「Outsider」在2020作為「太空人」專輯的最後一支MV,承載了專輯裡的歌曲與故事,在這支MV裡,也承載了其他導演的創意與力量
青峰一直以來都覺得獎項是其次,真的是這樣
這首歌的作曲 劉家凱,以及 徐千秀 秀秀老師
我更開心的是可以與他們的創作一直往前
目前「Outsider」MV
東京國際短片影展Tokyo International Short Film Festival
獲獎「最佳MV榮譽獎」
https://www.tokyoshortfilmfest.com/post/tokyo-international-short-film-festival-july-winners
LAFA 洛杉磯電影獎Los Angeles Film Awards
15大最佳MV提名
紐約電影獎New York Film Awards
入選最佳MV
坎城世界電影展Cannes World Film Festival
入圍Best Music Video
入圍Best song
謝謝 吳青峰 環球音樂,還有所有的工作人員
https://youtu.be/GCI_v-qKjbw
詞/吳青峰
曲/劉家凱
製作人/吳青峰、徐千秀
編曲/徐千秀、劉家凱
配唱製作/劉胡軼
鼓/Padget Nanton III
貝斯/寗子達
吉他/徐千秀、劉家凱
合成器/徐千秀、劉家凱
錄音(樂器)/單為明 Lights Up Studio
錄音(人聲)/倪涵文 @55 TEC
人聲編輯/單為明
混音/單為明 Lights Up Studio
母帶/Randy Merrill@Sterling Sound
Client:
哈里坤的狂歡有限公司 The Harlequin’s Carnival Ltd.
總監 Managing Director:黃郁翔 Hsiang Huang
行政總監 Administration Director:李依純 April Lee
環球國際唱片股份有限公司 Universal Music Ltd., Taiwan
監製 Managing Director:葉玫君 Yeh Mei Chun
企劃統籌 Marketing Director:陳嘉文 Ven Chen
企劃 Marketing Planner:崔香蘭 Sai Koulan
【MV團隊】
導演 Director:陳映之 Chen Ying Chih RAW IN
副導演 Assistant Director:黃品婕 PJ Huang
導演助理 Director’s Assistant:錢承榆 Yu Chien
YU製片 Producer:葉鑑濤 Colin IP
攝影指導 D.P.:陳映之 Chen Ying Chih
A機攝影師 A Camera Operator:陳映之 Chen Ying Chih
B機攝影師 B Camera Operator:黃品婕 PJ Huang
攝影大助 Camera First Assistant:鎖震峰
攝影二助 Camera Second Assistant:邱信智
燈光師 Gaffer:楊景浩
燈光助理 Best Boy:藍功民 / 楊朝翔 / 莊智淵 / 宋志威 / 許文耀
魚型雕塑家 Prop Fish Artis: 李 育昇 昇旺制造所 / 李育昇工作室
雕塑助理 Artist’s Assistant:盧姵霖 / 曹米駬
美術 Art director:紀孫霓
美術助理 Art Assistant:蔡佩蓁 / 周昀佑 / 陳昱翔 / 林芷芸
場務 Production Co-ordinator:林煜翔 Edison Lin @爵特鍆美學影像有限公司
妝髮 Makeup Artist:Mika Yang Makeup Artist Mika / 洪振揚 Âng Tsín-iông
造型師 Costume Designer:楊景雯(洋子) 楊子
造型助理 Costume Assistant:游思婕
演員 Cast:劉修甫 、 郭子豪 Jeff Kuo 、 賴雨霏 YuFei 、Adeline、Polly
選角 Casting:吳昱瑩
臨演 Extras:張智盛 / 張欣榮 / 黃柏崴 / 鄭珽 / 顏子翔 / 王志賓 / 沈梓銘 / 宋耀威 / 駱彥亨 / 王智弘 / 李寬 / 洪毓璟 / 趙彥宇 / 張家豪 / 郭子瑜 / 呂紹宏 / 許愷壬 / 鍾朋憲 / 鄧皓元 / 廖宗佑
九巴司機 Driver:張輔弼
器材協力 Camera Support Equipment:NKIR 紅外線改機工坊
剪接師 Film Editor:黃品婕 / 陳映之
財務 Chief Accounting:李妍箴
特別感謝/ 張鈞甯Ning Chang、 林柏宏 、 劉家凱
手寫字 Hand-writing/吳青峰
藝人彩妝 Make Up/張婉婷
藝人髮型 Hair Stylist/Edmund Lin from ZOOM Hairstyling
藝人造型 Stylist/ Jay Hsieh
平面記錄 Photographer/吳仲倫 Chung Lun Wu
影像記錄 Videographer/李依純 Achun Lee
同時也有6部Youtube影片,追蹤數超過2萬的網紅hulan,也在其Youtube影片中提到,輔導金國片《醬狗》,藉由一本中華民國無戶籍護照,描寫一群被遺忘在海外的中華民國人,身分認同的困境,影片議題在世局的變化下,充滿矛盾衝突,也顯現當代國族認同的焦慮,風光入選亞洲規模最大電影節「#東京國際影展」東京首映單元(Tokyo Premiere 2020) !成為唯一一部代表台灣入選該單元的...
