淺談「假新聞」
最近上課時學到一個新單字「positionality」,讓我想到當前社群媒體上,不停看到的「fake news」——假新聞。
簡言之,「positionality」(位置性) 被定義為於種族、階級、性別、性取向以及能力等狀態中,創造你身分的社會與政治背景。位置性還描述了你的身分如何影響你對世界的理解與看法,以及潛在的偏見。
positionality 位置性;定位
https://terms.naer.edu.tw/detail/3390885/
https://www.lexico.com/definition/positionality
以下是我對「positionality」與 「fake news」的些許觀點:
“Fake news” has permeated all facets of life, ranging from social media interaction to presidential elections. Fake news can be defined as “fabricated information that mimics news media content in form but not in organizational process or intent” (Lazer et al., 2018, p. 1094). The creators and outlets of fake news do not ensure the accuracy and credibility of information, but rather disseminate misinformation or disinformation for purposes ranging from personal amusement to creating deceptions to achieve political aims. At times, fake news is created and disseminated by state or non-state actors using social media accounts and networks of bots designed to hijack feed algorithms of platforms such as Twitter or Facebook (Prier, 2017, p. 54). In the 2016 U.S. presidential campaign, Facebook estimated that up to 60 million bots were used to post political content. Some of the same bots were then used in an attempt to influence the 2017 French election (Lazer et al., 2018, p. 1095). Such campaigns can be understood as a form of information warfare, a comprehensive attempt to control and influence every facet of the information supply chain, thereby influencing public opinion and behaviors. (Prier, 2017, p. 54). Often, fake news is not directly created by actors that seek to manipulate but by journalists or content creators whose content favors or aligns with the narratives of these actors (Doshi, 2020).
從社群媒體的互動到總統選舉,「假新聞」(fake news)已滲透至生活的各個層面。假新聞可被定義為「在形式上而非組織過程或意圖上,模仿新聞媒體內容所捏造的資訊」(Lazer et al., 2018, p. 1094)。無論是出於個人愛好或為達政治目的而有所欺瞞,假新聞的製造者與傳播管道並不保證資訊的準確性與可信度,反而是為了散播錯誤訊息(misinformation)或扭曲訊息(disinformation)。有時,假新聞是由國家或非國家行為者(state or non-state actors)所製造與傳播,藉由社群媒體帳號及網絡機器人來劫持諸如臉書與推特等平臺的推送演算法(Prier, 2017, p. 54)。在2016年的美國總統大選中,臉書估計有多達6千萬個機器人被用來發布政治貼文。其中,有部分機器人被用於影響隔年的法國大選(Lazer et al., 2018, p. 1095)。此類行動可視為資訊戰(information warfare)的一種形式,一種對控制與影響資訊供應鏈各環節的全面嘗試,從而影響公眾輿論與行為(Prier, 2017, p. 54)。假新聞通常是由記者或內容創造者(content creators)所創造,而非試圖操弄的行為者,前者的內容偏好符合後者的敘事(Doshi, 2020)。
Nevertheless, while the term “fake news” is commonplace, there is no universal, measurable way to quantify the fakeness or truthfulness of news. There are many fact-checking and media-bias detection tools, but they cannot objectively detect and clarify the more subtle and nuanced aims of manipulative actors that play a crucial role in news production. It can also be argued that the veracity of news depends not only on the actors that seek to manipulate it, but also on the positionality of its consumers. Therefore, one’s initial line of defense against misleading news lies not in the plethora of fact-checking devices but more in one’s pre-existing dispositions and skills to think and act in response to misleading information. This ability can be referred to as critical thinking, which can be more concretely expounded as “reasonable and reflective thinking focused on deciding what to believe or do” (Ennis, 2011, p. 15).
然而,即便「假新聞」一詞隨處可見,卻沒有統一、可衡量的方式來量化新聞的虛假性或真實性。目前有許多事實查核與媒體偏見檢測工具,但它們無法客觀地檢測與說明行為操弄者更狡猾、更細緻的目標,而這些操弄者往往在新聞的生產中發揮著重要作用。我們也可以說,新聞的真實性不僅取決於試圖操弄它的行為者,同時還取決於新聞受眾的位置性。因此,一個人對抗誤導性新聞的第一道防線,不在於這些五花八門的事實查核方式,反而在於個人所固有的性格,以及針對誤導性資訊的思考與行動等相關技能。這種能力可稱為批判性思考(critical thinking),意即「專注於決定相信什麼或做什麼的理性思考與反思性思考」(Ennis, 2011, p. 15)。
Taiwan, also known as the Republic of China (ROC), is at the forefront of information warfare. It is wedged between the geopolitical struggles of global and regional hegemonies such as the United States and China, the People's Republic of China (PRC). Compounding the matter are the Taiwan’s own political actors vying for influence and power. This struggle seeps into all aspects of life and practice, mainly manifesting itself on social media, a battleground of information warfare. The Ministry of Education of Taiwan is cognizant of these information campaigns, and efforts have been made to introduce media literacy into all parts of its education system. According to the ministry, the government has tried to promote media literacy education since 2000 (MOE, 2002, p. 1), with one of its primary goals to cultivate its “citizens” abilities for independent learning, critical thinking, and problem solving” (MOE, 2002, p. 2).
