關於 break up into中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【謎底揭曉】在台灣丟一顆石頭都會打中瞎譯那話兒！

（那話兒：表示不正當或不雅的事。小說中常指人的性器官而言。也作「那樁兒」。）

繼教授譯者謝瑤玲把「現代的祕教者窮得很」(don't have two pennies to rub together)譯成「現代的祕教者並沒有兩根可以搓在一起的陰莖」(two penises)，繼教授譯者賴慈芸把「等文稿定案後，再找譯者來翻譯也不遲。」(after the job is done, fetch the translator)譯成「翻完之後，不要給譯者留活口」(after the job is done, kill the translator)之後，實在很難找到可以與之匹敵的胡譯瞎譯，直到最近，為了研究中英譯者如何處理「共匪」的英譯，為了暸解中譯「共匪」對應的英文原文是啥，竟然發現無敵的「丟一顆石頭……打中他那話兒」！

原文/中譯對照如下，應該有足夠的上下文讓有興趣一探究竟的讀者瞧瞧這誤會是怎麼發生的，歸納三個原因：
* 譯者想像力過於旺盛、
* 恍神或不用心，見樹不見林、
* 對原文文法不夠暸解，態度不對而輕忽之。

首先，「丟一顆石頭」的原文是 lob one （發射一個那個東西），那個東西指什麼？從原文脈絡明顯指向前兩句才剛剛說過的 tactical nuclear bombs （戰術核子武器），即使不說「發射一顆戰術核彈」，嫌太累贅，至少要譯成「發射一顆核彈」。

核彈怎會變石頭？譯者顯然查字典或Google了一下，發現動詞 lob （丟、投擲、發射）和 stone 還蠻常一起出現吧？！就給它「丟一顆石頭」下去了，用這種方式理解英文是不行的，one 必須指涉出現過的名詞概念，不然，one 也有「一個人」之意，但顯然「投擲/發射一個人到廁所」根本見鬼，所以譯者可能採取「消去法」，認定這one一定是個「東西」不是人，但也輪不到「石頭」來當the one啊！

其次，「打中他那話兒」的原文是 make sure I hit it，這裡跟前述的 one 一樣，有一個代名詞 it，同樣的，譯者又是對文法不夠尊重，想像力旺盛，從廁所就聯想到男人的那話兒，於是 it 就譯成「his private parts」（他那話兒），準備千古流芳了！但是各位有沒有注意到這個「解法」的矛盾和問題？中文「他那話兒」有一個「他」，他只能代表人，那這個他指涉誰？原文完全沒有出現「他」。譯者該不會希望讀者可以看出他的用意：用擬人法的譬喻，借用「男廁裡，他的那話兒」表達「克里姆林宮的機要位置」？這未免太扯，不太可能吧！這個 it 也指剛剛提過的東西，就是男廁嘛！

建議改譯：

……他曾說自己想要「發射一顆核彈瞄準克里姆林宮的男廁，而且一定要擊中」。

感謝幾位網友參與猜謎遊戲，請自行比對看看你猜中了多少。

這個寧可發揮天馬行空的想像力，也不要按部就班遵循基本英文文法思考所導致的爆笑誤譯，跟賴教授「不要給譯者留活口」的驚世之語，頗有異曲同工之妙：兩人皆是「語不驚人誓不休」（這正好也是書名）！

這樁兒事得來的教訓：

1. 把心用在理解原文和文法，這是翻譯首要的基本功，沒有之一，沒有替代的捷徑。Cue 一下賴教授。

2. 想像力無法控制，很危險，一定要謹記你的角色在哪，不要逾矩。

3. 再好的譯者（如這位陳信宏，中文文筆極佳，我注意欣賞已久，算是英倫哲學才子作家Alan de Botton的「欽定」譯者）都必定有盲點，都一定會出包。所以，任何翻譯都應該找有能力對照原文審核者來過目一次。這是對台灣出版社最衷心的建議。

- - - - -

//Goldwater, in his heart, believed that he was right. Right about the waste and distaste of the “welfare state” the Johnson administration had built. Right about the need for absolute military strength in the face of Soviet expansion. Right about a foreign policy that would make George Bush’s look downright friendly.
高華德內心深信自己是對的。他認為詹森政府建立的「福利國家」不僅揮霍資源，而且令人厭惡；他認為美國面對蘇聯的擴張，必須建構絕對的軍事實力；而且，他心目中的外交政策強硬至極，與他相比，連小布希都顯得太過友善。

Yes, Goldwater was an extremist and proud of it. His Republican convention acceptance speech is best remembered for the line “I would remind you that extremism in defense of liberty is no vice.”
的確，高華德是個極端主義者，並且以此為傲。他在共和黨代表大會上發表的接受提名演說當中，最令人難忘的一句話就是：「提醒各位，為了捍衛自由而採行的極端主義並非壞事。」

