09/01/2020【Jazz Supreme 爵士.無所不在】# 139
「African American History」Vol.1- The Civil Rights
Movement
「非裔美國人歷史月 」第一集- 非裔美國人人權運動大記事
★每週單元《雲端唱片行》本週專輯★
In Concert At The University Of Puerto Rico/Eddie Palmieri
★爵士名人語錄★
"Jazz is something you have to feel, something you have to live." -- Ray Brown
本週內容:
近來除了疫情影響了全球, 另外一個重要的時事就是美國的種族話題. 『爵士無所不在』受到了聽友的建議, 問及有沒有可能在節目上也製作有關的主題. 因此『非裔美國人歷史月』就這樣誕生了. 在這個月裡, 我們將把非裔美國人的人權歷史做一個回顧與整理, 並同時為大家播放因應主題或特別選出的爵士樂.
爵士樂的歷史就是非裔美國人在美國所經歷的一切事件. 爵士樂是他們的出口, 他們的生活, 進而成為美國文化的代表之一. 如果要瞭解爵士, 從創造這音樂的非裔美國人歷史開始是一扇打開我們認識這音樂核心的重要步驟. 本週二歡迎大家來收聽, 第一集特輯:「非裔美國人人權運動大記事」
本週播放曲目 :
1. I Wanna Be Loved /Dinah Washington-I Wanna
Be Loved
2. The Freedom Rider/Art Blakey-The Freedom
Rider
3. Consequence/Cecil McBee-Alternate Spaces
4. Fran Dance/The Miles Davis Quintet-All Of You:
The Last Tour 1960
5. Autumn Leaves/Bill Evans Trio-The 1960 Birdland
Sessions
6. Black Wish/The Last Poets-The Last Poets
7. A Night in Tunisia/Dizzy Gillespie's Big Band/
Complete Studio Sessions (1956 - 1957)
8. Alabama (Takes 4 & 5)/John Coltrane-The
Classic Quartet - The Complete Impulse! Studio
Recordings [Disc 2]
9. La Malanga/Eddie Palmieri-In Concert At The
University Of Puerto Rico
Jazz Supreme 爵士.無所不在】
每週二晚上 8:00pm 首播 (每週日晚上 11:00pm 重播)
台北 Bravo FM91.3 首播時間:09月01日 (二) 20:00
台北 Bravo FM91.3 重播時間:09月日06(日) 23:00
台中 Classical 古典音樂台 FM97.7:09月04日 (五) 23:00
*********************************************
♫♫ 收聽方式♫♫
1. 廣播電台-大台北地區 BRAVO FM91.3台中地區 Classical 古典音樂台 FM97.7
2. PC收聽 https://goo.gl/Y5oOcK
3. 手機收聽 https://goo.gl/NCxYKV
4. 經典重聽 https://goo.gl/3PwCi5
#JazzSupreme #爵士無所不在 #BravoFM91.3 #VincentHsu #徐崇育 Vincent Hsu Calice Chen BRAVO FM91.3 台北/都會/音樂 Classical FM97.7 古典音樂台
同時也有3部Youtube影片,追蹤數超過2,210的網紅DJ Macky Suson,也在其Youtube影片中提到,Vote for #TeamIvy, #TeamNenia, or #TeamKen. Who will win 10,000 Pesos for #JLOWeek on #MackySayawChallenge One winner to be announced on 08.08.20 at 0...
