關於 developed countries list ，我們在網路上蒐集到這些相關的討論、資訊與評價

An overview for the industry and buyers about olive oil standards and testing, including tips for quality monitoring and good handling.
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Olive oil is a valuable product, especially when compared with less-expensive, lower-quality cooking and seed oils. In order to protect olive oil’s value and ensure authenticity in the olive oil market, detailed grade standards and testing measures have been developed.
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These standards are maintained by the International Olive Council (IOC), a United Nations chartered organization created in 1959. Based in Madrid, Spain, the IOC facilitates international research and developments in the olive oil industry in order to promote fair trade worldwide. The 25 countries covered as IOC members represent 97% of the world’s olive oil production.
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Standards based on the IOC trade standard have been adopted by the USDA and a number of state legislatures including Connecticut, California, New York and Oregon. About 97% of all the olive oil consumed in the U.S. is imported, overwhelmingly from producing countries that are members of the IOC. Members of the North American Olive Oil Association agree to comply with the IOC standards.
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To support monitoring and enforcement of the trade standards, each year the IOC certifies or re-certifies testing laboratories and sensory panels around the world. The list of certified labs and panels is published annually on the IOC website, and suppliers and organizations such as the NAOOA rely on these certified labs and panels for full and independent assessments of olive oil quality and purity.
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There are a handful of quality measures and about 30 chemical measures required to confirm compliance with the standards, and testing can be time-consuming and expensive. It is critical for buyers to work closely with their suppliers and perform random confirmations to ensure they are receiving authentic quality olive oil.
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Many buyers and importers will invest in supplier visits and frequent testing when beginning a relationship. Once partnerships are established, an on-going quality and authenticity control plan is developed based on the volume of oil, number of lots and capabilities and budget of the supplier and buyer.
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Topics to cover with an olive oil supplier include the traceability system, frequency of testing, certifications of the testing facility, and any special buying preferences.
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Many companies perform quality screenings which can be carried out more frequently and at a lower cost than full authenticity testing. Such screenings are beneficial, but should be supplemented with complete purity testing. Quality should also be monitored over time because it changes and can be negatively affected by storage and handling.
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To maintain optimum quality implement these tips for good handling...:
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- Store olive oil in a dark, temperature-controlled warehouse or stockroom, because heat and light can damage the oil
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- Protect olive oils from direct sunlight and fluorescent lighting
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- Rotate stock faithfully and check best-by dates regularly
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The NAOOA offers a testing coordination service that allows buyers and importers to submit oils independently and receive a full analysis back from an IOC-certified lab and panel. Contact us for more information.

Gặp Gỡ Mùa Thu 2016

AUTUMN MEETING 2016 ACTIVITIES
#AutumnMeeting #Gapgomuathu2016

Organized by: DNY Productions – In Co-operation with VUS (Vietnam – USA Society English Center)
Organizers: Director Phan Dang Di, Producer Tran Thi Bich Ngoc.
Media Sponsor: Thanh Nien News.
Main Partners: People’s Committee of Da Nang; Kaohsiung Film Archive (Taiwan), Red Ruby entertainment, Hoa Sen University
Main sponsors: CGV, CJ E&M, SIFS, VNG Corporation, Vingroup

Date: from November 8th to November 16th , 2016.
Other related programs by AM 2016 will take place beginning 05/2016.
Main Location: Da Nang City and Hoi An Ancient Town.
Some AM 2016 courses will also take place in Ho Chi Minh City.
Other Media Partners: VNExpress News, Vietnamnet, Tuoi Tre News, The Thao & Van Hoa. Lao Dong News, Dep, Elle, The Thao & Van Hoa Men, Da Nang Newspaper. Culture – Events – People Program by VTV3. Young Cinema by VTV6, Cinema Program by VTV2. VTV4 channel, VTV Da Nang, DRT Da Nang.

PROGRAM SUMMARY:

Autumn Meeting 2016 is organized by DNY Productions in cooperation with local and international organizations. Since the first Autumn Meeting in 11/2013, the program has been on its way to become an annual cinema event in late autumn in Da Nang beach city and Hoi An ancient town.