「tokyo international film festival」的推薦目錄:
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- 關於tokyo international film festival 在 黃心健 Hsin-Chien Huang Facebook 的最佳貼文
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- 關於tokyo international film festival 在 Tokyo International Film Festival - YouTube 的評價
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tokyo international film festival 在 黃心健 Hsin-Chien Huang Facebook 的最佳貼文
#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
tokyo international film festival 在 丹眼看電影 Facebook 的最讚貼文
For Your Consideration: The 93rd Academy Award (Oscars) for Best Animated Short —
LITTLE HILLY(山川壯麗)
Taiwan / 2020 / 18min / Stop-Motion
dir. HUANG, Yun-Hsien & LIAO, Pei-Yu
Directed by Golden Horse Award and LA Shorts International Film Festival winner HUANG Yun-Hsien, LITTLE HILLY is a symbol of Taiwan itself, where the situation in the global community is not so friendly to Taiwan. This animated short hopes to inspire courage and actions for Taiwan to become a global participant.
Synopsis:
Hilly is a 10-year-old silent Taiwanese girl, nobody was concerned about her depression and the pressure she suffers from everyday life. Hilly hates that she always oppresses herself, and also hates the world controlled by adults. What does Hilly really want to speak out to the adults?
Accolades (partial):
Best Animation - LA Shorts Int’l FF 2020
Audience Choice - Korean Independent Animation FF 2020
Audience Award - Taichung Int’l Animation Festival 2020
Official Selection - StopTrik Int’l FF 2020
Official Selection - Tokyo Anime Award Festival 2021
Official Selection - Rome Int’l FF 2020
Official Site:
https://littlehilly.mystrikingly.com
Trailer (with EN subtitles):
https://youtu.be/mtxYmUIeq5o
-
(歡迎分享給外國的電影圈朋友)
#LITTLEHILLY #山川壯麗 #Oscars #FYC
#BestAnimatedShort #AcademyAwards
The Academy #Taiwan #Shorts #Stopmotion
tokyo international film festival 在 hulan Youtube 的最佳解答
輔導金國片《醬狗》,藉由一本中華民國無戶籍護照,描寫一群被遺忘在海外的中華民國人,身分認同的困境,影片議題在世局的變化下,充滿矛盾衝突,也顯現當代國族認同的焦慮,風光入選亞洲規模最大電影節「#東京國際影展」東京首映單元(Tokyo Premiere 2020)
!成為唯一一部代表台灣入選該單元的電影,於具有指標意義的日本東京影展進行世界首映!
