關於 most popular name in 2015 ，我們在網路上蒐集到這些相關的討論、資訊與評價

สื่อนอกวิเคราะห์ VALORANT, Overwatch 2, และ Call of Duty: Black Ops Cold War จะกลายเป็นเกมที่มีการแข่งขัน Esports รายใหญ่ในอนาคต
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โดยที่ estnn.com ให้ความเห็นว่า ในอนาคตจะมีเกมน้องใหม่ที่จะเข้ามาบทบาทต่อ Esports จนได้กลายเป็น "Big" ของวงการ ซึ่งเป็นเกมที่มาจากทั้งผู้พัฒนามากฝีมือ และภาคต่อของเกมชื่อดัง ได้แก่
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1. VALORANT - เกมยิงน้องใหม่ล่าสุดในตลาดจากค่าย Riot Game ผู้พัฒนา League of Legends เป็นเกมที่ได้รับความสนใจตั้งแต่ยังไม่มีชื่ออย่างเป็นทางการ ตัวเกมคงความเป็น FPS แต่ผสมแนวของ Hero-based ที่กำลังเป็นที่นิยมเข้ามา นับแต่เปิดตัวช่วง เม.ย. ก็ได้กลายเป็นหนึ่งในเกมที่มีคนดูมากที่สุดเท่าที่ Twitch เคยมี
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2. Overwatch 2 - แม้จะมีการเปิดเผยมาบางส่วนแล้วว่า ตัวเกมจะมีลักษณะของ PvE มากกว่าในภาคนี้ แต่ในเรื่องของการแข่ง Overwatch ก็ยังคงเป็นรายใหญ่อยู่เช่นเคย ในฐานะที่เป็นภาคต่อของต้นฉบับปี 2015 การเล่นเกมพื้นฐานและเทคนิคที่เคยใช้ได้ ก็ยังคงเป็นข้อได้เปรียบที่อดีตผู้เล่นจากภาคแรกจะยังมีอยู่ รวมกับชื่อเสียงของ Blizzard เชื่อว่าจะไม่เป็นการยากที่เกมนี้จะกลับมายิ่งใหญ่ได้อีกครั้ง
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3. Call of Duty: Black Ops Cold War - นี่คือเกมที่เป็นตัวแทนของซีรี่ย์ CoD อันโด่งดัง แม้ชื่ออาจจะยังไม่เป็นทางการ แต่ด้วยการที่เป็นเกมที่อยู่ในวงการมานาน และความสำเร็จของ Warzones ทำให้ผู้คนยังตั้งตารอภาคใหม่ของแฟรนไชส์นี้อยู่ไม่ขาด และเชื่อว่าตัวเกมก็จะออกมายอดเยี่ยมไม่แพ้กัน ตัวเกมคาดว่าจะเปิดตัวภายในปีนี้
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estnn.com ให้รายละเอียดกับเรื่องนี้ไว้ว่า ปัจุบัน Esports เป็นวงการที่กำลังเติบโต มีผู้ชมทั่วโลกกว่า 380 ล้านคน ทำรายได้รวมกันเกือบพันล้านเหรียญ เกมที่มีการแข่ง Esports ขนาดใหญ่ในตอนนี้อย่าง CS:GO และ Overwatch ก็กำลังอยู่ในช่วงการเปลี่ยนแปลงสำคัญ ทำให้มีโอกาสสูงที่เกมอื่น ๆ จะเข้ามามีส่วนแบ่งในเวทีนี้บ้าง แบบเดียวกับที่ Fortnite และ Apex Legends ทำได้ในปีแล้ว
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และเมื่อมองอีกมุมหนึ่งจะเห็นได้ว่า แทบทุกเกมที่กล่าวมาล้วนเป็นเกมแนวยิง FPS ด้วยกันทั้งสิ้น ย่อมทำให้เกิดการแข่งขันกันเองของเกมเหล่านี้ ซึ่งจะเป็นผลดีต้องทั้งวงการ ไม่ว่าจะเป็นทั้งผู้จัด ผู้เล่น และผู้ชมที่จะได้เห็นการแข่งที่มีคุณภาพและความสนุกมากขึ้นอย่างต่อเนื่องในอนาคต
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ที่มา https://estnn.com/which-games-could-become-the-next-big-th…/
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#ข่าวเกม #gamingdose #Esports #VALORANT #Overwatch2 #CallofDuty
Outer Media Valorant, OVERWATCH 2, and call of duty: Black ops cold war will become a major esports game in the future.
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Estnn.Com commenting that in the future, the new game will play with esports to become "big" of the industry, which is a game that comes from both developers and the famous game sequel:
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1. Valorant - the newest shooting game from riot game. League of legends developer is a game that has been paid attention since it hasn't officially named. the fps, but a popular hero-based mix since the launch of mae session. (chuckles) Oh, my God. Well, turned out to be one of the most watched games that twitch has ever had.
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2. Overwatch 2-despite some reveals that the game will look more pve in this episode, overwatch is still a major one as always as the original sequel of 2015 Playing basic games and techniques are still an advantage that former players from the first part will still have. Together with blizzard's reputation. It won't be difficult for this game to be great again.
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3. Call of duty: Black ops cold war - this is a game representing the famous cod series. Even though the name may not be official, but with long time game and warzones success makes people look forward to the new part of the franchise. This is not lacking and I believe that the game will come out great. The game is expected to be launched within this year.
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Estnn.Com gives this detail that the cuddle th Grade Esports is a growing industry. There are over 380 million global viewers, making almost a billion in total income. Big Esports game now. CS: go And overwatch is undergoing a major change. There is a high chance that other games will come to have some share at this stage. The same way fortnite and apex legends have done in the year.
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And when you look at the other corner, it can see that almost every game that says is a fps shooting game together. It will make a good match of these games. It has to be good. Whether both organisers, players and viewers to see the match. More quality and more fun in the future
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Source https://estnn.com/which-games-could-become-the-next-big-thing-in-esports/
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#ข่าวเกม #gamingdose #Esports #VALORANT #Overwatch2 #CallofDutyTranslated

