「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有2部Youtube影片,追蹤數超過4萬的網紅Dd tai,也在其Youtube影片中提到,棠樾牌坊群,位於安徽省歙縣鄭村鎮棠樾村東大道上,為明清時期古徽州建築藝術的代表作。棠樾的七連座牌坊群,不僅體現了徽文化程朱理學“忠、孝、節、義”倫理道德的概貌,也包括了內涵極為豐富的“以人為本”的人文歷史,同時亦是徽商縱橫商界三百餘年的重要見證。每一座牌坊都有一個情感交織的動人故事。乾隆皇帝下江南的...
周 深 十 七 孔 橋 在 Facebook 的最佳解答
疫情爆發以來,藝術家能做的事不多,平常就閉關在家其實挺習慣,但是總想為社會做些事、幫上忙,想了半天安撫人心也許還行吧!於是另一本「地獄空」將趕在中元普渡八月初出版上市,由典藏出版社社長發心首肯出版,設計名家黃子欽操刀,附贈很多符咒給大家趨吉避凶。諸惡莫作,眾善奉行,疫情消退,平安喜樂。附上後記給大家解封後參訪這些宮廟,觀照自己的心所。全文如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鐘情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢「巨神連線」,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒…總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鸞堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山…)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開郎基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘糟屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截…等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄…兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼…等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石…小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭…等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮…等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤…等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍…等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據「十八泥犁經」記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
周 深 十 七 孔 橋 在 基隆好議員 鄭文婷律師 Facebook 的最佳貼文
4月2日 #台鐵太魯閣號 發生出軌事件,當時我正在南榮公墓協勤消防局每年固定的供水服務,適巧總隊長帶領許多義消弟兄們來探班,他們告訴我們太魯閣號發生意外,局長及許多打火兄弟臨時趕回局裡整裝準備出發到花蓮協助救災工作,這就是我一直以來認識的消防弟兄,有災難發生的時候,一定立刻放下手邊的工作趕赴救災現場。
幾天後從新聞媒體上看到法院讓包商 #義祥工業社 負責人 #李義祥 交保,當時我心中碎念著讓這個人交保後,是不是就正好讓他去脫產呢?隔天從媒體上得知檢察官抗告成功,順利讓李義祥收押,當時我還在想著地檢署能夠以這樣迅雷不及掩耳的速度補強證據,維護正義的精神,確實令人感動。至於花檢的檢察長 #俞秀端 雖說在我20多年的執業生涯中,不時會聽聞到他的名字,但老實講印象也僅止於認真辦案,勿枉勿縱而已。
這幾天看到作家 #須文蔚 撰文對她的描述,著實讓我打從心底佩服她,我想這樣勵志的故事是值得讓我們大家多多認識這位 #霹靂女檢座,因為我深信相較於政治口水我們的社會會更愛這樣的感人故事!
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以下引用作家須文蔚的文章
▍焦炭能熔融黑金──霹靂女檢座俞秀端
須文蔚 撰寫
[前言]這幾日看見花蓮地檢署檢察長俞秀端堅毅的身影,拖著傷痛的腳處理太魯閣列車事故。特別是堅持抗告,讓花蓮高分院撤銷交保裁定發回重裁,花蓮地方法院裁定李義祥羈押禁見。這就是我心目中的英雄!
請傳閱分享俞秀端的故事。
我們要真相!請大家支持俞秀端檢察長!