On the subject of foreign policy he was crystal clear about where he would lead the nation. Simply put: leave the United Nations and never look back, break off all relations with the Soviet Union, and use tactical nuclear bombs to fight communists in Vietnam and other Commie strongholds. Not surprisingly, many of his proclamations during the campaign were outrageous. He was quoted as saying he’d like to “lob one into the men’s room of the Kremlin and make sure I hit it.”
在外交政策方面，他清楚表明自己將會把國家帶往什麼方向。簡單說，就是毫不留戀地退出聯合國，斷絕與蘇聯的一切關係，並且利用戰術核子武器攻打越共以及其他共匪巢穴。不出意料，他在選戰期間提出的許多宣言都令人震驚。據傳他曾說自己很想「丟一顆石頭到克里姆林宮的男廁裡，打中他那話兒」。

Small wonder Johnson’s only concern was the extent of the landslide to come. The Democrats quickly seized upon Goldwater’s “let’s nuke ’em when we have the chance” philosophy and came up with their own unofficial slogan to counter “In Your Heart You Know He’s Right.” Their retort: “In Your Guts You Know He’s Nuts.” It didn’t stop there. Bumper stickers appeared with “Goldwater for Halloween” and “Vote for Goldwater and Go to War.”
難怪詹森不怕落敗，只怕贏得不夠多。民主黨緊抓高華德「一有機會就用核彈炸翻他們」的想法，故意惡搞他的口號：「你心知肚明這傢伙瘋了。」不只如此，當時還出現了不少保險桿貼紙，內容包括：「一票投給高華德，天天都是萬聖節」或者「想上戰場，就選高華德」。

To top it all off, the Johnson advertising team created the famous “Daisy” commercial. It showed a little girl plucking petals from a daisy as a nuclear countdown ends in a huge mushroom cloud explosion. President Johnson’s voiceover was, roughly, “vote for me or God help us all.”
此外，詹森的宣傳團隊還攝製了著名的「雛菊」廣告。畫面上只見一名小女孩在核彈攻擊倒數的同時拔著一朵雛菊的花瓣，倒數結束後，隨即轟然出現爆炸後的巨大蕈狀雲。詹森總統的旁白大致上是說：「請投我一票，不然只好祈求上帝保佑了。」//

#對照原文審校翻譯不可少

【解開人生謎題的寶書】(English writing below)

「師姐，簽書號已經發完了耶！」

地點：台灣雷藏寺的大燈文化攤位。

我一手抓著根本上師聖尊蓮生活佛的新書《我所知道的佛陀：如是我聞》，一手拿著錢要付款。

「沒關係，師兄，沒有師尊的簽名，我還是想買這本書。」我微笑著回答，感謝他的熱心提醒。

我喜歡紙本書。家裡整堵牆的書架，都是師尊的書。

我甚少在雷藏寺買師尊的書。一般來說，師尊推出新書時，我都會在新加坡的紀伊國屋書店購買，希望藉此能推廣師尊的文集在寺廟以外的地方。用錢買書，也是我出點微薄之力，代表我對作者付出的支持。

有師尊簽書固然是錦上添花，但能不能開悟，還是需要自己的努力。

初聽師尊宣布這書名《我所知道的佛陀：如是我聞》時，我頓時倍感親切。

每個人信佛的起點都不一樣。有的人是因爲篤信觀世音菩薩，而皈依佛門，我則是因爲「南無本師釋迦牟尼佛」。

在大學佛學會時，我常去本地的一間斯里蘭卡佛寺參拜佛陀，繞菩提樹。好幾年的時間，我在那兒，向佛陀述說了很多、很多我的苦楚，我的煩惱，有時候邊說，邊繞菩提樹，繞了無數圈，就連第一次失戀，也在臥佛前哭了兩個小時。

那時，我不明白為什麼人家做人，我也做人，但我無論怎麼努力，卻特別的苦。我一直求佛陀告訴我：我爲什麼要活著？我爲什麼要來到人間？我要怎麼改命？

當然，在壇城上的佛陀怎麼會開口跟這「怨女」說話呢？

我把打工的錢存起來，買一尊佛像，拿去開光，安在書房內。後來媽媽因爲某事生我氣，趁我不在時，把佛像仍掉。我畢業就職後，又請了一尊。傻傻的我以為那兩尊都是釋迦牟尼佛，其實祂們都是「大日如來」。

我想，這應該是我五年後皈依師尊的因緣之一。

.

