能夠跟我的 ✨ #DreamTeam ✨一起make music, 一起 serve, 一起 praise 是最幸福的,是無與倫比無可取替的!雖然我們只有幾天時間隔空交流,由度歌曲次序/段落/排列,到鬼斧神工才女 Pretty P的極速精彩arrangement & virtuoso playing, 到出譜效率極高Dixon出手, 到咁啱由德國回港短暫停留的 Cello Prof Alv 的brilliant input & 精湛演出... 全是天衣無縫恩典無盡 🙌🏻 生命中怎能沒有妳你祢❓❣️
🙏🏻 Thx for the great work!! It’s The best gift in this Christmas 🎁 May blessings be with many 🎉
🎄Christmas medley ( #WeAreTheReason , #JingleBellRock , #JoyToTheWorld ) "live"🎄
https://youtu.be/kR9u5_MV0ew
Special thx to 💁🏻♀️
Arranger/Pianist : Philia Yuen Haverstock Hill Studio
Cellist : Dr. Alvin Wong (alvincello.com)
Score preparation : Dixon Lo
Hair : Leighton Aveda Simon
Date : 20 Dec 2020
Original recording ( “We are the reason” full version 2014, arranged also by Philia) : https://youtu.be/heEOibsj1ls
We hope u enjoy the music, lyrics n it’s meaning...
May peace, joy, hope be with u! God bless 😇
☃️ #蒸糕包不一樣聖誕Online音樂分享會 ☃️
全節目收看︰https://youtu.be/kjBsI1CqlQU
#影音使團創世電視 #B琦歌手 #B琦抱抱 #愛樂癡女 你我都是 #行走的樂器 Sing Your Heart Out HK #soloist #pop #singinglive #singer #xmassong #xmas2020 #xmasiscoming #christmas #christmassongs #singforhope #singforhim #singforpeace #singforjoy
🔔 Pls Subscribe to my #YouTubeChannel 🙏🏻
http://www.youtube.com/user/BeckyLee811
🎵 歌曲無修音Live Singing Playlist 請到
https://www.youtube.com/playlist?list=PLCF85701B71203EFA
同時也有4部Youtube影片,追蹤數超過9,290的網紅Chor.Draft:Japan Music Group,也在其Youtube影片中提到,#日向坂46 #ソンナコトナイヨ カップリング 「#青春の馬」 歌詞 君はどんな夢見てるか?何も語らずに どんな辛い坂道さえ、全力で(立ち止まることなく) 走ってく、青春の馬 自分の力とはどうやって測ればいい 誰かと比較したところで分からないだろう どこまでできるか、予測していた以上に 思いも...
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music score meaning 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
music score meaning 在 余佩真JenJen Facebook 的最佳貼文
《 免費觀賞 》
這是一個身入其中我自己非常喜歡的作品,
看似辦公室日常瑣碎生活行為,
演出當下卻讓我常常有超現實的感受,非常享受當一個嚴肅煞有其事的茶水小妹。
采柔和思農創作發想由金融海嘯出發,這個作品在北美館和橫濱藝術節展演空間演出,但這次是第一次這麼貼近創作主題的在台新銀行營業部總行,哇!我自己是覺得光想像就有趣!非常期待這個超現實的作品與現實空間兩個時空交疊所呈現出的火花,歡迎你妳隨喜自在參加!
【年度考核協奏——2018白晝之夜回歸重現】
《年度考核協奏》是融合聲響、劇場與其記寫的「聲音劇場」,表演環繞著同時是樂器與圖像記譜裝置的長桌,企業圖表轉化的樂譜則刻劃於其上,由八位身兼樂手與演員的表演者,將辦公室的身體轉譯為各種聲音事件及動作符碼。
作品首演於2017年北美館展覽「社交場」開幕,後受邀至橫濱藝術集會(TPAM)。桌上不斷迴繞的火車是演奏記認的拍點,軌道刻度以2007年8月9日金融海嘯作為原點,以十年為單位重複「永劫回歸」式的時間循環。
“Concert of Performance Review” has the double meaning of an employee assessment and also performance examination. Concert of Performance Review is a large-scale graphical notation installation and also a musical instrument. On a long table is a music score/dance score integrating a business organization chart and statistical analysis. Human bodies in an office are transcribed as sound events and motion symbols. By following the directions in the dance and music scores on the table, the performers present an improvisational form of New Music Theater. Through musical composition, different notation methods, it expresses the distancing (verfremdung) of daily life from labor and create a transforming experience for the audience. The train constantly circling on the table acts out a rhythm of memories. The gradation of the track takes the financial crash of August 9, 2007 as its starting point, engaging in a time cycle of “eternal recurrence” with decades as its units.