▎崩塌的青春礦坑
一九九二年冬天,俞秀端在台大醫院十二樓的病房看著窗外,夜色像散戲時舞台大幕匆匆遮蔽一切,不遠處的汽車、路樹、建築一瞬間都塌陷在黑暗中。才二十六歲的她,罹患紅斑性狼瘡已經十六年,數不清的急診、住院、化療,別人的青春是充盈著戀愛、事業與歡笑的礦藏,而她的青春礦坑裡不但空空如也,更不斷發生災變,把她埋進了暗無天日的地層深處。
她剛剛做完關節固定術,把關節裡損壞的組織切除。骨科醫生安慰她:「手術後,走路會較不方便,以後能站就不要走,能坐就不要站,能躺就不要坐。」她完全不知道還有什麼幸福可言?化療讓她掉光了頭髮,長期服用類固醇,使得一張臉臃腫不堪。動過手術後可以拄著柺杖走路,但是免疫力過低,無法癒合的傷口,彷彿呲裂的大嘴,嘲笑著她。
十歲發病後,生活裡總是充斥著血色。她因為血小板過低,經常流鼻血,鮮紅的鼻血繼續淌著,一、兩個小時都停不下來。好幾次,老師只能匆匆忙忙去叫媽媽,要媽媽趕快送她到大醫院。
病房從此成為看守所。她沒有犯錯,循規蹈矩過日子,但每隔一陣子總是會「再犯」。有位醫生看過驗血報告後,憂心忡忡地告誡:「要小心,如果自發性出血在腦部,那就是中風。」在沒有全民健保的年代,要維護她懸絲般的性命,父母只能舉債來付醫藥費。雪上加霜的是,一九七八年礦場倒閉了,十三歲就當礦工的父親讓老闆倒了好幾個月薪水,母親為了生活只得去找親戚借錢,父親覺得沒面子,於是經常爭吵。國一的她決定休學,早上跟父親去市場賣菜,下午到工廠做工,裁縫、平車、高周波……什麼工作都不拒絕。到國中補校復學,考上北一女夜補校,從中興法商法律系前五名畢業,卻完全沒有體力考高考。她咀嚼苦澀到二十六歲,從樂天知命,到全然絕望。
俞秀端望著已經黑暗下來的街景,窗戶上、病房裡,慘白的燈光映照出她憎恨的自己──乾枯的假髮,浮腫的臉龐,沒有表情的面孔。她問影中人:「如果是這種毫無品質、看不見未來的生活周而復始,那麼生命該不該繼續?」無助的她,接連好幾天都想著:「該不該打開窗,往下跳?」
▎溫情打開心內的門窗
妹妹俞秀美調皮的笑容突然出現在鏡子一樣的窗上,這個也想當律師的妹妹,始終陪伴在身邊,在她不良於行的時候,當她的雙腳。
俞秀端望著妹妹北一女的制服,想起自己也穿過一樣的綠衣黑裙,只是學號不是金黃色,而是白色的。日間部早上八點上課,下午四點下課。她則是準時結束工讀,下午五點上課,晚上九點半下課。就在北一女夜補校,她遇見了簡易老師。
高三的三民主義,本以為是一門八股的課程,沒想到簡易卻火力四射,又有深刻的內涵。不管是民主、憲政制度的講解,或是資本主義與社會主義的差異,簡易把政治哲學的精要條陳縷析;舉的例子,多半都是時事的、批判的政治衝突事件,尤其是民主戰車朱高正。
對乖乖牌俞秀端而言,實在很難忍受有人可以搶麥克風,拉扯其他的民意代表,但是簡易總愛質問她們:「如果有一個人,他打了你一巴掌,又踹了你好幾下;結果盛怒之下的你回了一巴掌。可是媒體偏偏只報導你打人,你們覺得公平嗎?」
「公平嗎?」這句話好像一巴掌,敲在她不經世事的心靈,讓她隱隱作疼的覺得:正義不是那麼單純,事情不能夠只看片面。簡易更經常鼓勵選擇社會組的學生讀法律和政治,因為台灣要民主,要多一些青年去投身新秩序的建立,本來就想當律師的她,自然更認同了這條道路。
秀美要離開病房前,從帆布書包裡,拿出一張卡片,晃啊晃在她眼前:「誰寄來的?是情書嗎?」
她一把搶過來,從方正而陽剛的字跡上,判斷應當是簡易老師。其實同學們並不知道,簡老師和她同病相憐,私底下總不斷為她打氣。知道她住院,特別叮嚀:「秀端,你一定要讓自己覺得,你會跟別人不一樣。不要覺得別人生病了會衰弱、癱瘓或死亡,你就一定也會步上同樣的路。記得,你、我都是獨一無二的。」
俞秀端望著妹妹離開病房的背影,突然好想和她一起闖進司法界。父母、家人和老師們的關愛,就是治癒她絕望的藥方。
她決定從坍塌的礦坑中打開一個出口,讓陽光照進來。
▎窮人也應該得到公平的待遇
二○○一年冬天,俞秀端在台北地檢署的辦公室裡,斟酌一個竊盜案件,究竟還要不要調查下去,還是乾脆起訴算了呢?