Autumn Meeting 2016 continues to be the converging spot for the most familiar and successful faces in Vietnamese cinema through its professional exchange activities, Gala screenings, awards, and fundraising programs. Furthermore, since 2014, Autumn Meeting has welcomed important international guests from Korean Academy of Film Arts, Motion Picture Association of America as well as members of Cannes and Venice International Film Festivals. This year, apart from the familiar faces above, AM will for the first time welcome filmmakers from South East and East Asia and other delegates from Berlin International film festival, Hong Kong International Film Festivals, Kaohsiung Film Archive and Kaohsiung International Film Festival, Fukuoka Asian Film Festival…

Retaining the same guiding principle of discovering and providing support for new cinema talents, Autumn Meeting 2016 will select and invite young filmmakers in the country with promising short projects to present and complete their works in workshops guided by established local and international filmmakers. Additionally, since 2015, AM courses have also begun to welcome young filmmakers from South East Asian and East Asian countries. As the workshops conclude, the best projects selected by a jury of leading movie professionals will be awarded valuable prizes to help propel these projects into future films.

Autumn Meeting 2016 will continue to welcome the world acclaimed Vietnamese director Tran Anh Hung as the instructor for the Directing Workshop. Mister Tran Anh Hung will also be the Jury President for the “Short Film of the Future” Award. French editor Julie Beziau will be in charge of the Editing Workshop. French Colorist Yov Moor will be in charge of Color-grading Workshop, Indonesian filmmaker Joko Anwar and Tia Hasibuan will be in charge of Specialized Workshop “Making movies with a super low budget”. The first ever Acting Workshop by AM will be led by Korean professor Lydia Park, with a special appearance by acclaimed actress Moon So-ri.

Well known Vietnamese actors/actresses and directors will take part in various Autumn Meeting 2016 activities as the event’s official guests.

With the mission of unifying and developing Vietnamese cinema as well as stimulating cinematic discourses with other countries in the region (South East Asia and Asia-Pacific), Autumn Meeting 2016 is a non-profit cultural event that aims to assist young cinema talents. The three AMs so far in 2013, 2014, and 2015 have received enormous support from Vietnamese media outlets and adoration from both Vietnamese and international artists. Most importantly, AM is at the receiving end of the immense support from the people and governmental bodies of the cities it resides. As it grows, AM strives to become a significant International Film Festival in the near future.

AUTUMN MEETING 2016 ACTIVITIES

I. Workshops with well-known filmmakers.

AM 2016 filmmaking courses will be divided into 5 workshops.

Directing Workshop will still be under the guidance of director Tran Anh Hung. 12 young Vietnamese and international filmmakers with exciting short film projects will be chosen to attend the 7-day workshop.
English will be the official language in this workshop.

Editing Workshop, 20 young directors and editors will take part in an 8-day course in Ho Chi Minh City taught by veteran French editor Julie Beziau. Besides editing theories, the course will focus on practice. Attendants will be instructed on how to re-edit and renovate their previous projects.
This workshop will take place from May 10 to May 18 in Ho Chi Minh City.

Color-grading Workshop, 20 young directors and colorists will take part in an 8-day course in Ho Chi Minh City taught by veteran French Colorist Yov Moor. Besides color-grading theories, the course will focus on practice. Attendants will be instructed on how to do color-grading and renovate their previous projects.
This workshop will take place from October 5th to October 13th in Ho Chi Minh City

Acting Workshop: AM will orchestrate a 20 student course with Vietnamese young talents. Attendants will learn under renowned acting coach, Ms. Lydia Park. After completion, Acting Workshop attendants will have the chance to perform alongside movie stars in selected short projects that will be screened in AM 2016 Closing Gala. Attendants can also find acting prospects from other film projects participating in AM program. In November 15th, attendants will join the Panel Discussion with the acclaimed actress Moon So-ri (South Korean) on a subject of: “The co-operation between director and actor/actress in filming”.

Specialized Workshop – Making movies with a super low budget. AM has designed this special course for 12 young Vietnamese and International filmmakers who had taken part in AM before along with other filmmakers in the region who are getting ready to make their first feature. Guest lecturers are director Joko Anwar, producer Tia Hasibuan (Indonesia) – who have made successful movies with very low budget (under 50,000 USD) but are still invited to the most prestigious film festivals in the world.

II. Feature Project Market
This is the third year this format is adapted into AM program. During Feature Project Market, commercial and art-house film projects will be presented in search of investors or buyers.

Art-house Film Corner is reserved for art-house film projects. 6 to 8 projects from Vietnam and Asia will be selected for presentation before a panel of judges including respected Vietnamese and international art film directors and curators film prestigious film festivals like Hong Kong, Venice, Berlin. The judges will pick the best project for the Autumn Meeting Grand Prix. Additionally, projects competing at Art-house Film Corner will have the chance to be invited to other film project markets at notable film festivals or receive sponsorship from international movie funds depending on the ingenuity and potential of each project.

