【乾坤 Qian Kun】
原先已經準備好這套衣服以及我認為很重要的主題,
在 Aqua Challenge 決戰水下伸展台 準決賽使用,
但一直覺得很可惜沒能進到準決賽將這套衣服的理念放上節目,所幸各路朋友們毫不猶豫的相助,特別是Yorko 陪著我共同完成出這個作品。
最後一張放上我們隨手拍攝動態剪出來的短版Teaser。
-
從表演藝術的角度來看,
「性別」不是一種二元對立的存在。
我們經歷了許多次的賦權革命,如今,性別二字,已經不再是定義任何人的框架。
這次拍攝,將主題溯源到戲曲文化;從元朝開始,戲曲表演的虛擬性,讓男性飾演女角、女性詮釋男角,「乾旦坤生」四字便開啟了性別對立的轉型。因此把造型設定為頭頂花旦鳳冠,臉施花旦妝,下身卻是戰甲,手拿大旗。用雌雄同體的概念,呈現出乾、坤,陰、陽共處調和的無限感。
一個人的獨特,是集合了來自千萬種相互矛盾元素的總和,跨越了性別對立的限制,才會讓我們看到愛無限,愛最大的迷人面貌。
From the point of performing art.
"Gender" is not a dualistic existence.
We have gone through many empowerment revolutions over the years. Today, the word gender is no longer the most important identity that defines an indivdual.
The concept of this photography is first traced back to Chinese opera, which could be the first in our culture to initiated the transformation of gender opposition. Since the Yuan Dynasty (1279-1368), the virtual nature of opera performances allowed men to play female roles and women to interpret male roles. The phrase ”Qian Dan Kun Sheng” proves such tradition exists. “Qian” 乾, heaven, usually indicates male, “Dan”, 旦, female characters in drama. “Kun”, 坤, ground, usually indicates female. “Sheng” 生, the male characters. The phrase tells that female characters could be played by male performers and male characters could be played by female performers.
We designed the look following this concept. Wearing a phoenix crown (headwear designed for female roles) on the top of the head, female face makeup is applied, but the items for the lower body is a male’s battle armor, holding a battle banner in hand. Using the concept of hermaphroditism, it presents an infinite sense of harmony between Qian and Kun (heaven and earth), Ying and Yang (positive and negative).
The uniqueness of a person is a collection of thousands of contradictory elements. And to move beyond the restriction of gender duality and opposition, is how we will see the infinite power and the most charming face of love.
Photographer:Yorko Summer
Artist: Dai Yi, Kenny
Make up: 陳又婕 Ming Chen
Air Supply & Safety: 盧筠喬 JoJo Lu & 吳芷欣(阿芷) Zhi-Xin Wu
Costume Assistance: 鬼魅 Y Chen
Land Shooting Assistance: 吳佳穎(黑黑) Joann Wu
Flag Props Providing: 張逸先 Afa Zhang
Content Editor: 許乃霓 Tori Hsu
Content Translation: Tiffany Lee
Teaser Editor: 黎俊欣 Xin Li
水下三十米 30 meters underwater
決戰水下伸展台 AquaChallenge
Yorko Summer - Keep Diving Keep Breathing
陳又緁(陳敏)
氮醉JoScubar • 鮮釀啤酒
Tiffy Almighty 我是變臉王
yuan dynasty art 在 國立故宮博物院 National Palace Museum Facebook 的最佳解答
現正展出的 #攬勝—近現代實景山水畫展 有個「盧山真面目」單元,這次特別展出【明 沈周 畫廬山高】,歡迎朋友們一起來欣賞這件氣勢磅礡的國寶級畫作!
【Lofty Mount Lu 】Shen Zhou (1427-1509), Ming dynasty
形式:軸,193.8 x 98.1 cm
國寶級 National Treasure
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畫作賞析:
沈周(1427-1509),字啟南,號石田,長洲(今江蘇蘇州)人,為明四家之首。
本幅作於成化三年(1467),為慶賀其師陳寬七十大壽而作,藉山之崇高象徵老師的德行。沈周取法元代王蒙(1308-1385)的風格,以乾筆層疊皴擦,讓全畫氣勢連貫。前景一人仰望瀑流,應是據李白〈望廬山瀑布〉的詩意創作。畫中棧道,不知何據,與廬山實際樣貌應無涉。
Shen Zhou (style name Qi'nan, sobriquet Shitian) was a native of Changzhou (modern Suzhou) and considered head of the Four Ming Masters.
This painting, dated to 1467, was done to celebrate the seventieth birthday of Shen Zhou's teacher, Chen Kuan. Shen used the great height of the mountain as a metaphor for the lofty virtue of his teacher. He also adopted the style of the Yuan dynasty artist Wang Meng (1308-1385) to create layers of dry brushwork that form the texture rubbing, giving the work as a whole a feeling of continuous momentum. In the foreground below stands a figure gazing up at the cascade, a scene perhaps inspired by the poem "Gazing at a Waterfall at Mount Lu" by the famous Tang dynasty poet Li Bai (701-762). However, it is unknown why Shen depicted the plank bridge in this painting, for it is unrelated to the actual environs at Mount Lu.
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攬勝—近現代實景山水畫展(展期:2020/07/10 ~ 09/23)
Embracing Sites/Sights: Scenic Landscape Painting in Modern Chinese Art (Dates: 10 JULY 2020 ~ 23 SEP 2020)
中文:https://theme.npm.edu.tw/exh109/EmbracingSites/index.html
English: https://theme.npm.edu.tw/exh109/EmbracingSites/en/page-1.html
日本語:https://theme.npm.edu.tw/exh109/EmbracingSites/jp/page-1.html
yuan dynasty art 在 我爱大马美食 I Love Malaysian Food Facebook 的最佳貼文
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