關於 the room (chorus) ，我們在網路上蒐集到這些相關的討論、資訊與評價

【乘風破浪】- 詞/曲：Cindy袁詠琳

今天第九期加更播出。 這首歌是我被淘汰後回到宿舍拿著吉他創作的歌曲。 當時導演組問我有沒有話想要跟姐姐們說。 我說我不擅長用話語表達，但我可以用音樂。 當下就寫出這首的副歌，描述我真實情感想要跟姐姐們說的，還有跟一直支持我們的浪花粉絲朋友們說的。 後來回自己酒店房間寫完，編完，錄完。 就是一個簡單可是很真實的demo，也剪了一個回顧小視頻送給大家。 這個節目改變了我的人生，真的是老天給我最大的禮物、最難忘的經驗。 我一定會繼續加油的，永不放棄！ 謝謝這個夏天有你們一路陪伴姐姐【乘風破浪】！ ❤️❤️❤️

Episode nine extended version came out today. I wrote this song when I returned to the dorm after being eliminated. At the time, the directors asked me if there was anything I wanted to say to the girls before I left. I told them I’m not good at expressing my feelings with words, but I can use music. I wrote the chorus then, describing what I really wanted to say to the rest of the girls and also all the fans that have been watching and supporting our show. I finished writing the rest of the song a few days after. It is all recorded, edited and arranged in my hotel living room... a super simple, real and raw demo. We also edited a video of all my beautiful memories on this show to go with the song. This show has completely changed my life. It has truly been one of the greatest gifts and the most memorable experiences God has given me. I will continue to work hard to achieve my dreams and never give up! Thank you all for accompanying me on my journey of self-discovery and self-growth, I love you!!! ❤️❤️❤️

#乘風破浪 #袁詠琳 #cindyyen #乘風破浪的姐姐 #sisterswhomakewaves #新歌 #newsong #為姐姐們寫的歌 #創作 #回顧 #memories

{{ 貳. 談談電吉他相關 }}_02

前一回我們提到用『巨大音量』所收錄的電吉他，不論用幾隻麥克風來收音，我們在實際用途上，是將這些麥克風『們』合成為『一個 Mono (單聲道)』的吉他音色 (我們先忽略兩隻 Room Mic 所應該呈現的『立體聲畫面』)，而這樣的音色，我們通常在執行錄音的時候，不論是 Clean Tone 或是 Drive Tone，都是不把『時間系』、『空間系』的效果器收錄進去的，也就是我們習慣說的『乾』的訊號 (Dry Signal)。

如果你想要用這種 Mono『乾』的訊號做出『立體聲 (Stereo)』的聽覺畫面，你可以有兩種處理選擇：其一，把這個 Mono Dry Signal 的內容，一模一樣地再彈、再錄一次，然後分別擺放在耳朵聽覺的左邊、右邊 --- 由於人所彈奏的音樂內容是不可能百分之百一模一樣的，而那些微小的誤差，譬如細如一隻螞蟻腿的時間差，或是兩次按弦力度不同所造成的音準差距，反而會讓我們的大腦因為感覺到『兩個些微差別』的內容，而產生了聽覺畫面的立體感。另外一種方式，則是將這個 Mono Dry Signal 經過一個有立體聲效果的時間系 (Delay)、空間系 (Reverb) 效果器，來讓你的『乾』訊號渲染成『溼』的立體聲訊號，這種處理方式，就非常趨近於這一週想要討論的『訊號乾、溼分離』的基礎模型。

但這第二種方式會有一個細節需要進一步討論：你送進效果器處理過的『溼訊號』，其實裡面會有『乾訊號』的存在，也就是說，你的乾訊號在這個處理過程中，音量會被『加總』放大；如果你希望原始的乾訊號音量不要被改變，那麼，你的效果器調整參數中，一定要有一個『Mix』選項，而且這個選項開到 100% 時，你應該只聽得到純的、溼的效果訊號 (也就是 Kill Dry Signal 的感覺)，那麼，你的訊號線路應該會是：乾訊號一路、溼訊號視你所選擇的 Mono 或 Stereo 效果，而有另外的一路或二路來做各別的輸出，這時候，才是真正的『訊號乾、溼分離』。

