'Urban Folly – Electric this' shows two women in their Plexiglas bubble, lying in front of a cityscape in LED and neon light.
The background of the work is the acrylic neon sign Urban Folly neon with lights in various colours in an abstract array, representing buildings. In front of the buildings are two women lying down, mother and daughter, cut out from transparent Plexiglas. Over their heads is text (engraved in the Plexiglas), each speaks half a poem, discussing how to be modern with yet allusions to ancient Chinese habits and symbols. Behind the board are speakers left and right (actually, they are the beloved Hong Kong cell phones) that say the English text in Cantonese. The title of the poem (Electric this) is carved in a Plexiglas cloud and hangs over the buildings like a neon sign. The entire work is put in a black protruding frame as if they are inside a casing or exhibited in some kid’s shoebox diorama.
The Urban Folly neon sign creates the virtual environment that influences the way this mom and her daughter live their lives, lying in front of the city as if on the HK beach. And the mom passes on her urban myth while the daughter comments on her mom as a ‘sheep’ that follows fashion and fads to feel unique, not aware of the transparent bubble she, the daughter, lives in herself. But inside is the ancient Chinese core, unbroken.
Through the conceptual visualisation formed by the root-like winding of the neon light, the work hopes to trigger an underlying light and reflection that resonates with citizens in a certain and also manifold way on this modern and traditional soulful land. The continuity of life in progress and the shifts in the flickering and shimmering of neon lights show us something clearer. It is the way and the opening in the frame that one might have overlooked, the energy of life in all the old and fancy of the new from the past to the present...
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'Urban Folly – Robot Stillness' takes place in a dark corner with a flat, square mat on the floor next to a black mannequin. From her head, while we go past cheek bones and neck, we see buildings growing down the mannequin as if they are electric wires following a fractal search path until they fade into the black at the bottom. Rather abstract, done in chromium paint, one wonders would it look like dripping wet hair or the roots of an electric tree under the city?
On the head of the mannequin is a headband with a pico-projector mounted on it. It projects the painting Urban Folly, the counterpart of the neon sign with the same name. A robot drawn after the buildings fades in and out so that the buildings very slowly become the robot, which becomes the buildings, which become the robot, which… While playing, the pico-projector speaks a poem about the robot being still inside – a robot knows emotion nor thought – using mock computer commands. The voice is coarse and mechanical.
Visitors are to sit on the mat and put the headband on. They project the image on the wall, aiming between four picture-frame corners, two of which are traditional dragons, the other phoenixes, handcrafted by local artisans. The poem takes six minutes with long pauses and the visitors’ challenge is to keep their heads still to have the projection stay within the frame, which is an exercise to become still inside. Only if the visitor is prepared to pay full attention will the slight differences in the pictures faded in and out be seen...
abstract buildings 在 子沂 Incurable Diseases Facebook 的精選貼文
今天來分享一下工作室的樣貌。
這是從門口可以看到的樣子,隔著玻璃,關燈之後會反射背後傳來的燈光,然後留下一盞燈,也許是怕迷路的神明們能夠在夜晚時稍微在這裡歇息。
這就是每日結束後所看到的景象。
前天晚上突然意識到,自己原本一直以為正向的想法,其實在那之後潛藏的是深刻的自卑,而我直到那時候才真正的面對那一塊無法正視的負面情緒。
甚至那個時候好想好想放棄,因為自己的努力如此縹緲而無用,而夢是如此模糊不清。但還是撐下來了。
今天終於雨過天青,不知道是不是我也會有所好轉。應該是會的吧,因為好像還不是放棄的時刻。
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