[RESEARCH SERIES] KHI NHÀ KHOA HỌC CẦU HÔN...
Hôm trước chị đọc đâu đó comment rằng, học nghiên cứu làm khoa học rất khô khan, nên hôm nay phải share ngay với mọi người series này. Ngoài những cách thông thường, nhà khoa học đôi khi còn tỏ tình và cầu hôn qua chính các công trình nghiên cứu của mình, qua các bài publication.
Người tiên phong trong xu hướng này có lẽ là Caleb Brown, nhà khảo cổ học tại Bảo tàng Cổ sinh vật học Hoàng gia Tyrrell, Canada. Trong bài báo “A New Horned Dinosaur Reveals Convergent Evolution in Cranial Ornamentation in Ceratopsidae” đăng trên tạp chí Current Biology vào tháng 6/2015, Caleb Brown và đồng nghiệp công bố phát hiện về hóa thạch một loài khủng long có sừng mới, đặt tên là Regaliceratops peterhewsi: https://www.sciencedirect.com/.../pii/S0960982215004923
.
Do đây là bài báo đầu tiên mô tả về loài khủng long này, Caleb Brown biết rằng công trình của mình sẽ được trích dẫn và nhắc đến nhiều trong tương lai. Nhân cơ hội này, Caleb Brown đã cầu hôn bạn gái Lorna O’Brien, đồng nghiệp làm việc cùng bảo tàng, trong phần Acknowledgements do anh muốn lời cầu hôn trở thành bất tử như chính công trình nghiên cứu của anh và những hóa thạch mà anh tiếp xúc hàng ngày.
Caleb Brown đã rất may mắn và hạnh phúc khi câu trả lời của bạn gái anh là “Yes”.
Đấy nhà khoa học cũng lãng mạn theo cách của riêng mình mà nhỉ :v
FYI: Nhờ TS Dương Tú mà chị mới tìm thấy 1 series những nhà khoa học cầu hôn như này mọi người ạ :v, có nên share tiếp không ta? :))))))
❤ Like page, tag và share cho bạn bè cả nhà nhé ❤
#HannahEd #duhoc #hocbong #sanhocbong #scholarshipforVietnamesestudents
同時也有3部Youtube影片,追蹤數超過3萬的網紅National Palace Museum國立故宮博物院,也在其Youtube影片中提到,展期: 2020/8/21-2020/11/8 地點: 新竹241藝術空間 Date: August 21~November 8, 2020 Venue: Hsinchu 241 Art Space 本展以古今對照詮釋動物在形態、歷史、生態的流轉,並連結到當代生活,從藝術x科技x自然的連結打開認...
「acknowledgements」的推薦目錄:
- 關於acknowledgements 在 Scholarship for Vietnamese students Facebook 的最佳解答
- 關於acknowledgements 在 Facebook 的精選貼文
- 關於acknowledgements 在 Facebook 的最讚貼文
- 關於acknowledgements 在 National Palace Museum國立故宮博物院 Youtube 的最佳解答
- 關於acknowledgements 在 National Palace Museum國立故宮博物院 Youtube 的最佳貼文
- 關於acknowledgements 在 Ocean拍片教學 Youtube 的最讚貼文
acknowledgements 在 Facebook 的精選貼文
Haru✨
我是一個經常質疑自己的人
我知道自己很多不足
我也毫不放過自己
常常對自己很苛刻
過分地把自己擠壓
我曾經很不喜歡自己性格𥚃的這一點
可是原來也正因為這一點
教我懂得虛心欣賞別人的優點
當我決定要成立自己公司的時候
曾經很擔心
「我一個人承擔得到嗎?」
然後你們告訴我
「你不是自己一個人呀!」
我知道我不需要是最武藝高強
我只需要知道
我們團隊雖小
其實各有所長
而我珍惜你們每一分力量
在我最質疑自己的時候
在我最沒有自信的時候
你們沒有質疑我
一直衷心相信我
謝謝你們跟我一起
由這裏起步
淺白開自好
Cast
The Boy | Will Or 柯煒林
The Girl | @wingcwh
The Cat|David Leung
The Mind | Kay Tse
Producer | @kaytse
Director| 陽光女孩躁鬱症
Assistant Director| @wingcwh
Production Manager| @bread_shuen
Production Assistant|Nobear / @wingyanw
Director of Photography |Liknifena
2nd Camera Operator| Mix Chan / @herbzi.leaf
BTS Camera Operator | @waiwai_t
Drone Photographer|Man Siu Lun
Gaffer|@bunchan1221
Lighting Assistants|Edwin Tam / Lau Ka Lok
Art Director| StoryTeller 說故事 @a_slow_soul
Assistant Director| @isaac.spellman @everyone.is.storyteller
Art assistants / Props Makers| @lester_m_shing / Jacky Leung
Story Writers| Kay Tse / Liknifena / Wong Man Wai / @a_slow_soul / @wongyuehang2047
Editor|Liknifena
Colorist |@wingcwh
CG Editor|Clarice Yip
Title & Typography Design|Third Paragraph
Graphic Designer | @floydnimbus
Make-up Artist|@kriswong.520
Hair Stylists|@hairby_cooney / @singsing113
Wardrobe Sponsors|
Ports 1961
Maje
Tak L.