2013年，西雅圖雷藏寺開創一個新聞單元《如是我聞》，報導師尊的日常法教。小女子我自告奮勇拉著我師兄一起爲官網，把幾篇《如是我聞》翻譯成英文，回饋師尊的無私奉獻與教導。

從台灣飛回新加坡的航班上，我閱讀了師尊新書《我所知道的佛陀：如是我聞》兩個小時。

我忽然恍然大悟，十九年前，常跑到釋迦牟尼佛跟前訴苦的那個少女，原來佛陀真的聽到了她的哀求，沒有讓它落空。

理科班的我，從小就對這世界很好奇。家裡的百科全書，十年來，我從頭到尾都讀了至少百遍，但總覺得人要懂的知識，不該只有這些。

皈依師尊前，我曾讀過、聽過很多有名出家人的法語開示，無論是講中文或英文的。他們都講得很好，但是，唯有蓮生活佛的開示和文集，徹底的解除我自幼對於人生和宇宙的迷惑。

尤其是這本書。

原來在科學之外，還有這樣一個空間、一種能量和宇宙能力場存在著。

皈依學佛，就是學佛陀的教義，目的就是要成佛。

可怎樣的佛弟子，才是釋迦牟尼佛認可的弟子？

我們人要如何離苦得樂？如何去馴服自己狂野的心？如何從凡夫身回歸本來的面目？什麼又是原本的自己？

那天，師父問一位少女：「妳想學佛，那妳知道佛教教主是誰嗎？」

她已閱讀完師父在臉書2013年至2019年的文章，卻一個字都說不出。

切勿把佛法當成普通的人間知識來看待，更不要以學佛爲名，利用其知識賺錢做生意爲實。販賣如來，可是下地獄吞熾熱鐵丸、喝滾燙鐵汁之罪啊！

.

我去台灣前，師父交代過要我到台北101拍照，於是我就抱著師尊的書去。

玳瑚師父教過，台北101是現代版的文昌塔。

古時候，文昌已甚被重視，因爲利於讀書、功名和事業。在沒有某種形式的山脈時，就會建文昌塔（又稱文峰塔）來催旺文人輩出。

古代有文昌塔，現代有台北101。

古代有佛陀初傳四聖諦，現代有蓮生法王繼續的轉法輪。

而人呢？從古至今，仍然在醉生夢死中。

一般人要文昌，因爲追求功名。但我對人間的智慧，已意興闌珊。我要文昌，因爲希望早日開竅，拜託，不要那麽笨 ～～

無論你是剛接觸佛法，還是皈依許久的老弟子，如果你和我一樣追求生命的實相，這本書裡的般若智慧必會讓你大開眼界、讚歎連連。

你到底有多認識佛陀呢？

.

我大力推薦此書，可到以下書局網購，或到真佛般若藏免費閱讀電子書或聆聽有聲書：

1) 新加坡紀伊書店 - https://singapore.kinokuniya.com/bw/9789573052654

2) 台灣金石堂 - https://www.kingstone.com.tw/basics/basics.asp?kmcode=2012000022409&lid=common-index-billboard-all&actid=bookindex

3) 真佛般若藏 - https://www.tbboyeh.org/cht#/store

.....................

"Dharma Sister, the numbers for book signing have all been given out!"

Venue: Daden Culture book stall at Taiwan Lei Tsang Temple

I was holding on to "The Buddha I Know: Thus Have I Heard", the latest book by my Root Guru, His Holiness Living Buddha Lian Sheng, with my other hand grasping onto the cash, wanting to pay for the book.

"No problem, Dharma Brother. Without the autograph of Grandmaster, I would still wish to buy this book." I smiled in reply, thanking him for his friendly reminder.

I prefer reading from an actual book over an ebook. Back at home, I have one full wall of my Grandmaster's books on my bookshelves.

I rarely buy my Grandmaster's books from Lei Tsang temples. Usually, for His latest release, I would buy from Singapore Kinokuniya book store. It is my hope that this little gesture would help to boost sales at external bookstores, so that my Grandmaster's books can continue to be sold beyond the temples. To pay for it is my small token of appreciation and support for the author's effort.

To have my Grandmaster's autograph on the book is, of course, covetable, but whether the I can attain enlightenment is still dependant on my hard work.

When I first heard my Grandmaster announcing the book title "The Buddha I Know: Thus Have I Heard", I immediately felt a sense of closeness.

Everybody has a different starting point for believing in the Buddha. There are some people who are devoted to Guan Shi Yin Bodhisattva, and hence take refuge. For me, it was because of Shakyamuni Buddha.