請傳給你認識的外國朋友

（繼續發酵！英文翻譯上線！幫手推！）🔥 有外媒相繼報道了關於袁國勇、龍振邦兩位教授疑似因壓力而撤回《明報》專欄文章一事，有手足更花了時間，把文章譯作英文。西方社會是需要知道真相的，請廣傳給在外國的朋友：

[On Mar 18 2020, Professor David Lung at the University of Hong Kong and his colleague Professor Yuen Kwok-yung, a world-renowned expert in microbiology and infectious diseases, withdrew their op-ed in the Chinese-language newspaper Ming Pao, in which they elucidated the origin and naming of the Wuhan Coronavirus, and criticized "inferior Chinese culture" for being the origin of the present pandemic. This led to allegations that the Chinese and Hong Kong governments are covering up the truth and suppressing academic freedom. Below is an English translation of this op-ed. Please spread the word and expose the truth!]

Outbreak in Wuhan shows that lessons from seventeen years ago are forgotten - David Lung and Yuen Kwok-yung, University of Hong Kong [translated from Chinese]

The novel coronavirus outbreak began in Wuhan in Winter 2019, and engulfed the entire province of Hubei by Spring 2020; the number of cases in China grew to over 80,000, with at least 3,000 deaths. The outbreak in China slowed down only after a month-long lockdown, which has failed to curtail the spread of the disease overseas by March 2020. The World Health Organization (WHO) was sluggish in response and failed to declare this a pandemic in a timely fashion. Shortage of relevant measures and protective gear around the world contributed to the global outbreak. Singapore, Hong Kong, Macau, and the Republic of China have so far been spared of the pandemic, though cases linked to overseas travel have yet to cease.