「american dance history」的推薦目錄:
- 關於american dance history 在 Vincent Hsu 徐崇育 Facebook 的精選貼文
- 關於american dance history 在 Giva Divas Facebook 的最讚貼文
- 關於american dance history 在 Sam Tsang 曾思瀚 Facebook 的最佳貼文
- 關於american dance history 在 DJ Macky Suson Youtube 的精選貼文
- 關於american dance history 在 May May Beby Youtube 的最讚貼文
- 關於american dance history 在 EDEN KAI Youtube 的精選貼文
american dance history 在 Giva Divas Facebook 的最讚貼文
香港的奶油田剛剛宣布了最後一位壓軸藝人
是超級經典的KASKADE啊啊啊啊啊
大家覺得他會順便來台灣嗎?🤔🤔🤔
【12月15號壓軸藝人出場喇】🇭🇰 CREAMFIELDS HK 完整陣容已經正式公佈!最後一位壓軸藝人就係來自美國嘅重量級天王 👑 KASKADE 👑
Get your tickets now: http://bit.ly/2ikyMqK
貴賓包廂查詢 / VIP Package Enquiry : vip@creamfields.hk
☝🏻於 2011 及 2013 年被 DJ TIMES 同埋 PIONEER DJ 票選為「美國最佳DJ」
🙌🏻 KASKADE 嘅表演喺 COACHELLA 之中最多人睇 ,同時係記錄保持者
📀專輯「ATMOSPHERE」同埋同名單曲獲得兩項葛萊美獎提名 – 「年度最佳舞曲」以及「年度最佳舞曲專輯」
🔥專輯「FIRE & ICE」– 「BILLBOARD DANCE CHART」排第1、「INDEPENDENT ALBUMS CHART」排第3 同埋 ITUNES「OVERALL ALBUM CHART」排第4
🏆專輯「DYNASTY」歷史性地喺 ITUNES 「OVERALL TOP 5 ALBUM」嘅「INDIE DANCE RECORD」同埋「BILLBOARD DANCE AIRPLAY」拎到第1名
🥇單曲「NEVER SLEEP ALONE」推出後迅速衝上 BILLBOARD 「TRENDING 140」榜冠軍
😎被眾多流行巨星邀請如 LADY GAGA 及 BEYONCÉ 等人打造舞曲混音
❤️擅長以浪漫甜美嘅 HOUSE 節奏營造歡愉氣氛,喺舞蹈音樂圈中享有盛名
【THIRD LINE-UP ADDITION】🇭🇰 CFHK full line-up has been released! The American DJ KASKADE is ready to join Creamfields Hong Kong! Catch him live on 15 December!
☝🏻Named America’s #1 DJ by DJ Times and Pioneer DJ in 2011 & 2013
🙌🏻Drew in the biggest crowds in Coachella history
📀His album “Atmosphere” received 2 Grammy Nominations - “Best Dance Recording” & “Best Dance/Electronica Album”
🔥His album "Fire & Ice" – debuted at #1 on the Billboard Dance Chart, #3 on the Independent Albums chart, and the iTunes version debuted at # on the overall album chart
🏆His album "Dynasty" made history by being the 1st indie dance record to ever enter into iTunes overall top 5 albums and hit #1 on Billboard Dance Airplay
🥇“Never Sleep Alone” peaked the top on Billboard “Trending 140”
😎Created chart-topping remixes for everyone from Lady Gaga to Beyoncé
❤️Combination of dewy female vocals, tough electronic underpinnings, and memorable melodies
#CreamfieldsHK #CFHK17 #LiveNationElectronicAsia #LNEA #LiveNation #DEC1516 #HongKong #BestElectronicMusicFestival #Kaskade
american dance history 在 Sam Tsang 曾思瀚 Facebook 的最佳貼文
NOTES ON CHARLOTTESVILLE:
OR, WHY WHITE PEOPLE DO NOT EXIST AS A PEOPLE
I've heard some several buddies, people I know well and care about (most of them not in comment boxes or in public) asking about the moral equivalency between the neo Nazis, white nationalists, and other white ethnostate type supporters and groups like Black Lives Matter, Antifa (short for Antifascists), and other direct action groups.
I'd like to speak to that comparison a bit and then turn to a more important part of it that I worry about. Before I get to that, I should first say that I've said enough about Trump. Honestly, the guy confuses me. He swings from a nihilistic idiot to a idiotic nihilist. His inconsistencies pile so high that you either get lost in them or you use them wholesale to try and make your point. He wins in the time and toll it takes. He also, I think, has found a very particular niche worldview for his newfound politics and is willing to, at the end of the day, embrace ANYONE willing to give him what he wants the most: affection. Never, at least to my memory, have we had a more emotionally needy president. But that's neither here nor there at the moment.
If you look at most social protests and revolutionary movements you will find a basic set of factions that don't change. They tend to spread between non violent oppositions and even less violent moderates, both winged by some type of pragmatists who are not in principle opposed to violence. Different sides will use the radicals of different parts of this division to throw away the entire argument of one side or another, and this is not an even equivalent exchange in the history of US racial tension. But I want to stay away, mostly, from broad historical claims here.