During my NUS Buddhist Society days, I often visited a Sri Lanka Buddhist temple in Singapore. I would pay homage to Buddha and circumambulate the Bodhi tree. For many years, I would be at the temple regurgitating my troubles and sufferings to Buddha. Sometimes, I would circumambulate endless rounds around the Bodhi tree while being troubled. When my first relationship failed, I cried in front of the Sleeping Buddha for 2 hours.

At that time, I didn't understand why my life was tougher than other people, no matter how much effort I poured in. I kept pleading to Buddha for an answer. For what am I alive for? Why do I have to come to this mortal world? What can I do to improve my life?

Naturally, how could the Buddha that sat on the altar literally speak to this resentful girl?

With the money I scrimped and saved working part-time during my uni days, I bought a Buddha statue and after having it consecrated, I enshrined the statue in my study room. Once, when my mum was angry with me over some issue, she threw away the Buddha statue while I was out.

Upon graduation, I bought another Buddha statue. The silly me assumed that both statues are of Shakyamuni Buddha when in fact, they were of Mahāvairocana Buddha.

I guess this must be one affinity why I took refuge in my Grandmaster 5 years later.

In 2013, Seattle Lei Tsang Temple started a new column "Thus Have I Heard", reporting on the daily Dharma teachings of Grandmaster. Dragging the husband along, we volunteered to translate a few of the reports into English for the official website. It was our little way to repay Grandmaster for his selfless contributions and teachings.

Now you know why I took a liking to the book title almost immediately.

.

On the flight back from Taiwan, I read the book for about 2 hours.

I suddenly had a realisation. The young lady that cried and bemoaned her fate in front of Shakyamuni Buddha 19 years ago had her prayers answered after all. Buddha did hear her pleas and did not let her prayers go unfulfilled.

I was a Science student and since young, I was full of curiosity for this world. The encyclopaedia I had at home had been read at least 100 times over 10 years. But I had always felt that the knowledge humans need to know should be more than that.

Before taking refuge in Grandmaster, I had read, watched and listened to many Dharma discourses expounded by many famous Venerables, both in English and Chinese. They all explained the teachings of Buddha very well.

However, only Living Buddha Lian-Sheng could thoroughly answer my conundrums about life and this universe, through His Dharma discourses and books.
Dictionary

Especially in this book.

Apart from the science that we know, there is indeed another dimension of existence, another field of energy from the Universe.

When we take refuge to learn the Dharma, we are essentially learning what the Buddha had taught. The sole purpose is to eventually attain Buddhahood.

But do you know, just what kind of Buddhists are recognised by Shakyamuni Buddha as true disciples?

And how can we humans break free from sufferings and achieve bliss? How can we tame the wild minds in us? How do we return to our true self from this mortal body?

Just what actually is our true nature?

That day, Shifu asked a young lady, "You say you wish to learn the Dharma. Then do you know who is the founder of Buddhism?"

She had read all of Shifu's FB articles from 2013-2019, but was unable to reply.

Do not treat the Buddhadharma as ordinary mortal knowledge, let alone masquerade under the name of learning the Dharma, but in reality, using the knowledge to make more money and build a business. Peddling the Buddha for self-profit is a sin that would have you swallowing red hot iron balls and drinking boiling hot liquid iron in Hell!

.

Before my trip to Taiwan, Shifu told me to take a photo with Taipei 101. So I went there with my Grandmaster's book.

Master Dai Hu had taught me, Taipei 101 is the modern-day version of Wen Chang Pagoda.

In ancient times, Wen Chang is highly valued, because it favours the academics, scholarly achievements and career. When a certain mountain form is lacking in certain geographical locations, a Wen Chang Pagoda ( also known as Wen Feng Pagoda) would be constructed to activate and encourage the birth of more scholarly people.

So in the old days, there is the Wen Chang Pagoda, and now we have the Taipei 101.

In the past, there is Buddha who first expounded on the Four Noble Truths. And now, we have His Holiness, Dharma King Lian Sheng, to continue turning the Wheel of Dharma.

What about humans? Throughout history, humans have lived a befuddled existence. Even till now.

Most people want Wen Chang because they pursue fame and recognition. I covet Wen Chang, because I hope to get enlightened sooner. Oh please, let me be less stupid...

Whether you are new to the teachings of Buddha, or a Buddhist disciple for years, if you are pursuing the ultimate truth of Life like me, this book will open up your eyes and have you singing in praises.

Just how well do you know Buddha?

.

I strongly recommend this book and you can purchase it online at the links below, or hop over to True Buddha Prajna Treasury to read the ebook or listen to the audiobook for free.

