《#籠罩下的巨大哀愁》作品介紹 Part.3 陳嘉壬 <甜水>
詳細資訊|https://reurl.cc/bXy09v
「甜水」是陳嘉壬在印尼駐村創作後,回台的成果發表,在駐村期間主要鎖定在探訪流經城市的河川以及近郊河域的生活模態,陳嘉壬擇取了幾件錄像以及攝影裝置展現自己對於當地某種人文景觀的觀察。
「甜水」的概念來自於每日外食時,所點的飲料無論是茶品或是果汁,若無特別交代,店家必定給予數大茶匙的砂糖或是冰糖,而這樣甜膩而過飽和的飲品,似乎間接反映了一種農產品以及生活需求間的關係,那麼的邏輯是否也可對應上人對於周遭環境的態度? 甜水的另一層想法在部分的影像畫面處理上,陳嘉壬以一種恬適或是美化的手法來呈現某些景象的反差,猶如中國以「糖水片」來貶抑某種唯美俗氣的攝影表現。而在「甜水」的英譯想像上,陳嘉壬選擇了sweetwater一詞來代用,sweetwater意為相對於海水的自然水源,這裡似也回返到這個創作計畫的初衷。
更多訪談|https://reurl.cc/mLOaXj
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《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
同時也有4部Youtube影片,追蹤數超過5的網紅林郁晉,也在其Youtube影片中提到,MoCA Video【籠罩下的巨大哀愁】藝術家訪談 Part.3 陳嘉壬 -------------------- 藝術家簡介 -------------------- 近年創作以當代攝影為主,其影像作品無論是經由數位後製或是直接攝影的手法,在畫面裡所不可或缺的元素不是那些可見的影像,相反地是透...
「sweetwater」的推薦目錄:
sweetwater 在 林郁晉- Yu Jun LIN Facebook 的最佳解答
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
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A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
sweetwater 在 轉角國際 udn Global Facebook 的最佳解答
【#鏡頭背後:🇺🇸 美式殺蛇教育?】
「剝皮大賽是怎麼回事?」美國德州年度盛事——全球最大的「響尾蛇圍捕慶典」(Rattlesnake round-up)——在近期落幕,活動內容涵蓋:捕獲野生響尾蛇、響尾蛇烹飪賽、以及響尾蛇大胃王比賽等等。這場「響尾蛇圍捕」大會常見於美國中西部和南部地區,更是德州斯威特沃特(Sweetwater)行之有年的著名盛事,至今已舉辦63屆;而時至今年,適逢德州取消限制禁令,這場活動依然吸引上萬民眾。
.
根據統計,每一年圍捕大會捕捉到的響尾蛇多達約2噸。會場地上佈滿著響尾蛇濺出的鮮血、牆壁上也可以看見血紅色、大小不一的手掌印——這一些都是大人和小孩參與者沾了蛇血後,印在牆上的痕跡。而當一隻又一隻的響尾蛇在現場被斬首時,圍觀的群眾,包括孩童,也會不斷發出尖叫和歡笑聲,過去也曾發生過:當一位小孩表示要將一隻被斬首的蛇當作寵物時,一旁的工作人員隨即舉起蛇的身體交給小孩。這一切也是此活動極具爭議所在:
.
為了人類的娛樂活動,響尾蛇就該死嗎?此外,響尾蛇圍捕活動標榜適合一家大小,但殘忍而非常態的屠宰現場對小孩的具體教育意義又是什麼呢?
.
#美國 #響尾蛇 #動物 #德州 #Sweetwater #教育 #歷史 #文化 #野生動物 #動物權 #Rattlesnakeroundup
sweetwater 在 林郁晉 Youtube 的精選貼文
MoCA Video【籠罩下的巨大哀愁】藝術家訪談 Part.3 陳嘉壬
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藝術家簡介
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近年創作以當代攝影為主,其影像作品無論是經由數位後製或是直接攝影的手法,在畫面裡所不可或缺的元素不是那些可見的影像,相反地是透過那些不在場的人、事、物去擾動原本靜逸的影像,缺席意味著一種訊息的遺失,也正是這項特點讓影像不再完全臣服於符號框架下的閱讀,也正是這種缺遺,讓影像的詩意迸現,從而不再是一種再現式的反照現實,藉由攝影可將想像具體化,這種具體化的超現實或許可被視為是一種真實概念的擴延。
作品曾於2012年利物浦雙年展(城市聯盟單元)展出,亦曾受邀於巴黎、里昂、羅馬、布達佩斯等地展出。他的攝影創作多與城市生活相關,透過直接攝影或是數位後製的方式來揭露現代都市人的生活處境。
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作品介紹
--------------------
「甜水」是陳嘉壬在印尼駐村創作後,回台的成果發表,在駐村期間主要鎖定在探訪流經城市的河川以及近郊河域的生活模態,陳嘉壬擇取了幾件錄像以及攝影裝置展現自己對於當地某種人文景觀的觀察。 展名「甜水」的概念來自於每日外食時,所點的飲料無論是茶品或是果汁,若無特別交代,店家必定給予數大茶匙的砂糖或是冰糖,而這樣甜膩而過飽和的飲品,似乎間接反映了一種農產品以及生活需求間的關係,那麼的邏輯是否也可對應上人對於周遭環境的態度? 甜水的另一層想法在部分的影像畫面處理上,陳嘉壬以一種恬適或是美化的手法來呈現某些景象的反差,猶如中國以「糖水片」來貶抑某種唯美俗氣的攝影表現。而在「甜水」的英譯想像上,陳嘉壬選擇了sweetwater一詞來代用,sweetwater意為相對於海水的自然水源,這裡似也回返到這個創作計畫的初衷。
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【籠罩下的巨大哀愁 The great sorrow under the shroud】
日期 Date|2021/08/7-09/12
地點 Location|台北當代藝術館 MOCA Taipei
藝術家|Artist
王鼎曄 Wang Ding-Yeh
吳柏賢 Wu Bo-Sian
陳嘉壬 Chen Chia-jen
黃彥超 Huan Yen-Chiao
黃淑蓮 Wong Shu-Lian
蔡傑 Tsai Jie
鄭爾褀 Zheng Er-Qi
鍾知庭 Chung Chih-Ting
影片拍攝與製作 Film production | Shane 影像工作室
音樂製作 Music production | 黃柏諺 PKG
動畫製作 Animation production | 羅悅慈 Lo Rax