This pandemic is caused by a coronavirus, thus named because of its shape. From 2015 onwards, the WHO has ceased to name diseases using monikers for people, places, animals, food, culture, or occupations. As such, they labeled the disease using the year of the outbreak; thus the designation COVID-19. The International Committee on Taxonomy of Viruses (ICTV) used viral genome sequencing as the sole criterion for the naming of viruses; because the similarity between the genetic sequences of the SARS coronavirus and the present novel coronavirus, which therefore is not truly "novel", the ICTV designated the novel coronavirus as "SARS-CoV-2.0". Media organizations and the public call this the Wuhan Coronavirus or the Wuhan Pneumonia; this is perfectly fine because of its simplicity.

There has been heated debate over the naming of the pandemic. As a matter of fact, the disease is named by the WHO and the virus is named by the ICTV; the common name is purely a customary matter and suffices to serves it purpose as long as it is simple and clear. The official names of COVID-19 for the disease, or SARS-CoV-2 for the virus, must be used in scientific and academic discourse. However, the simplicity of the popular designations "Wuhan Coronavirus" and "Wuhan Pneumonia" are far more conducive to daily communication and conversations in the media.

The 2020 pandemic originated in Wuhan

Roughly 75% of novel diseases can be traced to wild animals; the ancestral virus from which several mammalian coronaviruses descend can be traced to bats or birds, both of which can fly over a distance of several thousands of kilometers to the location of first discovery of the virus. As such, the nomenclature of viruses may utilize the name of the location of discovery. The most accurate and objective means to identify the origin of the virus is to isolate the virus from the animal host. However, the Huanan Seafood Market had been cleared, and live wild animals vacated, by the time researchers had arrived for live samples. Consequently, the identity of the natural and intermediate hosts of the coronavirus is unclear. According to local personnel, the wild games in the Huanan Seafood Market are shipped and smuggled from various locations in China, Southeast Asia, and Africa; it remains impossible to identify the ancestry of the Wuhan Coronavirus.

Viral genome sequencing shows a 96% similarity between the Wuhan Coronavirus and the viral strain RaTG13 found in bats, lending credence to the belief that the RaTG13 strain is the ancestral virus for the Wuhan Coronavirus. This viral strain can be isolated from the bat species Rhinolophus sinicus found in Yunnan, China; thus bats are believed to be the natural host to the Wuhan Coronavirus. Epidemiological studies show definitively that the Huanan Seafood Market was the amplification epicenter, where the transmission of the virus from the natural host to the intermediate host likely occurred, before a mutation to a form that can adapt to the human body, followed by human-to-human transmission.

The identity of the intermediate host remains unclear; viral genome sequencing, however, reveals a 90% similarity between the spike receptor-binding domain of the Wuhan Coronavirus and of the coronavirus strain found in pangolins. While uncertainties remain for us to unambiguously identify the pangolin as the intermediate host, it is extremely likely that the pangolin coronavirus strain donated the spike receptor-binding domain genetic sequence, or even the entire gene section, to the bat coronavirus strain, culminating in the novel coronavirus upon DNA shuffling.

Wild animal market: the origin of numerous viruses

The SARS outbreak in 2003 can be traced to Heyuan prior to engulfing Guangdong and ravaging Hong Kong. The SARS Coronavirus was found in the masked palm civet; China has subsequently outlawed the sales of live wild animals. Seventeen years later, wild animal markets have instead grown unabashed, in flagrant violation of the law. The Chinese people have forgotten the lessons of SARS in their entirety. The glaring appearance of live wild animal markets in city centers, and the egregious acts of selling, cooking, and eating these wild animals, constitute a stunning and blatant disregard for the laws. The feces of these wild animals carry large concentrations of bacteria and viruses; the crowded set-up, the poor hygiene, and the proximity of different animal species are extremely conducive to DNA shuffling and genetic mutations. As such, these markets need to be banned outright.

Remodeling of markets is key to the prevention of epidemics. The Chinese and Hong Kong governments must promptly improve the set-up of markets by enhancing ventilation and getting rid of rats and pests. Before the elimination of all live poultry markets becomes a reality, animal feces found in these markets must be handled properly to lower the chances of genetic shuffling between viruses.