In the third year of Art-house Film Corner, AM organizers expect to welcome Mr. Paolo Bertolin, curator for Venice Film Festival in South East Asia, Mr. John Badalu, curator for Berlin Film Festival, director Tran Anh Hung, director Joko Anwar, and a respected Vietnamese producer as the judges for Autumn Meeting Grand Prix.

The counterpart of Art-house Film Corner for commercial projects is Entertainment Film World.

At Entertainment Film World, 8 high quality Vietnamese commercial projects will be presented through pitching sessions and personal interactions with producers from various production companies in the country.
After getting to know the projects, producers will be invited to sit on a judging panel headed by director Victor Vu. The judges will select the best project in Entertainment Film World to give the Producers’ Choice Award.

III. In Focus: Short film collection from Kaohsiung.

“Short film collection from Kaohsiung” is a collaboration between Autumn Meeting and Kaohsiung Film Archive. This program showcases 8 short films made by young Taiwanese filmmakers and funded by Kaohsiung Film Archive. Four representatives from Kaohsiung Film Archive and 4 young Taiwanese film directors will be invited to Ho Chi Minh City and Da Nang to present their films. They also join the panel discussion with other young Vietnamese filmmakers in the subject of “Establishing a filmmaker’s identity through short films”. The filmmakers are also invited to join Autumn Meeting’s activities and closing ceremony on November 16 in Da Nang.


IV. “Voices of Vietnamese Filmmakers” forums and convention.

“Voices of Producers” forum gathers well-regarded producers from Vietnam (see list in appendix) to discuss issues relating to their works. The anticipated topic for the forum this year is: “How to produce a high quality film with a low budget”.

“Voices of Directors” forum also welcomes the best Vietnamese directors (see list in appendix) to talk about the most essential aspects of their careers. Expected topic: “Establishing the Directors Guild of Vietnam”.

Convention –“Establishing a Da Nang – Hoi An International Film Festival – from the experience of professional film festival organizers around the world.”
AM and People Committee of Hoi An this year invites representatives, organizers, and managers from reputable Asian film festivals such as: Hong Kong Film Festival, Busan Film Festival, Fukuoka Film Festival as well as representatives of top international film festivals in the world: Cannes Film Festival, Berlin Film Festival, and Venice Film Festival to a convention with Da Nang, Hoi An government committee, travel agencies, and event organizers. This convention will focus on getting idea and creating a model for an international film festival in the area in the near future.

V. Autumn Meeting 2016 Awards.
One of the most important feature of AM is aiding young movie talents through awards. They are:

1. Autumn Meeting Grand Prix Award.
For the best project at Art-house Film Corner. The winner will receive a cash prize of $5,000 and an AM Grand Prix certificate. The winning director will use this money to continue developing their project until it becomes a feature film.

2. Producers’ Choice Award.
For the best project at Entertainment Film World. The winner will receive a cash prize of $3,000 and an AM Producers’ Choice certificate.

3. Short Film of the Future Award.
For the best project at the Directing Workshop. Young filmmakers will pitch the projects they’ve developed after the 6-day course before a judging panel led by director Tran Anh Hung. The winning entry will receive a cash prize, certificate, and an equipment package at AM Gala Screening and closing ceremony.

4. Emerging Star Awards.
For the best attendants in the Acting Workshop. There are:
- Best Actor Award (selected by judges).
- Best Actress Award (selected by judges).
- Best Actor Award (selected by audience).
- Best Actress Award (selected by audience).
Expected value of each award is $1,000.

VI. Gala Screening and Closing Ceremony.
A red carpet event will commence AM 2016 Closing Gala. Movie stars and valuable guests from within and outside of Vietnam will appear before the fans and audience. Here selected short films by previous Autumn Meetings attendants, exclusive works by 2016 Acting Workshop students and guest stars will be screened. The Closing Ceremony will see the awards (Autumn Meeting Grand Prix, Producers’ Choice, Short Film of the Future, Stars’ Choice, and Emerging Star Award) given to the best new faces of cinema. Last but certainly not least, this night will also be devoted in gratitude of the sponsors whose tremendous contribution has built and strengthened Autumn Meeting.

ลองเข้าไปติดตามภาคภาษาอังกฤษได้ที่นี่นะครับ

Thaksin Shinawatra in Private Discussion
World Policy Institute Global Leader Briefing Series Thinking Points
World Policy Institute, 9th March 2016, New York

———————————————————

Excellencies, Distinguished Guests, Ladies and Gentlemen,

I must thank you World Policy Institute for providing me an opportunity to share my thought on the challenges that revolve around the economic, regional and global implications of how Thailand will make its way through a period of transition and change.