設計 Design|蔡傑 Tsai Jie
翻譯 Translation | 黃文 Huang Wen
策展人|Curator
林郁晉 Lin Yu-Chin
協同策展 | Co-curator
黃鼎鈞 Huang Ding-Jun
感謝贊助|Sponsors
厭世會社The Misanthrope Society
果拾 Pick Up
特別感謝|Special thanks
台北當代藝術館 MoCA Taipei
掀牆藝術聚落 Open Wide
打開藝術工作站 OCAC
嘖嘖 Zeczec
張喬翔 Shane
陳小乖
劉柏承
sweetwater 在 Kenmin Lin Youtube 的最讚貼文
既然你們大發慈悲的發問了
那我就誠心誠意的告訴你們
我是怎麼從美國買吉他的
其實我找琴比抓歌還厲害多了
找琴的過程有很多眉眉角角
不只要注意商品本身
賣家也要好好篩選
找對代購還能省錢省心
尤其是在運費跟關稅的問題上
簡單總結三個步驟:
1. 在 reverb.com 上尋找目標
2. 寄商品連結到 sales@shopjkl.com 詢問報價
3. 匯款之後等著收貨
看完我這五次委託代購的經驗分享
你會發現從美國買琴原來這麼簡單
出手之前可以私訊來跟我交流交流
說不定還能找到更好的選擇
0:00 前言
1:23 PRS SE 35th Custom 24 (eBay, 代購詳細流程介紹)
6:50 Tiny Talkbox (eBay, 被丟包經驗談)
8:03 MXR M222 Talk Box Pedal (Sweetwater)
9:02 Music Man Short Scale Bass (Reverb, 一波多折的尋琴之旅)
11:49 PRS Special Semi-Hollow (Reverb)
12:17 為什麼 Reverb.com 是最棒的樂器交易平台?
15:31 為什麼我都從美國買? 而不是日本或歐洲?
16:07 歡迎支持「Kenmin 借吉他」系列
sweetwater 在 SLSMusic Youtube 的最讚貼文
SLS playing "My Dearest" from "Guilty Crown" original by supercell, using "Arturia Keylab 88 MK2" weighted keyboard controller.
↓↓↓ Keyboard, Sheet Music and More Info ↓↓↓
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📖Sheet Music
🎼https://gum.co/NSRFU
🎼https://www.mymusicsheet.com/slsmusic/29845
For the "Relaxing Piano Pro" series this time, I choose to play legendary "My Dearest" and add a little personal improvisation in it, hope you like it. And you could see that I use a different keyboard to record this time, it's Keylab 88 mk2 from @Arturia, a 88keys beautiful piano action midi controller.
Keylab 88 mk2 has fully weighted 88-note Fatar hammer-action keybed that will delight the most serious pianists, and there are 16 RGB-backlit performance pads, 9 faders and encoders, with its smart mapping functions, you could easily match it with your DAW (Digital Audio Workstation) including Ableton Live, Logic Pro X, Pro Tools, Cubase, Studio One and Reaper.
If you need to read score or using the laptop while playing, there are removable iPad/sheet music stand and an extension shelf for laptop placement as well.
For a budget like this ($899 on Sweetwater), I could say that its really a nice choice for a full-weight midi controller with so much functions. I'll leave the links down below you could check it out more details.
Arturia▶︎ https://www.arturia.com/products/hybrid-synths/keylab-88-mkii/overview
Sweetwater▶︎ https://www.sweetwater.com/store/detail/KeyLab88mk2--arturia-keylab-88-mkii-weighted-keyboard-controller
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🔧Equipment
●Piano / Arturia Keylab 88 mk2
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■──────────────────■
#MyDearest #RelaxingPianoProject #GuiltyCrown
sweetwater 在 Sweetwater - 首頁| Facebook 的美食出口停車場
Sweetwater began business in 1979 in Fort Wayne, Indiana and is the country's most respected dealer in high-technology equipment for musicians, ... ... <看更多>