《醬狗》本片以一本台灣發放的「中華民國無戶籍護照」貫穿全片,講述韓華混血屁孩到哪裡都被當成外人的成長困境。「醬狗」在韓語意為「掌櫃」,是歧視華人的用語,主角雖在首爾土生土長、講著流利韓語,仍被血統純正的「高麗棒子」奚落是「醬狗」。台韓兩地「國罵」在片中交流,火藥味十足。
《醬狗》是一個關於韓國華僑的故事,醬狗透過在韓國出生成長的中二生李光龍的遭遇,進入一個因為二次大戰後歷史政治糾葛,衍生出來的種族文化衝突與認同的故事。藉由一本中華民國無戶籍護照,描寫一群被遺忘在海外的中華民國人。當政治上中華民國被台灣取代後,這些上一代來自中國山東的中華民國僑民,發現失去了原來認同的國家,同時在僑居的韓國,也被視為中國佬醬狗。
年輕的光龍沒有歷史和國族意識形態的包袱,他只想過的和韓國同學一樣,不要因為華人身分被歧視,甚至霸凌,這個簡單的心願,在潛在的民族對立情緒下,似乎遙不可及。而當初劇組為了找到會講道地韓語,又擁有中華民國國籍的演員,幾乎翻遍了全韓甚至美國,導演透露:「我們挑演員先看護照,一定要確認有中華民國國籍,只為了符合輔導金的規範!」而這個護照更是特別,叫做「無戶籍護照」,也被戲稱為「空殼子護照」。
《醬狗》榮獲TOKYO FILMeX影展企劃開發補助獎與國片輔導金的肯定,並且獲得首爾電影委員會的拍攝補助,堪稱台、日、韓三方支助,卡司「台韓雙拼」,集結《皇后的品格》潛力新星賀業文、《特務行不行》華裔男星于澤偉、《快樂第四名》韓國女星李恆娜、《騷動青春》美少女金叡恩
《醬狗》監製劉嘉明先生深入說明了拍攝背景,初接觸此案,劉嘉明便知全劇會因拍攝的需要,以韓國為主要拍攝地,只是不確定最終比重會是多少。隨著劇本的發展與完成,設定製作一部韓國華僑電影成為目標後,便決定以首爾為主。
導演智瑋他的母親是韓國人外,也在首爾中央大學攻讀電影博士學位,具有血緣和文化台韓混血的身分,導演幾乎在講述自己的故事,對於影片主題,有相對的掌握度,也讓製片方有更大的信心選擇前往海外拍攝。
《醬狗》預計2021年初與台灣觀眾見面
無戶籍國民,是指沒有在中華民國自由地區設有戶籍的中華民國國民[1]。中華民國的《國籍法》認為許多海外華人以及絕大多數中國大陸、香港與澳門居民皆為中華民國國民[2]。這類人士可受到中華民國的外交保護並領取中華民國護照。然而,國籍只是可否居留臺灣的必要但非充分條件。無戶籍國民必須受中華民國《入出國及移民法》管理,且必須在2年期間於臺灣地區居留1年以上,才能享有全民健康保險。除此之外,這類人士可免除服兵役義務。
無戶籍國民起源於中華民國政府對中國大陸的主權宣示。在此情形下,中華人民共和國公民與許多海外華人,基於中華民國《國籍法》皆為中華民國國民。
大約2,000名無戶籍國民原先居住於菲律賓[7]。外一群無戶籍國民是所謂的泰北孤軍:中華民國陸軍士兵在國共內戰後期,與其後代從雲南省逃亡至泰國北部與緬甸北部[9]。
호구 등록이없는 ROC 여권을 들고 골든 스테이트 영화 '소스 독'에 대한 상담은 해외에서 잊혀진 ROC 시민 집단의 정체성 딜레마를 묘사하고있다. 영화의 주제는 변화하는 세계 상황에서 모순과 갈등으로 가득 차 있으며 동 시대적으로 보인다. 국가 정체성의 불안, 풍경이 아시아 최대 영화제 "#TOkyo International Film Festival"초연 유닛으로 선정 (도쿄 프리미어 2020)
! 이 유닛에 선정 된 유일한 대만 대표 영화가되어 상징적 인 도쿄 영화제에서 세계 초연!
영화 '소스 독'은 대만에서 발행 한 '중화 민국 무 호출 권'으로 영화 전체를 훑어 보며 한화 반혈 아이들이 도처에서 외부인 취급을 받고있는 곤경에 대해 이야기한다. '장구'는 한국어로 '가게 주인'이라는 뜻으로 중국인을 차별하는 용어로 서울에서 태어나고 자랐으며 한국어를 유창하게 구사하지만 여전히 순혈 '코리아 스틱'에 '장구'라는 조롱을 받고있다. 영화 속 대만과 한국의 '국가적 저주'교환은 화약으로 가득하다.
辅导金国片《酱狗》,藉由一本中华民国无户籍护照,描写一群被遗忘在海外的中华民国人,身分认同的困境,影片议题在世局的变化下,充满矛盾冲突,也显现当代国族认同的焦虑,风光入选亚洲规模最大电影节「#东京国际影展」东京首映单元(Tokyo Premiere 2020)
!成为唯一一部代表台湾入选该单元的电影,于具有指标意义的日本东京影展进行世界首映!