臺灣,也被稱為中華民國,正處於資訊戰的最前線。這是全球霸權與地區霸權之間——如美國與中國(中華人民共和國)——的地緣政治對抗。使問題惡化的是臺灣自身的政治行動者對影響力與權力的奪取。這場對抗遍布於現實生活的各個面向,主要於社群媒體中——資訊戰的戰場——展露無遺。臺灣的教育部注意到了這些資訊的煙硝,並已努力將媒體素養引入其教育體系。據該部稱,自2000年以來,政府一直試圖推展媒體素養教育(MOE, 2002, p. 1),其主要目標之一是培養「公民獨立學習、批判性思考以及解決問題的能力。」(MOE, 2002, p. 2)。
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上述段落認為,由於個人的位置性(positionality),「假新聞」極難定義。此外,有許多人把不符合自身成見與偏好的新聞逕斥為假新聞。這其實相當危險,因為個人觀點將會變得愈發孤立與激進。
閱聽人應意識到,他們在網路上看到的每個資訊都有特定立場。是否真有毫無立場的新聞文章?為了對抗操弄性或強制性資訊(coercive information),我們必須意識到權力於個中的作用,以及我們自身的位置性如何形塑我們的詮釋。這是我們的第一道防線。
★★★★★★★★★★★★
參考文獻
Doshi, R. (2020, January). China steps up its information war in Taiwan. Foreign Affairs. Retrieved March, 21, 2021, from https://www.foreignaffairs.com/articles/china/2020-01-09/china-steps-its-information-war-taiwan
Ennis, R. H. (1985). A logical basis for measuring critical thinking skills. Educational leadership, 43(2), 44-48.
Lazer, D. M., Baum, M. A., Benkler, Y., Berinsky, A. J., Greenhill, K. M., Menczer, F., ... & Zittrain, J. L. (2018). The science of fake news. Science, 359(6380), 1094-1096.
MOE (Ministry of Education), Taiwan. (2002). White paper on media literacy educational policy. Retrieved March, 21, 2021, from http://english.moe.gov.tw/public/Attachment/ 2122416591771.pdf
Prier, J. (2017). Commanding the trend: Social media as information warfare. Strategic Studies Quarterly: SSQ, 11(4), 50-85.
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教育時評: http://bit.ly/39ABON9
相關詞彙: https://bit.ly/2UncrfI
TED相關影片: https://bit.ly/3BDsDKl
同時也有1部Youtube影片,追蹤數超過83萬的網紅serpentza,也在其Youtube影片中提到,Chinese parks are quite a different sort of experience, other than being a place for people to try and sell off their sons and daughters for marriage ...
education policy and practice 在 英國生活雜記 Facebook 的最佳貼文
Job vacancy.
Dear professor and my friends
Please help me to delivery this message to your friends and colleagues, thank you so much:
Owing to the growth demand from international students and international affairs, we sincerely hope that you could recommend teachers to work within a vibrant community of staff, students and researchers in a unique environment in the College of Arts.
It is one-year fixed term contract, and possible to expand another one to two years’ working permit. Those teachers will help us to create and support a diverse range of learning opportunities within a broad-based Art curriculum. Among responsibilities will be an active contribution to various aspects of course delivery and planning, working with and supporting colleagues in their roles. They will work closely with the Course Leaders to ensure effective planning and delivery of your role and you will help foster external collaborations and opportunities for students. As well as helping our school to promote our international affairs, and to bridge the gaps among TUT and other partner schools around the world.
Tainan University of Technology (TUT) also known as Tainan Tech, is historically strong in the fields of music, visual art, arts technology, education, finance, product design and fashion design.
These teachers will have a developing research profile through nationally recognised practice-based research and/or publications in Art related background, and must have a PhD qualification. They shall be able to lecture in English, and the ability in Mandarin is desired.
The job position and related salary is full-time assistant/associate professor/professor, according to Ministry of Education, Taiwan. More detailed information about the salary and the accommodation will be discussed.