The point I am driving at is evident when we realize that the Civil Rights activists who practiced non violent acts of resistance were often lumped in with Black Panthers, or others not opposed to violence, although the two groups were ideologically fairly different. But I am not willing to say that they were so different as to not be judged as being on roughly the same side of the discussion. After all, the Civil Rights movement was not just the movement for the passage of legislation nor did it belong to the non violence of MLK Jr entirely. This is not historical. If you don't see that the US institution of slavery was a grave moral evil and that the Jim Crow laws that succeeded it were demonic in their formal and informal application, and that, as a result, those determined to end these things were in principle on the side of justice, then you really have no moral compass. Say what you will of the vast differences between MLK Jr and Malcolm X, but it is hard to argue that their social protest was off key in the tonic.
The more popular -- but equally as appropriate -- comparison these days is to Nazi Germany. (Of course, a great deal of the sentiment of the Civil Rights movement was a direct result of the effects that US wars had for those within its ranks who were not white, but that might be slightly off the mark in this case.) There is a bright and clear moral line between the Nazi ideology and its perverse Final Solution and those who sought to oppose it. This line, by the way, finds its way directly into the symbolism and rhetoric of the neo Nazi's at Charlottesville. Not only were there swastikas, there were Nazi crosses and other niche paraphernalia. There were the salutes, yes, but there were other salutations and insider ways of speaking going on. There were also the tiki torches, the modern Pepe Wal-Mart replacement for the burning torch rallies and burning crosses of the KKK. The grand knight of that sick group was standing by. They brought their own military-grade armed militia to protect those who came in homemade riot gear. This was not the making of a peaceful protest or free speech of the sort that we see the Westboro Baptists practice (not that they are emblems of public virtue, far, far from it!).
As I said earlier, if you find yourself unable to distinguish between Nazism in its original form and neo Nazis, white nationalists, and others like them and those who through what ever means they find useful (which one can disagree with in practice while still endorsing in principle) oppose them, then you are morally corrupt. If you can't quite figure out how the math works in this moral calculus, you are morally mindless and incompetent.
Of course, within any opposition to these (supposedly) easy immoral targets one can find many arguments and even passionate disavowals. But there are real moments when these lines are simply drawn and one must take a side. I have in the past even used the language of "alt left" in an entirely different usage, but I regret it deeply, now, seeing its life-cycle. I will not exchange my allergies to the ideological types of identity politics I have long opposed nor will my more specific critique of the critics settle. All that fuss gets set aside in these events. If I have to choose whether to stand next to a neo Nazi or Antifa, I'll choose the latter on pain of eternal damnation. To those who say you don't have to choose, that risk is one I am not willing to make. I would rather be a black panther than a lynch mob, as much as my truer sympathies lie somewhere else. Despite all my oppositions to modern warfare, I would pick up arms against the Nazis long before I'd "peacefully" cheer on their side. I think most people feel this way.
But something remains and this is what I worry about and even dread most: we are not fighting Nazis or lynch mobs. Most people would never go to march in Charlottesville. And even when you talk to many of the white nationalists they will say something along the lines of "I'm not racist." To them, their present politics is no longer that of the slaver or the KKK. They don't wear hoods and they don't want to own people as property anymore, it seems. They hate the Jewish people for reasons I am still not able to process in my mind, but their argument is more separatist than colonial -- so they claim.
They seem to think that the USA was founded by *their* ethnic ancestors, who hailed from Europe, gathered together in this ancient race called "White" that has recently, especially after the activism surrounding police brutality against African Americans, fallen into a disrepute that is sending the world into a globalist terror to come, in the biggest of the big governments.
Now, these conspiracy theories do not need to be true or believed to find where they hit a live nerve in a lot of people. Some people do ask why white people cannot have rallies for themselves without longing for ethic purity. Some people do think that white folks today are being washed away through interracial marriage, but many more who don't mind interracial romance still worry that white people are on the losing end of public sentiment. Lots of people who try to counter this tend to make it worse by appealing to gotcha replies about privilege or other things. I tend to find that too complex.
I recently commented to one of my friends that I don't think of myself as having very many "white" friends. Some of you might balk since many extremely intimate people in my life are, supposedly, white. And of course if we use one way of thinking about what "white" is, that is true. On the same logic, I would be, in certain real scenarios, white as well. But what I meant when I wrote to my friend was that I see my friends of European descent as from where they are. Those who don't know where they are from share with me a genealogical confusion that I can also understand.