案情很簡單,一個有竊盜前科的嫌疑人,偷了一台速利車的車牌,遭到逮捕後,辯稱是車主要他去拆解的,可是車主卻向警方表示,並不認識嫌疑犯。像這樣的案子,對任何一個檢察官來說,不過是一個月上百件新收案件中的其中一件,辦大案讓人亢奮,小案件總難獲得關注。這個案子已經開很多次庭,嫌疑犯沒有錢和解,沒有錢繳交罰金,但又找不到他口中的車主「阿雪」。或許是嫌疑犯很誠懇,讓她覺得事有蹊蹺,讓案件淹沒的心告訴她:「應該趕快起訴結案,這樣的證據一定會判有罪!」但她不打算聽話。
她也沒有聽爸爸、媽媽的話去當律師,賺大錢,改善家計,而是選擇了累人的司法官。一九九五年她切除了脾臟,從此讓脾臟不再去破壞血球。病情穩定後,定下心準備考試,先後通過土地專業代理人、公務員高等考試、律師高考及司法人員特考,隨後接受第三十五期司法官訓練;一九九七年底分發到台北地方法院檢察署擔任檢察官。究竟一個竊盜前科犯偷了一張車牌的小案子,為什麼會讓她斟酌這麼久?
辦公室裡同事走動著,成堆的卷宗上面傳來彷彿市集的喧囂聲。她想起國中休學後和爸爸在板橋賣菜,有一個地痞流氓經過攤子,順手拿起一把菠菜問道:「一把多少錢?」
「一斤三十塊。」
「拜託,怎麼會這麼貴!」
「你看!」秀端爸爸得意拿起新鮮的菠菜:「尚青的!一點也不貴。」
「幹,你賣菜為什麼要幹譙人?」他拿起攤位上用來切冬瓜用的長刀,作勢要砍父親。
「冤枉啊!我沒講啊……」父親忙著解釋,旁邊的鄰居也趕緊過來阻止這個挑釁者。俞秀端躲在父親的身後,用手貼著他的背,由於緊張,可以感受到平日堅毅的父親在刀光下,還是忍不住顫抖著。
流氓看到父女倆蒼白著臉,看看四周趕來助陣的攤販,冷笑一下,放下刀,就揚長而去。俞秀端心裡感覺莫名的屈辱,她吶喊著:「為什麼善良的人,竟然要無端接受挑釁與欺負?難道只能束手無策,就因為我們只是個小老百姓?窮人也應該得到公平的待遇啊!」
回過神,她重新分析速利車牌失竊的案子。
速利是裕隆汽車在一九七四年推出的國民車,到了九○年代末早就在道路上絕跡了。嫌疑人一再強調,是一位快搬家的女性車主阿雪,要報廢汽車,於是交給他一把起子,要他在三重市的某個街角取下車牌。當他拔起車牌,卻讓一個男性車主扭送警局,警察完全不採信嫌犯的供詞。開了很多次偵查庭,就是沒有定論。俞秀端靈機一動,從嫌犯的供詞中整理出幾條線索:那個區域有沒有一位叫阿雪的中年婦人剛搬走?阿雪的名下有沒有一台速利轎車?
三重管區的警察並沒有因為這件案子小,就怠忽職守。經過挨家挨戶的訪查,真的找到阿雪,也證明嫌犯所說的都是真的,一切都是誤會。在偵查庭上,俞秀端看著阿雪,心裡想著:「好險,檢察官真的是人,不是神。」隨即做成不起訴處分書,避免了一場冤獄。
她把速利車牌竊盜案的不起訴處分書寫好,蓋了章,掩起卷宗。走出地檢署時,打算快步回家,抱抱孩子,講一個醜小鴨變天鵝的故事給他聽。
▎焦炭也能熔融黑金
三十五歲的俞秀端並沒有料到,還有更多的重大案件與風暴等著她。在司法改革的風潮下,她成為最先實踐交互詰問制度的檢察官,幫司法院拍過交互詰問的示範影片。她在北投纜車案,成為第一個偵訊馬英九的檢察官。她也沒有想到,日後會起訴內政部次長,甚至當選十大傑出青年,備受媒體注目。
二○○七年初爆發震撼社會的力霸案,當時在台北地檢署忠組的俞秀端專辦黑金貪瀆。她很快就發現王又曾的兒子王令麟不但是力霸案共犯,同時也有掏空東森集團的嫌疑,於是積極展開偵辦。