We all know that no society in the twenty-first century can sustain any form of “progress” in the well-being of its people without at least two basic foundations:
The first one is political stability. The second one is the ability to create economic activities that allow growth and readiness to shift its creativities to sustain wealth.

Ladies and Gentlemen,

Let me tell you the tale of the two cities, which is not written by Charles Dickens. It is the tale of parallel progress of Washington D.C. and Beijing. Each has its own history, pain and loathing. As the years go by, the two cities have been seen as rivals which offers competing models for growth and prosperity.

One is Free Market-Capitalism with the so-called “Open Democracy” as the foundation of its economic model. The other one is State-Led Capitalism with the central control system by one party.

Both of the models have proven to be successful in a very dramatic way from the past to the present. Admitting that the Chinese model was fitting to the change of attitude among the leadership of the country at that time, in parallel with the change of economic model in the West, in which the definition of “free trade” benefits China’s shifting position from a close market to a semi-open market.

But we must admit also that both models are now having to adjust itself to the new reality; the reality of dramatic change in speed and character of technology for industrial production; the change from “a country-based product” to “network of global design, global sourcing,and global production for just one product”. This extraordinary change upends the “normal” internal economic adjustment of the country and made it very difficult to find a simple economic adjustment.

We must recognize that advancement in the wealth management technique and technology also upend the normal linkage between capital and changes in production. However, we probably agree, that one common threat for survival in this present so-called “New Normal” is either you have the ability and willingness to change or you don’t. Thailand, like the other countries, cannot get away from this New Normal in the international context.

Ladies and Gentleman,

There is a tale of a poor English teacher in China who soared to the list of the world’s wealthiest people. He neither built a big factory nor invested in any production facility. But, people paid for his service simply to reach the network of supply and demand on a grand scale. I believe, he must feel thank you to the internet.

Ladies and Gentleman,

Amid the global economic slowdown, the pattern of trade has significantly changed. Due to the development of information technology infrastructure and increasing number of population who is able to access to the internet, e-commerce has become a new engine that sustains growth for both developed and developing economies. According to UNCTAD’s report last year, the value of global business-to-business (B2B) e-commerce in 2013 exceeded $15 trillion USD. While global business-to-consumer (B2C) e-commerce still accounted for an estimated $1.2 trillion USD, this segment has grown at a rapid pace; especially in the Asia and Oceania region where B2C segment is expected to surge from 20 to 37 percent between 2013 to 2018. Due to the incremental growth of cross-border e-commerce trade, international postal deliveries of small packets and parcels have risen by 48 percent between 2011 to 2014 globally.

For both Asia and the West, I believe these numbers provide us with clues for the new growth opportunities where “access to networks” is the key: meaning, the networks of consumers and factors of production across geographical boundaries. Unlike the economy of twentieth century when “access to centers” is the rules of the game, today, businessmen who do not have big factories and are not the owners of multinational corporations, can manage to reach and satisfy the needs of their customers worldwide through networks of production and distribution with an assist of the new communication technology. Today’s economy is increasingly decentralized. Consumption and production are more and more dispersed. We could imagine that an American producers can sell their products online directly to consumers in the western part of China without having to spend business hours in Beijing or Shanghai. Vice versa, a Chinese producer can bypass New York to offer their products to customers in New England and Mid-Atlantic states. The network economy has provided the people, both in small and large businesses, with the ability to produce and access to consumers at lower costs. We, as a global community, must put special emphasis on how each country can invest and share risk with the people to create growth collectively.

Ladies and Gentleman,

Another tale is about the rebirth of a road that nobody cares since the Portuguese discovered a possible sea route from Europe to Asia. The Portuguese did offer an alternative trade route with substantial margins for the goods carried. Although you might lose half of the cargoes on the way, you still did not lose your shirt. Since the demand for spices were overwhelming, the merchant marines heavily charge everybody.

Ladies and Gentleman,

The heavy-load transport through the sea has been with us till now, and the land routes from Asia to Europe have been neglected. If the world’s economy is thriving like the good old days, probably, not so many people would be interested in finding an alternative in life. But, since the situation goes awry, I believe, any country should consider all possibilities.