Interviews will be held as soon as possible after we receive their CV and portfolios. And we expect them to come before Sept 2020.
Thus, please recommend suitable teachers, your friends and your graduates who meet the above qualifications. If there is any further information about this role, you can give them my email: t40118@gm.tut.edu.tw, and please ask them directly contact me with their CV and portfolios, thank you so much!
Sincerely Yours
Ken Tin-Kai Chen.
PhD, Art&Design, DMU, 2008
Associate Professor
College or Design
TUT, Taiwan
http://www1.tut.edu.tw/bin/home.php?Lang=en
P.S. It is also possible that If your teachers or your colleagues at other school want to join us based on the policy such as leave without pay or annual leave.
education policy and practice 在 Tacps臺灣文化政策研究學會 Facebook 的最讚貼文
世界藝術管理教育大會的籌備與討論在北京大學中央美院進行,明後年將分別在紐約、布拉格及北京召開(結合美國、加拿大、歐洲與中國藝術行政與教育網絡),籌備會中羅列了二十四個關鍵詞,分別是(摘文):
1、可持续发展(Sustainability)
2、批判性分析(Critical analysis)
3、作为研究的专业训练(Professional practice as research)
4、课程标准(Curriculum standard)
5、 技术/媒介/网络(Technology/media/internet)
6、艺术法、文化政策与文化治理(Art law/Cultural policy and governance)
7、领导力(Leadership)
8、全球性和区域性(Local and global)
9、标准或框架方法(科学的,艺术的)(Standards or frame methods(scientific,artistic)
10、互有文化性(Interculturality)
11、比较实践与研究(Comparative practice and research)
12、增强国际交流(Strengthening of International exchanges)
13、社区联系(Community connections)
14、传统与当代(Tradition and contemporary)
15、为社会创新的艺术管理 (Art administration for social innovation/capability of innovation)
16、多元化的艺术管理教育(Multi-culture in arts administration education)
17、平等与包容(Equity and inclusion)
18、艺术管理者的文化,社会,经济影响(Cultural/social/economic impact made by arts administrators)
19、就业能力 /创业能力(Employability)
20、营销和观众拓展(Marketing and audience development)
21、艺术世界与艺术管理的定义(Art world and definition and arts administration)
22、教学法(Pedagogy)
23、数字化与人工智能(Digitization/AI)
24、学科互动(Interdisciplinary)
education policy and practice 在 serpentza Youtube 的最佳貼文
Chinese parks are quite a different sort of experience, other than being a place for people to try and sell off their sons and daughters for marriage to other families, it's the only place people are really able to go out and practice their kung fu, dancing, singing, musical instruments etc. Of course there are the regular activities such as having a picnic, hiking and playing sports (as well as some boating and fishing) available as well. Come and join Sasha and I as we get the low down on how Chinese parks work.
The primary goal of attending the marriage market is for parents to find a suitable partner for their child. The standards of finding the right match may be based upon (but not limited to) age, height, job, income, education, family values, Chinese zodiac sign, and personality. All of this information is written on a piece of paper, which is then hung upon long strings among other parents' advertisements for their children. The parents walk around chatting with other parents to see if there is a harmonious fit only after their children's standards are met.
Umbrellas used for advertising
Many parents do not have permission from their child to go to this event. It has been described as "match.com meets farmers' market" with a low success rate. In many parents' eyes, parent matchmaking gatherings such as the Marriage Market are the only way to uphold a traditional dating style for their children in modern China. China's long idealized tradition of continuing their family lineage is very important within Chinese culture. As the children of the One Child Policy start to become of typical marriage age, the so-called marriage "market" of China has wavered in stability, particularly for males in China. The University of Kent predicts that by the year 2020, 24 million men will be unmarried and unable to find a wife.
Recently, well-educated women in China with established careers are in less of a hurry to get married. They have more options than women in past generations and are not afraid to put their career first. This change in marriage ideology puts the women in a higher position of power within a traditionally male-dominated society. Now more women seek to find a responsible man with personal integrity instead of just a high paying job.
Many men's standards have changed with the progression of women's status in the work industry as well, they expect a woman that has been educated and well on her way to a career path. But what has drastically changed is the older generations viewpoint on the subject—they agree with the younger generation, with the two most important qualities in a wife being "elegance and a decent career path," quite a change from "diligence and the willingness to suffer the burden of life".
⚫ Watch Conquering Southern China (my documentary) and see China like no one outside of China has ever seen it before: https://vimeo.com/ondemand/conqueringsouthernchina
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Music used: Virtual Vice - Black Rose
Artist's bandcamp: https://virtual-vice.bandcamp.com/releases