一個女子擔任檢察官,除了要有福爾摩斯的精明,更需要有不畏強權的勇氣。六月十四日,俞秀端和其他幾位檢察官合作,一共發出二十九張搜索票,上午八點帶領檢察事務官、調查員兩百人同時分頭進擊,在東森集團的關係企業辦公室、王令麟的住家等地進行搜索。
俞秀端很快從複雜的企業會計資料中抽絲剝繭,認定這位擔任過立委的富商確實涉嫌掏空企業,於是連夜向法院聲請羈押。經歷一個晚上的辯論,王令麟幾度落淚,爭取法官的同情,沒想到在十六號的清晨八點,地院做出准許王令麟以新台幣一億元保釋金交保的裁定。既失望又憤怒的俞秀端回家簡單梳洗一下,急忙又進了辦公室,在不知裁定書內容的狀況下,寫抗告書。
抗告書在十六日中午前就寫好,送進高等法院,她繼續找證據、傳證人。沒多久,收到地方法院的裁定書,於是繼續寫抗告補充理由。寫到一半,已經擔任法官的俞秀美很貼心地送晚餐來,給姊姊打氣。一路加班到晚上十點鐘,疲倦不堪的俞秀端在卷堆中接到先生打來的電話:「弟弟發燒,快要三十九度了。」
忙著手邊案件的她無神地問:「那怎麼辦?」
先生淡淡說:「我已經帶他去看醫生了,你去忙吧。」
掛下電話,俞秀端的眼淚止不住掉下來。
十七日一早傳來好消息,台灣高等法院撤銷地院准予交保的裁定。俞秀端創下司法史上「即時抗告」的紀錄,在二十四小時內逆轉了法院的裁定,讓台北地院必須再開庭審理,把已經步出看守所的王令麟,以犯罪嫌疑重大且有串證及湮滅證據之虞,諭令羈押禁見。
由於能夠順利收押王令麟,東森案的偵辦就勢如破竹,最後證實王令麟、王又曾、其親屬與集團幹部涉嫌重大,共同掏空力霸集團與東森國際資產新台幣四一二億元。
在八月十三日下午台北地檢署的記者會上,台北地檢署襄閱主任檢察官林錦村面對閃個不停的照相機,和十幾台即時轉播的攝影機,向全國關心本案的民眾朗朗宣讀起訴書的重點,痛批王又曾父子是一丘之貉,視國家法律如敝屣,對東森集團總裁王令麟具體求刑二十八年,併科罰金十億元。
林錦村對記者說,承辦這個案子的俞秀端檢察官嫉惡如仇、辦案嚴謹,聲押被告的獲准率很高。他指了指堆滿記者會現場卷宗的資料,提醒大家,別忘了俞檢座是一個孩子的母親,從一月到八月,從力霸案到東森案,她帶領的團隊一直沒有休息過。為了趕辦東森案,俞秀端曾經五天睡不到二十個小時,三歲的兒子有次凌晨醒來,看見突然回家的媽媽就撒嬌說:「媽媽都不陪我,是不是不疼我了?」
坐在一旁的俞秀端彎下腰,不想讓攝影機和照相機拍到她的眼淚。現場的記者受到感動,紛紛放下手中的筆和相機,報以熱烈的掌聲,向這位從沒落的煤礦山區走向台北的「霹靂女檢座」致敬。
在掌聲中低調躲開鏡頭,這位貌似研究生、清秀與溫婉的女檢座,其實像煤炭一樣,給地熱煎熬了漫長時光,雖然貌不驚人,但燃燒起來,卻能夠熔融鋼鐵。面對黑金,她更有著無比的堅毅與細緻,讓世人見識到:正義有著無堅不摧的力量。
▍人物小傳
俞秀端(一九六六年~),出生在台北縣雙溪鄉的礦工家庭。一九七五年罹患紅斑性狼瘡,國一就因健康因素休學,陪父親賣菜,到工廠做工。積穗國中補校、北一女中補校、中興大學法律系畢業。沒有因為病痛而放棄她的理想,一九九五年先後通過土地專業代理人、公務員高等考試、律師高考及司法人員特考。通過第三十五期司法官訓練後,一九九七年底分發到台北地方法院檢察署擔任檢察官。先後擔任過婦幼專組、檢肅黑金及重大經濟犯罪專組檢察官、基隆地檢署主任檢察官、台北地檢署主任檢察官,法務部長辦公室主任檢察官,現擔任花蓮地檢署檢察長。曾偵辦信義區電梯之狼案、國華人壽違法貸款案、中興銀行王玉雲父子違法放貸案、力霸弊案、台北市道路維護工程官商勾結弊案、北投纜車弊案,都以無比魄力,深獲社會矚目,二○○五年榮膺中華民國十大傑出青年。