Ladies and Gentlemen,

Today, there are two major initiatives that, I think, have great potential to accelerate growth and leverage “quality of growth” that brought into being by the emergence of network economy. One is the China-led “One Belt, One Road” (OBOR) plan to develop transport and logistics connectivity encompassed some 60 countries, which include about 50 percent of the world’s GDP. And, the other is the US-led Trans-Pacific Partnership Agreement (TPP) between 12 Pacific Rim countries, which account for more than 40 percent of the world’s GDP. I have not seen these two initiatives as antagonistic, but rather a kind of two parallel processes that, at a certain point, will create mutual economic benefits for Asia and the West.

We must overcome the stereotype that perceive China and the US as merely the two opposing political superpowers. In reality, the economic development during the past decade has shown us how far these two major economies are interdependent. China is the largest foreign holder of US government securities with $1.24 trillion USD worth. With the total trade volume of $521 billion USD in 2014, the US is China’s biggest trade partner. Total US foreign direct investment (FDI) in China stood at $65.77 billion USD at the end of 2014, while the Chinese FDI in the US is estimated to have reach $11.9 billion USD.

Given this interdependence in mind, I believe Southeast Asia- the region that sits in between the two great initiatives of the two major economies- must put special emphasis on how to enhance the mutual economic benefits with its counterparts. For Southeast Asia in the twenty-first century, the geopolitics should be about how to reinforce the networks of wealth creation for the people that stretch across national and regional borders.

Ladies and Gentlemen,

Let me tell you the last tale about a Thai restaurant. No matter how many times the master chef tries to teach his protege, the young man keeps making mistakes in mixing the ingredients. Customers are kept waiting, hungry and mad. Once the customers are served, half of them get diarrhea afterward. The moral of this tale is one must make the written recipe right.

Ladies and gentlemen,

While some people may underline the unique characteristics of Thailand in terms of its history and developmental path, the country itself cannot avoid to come to terms with the global challenges of the twenty-first century. For half a century, the Thai economy has incrementally integrated into global economy. Values of Thailand’s exports per GDP and FDI in the country have shown us clearly how far the growth of Thai economy has been interwoven with the fate of global economy.

Against this context, we shall consider Thailand’s draft constitution with a very simple question: will the latest draft constitution “enable” the country to grow and become stronger in the present world? Or, will the latest draft constitution provide Thailand with a sufficient institutional infrastructure for investment, production, cooperation, and businesses?

Ladies and Gentlemen,

Due to the framework set out by the latest draft constitution, it is difficult to foresee a government that is responsive to the people and the challenges of the twenty-first century. According to the new draft, the 200-seat upper house, or Senate, will be appointed by the so-called “experts”. The Senate will also have greater powers to block legislation. Regarding the Constitutional Court, its scope of jurisdiction will be expanded. The Court will have the power to examine cases based on petitions filed directly by individuals, without the requirement that an actual dispute being brought by political organs or other courts.

If we consider the doctrine of separation of powers as the foundation for growth and stability, the critical issue that we shall examine is whether the judicial power will trespass the provinces of legislature/ and executive or not? For a government to be able to manage the economy against the global slowdown, I do hope that there will be no over-enforcement of the judicial power. Experiences of several countries show us that, if unchecked, judicial review can be inappropriately used as “delaying tactic”; thus, in turn, become an impediment to economic policy implementation.

Ladies and Gentlemen,

I believe that the foundation for the country to create growth and prosperity is to build trust in the global community. The constitution shall protect the rule of law and provide at least a minimum level of freedom of speech that facilitates economic cooperation between the people and the global community. Trade and investment cannot flourish if there is no certain degree of confidence provided by the rule of law. Against the transition and change, Thailand must reevaluate its strength and weakness. The country shall find a sensible way to regain its political stability and economic dynamism. I have only proposed the way of how should we think of the phenomena that is the world today.

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権利表記：©2019-2020 Sony Interactive Entertainment Inc. DEATH STRANDING is a trademark of Sony Interactive Entertainment LLC. Created and developed by KOJIMA PRODUCTIONS. All trademarks are the property of their respective owners.
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PS4「CONTROL（コントロール）」プレイ動画
プレイリスト→https://www.youtube.com/watch?v=iUUjjQwbEVc&list=PLls0AGjBRtKKJAu4rX9sfogoHz58wM9b6

Developed by Remedy Entertainment, Plc. Published by 505 Games. Licensed to and published in Japan by Marvelous Inc. The Remedy logo and Northlight are trademarks of Remedy Entertainment Oyj, registered in the U.S. and other countries. Control is a trademark of Remedy Entertainment Oyj. 505 Games and the 505 Games logo are trademarks of 505 Games SpA, and may be registered in the United States and other countries. All other marks and trademarks are the property of their respective owners. All rights reserved.

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