演出時間|2018.10.6 20:30 21:30 22:30
演出地點|台新銀行營業部總行(台北市中山區中山北路二段44號)
贊助單位|台新銀行
相關白晝之夜官方資訊:
http://nuitblanchetaipei.info/about#partner
首演製作團隊名單 Premiere:
台北市立當代美術館「社交場」 策展人:蕭淑文 Jo Hsaio
作曲Music Composition/編導Scriptwriting & Directing/聲響設計Sound Design:黃思農Snow HUANG
空間Space Design/燈光設計Lighting Design:何采柔 Joyce Ho
舞台技術 Stage Technician:黃昶智Chang-Chih Huang
圖像譜Graphical Notation:黃思農Snow HUANG、何采柔Joyce Ho
錄像設計Video Design:唐健哲Chien-Che Tang、黃昶智Chang-Chih Huang、何采柔Joyce Ho、黃思農Snow HUANG
書法Chinese Calligraphy:涂又仁
樂手表演者Musicians/Performers:余佩真Pei-Chen Yu、趙欣怡Hsin-Yi Chao、潘韋勳Wei-Hsun Pan、黃鏡丞Ching-Cheng Huang、曾伯豪Po-Hao Tseng、張吉米Chi-Mi Chang、鮑奕安Yi-An Pao、曾韻方Yun-Fang Tseng、黃思農Snow HUANG
2018「白晝之夜」表演者:余佩真、趙欣怡、黃煒翔、曾伯豪、張吉米、鮑奕安、曾韻方、黃思農
#年度考核協奏從北美館到橫濱之後強勢回歸
#白晝之夜一夜三場
#再拒劇團首次在銀行大廳演出
#這次導演親自下馬還有新演員加入
#夜晚的銀行肅殺的表演
#余佩真只是倒個咖啡還是很有氣魄
music score meaning 在 Chor.Draft:Japan Music Group Youtube 的最佳貼文
#日向坂46
#ソンナコトナイヨ カップリング
「#青春の馬」 歌詞
君はどんな夢見てるか?何も語らずに
どんな辛い坂道さえ、全力で(立ち止まることなく)
走ってく、青春の馬
自分の力とはどうやって測ればいい
誰かと比較したところで分からないだろう
どこまでできるか、予測していた以上に
思いもよらない可能性試したくなる
無謀と言われて笑われてもいい
立てなくなるまで走り続けたい
本能のままに生きていく
夢は絶対諦めるな、何があったって
足を止めちゃそこで終わる、もう走り出せない
夢が叶う叶わないかはずっと先のことだ
今は何も考えずに、無我夢中(ひたすら真っ直ぐに)
目指すんだ、青春の馬
yeah yeah 駆け巡れ
見えない未来とはどうやって見つけるんだ
この道進んでゆけばいいと誰も言わない
何度も間違えて、結局遠回りして
疲れた体が何かを覚えてくはず
楽しちゃ意味ない、汗かくしかない
乱れた呼吸が情熱の証
不器用なくらいがむしゃらに
君はずっと信じるんだ、いつか見たあの夢
目を開けても消えない夢、現実の世界だ
そこにゆけば何があるか誰も分からない
辿り着いたその瞬間、考えが(欲しかったものまで)
変わるのさ、青春の馬
夜が明けてゆく、遠い地平線の彼方
世界はこんなに広かったと知った
青ざめた馬が大地を駆け抜けてゆく
希望の光を浴びながら
君はどんな夢見てるか?何も語らずに
どんな辛い坂道さえ全力で走っていく
君は絶対諦めるな、何があったって
足を止めちゃそこで終わるもう走り出せない
夢が叶う叶わないかはずっと先のことだ
今は何も考えずに、無我夢中(ひたすら真っ直ぐに)
目指すんだ、青春の馬
チャレンジしなくちゃ生きてる甲斐ない
どこまでゆけるか走り続けよう
Never Give Up! Never Give Up!