Internet conspiracies of an U.S. origin of the virus is not supported by facts, and only serves to mislead the public. The dissemination of conspiracy theories needs to stop. Transparency is first and foremost in the fight against an epidemic; we need cool heads and rational analysis in place of hearsay and falsehood. The failure to close all live wild animal markets post-SARS was a colossal mistake; to win the battle over the pandemic, we must face reality, and not repeat the same mistakes while leaving the blame upon others. The Wuhan Coronavirus is a product of inferior Chinese culture -\-\ the culture of recklessly catching and eating wild animals, and treating animals inhumanely, with an utter disrespect and disregard of lives. This inferior culture of the Chinese people -\-\ specifically the consumption of wild animals to satiate themselves -\-\ is the true origin of the Wuhan Coronavirus. If these habits and attitudes remain in place, SARS 3.0 will certainly happen in a matter of a decade or so.

以上翻譯來自：
一個窮科學家移民美國的夢幻故事

外媒報道：
https://www.nytimes.com/…/19reuters-health-coronavirus-hong…

https://www.nasdaq.com/…/adviser-to-hong-kong-on-coronaviru…

我問美國友人Mark，他要我做做功課，就會知道為什麼是這個結論了「Trump, Clinton and the Culture of Deference」
By。Shelby Steele。Nov. 7, 2016 7:23 p.m. ET

The current election—regardless of its outcome—reveals something tragic in the way modern conservatism sits in American life. As an ideology—and certainly as a political identity—conservatism is less popular than the very principles and values it stands for. There is a presumption in the culture that heartlessness and bigotry are somehow endemic to conservatism, that the rigors of freedom and capitalism literally require exploitation and inequality—this despite the fact that so many liberal policies since the 1960s have only worsened the inequalities they sought to overcome.
In the broader American culture—the mainstream media, the world of the arts and entertainment, the high-tech world, and the entire enterprise of public and private education—conservatism suffers a decided ill repute. Why?
The answer begins in a certain fact of American life. As the late writer William Styron once put it, slavery was “the great transforming circumstance of American history.” Slavery, and also the diminishment of women and all minorities, was especially tragic because America was otherwise the most enlightened nation in the world. Here, in this instance of profound hypocrisy, began the idea of America as a victimizing nation. And then came the inevitable corollary: the nation’s moral indebtedness to its former victims: blacks especially but all other put-upon peoples as well.

This indebtedness became a cultural imperative, what Styron might call a “transforming circumstance.” Today America must honor this indebtedness or lose much of its moral authority and legitimacy as a democracy. America must show itself redeemed of its oppressive past.

How to do this? In a word: deference. Since the 1960s, when America finally became fully accountable for its past, deference toward all groups with any claim to past or present victimization became mandatory. The Great Society and the War on Poverty were some of the first truly deferential policies. Since then deference has become an almost universal marker of simple human decency that asserts one’s innocence of the American past. Deference is, above all else, an apology.
One thing this means is that deference toward victimization has evolved into a means to power. As deference acknowledges America’s indebtedness, it seems to redeem the nation and to validate its exceptional status in the world. This brings real power—the kind of power that puts people into office and that gives a special shine to commercial ventures it attaches to.

Since the ’60s the Democratic Party, and liberalism generally, have thrived on the power of deference. When Hillary Clinton speaks of a “basket of deplorables,“ she follows with a basket of isms and phobias—racism, sexism, homophobia, xenophobia and Islamaphobia. Each ism and phobia is an opportunity for her to show deference toward a victimized group and to cast herself as America’s redeemer. And, by implication, conservatism is bereft of deference. Donald Trump supporters are cast as small grudging people, as haters who blindly love America and long for its exclusionary past. Against this she is the very archetype of American redemption. The term “progressive” is code for redemption from a hate-driven America.
So deference is a power to muscle with. And it works by stigmatization, by threatening to label people as regressive bigots. Mrs. Clinton, Democrats and liberals generally practice combat by stigma. And they have been fairly successful in this so that many conservatives are at least a little embarrassed to “come out” as it were. Conservatism is an insurgent point of view, while liberalism is mainstream. And this is oppressive for conservatives because it puts them in the position of being a bit embarrassed by who they really are and what they really believe.