1) Kinokuniya Singapore - https://singapore.kinokuniya.com/bw/9789573052654

2) Kingstone Taiwan - https://www.kingstone.com.tw/basics/basics.asp?kmcode=2012000022409&lid=common-index-billboard-all&actid=bookindex

3) 真佛般若藏 True Buddha Prajna Treasury - https://www.tbboyeh.org/cht#/store

Stand up. Respect ✊

(Update: 中文繹版連結：https://www.facebook.com/329728177143445/posts/1800273350088913/)

“An open letter to Eric Kwok, and for everyone re homophobia, discrimination and bullying”

Dear Eric,

Imagine this. You are one of the contestants on a TV talent show. You are sitting in a room with other hopefuls and one of the judges walks into the room and demanded this: “Raise your hand if you are not homophobic.”

I’m very sure you will raise your hand.

You don’t have to answer me whether or not you really are homophobic. But stay with the feeling inside your mind. How do you feel?

Your feelings are most likely the same as the feelings of your contestants when you walked into a room and asked them to raise their hands to declare their sexual orientation publicly. Because in this day and age, homophobia is just as “controversial” as homosexuality, if not more.

The reason why I’m writing this open letter to you is because after reading your apology, I want to take the opportunity to address to you, and everyone out there, the need for proper etiquette regarding LGBT issues, and to address the forms of micro-aggression, bullying and discrimination the LGBT community faces everyday especially in the workplace.

I’m taking this incident seriously because from my personal experience, this is not just a one-time slip-up for you.

I remember long time ago I was so looking forward to meeting and working with you because you are, after all, Eric Kwok the great songwriter.

You were very friendly when we talked privately. Then I started to notice how once there were audiences, media or other people around and when the cameras were turned on, you would start making insinuating and demeaning gay jokes about me and in front of me. Jokes and comments even my closest friends wouldn’t dare to make in public.

At first, I didn’t really pay too much attention. I just brushed it off as juvenile and trivial. In fact, I had been so used to these jokes since growing up that I learned not to react much.

However, as time progressed and we worked on more occasions, the same thing would happen repeatedly. The teasing and the stereotypical gay jokes continued and you would make sure that the spotlight would fall on me afterwards. The jokes no longer felt light. They felt hostile, even vindictive.

In fact, it felt like bullying.

One of these incidents was well documented in tabloids back then and you can still look it up yourself on the internet.

I came to the realization that it was not just a one-time thing. I don’t know if it’s intentional or unintentional but it’s definitely a habit and a pattern.

So many questions would be in my mind every time after working with you. Why does Eric do that every time? Is he picking on me? Does he hate me? Is he homophobic? Does he think homosexuality is something funny? Does he do this to other people too? Did I do something that pissed him off? I remember I was nothing but courteous. So why do I deserve this?

I had no answers for all of these questions. All I knew was I became fearful of working with you, dreading what words would fall out of your mouth to put me in an awkwardly embarassing position. But still I tried to give you the benefit of the doubt. You’re from California you shouldn’t be homophobic. I even defended you in my head by telling myself to loosen up.

But it’s not just you. Throughout my years in the entertainment industry, I have encountered and endured so many chauvinistic “tough guys” who like to use homosexuality as a laughing stock or source of bad comedy which were all discriminating and demeaning, yet not funny.

It’s not only me. I’m sure many people of the LGBT community face this everyday in their workplace. People around them would claim their intentions were harmless but we all knew deep down that these “jokes” have the power to put people someone in an embarrassing, inferior and even threatening positions.

We kept quiet and tolerated. Sometimes we even felt obligated to laugh along just so we couldn’t afford to look “petty” or “stiff”, especially in front of people of higher authority and stature.

So Eric I want to ask you.

Why have you been so obsessed with my sexuality all these years?

Why are you so fascinated by other people’s sexuality?

Why is being gay such a huge issue to you even to this day that you had to make it the first thing you asked your contestants?

Why you also had to specifically make a post on social media about that fact you questioned people about their sexuality?

Why do you take so much pride publicly in your ability to guess who are the gay contestants even when they weren’t ready to share that information?

And most of all why do you find all this to be so funny?

To begin with one’s sexual orientation is a very personal thing which others have no right to intrude, even in the entertainment industry where you are supposed to be fine with “controversy”.

This is for you and everyone out there: using your power and authority to demand someone to declare his or her sexual orientation, especially in a work environment, is ancient, barbaric and unacceptable.

Kicking someone out of the closet is just pure evil.

The fact you did what you did, especially with your stature and on broadcast TV, is not only wrong, but also you are telling the Hong Kong audience that it’s alright to continue this form of intrusion and micro aggression that the LGBT community wants to see gone.

You’re leading a very poor example by giving Hong Kong audience the impression that being gay is still a taboo.

How are your contestants, who are boys of young age, going to offer new perspectives to the Hong Kong audience under your guidance if you perpetuate stereotyping and demonstrate to them that being gay is still an issue?