《酱狗》本片以一本台湾发放的「中华民国无户籍护照」贯穿全片,讲述韩华混血屁孩到哪里都被当成外人的成长困境。 「酱狗」在韩语意为「掌柜」,是歧视华人的用语,主角虽在首尔土生土长、讲着流利韩语,仍被血统纯正的「高丽棒子」奚落是「酱狗」。台韩两地「国骂」在片中交流,火药味十足。
《酱狗》是一个关于韩国华侨的故事,酱狗透过在韩国出生成长的中二生李光龙的遭遇,进入一个因为二次大战后历史政治纠葛,衍生出来的种族文化冲突与认同的故事。藉由一本中华民国无户籍护照,描写一群被遗忘在海外的中华民国人。当政治上中华民国被台湾取代后,这些上一代来自中国山东的中华民国侨民,发现失去了原来认同的国家,同时在侨居的韩国,也被视为中国佬酱狗
ゴールデンステート映画「ソースドッグ」のカウンセリングでは、世帯登録のないROCパスポートを使用して、海外で忘れられたROC市民のグループのアイデンティティのジレンマについて説明します。この映画のトピックは、変化する世界情勢の下での矛盾や対立に満ちており、現代的にも見えます。アジア最大の映画祭「#TOkyoInternationalFilm Festival」(東京初演2020)のプレミアユニットに、国民性への不安と風景が選ばれました。
!このユニットに選ばれる台湾を代表する唯一の映画になり、象徴的な東京映画祭で世界初公開されます!
映画「ソースドッグ」は、台湾が発行した「中華民国の世帯登録パスポートなし」で映画全体を網羅しており、ハンファの半血の子供たちがいたるところで部外者として扱われるという窮状が高まっていることを物語っています。 「長剛」は韓国語で「店主」を意味し、中国人を差別する言葉です。主人公はソウルで生まれ育ち、流暢な韓国語を話しますが、純血の「韓国スティック」から「長剛」と嘲笑されています。映画の中での台湾と韓国の間の「国民の呪い」の交換は、火薬でいっぱいです。
「江犬」は韓国の海外中国人の物語です。韓国で生まれ育った李光龍の2年生の李光龍の経験を通して、長宮は第二次世界大戦後の歴史的・政治的紛争に由来する民族文化紛争とアイデンティティの物語に入ります。世帯登録のないROCパスポートで、海外で忘れられたROC市民のグループを説明します。中華民国が政治的に台湾に取って代わられたとき、中国の山東出身のこれらの前世代の中華民国国民は、彼らが最初に特定した国を失ったことに気づきました。同時に、彼らは外国人として住んでいた韓国では中国人と見なされていました
Counseling the Golden State film "Sauce Dog", with a ROC passport without household registration, describes the identity dilemma of a group of ROC citizens who have been forgotten overseas. The topic of the film is full of contradictions and conflicts under the changing world situation, and it also appears contemporary The anxiety of national identity, the scenery was selected as the premiere unit of Asia's largest film festival "#TOkyo International Film Festival" (Tokyo Premiere 2020)
! Become the only film representing Taiwan to be selected for this unit, and its world premiere at the iconic Tokyo Film Festival!
The film "Sauce Dog" runs through the entire film with a "Republic of China No Household Registration Passport" issued by Taiwan, telling the growing plight of Hanwha half-blood kids being treated as outsiders everywhere. "Janggou" means "shopkeeper" in Korean and is a term that discriminates against Chinese. Although the protagonist is born and raised in Seoul and speaks fluent Korean, he is still ridiculed as "Janggou" by the pure-blooded "Korea Stick". The exchange of "national curses" between Taiwan and South Korea in the film is full of gunpowder.
tokyo international film festival 在 MIYAVI Youtube 的最佳解答
今回のエピソードは、、、
第32回東京国際映画祭(TIFF)の模様をお届けします!
まずはアメリカン航空のブランド・アンバサダーとして客室乗務員のみなさんと一緒にレッドカーペットを、そのあとは同じくアメリカン航空のパーティーでアコースティック・セットでの演奏、そして最後は映画祭のオープニング・パーティーにてDJセットでのパフォーマンス!
久しぶりに、MIYAVI として編曲させていただいたミッション・インポッシブルのテーマを演奏しました。
色んな方との出会いも含め、とても密度の濃い1日でした。アメリカン航空のアンバサダーとしても、これから色んなことにチャレンジしていけたらと思います!!!!
※レッドカーペットでは自身のプロデュース作「MANRIKI」 のプロモーションで来てた斎藤工くんにも久しぶりに会えました。
映画「MANRIKI」は好評公開中です!