周 深 十 七 孔 橋 在 Dd tai Youtube 的最佳貼文
棠樾牌坊群,位於安徽省歙縣鄭村鎮棠樾村東大道上,為明清時期古徽州建築藝術的代表作。棠樾的七連座牌坊群,不僅體現了徽文化程朱理學“忠、孝、節、義”倫理道德的概貌,也包括了內涵極為豐富的“以人為本”的人文歷史,同時亦是徽商縱橫商界三百餘年的重要見證。每一座牌坊都有一個情感交織的動人故事。乾隆皇帝下江南的時候,曾大大褒獎牌坊的主人鮑氏家族,稱其為“慈孝天下無雙裡,袞繡江南第一鄉”。 1996年,棠樾牌坊群被國務院公佈列為第四批國家重點文物保護單位。棠樾牌坊群結構佈局都採用嚴格的中軸對稱手法,給人以穩重感,在視覺的焦點處加以強調,精心雕刻。牌坊群兩側保留了永久農田,四周沒有構造物,遠眺牌坊群,七座牌坊仿佛從農田“拔地而起”,顯得格外突出。牌坊群位於棠樾村口,其周圍的農田、樹木、池塘、河流及人工環境(如古橋)等構成了完整的村落外部環境,反映了古代村落選址、建設所遵循的因地制宜、人與自然和諧共生的原則。棠樾牌坊群是明清時期建築藝術的代表作,雖然時間跨度長達幾百年,但每座牌坊的建築風格確混然一體。歙縣棠樾牌坊群一改以往木質結構為主的特點,幾乎全部採用石料,且以質地優良的“歙縣青”石料為主。這種青石牌坊堅實,高大挺撥。既不用釘,又不用鉚,石與石之間巧妙結合,可曆千百年不倒不敗。
黃山呈坎,又名八卦村。被朱熹譽為“呈坎雙賢裡,江南第一村”,位於黃山市徽州區北部,距205國道僅5公里,為呈坎鎮政府所在地、現有人口2700餘人。呈坎古名龍溪,自唐末江西南昌府秋隱、文昌羅氏二兄弟舉家遷此“擇地築是而居”易名呈坎以來,已有一千多年歷史,是我國當今保存最完好的古村落之一。其依山傍水,融自然山水為一體,二圳五街九十九巷,聚集著不 同風格的亭、台、樓、閣、橋、井,祠、社及民居,全村現保存著明清建築100餘處,其中有羅東舒祠、長春社、羅潤坤宅等國家和省級文物保護單位3處,精湛的工藝和精美的石雕、磚雕、木雕、彩繪將徽州古建築藝術的古、大、美、雅體現得淋漓盡致。被中外專家和遊人譽為“中國古建築藝術博物館”;呈坎人傑地靈、人文薈萃、名人輩出,歷史文化沉澱深厚,至今仍保留著董其昌、林則徐等歷代名人題寫的牌匾30餘塊。1995年5月,呈坎村被安徽省人民政府批准公佈為省級歷史文化保護區,現被列為第五批國家級歷史文化保護區推薦目錄;呈坎依山傍河而建,坐西朝東、背靠大山、地勢高爽、選址完全符合“忱山、環水、面屏”的古代風水理論;兩條水圳引眾川河水穿街走屍,現仍發揮著消防、排水、洩洪、灌溉等功能;眾種河繞村而過,故而呈坎村橋多,其中著名的有元朝修建造型優美的環秀橋、明代修建的江南單孔跨度最大的石拱橋----隆興橋;十字路口與丁字路口至今仍保留著3座打更防盜和節日懸燈照明的明代更樓,由於選址審慎、佈局合理,精心設計、施工,古村與自然環境和諧統一,以山為本,以水為魂的山水田園特色顯著。呈坎五街大體平行眾川河延展,呈南北走向,小巷與大街垂直,呈東西走向。