Maybe this weirdness is partly because, on the vulgar ethnic analysis I am used to, I am neither white nor Black. And, of course, as many Africans who are neither black nor American will remind you, things become quite complex depending on what rules we are using to count the deck.
My point is this, and if you read nothing else, please read this: There is no such thing as "white people" in history. Most folks who use the expression were not allowed to use it only a few decades ago. The white supremacy of the KKK of old hated Blacks, yes, but also Mexicans, and Catholics, and Jews (of course), and atheists, and more. Depending on how you see it, whiteness was either more or less ecumenical, but just as ideologically religious.
Let me say it again: There will never be a "white ethnostate" based on European culture because the history of Europe is covered in ethnic feuds and wars. If you've never heard of a guy named Napoleon, check him out. I'm being serious. If you think of yourself as being "white" in some serious ancestral way, you're not. You are wearing a name tag your family was GIVEN at some point but never had by its own right. There are no white people in this familial sense. (Settle down critical race theorists, I am well aware of the whiteness that is real, too, but this ain't it.) There is no such thing as a white European culture or of a white heritage in that sense at all.
Again and again: The most scandalously false part of the neo Nazi mentality is as old as its previous, original half baked idea in Hitler's weak mind. The concept of a master race doesn't work for mastery of people nor does it work for figuring out who you really are. We come from places with names and languages and peoples and legacies that are concrete. Some of us lost a lot of memory at the hands of another, and others lost through the same hands. Today we tend to think that the ancestors of slaves, or indigenous peoples, or mixed-up mestizos are the ones who lack a strong identity and the rest have theirs in bold font. Not true. From your family to your soul, you don't really know who you are if you are using ideological pet words to hang the hat of your self.
I'm not a real Mexican and I'm not a real American -- and I'm no Canadian, either. My father was an orphan, so I've taken his bloodless name as my own, a Portuguese word by etymology. I of course will pass as a white guy at a Black family reunion, just as I passed as an indigenous guy today on the pier (until I produced a fishing license instead of a status card), just as I passed as an Iranian at a birthday party last week, and so on. But the real facts of who I am don't work in the abstract.
This is why if you want to find a better substitute for whiteness find a Greek Festival or an Irish Pub or a German Beer Garden or a French Restaurant. This is food and drink, and it is a set of multicultural cliches, but enjoy an Italian family dinner and tell me there is nothing about who someone is at stake there. The point is that the real identity we can and do celebrate is everywhere and it is not necessarily riddled with guilt, even if sometimes it could use some (or far less). None of it calls itself "white." None. If you are using "white" as your only name tag, then I am sorry to say that you've been fooling yourself. You don't have a people by that name. There is no such thing. Your great-great-great grandmother would mostly likely not answer to "white."
Personal history quickly becomes social, national, and regional histories and we find ourselves, again, at Charlottesville. All I can say for now about it, to my dear and beloved friends who I suspect think that they are "white," is this: We cannot have white rallies because there is no such thing as a "white" people. Black Lives Matter is not a movement for everyone who is of one dark color in the world -- it is about the US experience for those living within the legacy of slavery and Jim Crow over the past three years (some Black activist groups are critical of this aspect of BLM, by the way). If you want a "white" identity, then look to the folk expressions of it that we have and should treasure like music, food, and regional folk ways of being. Poetry, dance, dialect, accent, story. These are not safe or sanitary places -- I tend to think this story of a "white people" got made up there, too -- but they also don't pretend like people are any more or less related than they really are.
Donald Trump is a German-American man, not a white man. His whiteness is an entirely different issue that I am disinterested in getting into right now. If you wonder why white people are seen as bad sometimes, it is largely because of this false assumption: that white people exist as a people when they so manifestly do not.
american dance history 在 DJ Macky Suson Youtube 的精選貼文
Vote for #TeamIvy, #TeamNenia, or #TeamKen.
Who will win 10,000 Pesos for #JLOWeek on #MackySayawChallenge
One winner to be announced on 08.08.20 at 08:08.
#JLo #MackySayawChallenge #MackyAcademy #DJMackySuson
Fun Facts About Jennifer Lopez
Jennifer Lopez attended college briefly in an attempt to please her parents.
Jennifer moved out of her family home when they failed to support her dreams of becoming famous.