I feel sorry for any contestants who are in fact gay sitting in that room that day too. They must have been traumatized seeing the way you forced your inquisition. The impression you left them with is that the entertainment industry is still a very unfriendly place for gays. Is that what you want them to think?

But most of all, it’s the attitude, tone and manner with which you shared about this incident on social media, giving people the impression that any matter regarding sexual orientation is still something shameful and laughable, which is on top of list the thing that the LGBT community fights hard everyday to change.

When you said in your apology you “have great respect for gay people, especially their hard fight for equality” I became baffled as what you did, in the past to me or in that room to the boys, is the exact thing that makes the LGBT community’s ongoing fight for equality so difficult.

Putting people down, perpetuate stereotypes, heckling and ridiculing yet making it look OK is anything but liberal and respectful, or Californian. I don’t see any “entertainment values” that are of good taste if they are made up at the expense of other people’s struggle.

If this incident happened in America, where you grew up, you would’ve gotten yourself in such hot waters that you probably can’t get out of.

I just want you and everyone out there to know that it’s not okay. And it never was. Never will be.

Being “as liberal as it gets” is great. Having gay friends is great too. Having dinner with your gay friends is absolutely fabulous! Playing all these cards to avoid being labelled as “homophobic” is very convenient. But having class, empathy, kindness and authentic respect is a completely different territory. These don’t come automatically with backgrounds.

At this point you don’t owe me an apology. I just hope that after this incident you can really start working and living with the essences of a truly liberal and creative individual. Inspire changes and end stereotypes. Start new trends and break old patterns. Embrace and not segregate. Do the work.

I had been away from Hong Kong and the industry for a few years now. It breaks me heart that I have to write this sort of open letter when it’s already 2018. I want to make this industry a safer, nicer and more accepting place to work in when I return. I want members of the LGBT community in Hong Kong, who have been so supportive of me and my music, to also have safer and nicer working environment in their respective lives.

I don’t mind coming off as an over-reacting petty bitch with no sense of humour if my message finally comes through and everyone, including you, “gets it”. I rather have no sense of humour than a bad one.

To all the contestants of the show. If anyone ever asks you if you are gay and you are not ready to discuss, it’s OK to stand up for yourself and say this: “It’s a rude question to begin with. You have no right to get an answer from me to begin with. And it doesn’t matter. It SHOULDN’T matter. It’s 2018. I hope one day I can use my craft to inspire the world and to make this become a non-issue.”

But if you are ready to be open, you have my complete support and love.

Let’s hope that through acceptance, learning and effort, one day there will no longer be any “controversial questions”. Wouldn’t we like that Eric?

Yours truly,
Pong

#LGBT
#homophobia
#safeworkplace
#中文版稍後會有
Eric Kwok 郭偉亮

初學者也會的「各種魚」這樣切 ► https://smarturl.it/s8z5qa
磨起你的刀！ 與烹飪教育學院的主廚 Frank Proto 一起學習如何分解大大小小的禽類，教您在廚房準備家禽的所有過程！
#療癒廚房 #好家在我在家 #宅料理

0:00 介紹
0:22 雞
4:54 火雞
6:55 鴨
10:21 鵝
12:03 閹雞
13:31 鵪鶉
16:17 幾內亞母雞
19:10 野雞
21:23 康尼希嫩雛雞
24:56 雛鴿
27:29 鴿子

【 其他熱門主題】
讓喜歡的事變生活！Good Job！ ► http://smarturl.it/r7si6s
芭蕾舞者們的血淚史 ► http://smarturl.it/uhot5l
唐綺陽12星座深入剖析 ► http://smarturl.it/in8eqp
美容編輯正芳隨你問 ► http://smarturl.it/zf5840
口音、服裝專家拆解經典電影 ► http://smarturl.it/zcbgmf
---------------------------------------------------------------
【追蹤 VOGUE TAIWAN】
★訂閱VOGUE TAIWAN Youtube：http://smarturl.it/xbtuuy
★VOGUE TAIWAN 官網：http://www.vogue.com.tw/live/
★VOGUE TAIWAN Facebook：https://www.facebook.com/VogueTW/
★VOGUE TAIWAN Instagram：https://www.instagram.com/voguetaiwan/
★VOGUE TAIWAN LINE：https://reurl.cc/V66qNn
★美人會不會 FB社團：http://hyperurl.co/rgfitl