The easy way has no meaning!
Twitter → https://twitter.com/chordraft
LINE公式アカウント → http://nav.cx/9B50brd
Facebook → https://www.facebook.com/Chor.Draft/
チャンネル登録、高評価よろしくお願いします!
サブチャンネルはコチラ → https://www.youtube.com/channel/UCOGxcQAImzCdhSzw5adbT5Q

music score meaning 在 Ray Shen Youtube 的最佳解答
Download & stream at http://flashover.choons.at/blueprinta ...
It’s been said that “space exploration is a force unto itself”, a statement that can aptly be applied to the experience of music discovery. A purveyor of a music with that timeless quality, Ferry Corsten actioned himself into taking his own artist exploration deeper with his fifth artist album. Entitled ‘Blueprint’ because of his technical approach to this latest studio outing. This newest longplayer by the Rotterdam native was spawned from an idea to unite the music with a storyline that stretches beyond a nebulous lyrical theme. Combining his love for the art of screenwriting and film score Ferry has crafted ‘Blueprint’ as a concept release to put a wider perspective on his musical vision.
Transcending any referential genre, ‘Blueprint’s storyline centres around two protagonists in Lukas and the extra-terrestrial being Vee. From a discovery to a bond to consciousness to interdimensional travel, ‘Blueprint’ embarks on a journey across the galaxy asking many questions from its listeners.
Encapsulated in the soundtrack is a musical narrative that entwines with a storyboard crafted by the minds of David H Miller (of House Of Cards and Rosewood fame) and Ferry himself. The resulting effort gives the listener a conceptual direction that is breathtakingly beautiful. Narrated by Hollywood actor Campbell Scott (known for The Amazing Spider-Man and The Exorcism of Emily Rose), whose voice unravels the mystery of ‘Blueprint’s storyline.
Written into the musical code of the album we learn that from the deepest edges of space ‘The Drum’ can be heard, endlessly repeating, without any understanding as to its reason or purpose. None of the greatest minds on earth nor governmental superpower can decipher its existence. Except one. As the listener journeys from the opening track to the last the album chronicles the voyage of Lukas and Vee as a new world is opened to not just the mind but the heart.
With its opening title track ‘Blueprint’ the album commences in wondrous form straddling euphoria and seduction at its heart, as it shoots for the stars setting up for a cosmic ballet. The atmospherical payoff of ‘Venera (Vee’s Theme)’ is enchantingly uplifting, as listeners have their first encounter with Vee. The vocal of Eric Lumiere adds depth to the character’s arrival with ‘Something To Believe In’ before ‘Edge Of The Skye’, featuring Haliene, ignites an odyssey to ‘A World Beyond’. The weaving metronomic build of ‘Trust’ is industriously rich and perfectly poised for this interstellar exploration. Whilst the otherworldly tones of ‘Lonely Inside’ beam us into the isolation of Space and renders all meaning beyond one emotion, desire. The sentiment on Haliene’s voice pierces through on the tense ‘Piece of You’ before we head into the third act and encounter “The Drum” again on ‘Drum's A Weapon’. The album majestically concludes with the beautiful combo of Haliene & Eric Lumiere on ‘Another Sunrise’ and the ‘Eternity’ with its Shepherd scale-esque splendour.
With the narrative that gives nods to the proses of iconic sci-fi authors such as Jules Verne, Hugo Gernsback and most distinctively HG Wells, whilst sharing familiarities with modern day shows such as The OA, Westworld and retro Sci-fi-fest Stranger Things, ‘Blueprint’ is an explorative piece of work that puts Sci-fi at its interstellar core. A brave and unique studio release from one of the most iconic artists in the electronic scene but Ferry’s attempts with ‘Blueprint’ are simply to bring a wider perspective to the listener, as he aims the album to be inclusive of dimensions of religion, history, ideals and science fiction.
Follow Ferry Corsten:
http://www.ferrycorsten.com
http://www.vk.com/ferrycorsten
http://www.twitter.com/ferrycorsten
http://www.facebook.com/ferrycorsten
http://www.instagram.com/ferrycorsten
Follow Ray Shen:
https://www.facebook.com/djRayShen/
https://soundcloud.com/ray-shen-3
https://www.mixcloud.com/ray-shen/

music score meaning 在 Ray Shen Youtube 的精選貼文
Subscribe at http://www.youtube.com/ferrycorsten
Ferry Corsten - Blueprint is out now!