Still Photographer | @saladd
Marketing Director | @_brienneip_
Personal Assistant | @tata226
Artist Management |
@light_white_studio (Kay Tse)
@blacklighthk (Will Or)
Acknowledgements |
@zapjok Lo Dai
@koke.lab.hk
@moon.sland
@onemouthli
@mateusz_kolek
@boconcepthk
@klip_lifestyle
Silkbond
@analog_dept_records
#kaytse #謝安琪 #haru #離不開
#lightwhitestudio #淺白本部
acknowledgements 在 Facebook 的最讚貼文
The Nature
在夏至來臨的下雨天
一起感受大自然的療癒力量
好好陪伴工作中的你
⛰🌿☀️🕊🌻
Cast
The Boy | Will Or 柯煒林
The Girl | @wingcwh
The Cat|David Leung
The Mind | Kay Tse
Producer | @kaytse
Director| 陽光女孩躁鬱症
Assistant Director| @wingcwh
Production Manager| @bread_shuen
Production Assistant|Nobear / @wingyanw
Director of Photography |Liknifena
2nd Camera Operator| Mix Chan / @herbzi.leaf
BTS Camera Operator | @waiwai_t
Drone Photographer|Man Siu Lun
Gaffer|@bunchan1221
Lighting Assistants|Edwin Tam / Lau Ka Lok
Art Director| StoryTeller 說故事 @a_slow_soul
Assistant Director| @isaac.spellman @everyone.is.storyteller
Art assistants / Props Makers| @lester_m_shing / Jacky Leung
Story Writers| Kay Tse / Liknifena / Wong Man Wai / @a_slow_soul / @wongyuehang2047
Editor|Liknifena
Colorist |@wingcwh
CG Editor|Clarice Yip
Title & Typography Design| Third Paragraph
Graphic Designer | @floydnimbus
Make-up Artist|@kriswong.520
Hair Stylists|@hairby_cooney / @singsing113
Wardrobe Sponsors|
Ports 1961
Maje
Tak L.
Still Photographer | @saladd
Marketing Director | @_brienneip_
Personal Assistant | @tata226
Artist Management |
@light_white_studio (Kay Tse)
@blacklighthk (Will Or)
Acknowledgements |
@zapjok Lo Dai
@koke.lab.hk
@moon.sland
@onemouthli
@mateusz_kolek
@boconcepthk
@klip_lifestyle
Silkbond
@analog_dept_records
#kaytse #謝安琪 #haru #離不開
#lightwhitestudio #淺白本部
acknowledgements 在 National Palace Museum國立故宮博物院 Youtube 的最佳解答
展期: 2020/8/21-2020/11/8
地點: 新竹241藝術空間
Date: August 21~November 8, 2020
Venue: Hsinchu 241 Art Space
本展以古今對照詮釋動物在形態、歷史、生態的流轉,並連結到當代生活,從藝術x科技x自然的連結打開認識「藝獸」的新視野。
This exhibition juxtaposes the ancient and modern to explore the changes in the form, history, and ecology of animals, and proceeds to link these to contemporary life using art, technology, and nature, thereby creating a new perspective by which viewers can appreciate artistic beasts.