▷ Make sure you subscribe to my channel and hit the notification bell, so you don’t miss any of my new videos → http://smarturl.it/xbtuuy
--------------------------------------------
※關於時尚，VOGUE說了算！自從1892年第一本VOGUE在美國出版以來，至今已有122年的歷史，始終被時尚專業人士所推崇，因此榮譽為Fashion Bible時尚聖經。
--------------------------------------------
※台灣VOGUE隸屬Condé Nast Interculture Group，相關國外影片皆由國外授權提供給台灣使用，台灣VOGUE秉持服務網友，讓更多中文語系觀眾可以看到國際影片跟中文字幕，所以在此頻道分享給大家，如果喜歡我們的頻道，請訂閱我們，我們將會持續努力帶來更多優質內容。

《daydream》
蝶々結び / Chouchou Musubi / 蝴蝶結 / A Butterfly Bow
作詞 / Lyricist：野田洋次郎（RADWIMPS）
作曲 / Composer：野田洋次郎（RADWIMPS）
編曲 / Arranger：野田洋次郎（RADWIMPS）
吉他&和聲 / Guitar & Chorus：ハナレグミ
歌 / Singer：Aimer
翻譯：澄野（CH Music Channel）
意譯：CH（CH Music Channel）
English Translation:Toria

背景 / Background - この蒼くて広い世界に - てる :
https://www.pixiv.net/artworks/58935050

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
Check my Facebook page for more information!
https://www.facebook.com/chschannel/

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4885129

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/chouchou-musubi/

日文歌詞 / Japanese Lyrics :
片っぽで丸を作って　しっかり持ってて
もう片っぽでその丸の後ろを　ぐるっと回って

間にできたポッケに入って　出て来るの待ってて
出てきたところを迎えにきて　「せーの」で引っぱって

はじめはなんとも　情けない形だとしても
同じだけ力を込めて

羽根は大きく　結び目は固く
なるようにきつく　結んでいてほしいの

腕はここに　想い出は遠くに
置いておいてほしい　ほしいの

片っぽでも引っ張っちゃえば　ほどけちゃうけど
作ったもの壊すのは　遥かに　簡単だけど

だけどほどく時も　そう、ちゃんと　同じようにね
分かってるよ　でもできたらね　「せーの」で引っ張って

ほどけやしないように　と願って力込めては
広げすぎた羽根に　戸惑う

羽根は大きく　結び目は固く
なるようにきつく　結んでいてほしいの

夢はここに　想い出は遠くに
気付けばそこにあるくらいがいい

黙って引っ張ったりしないでよ　不格好な蝶にしないでよ
結んだつもりがほどいていたり　緩めたつもりが締めていたり

この蒼くて広い世界に　無数に　散らばった中から
別々に二人選んだ糸を　お互いたぐり寄せ合ったんだ

結ばれたんじゃなく結んだんだ　二人で「せーの」で引っ張ったんだ
大きくも　小さくも　なりすぎないように　力を込めたんだ

この蒼くて広い世界に　無数に　散らばった中から
別々に二人選んだ糸を　お互いたぐり寄せ合ったんだ

結ばれたんじゃなく結んだんだ　二人で「せーの」で引っ張ったんだ
大きくも　小さくも　なりすぎないように　力を込めたんだ

中文歌詞 / Chinese Lyrics :
將一端圍成一個圓，緊緊握住
再將另一端繞過那圓，轉一圈

穿進間隙中的洞口，等著它繞過來
在穿出來的洞口接住，念出「一、二」之後拉緊

即使剛開始，只能做出慘不忍睹的形狀
只知道兩手要用一樣的力氣

我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結，希望你繫得更緊，越緊越好

希望你能為我握起繩結，而回憶則放在那方——
過去的回憶留在遙遠的那方就好

儘管只拉起一端，繩結便會輕易解開
儘管破壞總是遠比創造來得容易

但是在解開繩結的時候，是啊，也是同樣的道理
我明白的，但如果可以的話，希望能一同念出「一、二」之後拉開

若為使繩結不會鬆開，而用盡全力的話
只會對展開太大的翅膀感到不知所措

我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結，希望你繫得更緊，越緊越好

希望你仍能抱持夢想，而回憶則留在那方——
一回過頭便能憶起的距離就好

別坑不作聲地拉緊、也不要綁出不好看的蝴蝶結
以為綁緊了卻不經意鬆開；以為鬆脫了卻不經意拉緊

在蒼穹無垠世界裡，數不清且散落各地的線繩中
兩人循著各自選下的繩線，向著彼此靠近

聯繫彼此的線並不是被迫牽起，而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小，由兩人一起，共同將繩結繫緊

在蒼穹無垠世界裡，數不清且散落各地的線繩中
兩人循著各自選下的繩線，向著彼此靠近

聯繫彼此的線並不是被迫牽起，而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小，由兩人一起，共同將繩結繫緊

英文歌詞 / English Lyrics :
Take one end, and make a circle—now hold it tight
Take the other end and wrap it around behind the circle