Deference has been codified in American life as political correctness. And political correctness functions like a despotic regime. It is an oppressiveness that spreads its edicts further and further into the crevices of everyday life. We resent it, yet for the most part we at least tolerate its demands. But it means that we live in a society that is ever willing to cast judgment on us, to shame us in the name of a politics we don’t really believe in. It means our decency requires a degree of self-betrayal.

And into all this steps Mr. Trump, a fundamentally limited man but a man with overwhelming charisma, a man impossible to ignore. The moment he entered the presidential contest America’s long simmering culture war rose to full boil. Mr. Trump was a non-deferential candidate. He seemed at odds with every code of decency. He invoked every possible stigma, and screechingly argued against them all. He did much of the dirty work that millions of Americans wanted to do but lacked the platform to do.

Thus Mr. Trump’s extraordinary charisma has been far more about what he represents than what he might actually do as the president. He stands to alter the culture of deference itself. After all, the problem with deference is that it is never more than superficial. We are polite. We don’t offend. But we don’t ever transform people either. Out of deference we refuse to ask those we seek to help to be primarily responsible for their own advancement. Yet only this level of responsibility transforms people, no matter past or even present injustice. Some 3,000 shootings in Chicago this year alone is the result of deference camouflaging a lapse of personal responsibility with empty claims of systemic racism.

As a society we are so captive to our historical shame that we thoughtlessly rush to deference simply to relieve the pressure. And yet every deferential gesture—the war on poverty, affirmative action, ObamaCare, every kind of “diversity” scheme—only weakens those who still suffer the legacy of our shameful history. Deference is now the great enemy of those toward whom it gushes compassion.

Societies, like individuals, have intuitions. Donald Trump is an intuition. At least on the level of symbol, maybe he would push back against the hegemony of deference—if not as a liberator then possibly as a reformer. Possibly he could lift the word responsibility out of its somnambulant stigmatization as a judgmental and bigoted request to make of people. This, added to a fundamental respect for the capacity of people to lift themselves up, could go a long way toward a fairer and better America.

Mr. Steele, a senior fellow at Stanford University’s Hoover Institution, is the author of “Shame: How America’s Past Sins Have Polarized Our Country” (Basic Books, 2015).

Hey guys! Here's a Coldplay - Viva La Vida cover I arranged and played on the ukulele. Hope you enjoy it! Please let me know how you like it in the comments below, and what other songs you'd like me to cover. Thanks so much for your support!!! ~ Eden Kai (Thank you Adam, Nick, and Brandon from the BentPixels team helping me out!)
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Viva La Vida (lyrics) by Coldplay:

I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field

For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People couldn't believe what I'd become
Revolutionaries wait
For my head on a silver plate
Just a puppet on a lonely string
Oh who would ever want to be king?
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field

For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world

ABOUT EDEN KAI:
Very few young talents offer the wide array of diverse skills as those possessed by Eden Kai (aka Yusuke Aizawa). An actor appearing on one of Japan’s most popular reality television shows, Terrace House - Aloha State, Yusuke was beloved by the millions of viewers watching the show as it was broadcast on Fuji Television in Japan, as well as via online service, Netflix streaming the show in nearly 200 countries. Eden’s time on the show allowed him to display his skills as a ukulele and guitar virtuoso, composer, singer-songwriter, and vocalist. His musical talents and role on Terrace House helped him to secure a spot performing at the upcoming Fuji Rock Festival, which is the largest outdoor music event in Japan. Eden also made history at the age of 16 when he became the first instrumentalist to ever win Grand Champion at the popular Brown Bags to Stardom talent competition in Hawaii.

Signed to one of Japan’s most prominent media conglomerates, JVC Kenwood Victor Entertainment, Eden is preparing for the widespread release of his first major album, Music for You. The album is scheduled to be released on June 21st. It follows two previous CDs released independently; Touch the Sky in 2015 and Feel the Earth in 2016. Touch the Sky received a finalist nomination for Instrumental Album of the Year at the Nā Hōkū Hanohano Awards and the 2016 Hawaii Music Awards. Both Touch the Sky and Feel the Earth, as well as the singles featured on them, are available for purchase through his website, www.EdenKai.com, as well as on iTunes, Amazon, CD Baby, and Bandcamp.