「藝想獸譜─故宮x新竹241新媒體藝術展」將首度展演故宮的「數位獸譜」,不但以新媒體藝術翻轉院藏書畫中的動物,本次更首度邀請新竹市立動物園的動物成員,一同打造古今x虛實的數位獸園。
This exhibition, Bestiarum Vocabulum: NPM x Hsinchu 241 New Media Art Exhibition, marks the debut of the “Digital Bestiary” created by the National Palace Museum, which employs new media art to provide a fresh perspective on the animals depicted in the painted scrolls of the Museum collections. In addition, this exhibition has also invited the Hsinchu Zoo for a first-time collaboration on a digital zoo that combines ancient, modern, real, and imaginary elements.
本展將透過「按圖索獸」、「藝獸誕生」、「藝想生態」三大主軸,探索故宮的動物圖像從古代的卷軸冊頁轉譯至當代的投影布幕,從畫筆變換至新媒體所累積的形態萬千,如何與當代視角連結,成為藝想天開的「獸譜」。「按圖索獸」以〈坤輿全圖〉為揭幕,一窺清宮對歐洲自然史和動物史知識的傳播與演繹,展出「南懷仁的坤輿世界」擴增實境,以17世紀時代視角的「異獸」,開啟本展序幕;該區特別以新竹市立動物園中的「現代動物」與院藏動物圖像中的「歷史動物」展開創意互動對照。
Through three primary themes, “Finding Beasts with the Aid of Drawings,” “The Birth of Artistic Beasts,” and “Ecosystems of Artistic Imagination,” this exhibition explores the process of how animal drawings on ancient painted scrolls and albums are transferred to modern screens, and how new media can replace paintbrushes to generate myriad creative effects that integrate with modern perspectives to produce a bestiary of phenomenal artistic imagination. “Finding Beasts with the Aid of Drawings” opens with the Kunyu Quantu (Great Universal Map), offering a glimpse of how knowledge of European natural history and zoological history spread in the Qing Court and how this information was interpreted. The augmented reality work, The Universal World of Ferdinand Verbiest, is displayed here, and presents the 17th century view of rare beasts as an opening prelude to this exhibition. This section also includes a collaboration with the Hsinchu Zoo to provide a creative interactive comparison of modern animals in the Zoo with the historical animals depicted in works from the Museum collections.
工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer 院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/余佩瑾 Yu, Pei-Chin
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展人Curator/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵、陳曜瑋Huang Ching-Chiu, Huang Yu-Han
設計與施作 Design & Construction
西米創意設計有限公司Cmie Design
鳴謝 Acknowledgements
新竹市政府 Hsinchu City Government
acknowledgements 在 National Palace Museum國立故宮博物院 Youtube 的最佳貼文
「一場虛實之間的藝術漫遊」
“An artistic journey that transcends the tangible.”
「揭開東西藝術史VR敘事」
“Witness the history of eastern and western art in VR.”
「國際博物館尖峰交會,探索VR未來之境」
“Internationally prestigious museums join forces to create a VR odyssey.”
「故宮南院奇幻嘉年華:21 世紀博物館特展」為故宮邀集法國羅浮宮、英國泰特現代藝術館、法國橘園美術館、德國舊國家美術館、捷克慕夏基金會共同策劃,即將帶給大家一場虛實整合的文明奇幻之旅!
A CARNIVAL OF FANTASIES: A Special Exhibition of 21st Century Museums at the Southern Branch of the NPM is co-organized by the National Palace Museum (NPM), Musée du Louvre, Tate Modern, Musée de l'Orangerie, Alte Nationalgalerie, and the Mucha Foundation. It will soon send you on a fantastic journey through civilization across the physical and virtual realms.
