希望
infection rates 感染率
But at least for this minute, look at Taiwan.
但是至少這一分鐘,看看台灣
No local infections, no outbreak, no panic, and no lock down.
沒有本土案例、沒有疫情爆發、沒有民眾恐慌、沒有鎖國封城
Hi, I am Tsai Ing Wen, president of Taiwan and the first woman president of Taiwan. Taiwan is a free, democratic, open, and amazing place.
嗨我是蔡英文,台灣的總統,也是第一位女性總統。台灣是一個自由、民主、開放,讓人驚艷的地方
free 自由的
democratic 民主的
open 開放的
Not many people recognize Taiwan as a country because of politics, but this time everyone should recognize Taiwan as a hero.
因為政治因素,沒有很多人承認台灣是國家,但現在,大家應該要認可台灣是在疫情中的英雄
#touched_感動的
浩爾
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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Brexit.....Shifting Sands
Next Friday, the UK needs to decide on their own destination to be in Europe or not; and if they (legislators) decide to exit from EU, what kind of exit that they are comfortable with. The challenge lies in the fact that they cant decide uniletarally. EU Parliment must be consulted (using a very diplomatic word). In reality, they have to get the Continent to agree to their proposal of exit mechanism.
I had great pleasure attending the briefing on Brexit and its impact on UK, EU and US. The briefing was conducted by the Chief Economist of one of the biggest banks in the world hearquarted in London. Her data and analysis are superb.
Some of the insights that I can conclude from this analytical briefing:
a. The issue of foriegn immigaration has become one of the most accute problems nowadays. Brexit is just the outcome of this hard reality. UK is not alone. Looking into the the current political map of EU, there are many other countries which are run by the populist government which includes Italy, Netherlands, Poland, Hungry, etc.
b. The Brexit will not only hurt UK, but also a few EU countries which have big exposure to UK (export market).
c.At the times of uncertainty, the market tends to price in the uncertainty element of material changes. This will also hurt the market.
d. The position of London which has been known as the services centre for many centuries when it loses its passporting advantage after Brexit. Which city is the next candidate?
e. The contagious effect of Brexit meaning which country is the most probable candidate to follow the step of UK. All indications are pointing towards Italy.
f. A new curency market and tough fight of USD vs. GBP vs. Euro (not only GBP will be implicated but Euro too)
g. The most alarming signal is the rise of unilatarian vis-a-vis bilateral and community form of the world. It is easy and populist to call for exclusiveness but it is hard to believe in inclusiveness and sharing economy.
While we are not sure what would happen to UK, EU and the world after next Friday, the May goverment and all the British members of the Parliament are having sleepless night.
MDB
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Voices of Photography 攝影之聲
Issue 21: 影像刊誌考
A Study of Photo Publications
◼︎ 購書 | Order : http://bit.ly/2uhMNd6
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在本期專題裡,我們埋首雜誌報刊堆中,透過梳理台灣、中國和香港攝影雜誌的出版歷程,作為初探東亞影像刊誌的歷史迴路及攝影文化脈動連結的支點,試圖疊映出這個影像時代過去與現在的考驗和變貌。
走過日本殖民與國府戒嚴的重重歷史,歷經戰後攝影發展的流變,台灣影像雜誌的存在與承續,彷若一趟崎嶇蜿蜒的旅程——陳佳琦追蹤台灣攝影刊物的沓雜步履,瞭望島嶼影像出版百年來的起落波潮;張世倫重訪七〇年代發行的《ECHO》英文漢聲雜誌,追述這份台灣民俗調查攝影先鋒刊物的歷史脈絡與文化影響;梁秋虹考掘日治期間出版的「黃色刊物」,剖析台灣女性作為視覺消費商品的殖民結構與政治關係;李威儀蒐集台灣戒嚴年代官方編印發行的「今日」系列政宣畫刊,探查國府曾經透過出版啟動的對外影像心戰。
在對岸中國,長久以來由政府當局全面管控的媒體與出版體系,塑造了「具中國特色」的攝影媒介生態——顧錚回看自1949年至今、在文革到改革開放帶來的政經變化下,攝影雜誌所承載的理想、現實與時代肌理;此外,何伊寧書寫近年中國獨立刊物的多樣風景,體現這些在限制中試圖開拓道路的紙本與網路同人誌的某種可能與想像,為中國攝影注入了不同以往的革新感與清新氣息。放眼香港,李泳麒則細數自戰後以來發行的眾多香港攝影刊物,揭示早期攝影雜誌與左派團體的隱密關係,以及面對商業市場的掙扎取捨,回溯這些影像刊誌曾經點燃的火花。
本期Artist’s Showcase單元,我們專訪台灣藝術家侯怡亭,在她的作品《歷史刺繡人》系列中,藉由刺繡、勞動生產與殖民時期歷史照片的交疊展現,反射出社會集體意識灌輸的性別設定與身體感。在「Q」單元裡,法國攝影雜誌《The Eyes》創辦人文森.馬熙哈希與我們分享這份新的半年刊的編輯概念以及他對攝影的前線觀察;同時,我們也造訪巴黎視覺藝術空間「LE BAL」,一探這個位在紅燈區、前身曾是酒館舞廳的展演場,如何變成新穎的歐洲影像文化據點。