Pass it through the pocket formed in the middle, and wait for it to come back out
Go out to meet it—And with a one, two, pull the strings tight

At the beginning, it came out so pathetically
But even still, I put the same strength into it

I want to tie it tight
So that the loops would be big, and the knot would be tight

I want you, I want you
To put your arm here, and your memories far away

Even though if you pull on only one end, it’ll come untied
It’s so, so very easy to break what someone’s made

Yet that’s how it is when you untie it, it’s exactly the same
I know that’s how it goes, but once I finish it—With a one, two, I’ll pull the strings

Praying that it wouldn’t come untied, I put some strength into it
And became transfixed by the loops that I had pulled too far out

I want to tie it tight
So that the loops would be big, and the knot would be tight

So that your dreams are here, and your memories far away
If you realize it, I’m fine with you just being there

Just shut up, don’t pull on them; don’t make the strings into a lopsided butterfly
I meant to tie them, but they’re becoming loose; I meant to loosen them, but they’re becoming tight

From all the countless and scattered contents of this blue, wide world
The two of us chose the same thread independently and reeled each other in

We weren’t tied to each other, we tied ourselves to each other—With a one, two, we pulled the strings
So that they wouldn’t be too loose, or too tight, we put our strength into it

陳忻玥 Vicky Chen Playlist: https://www.youtube.com/playlist?list=PL_BJh1Mu7PPesjmDrxXWkBeOs3WKaA4nh
陳忻玥 Vicky Chen IG: https://www.instagram.com/vickychenmusic/
SKRpresents IG: https://www.instagram.com/skrpresents/
Listen: https://www.soundscape.net/a/9989
________________________________________________________
If You're Really Gonna Leave Me
如果你真的離開我

詞曲｜陶山Skot Suyama
編製｜陶山Skot Suyama
導演｜陳昱辰 Chensport

I’m feeling all alone when I’m with you
有你在我身邊 為什麼我還覺得孤單
Cause the feeling’s gone I don’t know
是不是感情隨著時間淡了
what to do to help you through this
我要怎麼幫助你渡過這一切
Cause you used to walk and hold my hand
以前你總是牽著我的手
Now you’re always running off ahead
但現在我只看得到你的背影
And you left me all alone when I’m with you
你已留下我 獨自一人

If you’re really gonna leave me
如果你真的要離開我
And I don’t speak up, and I just let go then
我卻什麼都不說 只是看著你離開
Is there anyone who sees me
那還有人會愛我
Right down to my bones and into my soul?
有人會看見我的狼狽、接受我的不完美嗎？
Cause I used to think this thing between us
我曾以為我們的關係是最特別的
Meant we’d be together forever but
是童話故事、一定可以天長地久
If you’re really gonna leave me
但如果你真的決定離開我
Then I guess this love is just like all the rest
那我想 這份愛可能沒有我想像的那麼特別

Now I know I’m going nowhere when I’m with you
我發現自己被困住了
Cause we’re going round in circles don’t know just how to break us out this loop
我們一起被困在這段關係裡 哪裡都去不了
And we used to laugh and talk for hours
我們以前曾經那麼的開心 無話不聊
now it’s silence mixed with awkward smiles
而現在只是越來越多的尷尬靜默
cause I know I’m going nowhere when I’m with you
因為我知道 我們的關係已走到了盡頭

If I’m really gonna leave ya
如果我真的要離開你
And you don’t speak up, and you just let go then
你卻什麼都不做 只是看著我離開
Is there anyone who sees ya
那還有人會像我一樣愛你
Right down to your bones and into your soul
看見你的狼狽 接受你的不完美
Cause we used to think this thing
between us
你曾也以為我們的關係是最特別的
meant we’d be together forever but..
是童話故事、一定可以天長地久
If I’m really gonna leave ya
但如果我真的決定我要離開你
Then I guess this love is just like all the rest
那我想 這份愛可能從來沒有我們想像的那麼特別
________________________________________________________
導演Director：陳昱辰Chensport
導演助理 Director Assistant：侯妙樺
攝影師DoP：陳哲昀
攝影大助1st AC：蔡豐駿
燈光師Gaffer：劉建成
燈光助理Best Boy：KaoYao 張崇文
移動組Dolly Man：陳領利 徐乾智
場務助理Set Assistant： 陳柏帆
幕後劇照BTS Stills：Dennis Chen 劉蕓綺
幕後側拍BTS：B.C
剪輯Editor：陳昱辰
調光Colorist：陳哲昀

妝髮make up：平平
執行經紀Executive Manager：陳張 Harris,鄭晴 Phoebe
中文翻譯：庭竹