嘉年華 (Carnival) 廣泛代稱慶典,源自中世紀 「狂歡節 」。屬於東方的歡樂節慶,可在歷代風俗畫中窺見,而 20 世紀蘇聯思想家巴赫金認為 「狂歡節 」亦是一場精神感官的釋放,呼應本次策展以 「新媒體藝術 」獻給觀眾一 場穿梭文明珍奇的 「幻境狂歡 」。本展除了呈現故宮近年屢獲國際大獎的虛擬實境、擴增實境及混合實境,更結合 來自多座世界頂尖博物館的精彩虛擬實境製作。展覽以故宮近年豐碩的新媒體藝術為主軸,規劃 「璀璨光河 」 、 「故宮啟航 」 、 「羅浮宮驛站 」「美學世界 」四大展區,展覽更以 「奇」字象徵博物館的珍奇藏品,「幻」字則開展科 技世界下的虛擬幻境,交織一場虛實共舞的流動盛宴。
The word "carnival" originated from the medieval period and is widely used to mean "celebration," while festivals in the East can also be found in genre paintings throughout history. Mikhail Bakhtin, the 20th Century Soviet philosopher, believed that "carnivals" were a release of the spirit and senses. Bakhtin's ideas cohere nicely with the exhibition theme as new media art brings visitors a perception of illusion and polysensory experiences. In addition to presenting the National Palace Museum's award-winning virtual reality (VR), augmented reality (AR), mixed reality (MR) programs and other new media artworks, the exhibition will also feature incredible virtual reality experiences from leading museums around the world. This exhibition is divided into four sections: "River of Time," "NPM Voyage," "The Louvre Station" and "Aesthetic World". The other worldly features of the exhibited works are also embedded in the exhibition's Chinese title, with the word " 奇 " symbolizing the museum's rare and invaluable collections, and the word " 幻 " referring to the virtual fantasies created with modern technology.
工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer
院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展執行 Exhibition Executive/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵 Huang Ching-Chiu, Huang Yu-Han
南院處 Southern Branch of National Palace Museum
處長Chief Curator/彭子程 Peng Tzu-Cheng
科長Section Chief/于秉儀Yu,Biing-Yi
助理研究員 Assistant Curator 鄭莉蓉 Cheng, Li-Jung
助理研究員 Assistant Curator 羅勝文 Lo Sheng-Wen
設計與施作 Design & Construction
安益國際展覽股份有限公司Interplan International Design
鳴謝 Acknowledgements
HTC VIVE Arts
Cécile Debray
Marcus Mucha
Dominique de Font-Réaulx
Yann Le Touher
Adrien Franceschi
Katie Durand
Sophie Parkin
Emissive Studio
GebruederBeetz
Lucid Reality
acknowledgements 在 Ocean拍片教學 Youtube 的最讚貼文
友聯花牌是香港長洲的碩果僅存兩間花牌公司之一。老闆陳生和員工阿細是認識多年的朋友。兩人際遇雖然不同,卻在幾年前又走在一起工作。本片為「采風電影有限公司」所舉辦的「紀錄片大師班2014」的畢業作品。
導演
何天瀛、張潔茵
攝影
張潔茵、何天瀛
剪接
何天瀛
字幕
高子珺、張潔茵
導師
張虹老師、林偉鴻老師、李嘉驊老師、李中旺老師、應亮老師
鳴謝
陳愛民先生、陳志偉先生、友聯花牌、范永熙、采風電影有限公司、紀錄片大師班2014、長洲居民、明暉營
Directed by
Ocean Ho, Gloria Cheung
Camera
Gloria Cheung, Ocean Ho
Editor
Ocean Ho
Subtitles
Sally Ko, Gloria Cheung
Instructors
Tammy Cheung, Augustine Lam, Chia-Hua Lee, Jong-Wang Lee, Liang Ying
Acknowledgements
Oi Man Chan, Chi Wai Chan, Yau Luen Flower, Banner, Fan Wing Hei, Visible Record Ltd., Young Talent Training Camp, Cheung Chau residents, Ming Fai Camp
#影片製作
acknowledgements 在 acknowledgement - Yahoo奇摩字典搜尋結果 的相關結果
acknowledgement · n. 承認;確認通知 · npl. 鳴謝 ... ... <看更多>
acknowledgements 在 GUIDELINES FOR WRITING ACKNOWLEDGEMENTS - ELC ... 的相關結果
Acknowledgements enable you to thank all those who have helped in carrying out the research. Careful thought needs to be given concerning those whose help ... ... <看更多>
acknowledgements 在 如何撰寫研究英文論文的致謝辭(acknowledgements)? 的相關結果
標題 · 無須標題(致謝辭是列於註腳中) · 使用Acknowledgements(適用於多數列於參考文獻前的致謝辭) · 使用單數的Acknowledgement(某些參考文獻前的致謝 ... ... <看更多>