我們在籌備本期專題、記述這些影像刊物生命史之時,特別能夠感受到催生與維持一份刊物背後所需付出的心血與懷抱的理想,在此我們向眾出版人們致敬。出版的路上時而快意、時而蹌踉,我們也想再次感謝親愛的《攝影之聲》讀者給予這份刊物持續的動力,謝謝你與我們一起共度這段雜誌時光。
In this issue of VOP, we combed through and compiled numerous photo publications from Taiwan, China and Hong Kong. Using this as a fulcrum in our primary examination of the historical development and cultural ripples of photo publications in East Asia, we tried to map the past and current challenges and transformation of this age of images.
Through the Japanese colonization and martial law eras, the existence and evolution of post-war photo publications in Taiwan is not unlike a winding journey. Chia-Chi Chen traces the complex development and the ups and downs of Taiwanese photographic journals in the last century; Shih-Lun Chang revisits ECHO, a magazine published in the 1970s, and recounts the historical context and cultural influence of this pioneering publication on Taiwanese folklore and documentary photography. Chiu-Hong Liang takes a look at “adult publications” from the Japanese colonial period and examines the relationship between politics and the colonial structure of objectifying Taiwanese women as a form of visual consumer product. Wei-I Lee puts together the Today series of KMT government propaganda materials published during the martial law era and explores how the government engaged in psychological warfare through the use of such publications.
Over in China, the media and publication industry, which has long been heavily controlled by the state, has given birth to a photographic media ecology with “Chinese characteristics." Gu Zheng takes a look at how political and economic changes since the Cultural Revolution and the Reform Era gave shape to the expectations, reality and texture that photo publications have had to bear since 1949. Yi-Ning He also explores how independent publications in China, in an attempt to blaze a trail in a much-restricted environment, with their dedication to possibility and imagination, have brought with them a new sense of innovation and a breath of fresh air into the scene of Chinese photography. Turning to Hong Kong, Wing-Ki Lee showcases Hong Kong’s post-war photo magazines and recounts their impact on the society as he reveals the close relationship between early photo publications and leftist groups and their struggles with the commercial market.
In this issue’s “Artist Showcase”, I-Ting Hou tells us how her work Li̍k-sú Tsiam-tsílâng reflects gender definition and sensory perceptiveness instilled by the social collective consciousness through the overlapping historical photographs of embroidery and labor productivity from the colonial period. In the “Q” segment, Vincent Marcilhacy, the founder of French photography magazine The Eyes, shares with us his editorial concept for this new magazine and his first-hand observations of photography. At the same time, we also pay a visit to Le Bal, a visual art space in Paris, and see its transformation from a haven of drinks and dance to a new cultural stronghold in Europe.
While preparing for this volume of VOP, we had renewed respect for all the work and effort these publications put in as we articulate their histories. Hence, we would like to pay tribute to our fellow publishers. The same time, we also want to express our gratitude to our beloved VOP readers for giving us the reason to persevere with this publication. The road of publishing is at times smooth-sailing, and at times discouraging. Thank you for always staying with us on this journey.
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Voices of Photography 攝影之聲
www.vopmagazine.com
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