Eden is steadfast in his belief that music can have a healing effect on the world. He has used his music and status as one of Japan’s biggest rising stars to help many organizations and causes. Proceeds from past songs and performances have been donated to benefit children from disaster-stricken countries, to purchase educational materials for a school in Bangladesh, and to support a health center in Haiti. He has also been active in supporting causes benefitting the victims of the 2011 Tohoku Earthquake and Tsunami, the recent Kumamoto earthquake, Easter Seals, and the Make-A-Wish Foundation.

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Official Kento Bento Merch: https://standard.tv/kentobento
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Where Are The Asian Borders?: https://youtu.be/vPupwlZlNMY
'Asian Eyes' Are More Common Than You Think: https://youtu.be/WxTnVWgOGLc
Has McDonald's Conquered Asia?: https://youtu.be/pgHiRsk2UjY
'Asian Eyes' Are More Common Than You Think: https://youtu.be/WxTnVWgOGLc
10 REASONS Why Asians Don't Get FAT: https://youtu.be/xIqJR6xfMro

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10 MOST INFLUENTIAL ASIAN SUPERHEROES FROM MARVEL & DC

There are a lot of comic book fans out there, and many of them are Asian. Yet historically, superheroes of Asian descent have been a rare thing in the Marvel & DC universes.

With movies like Captain America Civil War, Batman vs Superman and Deadpool already having broken several box office records this year, superhero movies are only getting more popular.

And you know, you have the first female solo superhero film in quite some time coming out in 2017 with DC’s Wonder Woman, and the first black solo superhero film in some time coming out in 2018 with Marvel’s Black Panther. Makes me wonder when we’ll see the first Asian solo superhero film on the big screen.

But we’re a long ways off because first, we actually need a successful and popular Asian superhero in the comics, and thus far, it’s not clear if we even have one.

Well you be the judge.

1. Jubilee (Marvel)
- arguably the most well-known Asian superhero
- a Chinese-American girl born in LA
- X-Men’s youngest member in the early 1990s

2. Shang Chi (Marvel)
- created in the 1970s, a period in time where people were crazy for Bruce Lee and anything Kung Fu related
- the premiere Asian character of the 70s
- born in China
- son & nemesis of the infamous, wealthy international Chinese crime lord Fu Manchu.
- has no superpowers, but is an expert in all forms of martial arts
- unfortunately as stereotypically Asian as you can get

3. Sunfire (Marvel)
- Japan’s premiere superhero
- just like Shang Chi, an Asian character of overt Asian symbolisms.
- real name, Shiro Yoshida
- born to a mother who suffered radiation poisoning (Hiroshima atomic bomb)
- became a mutant possessing solar radiation powers

4. Atom (DC)
- real name, Ryan Choi
- super smart & gets good grades
- can be quite the ladies’ man
- from Hong Kong
- protege of original Atom, Ray Palmer
- the Atom is a super hero who can shrink to a subatomic size (like Ant-Man)
- pretty noteworthy because first time an Asian guy took over the mantle of an existing superhero with an already established fan base
- too bad he only appeared in 78 issues before being killed off by the assassin, Deathstroke
- his death became the subject of racial controversy as he had been one of the few high profile Asian characters in the DC Universe

5. Batgirl (DC)
- real name, Cassandra Cain
- she’s a halfie, with a white dad and a Chinese mom
- adopted by Bruce Wayne, aka Batman.
- under Batman’s watch, she became Batgirl
- some refer to her as the Asian Batgirl

6. Psylocke (Marvel)
- real name is Elizabeth “Betsy” Braddock, originally a blonde haired girl from Essex, Great Britain
- a mutant with vast telepathic and telekinetic powers and a long time X-Man.
- had her soul transferred into the body of a Japanese female ninja
- in X-Men: Apocalypse movie she is played by Olivia Munn (Is this another example of whitewashing in Hollywood?)