斎藤工 企画・プロデュース・主演 映画「MANRIKI」11月29日より全国公開中
http://crush-them-manriki.com
※お知らせ※
各国翻訳受け付けています。ご協力よろしくお願いします。
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NO SLEEP TILL TOKYO
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----- What's MIYAVI -----
アーティスト / ギタリスト
エレクトリックギターをピックを使わずに全て指で弾くという独自の"スラップ奏法"で、ギタリストとして世界中から注目を集め、これまで7度のワールドツアーを成功。現在アメリカを皮切りにヨーロッパ、アジアをまわる8度目のワールドツアー中。
7月24日には3年ぶりのオリジナルアルバム『NO SLEEP TILL TOKYO』を全世界で発売。発売日にはドジャースタジアムで行われた大リーグ始球式での国歌演奏で観客を魅了し、日本、アメリカにて話題騒然となった。
俳優としても国内では「BLEACH」「ギャングース」、国外では「マレフィセント2」(2019年10月日米同時公開)へ出演予定。
モデルとして、Yohji Yamamoto, Y-3、最近では Moncler BEYOND ワールドワイドキャンペーンに抜擢されるなど、各方面でも注目を集めている。
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企画・制作:ALPHABOAT
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制作協力:WONDER&CLOCKS/ワンクロ
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tokyo international film festival 在 Amazing Jiro Youtube 的最佳貼文
"No Strings"
As a global community, we have the power to discover and connect with one another more than ever before through the convenience of technology. But instead, truths, personal empowerment, and freedom are harder than ever to attain, and we often find ourselves in an echo chamber for violence, injustice, and the pitfalls of capitalism.
Amazing JIRO, special effects and body paint artist teams up with Jon Boogz, director and choreographer for NO STRINGS to share a compelling and striking visual narrative about emancipating ourselves to incite social change.
<Artists Bio>
Amazing JIRO - After graduating Tokyo University of the Arts and entering the world of special effect makeup, JIRO established JUR Co., Ltd.
Currently, JIRO works not only as special effects makeup artist but also as a creative director in film, drama, TVCM, and other fields. His power of expression and solid techniques are highly praised by people in and out of Japan. JIRO is attracting attention as a reformer of face paint, SFX makeup, and art.
After winning 2 championships at TV TOKYO TV Champion – Special Effect Makeup Artists Championship, JIRO became a certified champion. He was also introduced as one of the “Make-up Around the World: the Global Family of Artists on Make-Up Magazine,” which is read in more than 70 countries.
He creates artwork with advanced painting techniques and is attracting the world with his powerful ideas and quality works.
Jon Boogz is a movement artist, choreographer, and director who seeks to push the evolution of what dance can be – sharing with audiences of all backgrounds an appreciation of the melding of art forms while inspiring and bringing awareness to social issues.
Originally motivated to dance by the work of Michael Jackson, Boogz has choreographed for notable icons including Mikhail Baryshnikov, Naomi Campbell, Gloria Estefan; for Pharrell’s Adidas Originals HU Campaign to creative direct, choreography, and perform in Standing Rock at ComplexCon; and as creative consultant for ads launching campaigns for Apple and Lexus. Boogz’s collaborators include TriBeCa Film Festival, DAIS, Lil Buck, and Flying Lotus; his choreography is used in FOX’s “So You Think You Can Dance”; Cirque du Soleil’s MJ ONE; he was featured at the Geffen Playhouse’s “Backstage at the Geffen” with his dance company Control Freakz, Lil Buck, and spoken word artist Robin Sanders; and at TED Vancouver’s TED Prize session.
Boogz wrote, choreographed, directed and danced in Color of Reality, a short film in collaboration with visual artist Alexa Meade. The work continues to receive coverage internationally and won Great Big Story’s Art as Impact Award; Best Experimental at Toronto International Short Film Festival; and Concept Video of the Year from World of Dance, among others. His forthcoming projects seek to merge movement with fine art, film, technology, and the stage.
Choreography & Performance : Jon Boogz
Face & Body paint: Amazing JIRO
Director of Photography : Cameron McKinlay
Costume Technician : Castille Ritter
Music : Chizzy & Jason Yang
Produced by Sozo Artists & Jon Boogz
Amazing JIRO - https://www.instagram.com/amazing_jiro/
Jon Boogz - https://www.instagram.com/jonboogz/
Sozo Artists - https://www.instagram.com/sozoartists/
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