街巷全部由花崗條石鋪築,兩側民宅鱗次櫛比、縱橫相接、排列有序、青牆黛瓦、高低錯落、黑白相間、淡雅清秀、長街短巷、犬牙交錯、宛如迷宮、漫步街頭、一步一景、步移景異、無處不景、人在畫中、其樂無窮;呈坎現有宋、元建築各一幢,其一是長春社,宋建明修是徽州僅存的古代祭祀土地神的公共建築;其二是羅會泰宅(俗稱老虎潤)為元代建築,呈正方形、高大精美、宛如古堡。呈坎明清建築不僅數量大,而且祠堂、民居、更樓、石橋類型多樣,僅三層樓民居現仍保存7幢,尤其是羅會炯宅(羅應鶴官邸)石牌樓門罩;羅會炳宅(俗稱石柱廳)木牌樓門罩、須彌座、高大客廳和獨柱旋轉樓梯;羅長銘宅天井魚池;羅季穎宅雕甍鏤棟;羅來龍宅豬食槽天井;敬老院支祠暗壁樓梯;汪閨秀宅陶瓷水梘;環秀橋水構亭;靈山嶺石構亭以及民宅的斜門、鐵皮門、樓廳美人靠、窗戶遮羞板、石雕、木雕、磚雕以及月梁、梭往、彩繪等,特色顯著;呈坎古村保存至今的明代建築,雖遭大量破壞,但仍占黃山市首位,而且類型豐富,風格之獨特,在全國都屬獨一無二,故有“呈坎民居甲天下”之譽。
周 深 十 七 孔 橋 在 Dd tai Youtube 的精選貼文
雲泉仙館源於南海西樵山雲泉仙館,為一間註冊廟宇及有限公司。一九四零年,內地淪陷,道侶因此紛紛來港,組織臨時賀誕會。一九四四年,吳禮和、陳鑑坡、高廉、陸本良等道長以遵奉呂祖仙師訓示,以尊師重道,積德行仁為宗旨,於香港德輔道西創立雲泉仙館。自創立以來,雲泉仙館曾經兩度搬遷,至一九八三年,始遷入大道西現址。又於一九七五年,購得新界坪輋園林勝地,作為發展宗教活動、及旅遊渡假之用。至一九八六年已建成呂祖殿舉行開光陞座典禮,同時舉辦第一屆菊展會開幕。從此正式開放給旅遊人士,各界善信進香參觀,不收門票,進場人數,每年遞增。雲泉仙館屬於純陽道派,有弟子約二百六十人。正殿為「純陽殿」,另有荷花池、圖書館、湖心亭、孔子聖像、呂祖字碑及道德經臺等。雲泉仙館以仿古中式宮殿建築群為主體,門樓橫額「雲泉僊館」四字,佔地甚廣,大部分是園林區,有荷塘曲橋、盆景園、碑刻雕塑,佈局巧妙。荷塘大小各一,大塘中央建有觀魚亭,以曲橋與兩岸相接。兩塘間立有孔子像一尊。盆景園外的頤真園,園內的碑刻與陶塑令人歎為觀止:多塊巨大雲石拼成的道德經碑亭,刻有老子道德全文的「道德經碑」,氣魄雄偉。矗立在假石山上的呂祖百字碑,上有書法家以隸書寫就的百字圖,還有八仙圖壁,陶塑手工精細,八仙造型栩栩如生。雲泉仙館供奉呂祖仙師為主神,館內之主要誕期包括上元誕、呂祖誕、玉皇誕、道祖誕、中元誕等,主要慶典則有周年紀念、歲晚酬神及菊展會等。雲泉仙館不定期舉行扶乩活動,誠求祖師指示,解決疑難;館內並設有靈牌位,方便大眾奉祀先祖親朋。遇有需要時,仙館亦會為弟子舉行功德法事,超幽度冥。此外,仙館又於每月朔望及神誕開壇禮懺誦經,每年中元節舉辦超薦法會,利幽薦祖。雲泉仙館曾經捐資國內三元宮、畄虛觀、洞真古觀、惠州元妙觀及西樵雲泉仙館等,協助各道觀重修興建。雲泉仙館除捐資重修國內道觀,又與各道觀時有聯繫,交流互訪。雲泉仙館曾重印贈閱《善與人同錄》、《醫道還元》、《三教幽科》、《西樵白雲洞志》、《呂祖無極寶懺》、《正陽仁風寶懺》、《東嶽寶懺》、《三清寶懺》、《玉皇寶懺》、《三元寶懺》、《三元水懺》、《慈航法懺》、《北帝寶懺》、《太乙寶懺》、《土皇寶懺》、《文帝寶懺》、《武帝寶懺》、《道德經》、《清靜經》、《靈官經》、《呂祖覺世經》、《呂祖全書》、《七真傳》等數十種道書,致力宣揚道教的文化。