In 1991 Jennifer Lopez was hired as a backup dancer for New Kids on the Block. She performed with them at the 18th Annual American Music Awards.
Jennifer Lopez moved to Los Angeles to film the series In Living Color, in which she was a Fly Girl dancer.
In 1993 Jennifer left In Living Color to pursue acting. She backed out of being a dancer on Janet Jackson's tour in 1993 to follow her own dreams instead.
In 1993 Jennifer Lopez landed an acting job on the film Lost in the Wild.
That year she signed a deal for a TV show Second Chances.
Jennifer Lopez' first big acting role was in the 1995 film My Family. She was nominated for an Independent Spirit Award for Best Supporting Female.
In 1995 Jennifer Lopez starred along with Wesley Snipes and Woody Harrelson in Money Train.
IN 1997 Jennifer Lopez landed the role of Selena in the biopic of the same name. She became the highest paid Hispanic actress in history for that role, earning $1 million.
Because of her role as a singer in Selena, Jennifer Lopez became interested in singing and her music career began to take off as well.
As her music career began to grow Jennifer Lopez changed her name to J.Lo.
In 2003 Jennifer Lopez starred in the film Gigli with Ben Affleck. It was considered to be one of the worst films ever made.
Jennifer Lopez met her first husband while shooting Blood and Wine. They were married for only 13 months.
In 2005 Jennifer Lopez was paid $15 million for her role in Monster-in-Law. This once again made her the highest paid Hispanic actress in Hollywood's history.
Jennifer Lopez married Cris Judd in 2001 and they divorced in 2003. In 2004 she married Marc Anthony. They were married until 2014.
Jennifer Lopez has two children. They are twins Maximilian David and Emme Maribel, born February 22, 2008.
Jennifer Lopez has been a judge on American Idol several seasons.
Jennifer Lopez abstains from drinking alcohol.
Jennifer Lopez has appeared in many movies and television shows and went on concert tours twice - both in 2007 and in 2012.
american dance history 在 May May Beby Youtube 的最讚貼文
Hi all! My very first exclusive special class in Enrich Dance Studio (where I transform and become ZIN today). I was so excited and truly thankful to all the beautiful blessed opportunity given, also love and cares from my Enrich family for newbie like me.
This video is a consider "fast-forward" kind of flashback for my class on 14.10.2016, best history to be remember!
So blessed that they really enjoy and love my class, beautiful angels around me truly make me who I am today.
Stay tune for full version of each song in this video!
See you there & let's have fun chugether!
Enrich Dance Studio (Search on Facebook)
#ZINMay #zumbalove
Peace & Love.
Facebook Page @ https://www.facebook.com/may0218/
Instagram @ https://www.instagram.com/maymaybeby/
Twitter @ https://twitter.com/MayMayBeby
Facebook @ https://www.facebook.com/maymay.beby
Read More at;
Blogspot
@ https://maymaybeby.blogspot.my
Lumix GF7
I didn't own any rights to this music or song credit and use it for teaching and demonstration purposes only under the Copyright Fair Use Act. Just sharing & thanks for wonderful music!
Stay blessed & appreciate.
Song credit :
Gangnam Style | Psy
Mi Chica | Sarbel
No | Meghan Trainor
American Sweetheart | Zumba Fitness
american dance history 在 EDEN KAI Youtube 的精選貼文
Eden Kai (16 years old) won the Grand Champion Overall Winner of the 2015 Brown Bags to Stardom talent competition and was also awarded 1st place Instrumental. Eden made history by becoming the first ever instrumentalist to be awarded the grand champion. He performed his amazing acoustic guitar fingerstyle instrumental song “Beautiful Stars” in the biggest talent competition in Hawaii involving all high schools on April 25, 2015 at the Neal Blaisdell Center in Honolulu, Hawaii. This popular event has been a household word in Hawaii since the 1970’s before American Idol or America’s Got Talent giving students an opportunity for stardom.
Eden joins the legacy of famous stars who got their start at this statewide high school competition like Bruno Mars, Jake Shimabukuro, Tia Carrere, Glenn Medeiros, Yuna Ito and others.
Special thanks to Johnny Kai, executive producer of Brown Bags to Stardom, helping to give kids growing up in Hawaii an opportunity to share their talents and gifts, and give them hope that their dreams of stardom can come true.