Download & stream at http://flashover.choons.at/blueprinta...
It’s been said that “space exploration is a force unto itself”, a statement that can aptly be applied to the experience of music discovery. A purveyor of a music with that timeless quality, Ferry Corsten actioned himself into taking his own artist exploration deeper with his fifth artist album. Entitled ‘Blueprint’ because of his technical approach to this latest studio outing. This newest longplayer by the Rotterdam native was spawned from an idea to unite the music with a storyline that stretches beyond a nebulous lyrical theme. Combining his love for the art of screenwriting and film score Ferry has crafted ‘Blueprint’ as a concept release to put a wider perspective on his musical vision.
Transcending any referential genre, ‘Blueprint’s storyline centres around two protagonists in Lukas and the extra-terrestrial being Vee. From a discovery to a bond to consciousness to interdimensional travel, ‘Blueprint’ embarks on a journey across the galaxy asking many questions from its listeners.
Encapsulated in the soundtrack is a musical narrative that entwines with a storyboard crafted by the minds of David H Miller (of House Of Cards and Rosewood fame) and Ferry himself. The resulting effort gives the listener a conceptual direction that is breathtakingly beautiful. Narrated by Hollywood actor Campbell Scott (known for The Amazing Spider-Man and The Exorcism of Emily Rose), whose voice unravels the mystery of ‘Blueprint’s storyline.
Written into the musical code of the album we learn that from the deepest edges of space ‘The Drum’ can be heard, endlessly repeating, without any understanding as to its reason or purpose. None of the greatest minds on earth nor governmental superpower can decipher its existence. Except one. As the listener journeys from the opening track to the last the album chronicles the voyage of Lukas and Vee as a new world is opened to not just the mind but the heart.
With its opening title track ‘Blueprint’ the album commences in wondrous form straddling euphoria and seduction at its heart, as it shoots for the stars setting up for a cosmic ballet. The atmospherical payoff of ‘Venera (Vee’s Theme)’ is enchantingly uplifting, as listeners have their first encounter with Vee. The vocal of Eric Lumiere adds depth to the character’s arrival with ‘Something To Believe In’ before ‘Edge Of The Skye’, featuring Haliene, ignites an odyssey to ‘A World Beyond’. The weaving metronomic build of ‘Trust’ is industriously rich and perfectly poised for this interstellar exploration. Whilst the otherworldly tones of ‘Lonely Inside’ beam us into the isolation of Space and renders all meaning beyond one emotion, desire. The sentiment on Haliene’s voice pierces through on the tense ‘Piece of You’ before we head into the third act and encounter “The Drum” again on ‘Drum's A Weapon’. The album majestically concludes with the beautiful combo of Haliene & Eric Lumiere on ‘Another Sunrise’ and the ‘Eternity’ with its Shepherd scale-esque splendour.
With the narrative that gives nods to the proses of iconic sci-fi authors such as Jules Verne, Hugo Gernsback and most distinctively HG Wells, whilst sharing familiarities with modern day shows such as The OA, Westworld and retro Sci-fi-fest Stranger Things, ‘Blueprint’ is an explorative piece of work that puts Sci-fi at its interstellar core. A brave and unique studio release from one of the most iconic artists in the electronic scene but Ferry’s attempts with ‘Blueprint’ are simply to bring a wider perspective to the listener, as he aims the album to be inclusive of dimensions of religion, history, ideals and science fiction.
Links:
http://www.ferrycorsten.com
http://www.vk.com/ferrycorsten
http://www.twitter.com/ferrycorsten
http://www.facebook.com/ferrycorsten
http://www.instagram.com/ferrycorsten

music score meaning 在 score music意思-Dcard與PTT討論推薦|2022年11月 的美食出口停車場
找score music意思在Dcard與PTT討論/評價與推薦,提供musical score中文,Sheet music,Score music相關資訊,找score music意思就在追蹤網紅動態,熱門網紅排名, ... ... <看更多>
music score meaning 在 score music意思-Dcard與PTT討論推薦|2022年11月 的美食出口停車場
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