7. Ms. Marvel (Marvel)
- real name, Kamala Khan, the second Ms. Marvel who made her debut in 2013
- a Pakistani Muslim teenage girl living in New Jersey from a very traditional Pakistani family.
- is an inhuman (a race of superhumans)
- her power makes her able to stretch her body in unimaginable ways

8. Silk (Marvel)
- real name Cindy Moon, a Korean American girl.
- Spiderman was bitten by a radioactive spider but what we didn’t know was, so did another student

9. Hulk (Marvel)
- in 2015 we were introduced to a Korean Hulk.
- real name, Amadeus Cho, a Korean American
- this new Hulk fights gamma monsters while traveling cross country with his sister Maddy

10. Superman
- DC one upped Marvel by making one of, if not, the most iconic superhero of all time Asian.
- Superman is now Chinese!
- a 17 year old kid from Shanghai named Kenan Kong
- you can imagine the outrage this has caused as ‘superman is supposed to be white’ and American

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Eden Kai, 16 year-old acoustic guitarist virtuoso singer-songwriter, performed original instrumental songs on acoustic guitar at the 50th State Fair at the Aloha Stadium in Hawaii on July 4th Independence Day weekend celebration 2015. It was Brown Bags to Stardom Day showcasing the winners of the prestigious statewide competition.

Eden Kai was this year's 2015 Grand Champion and also 1st place Music Instrumental. This acoustic guitar player gave an amazing live performance. This is the same competition which launched the careers of Bruno Mars, Jake Shimabukuro, Tia Carrere, Glenn Medeiros, Yuna Ito, and many other stars from Hawaii.

Special thanks to Brown Bags to Stardom executive producer Johnny Kai for his excellent service and work in continuing this amazing talent competition which has been a household name in Hawaii since the 1970's, long before American Idol and America's Got Talent! Johnny also does a great job interviewing Eden Kai after this performance.

This video starts with some people in the audience shouting "Hana hou! Hana hou!" which means "Encore! Encore!" in Hawaiian. For the encore Eden played his original acoustic instrumental song "She Saw Me Dance" regarded by many to be his best acoustic guitar instrumental song.

Enjoy this video showing a glimpse of an upcoming rising star. Eden Kai has appeared and performed on most all major TV and Radio media in Hawaii as well as in Japan. He has played at popular venues in Waikiki including the Hard Rock Cafe, Duke's Waikiki, and Lulu's.

He has already been receiving great recognition and praise in Asia, and was recently interviewed and performed live on FM FUJI TOKYO one of the biggest radio stations of all time in Japan in a joint broadcast with KZOO Honolulu to over 3 million listeners in Japan.

Eden Kai was born in Tokyo, Japan and moved to Hawaii two years ago. He is trilingual in Japanese, English, and Chinese.
In Japan he was known in his childhood as a gifted singer-songwriter-actor. He started playing the guitar 3 years ago while his voice was changing, and the last two years he has been teaching himself through watching YouTube videos and developing his own unique style.

Eden also loves learning from watching videos of the best ukulele players in the world and their beautiful ukulele songs . He really enjoys the playing the world's best ukulele player of all time of the best Japanese ukulele players ever to cherish these Hawaiian ukuleles and give their best live performance of Hawaiian songs ever.

Eden has acted in TV movies and dramas in Japan since he was 6 years old. He has also been dancing, singing and writing songs since he was 6. He debuted writing and singing a song for charity at the age of 10 "Sekai no Tomodachi" (Friends of the World in Japanese) selling on iTunes, Amazon, etc.

WEBSITE: http://www.EdenKai.com/
FACEBOOK: https://www.facebook.com/EdenKaiOfficial
TWITTER: https://twitter.com/edenkai
INSTAGRAM: https://instagram.com/edenkaiofficial
REVERBNATION: http://www.reverbnation.com/edenkai

Thanks for watching and please SUBSCRIBE for more videos coming soon! :-)