Much gratitude goes to Kaiser High School students, families, and faculty for their fantastic support and cheering! All the banners, cheering, and love you gave really means so much! Memories that will be cherished forever. In the past two years since moving from Japan, Eden’s creativity and talent have blossomed phenomenally thanks to everyone’s encouragement and school support! The amazing beauty of Hawaii, nature, and people really nurtures the creative artist soul!
We hope you enjoy this video that launches the beginning of Eden Kai’s music career and new YouTube channel. Really appreciate your likes, comments, and subscribe to this new channel, and hope you share it. Lots of awesome videos coming soon, and it really helps Eden out! He loves sharing his music for you to enjoy!
Big thanks to the excellent video editing and intro titles done by Travis Stewart of Stewart Media!!
***CLICK "SUBSCRIBE" NOW*** FOR THE NEWEST VIDEOS!!!
チャンネル登録、宜しく御願いします!
CONTACT(連絡): imagine@edenkai.com
MERCH(グッズはこちらから) : http://edenkai.store
CAMEO (For personal video shoutouts ビデオメッセージをご希望の方はこちらまで)https://www.cameo.com/edenkai
Let's Connect!(SNSやってますー!):
WEBSITE(WEBサイト): https://edenkai.com/
INSTAGRAM(インスタ): https://instagram.com/edenkai_official
TWITTER(ツイッター): https://twitter.com/edenkaiofficial
FACEBOOK(フェイスブック): https://www.facebook.com/EdenKaiOfficial
TIKTOK(ティックトック)@edenkai_official
About EDEN KAI:
With millions of fans around the world, Eden Kai has earned his reputation as being a ukulele and guitar virtuoso, a Pop/R&B vocalist, and an accomplished actor. While many were first introduced to Eden when he joined the cast of Netflix and Fuji Television’s Terrace House: Aloha State, the young star’s success had already been years in the making. He has since gone on to make additional appearances on Terrace House: Tokyo 2019-2020, appeared on Shiro to Kiiro on Amazon Prime and has performed at the Fuji Rock Festival (the largest outdoor music festival in Japan), Nisei Week Festival in Little Tokyo, OC Japan Fair and ANA Honolulu Music Week in Waikiki. Eden’s accomplishments have earned him interviews by NBC News and The Yomiuri Shinbun (the world’s most circulated newspaper).
His most recent album, Home Sweet Home, released in 2018 and was recorded in Tokyo, Japan, produced by his music label in Japan Victor Entertainment. Three tracks from that album were featured in episodes of Netflix Japan’s Terrace House during the show’s Opening New Doors and Tokyo 2019-2020 seasons. The series also featured Eden’s instrumental compositions of “Touch the Sky” and “Feel the Earth.” “Monogatari” was his debut pop vocal single, which he wrote and performed on the show. That music, as well as Eden’s past album releases, can be heard on all major streaming services and is available for purchase on Eden’s official website, www.EdenKai.com.
In addition to working on his own music, Eden has collaborated with some of the world’s top artists and producers, including EXILE and Dream. One of his compositions was used to create “Anuenue,” a hit J-Pop single recorded and released by Dance Earth Party, which landed at #11 on the Oricon Music Charts in Japan.
Eden also recognizes the importance of using his music to help others. He has hosted several ukulele workshops in Honolulu and Japan, been the featured performer at the Waikiki Spam Jam, benefiting the largest non-profit in Hawaii that feeds the needy, and the Hawaii Food and Wine Festival from which proceeds helped local children in the community. Eden has donated proceeds from some of his songs to assist humanitarian causes, including the support of a health center in Haiti and the purchase of educational materials for children in Bangladesh.
Thanks for watching and please SUBSCRIBE for more videos coming soon!
"Keep Doing What You Love!" ~ Eden Kai
------------------------------
american dance history 在 Origin: A History of Social Dance in America - American ... 的相關結果
With no royal court to look to for social trends, Americans initially followed European precedents and continued dancing their country's native dances. As a ... ... <看更多>
american dance history 在 Black History and Dance in America, a story - African ... 的相關結果
Black Africans brought their dances to North, Central, and South America, and the Caribbean Islands as slave labor starting in the 1500s. In the west these ... ... <看更多>
american dance history 在 Dance in the United States - Wikipedia 的相關結果
American modern dance developed in the early 20th century alongside American music. Among the pioneers of modern dance were Isadora Duncan, the dance company of ... ... <看更多>