什麼時候你會希望用到這樣的訊號乾、溼分離的處理手法呢？其實，就認真的音樂製作來說，你應該每一次都要用這種觀念來處理你的樂器、人聲訊號，來得到比較細緻的混音調校結果 --- 相對於這種分離的觀念，另外一種手法就是將這些時間系、空間系的效果直接收錄在你所彈奏的訊號軌道，但一旦之後你希望去調整各個不同的樂器『定位深度』時，你會發現你幾乎沒辦法去做更精確的調整；而如果多項樂器或多把吉他都已經錄成了『溼』的訊號，整個音樂呈現的畫面感，非常容易給人一種『糊掉』的感覺，而且在頻率的修整上也會困難許多。

[一. 電吉他相關器材實務]＿電吉他收音實例_02

早在八〇年代的吉他搖滾英雄們就發現，他們希望自己的音色要兼具『堅實的核心』與『華麗的效果』，所以不論在錄音製作過程或現場演出，他們應該都至少有兩顆以上的音箱頭與音箱箱體組合 --- 一組用來做主要核心音色，一組 (或一組以上) 用來處理效果的音色。這裡有幾個說明連結，可以讓你更具體地理解整個工作邏輯：

01. https://en.audiofanzine.com/sound-technique/editorial/articles/the-wet-dry-wet-technique.html
02. https://riffcityguitar.com/dan-micks-pro-tips-for-a-budget-friendly-wet-dry-wet-rig/
03. https://www.google.com.tw/search?q=wet+dry+wet+setup&tbm=isch&tbo=u&source=univ&sa=X&ved=2ahUKEwitoPbrxvHeAhUDa7wKHX89CY8QsAR6BAgBEAE&biw=1280&bih=952

特別在 03 的眾多圖例中，你可以很快地看出線路的連接方式。而這整個的線路連接中，你最需要注意的是用來做出『訊號分流』的 『ABY Box』(譬如這裡列舉說明的：https://reverb.com/news/5-awesome-abys-for-your-routing-pleasure )，因為這個小小的週邊設備，才能讓你堆疊出後面華麗的效果畫面。

這次我們在錄音室所採用的基本組合，是用 Bogner Shiva 212 音箱做為核心音色平台，吉他手的吉他連接到他效果器盤上『動態系』(Compressor, EQ, Filter 類型的效果器)、『破音系』之後，進到 Bogner Shiva，然後由 Shiva 的前級端 Send 在此之前的訊號到 ABY Box --- 我們用了很簡單的 Zoom MS-70CDR (https://www.zoom-na.com/products/guitar-bass-effects/multistomp/zoom-ms-70cdr-multistomp-chorus-delay-reverb-pedal ) 但 By Pass 它所有的效果。因為它的 Stereo Output 可以讓我從一個輸出就直接接回 Shiva 的後級輸入 (Return)、另一個輸出可以接到吉他手效果器盤的 Delay、Reverb 效果器，做 Stereo 的輸出，進入到另外一組的 Stereo Power Amp (Mesa Boogie 20/20)，然後連接到一個可以切換成 Stereo Input 的 412 箱體，來做出一個很完整的乾、溼訊號分離的錄音設置。

看起來似乎很複雜的接線，但只要你理解基本的『音箱頭 Send/Return』工作順序，其實就很容易理解這種後續推衍出來的線路邏輯。這樣的好處是：如果我現在想要做出一個很迷幻、很虛無的音色，我可以單純只收錄完全沒有『乾訊號』的『濕效果音牆』；反過來說，我可以在非常迷幻的效果色彩中，仍然讓我的主體『核心音色』維持著非常清楚的顆粒感 --- 不論它是 Clean Tone 或 Drive Tone。

如果你真的實地試著連接這些器材，你很可能也要去注意一下各個器材之間的訊號阻抗是否配對正確；同時，你會很意外的發現，用做『溼訊號』的後級放大，其實音量根本不必開得很大，效果就非常清楚了。在接連錄了幾天之後，我也很意外地注意到，如果你希望『溼訊號』可以更『乾淨華麗』，其實，用『晶體後級』可能比用『真空管後級』還更能達成需求。

再一次，請不要問我這樣去收錄電吉他的音色，有沒有實際的意義；我覺得它真的有『超過心理層面』的意義，雖然消費者不見得覺得有什麼太大的不同。我的看法是這樣的：如果你聽過這些器材真實發出的音色，至少你在音色的審美觀上會有一種基準的養成；即便日後你可能不見得都能用最理想的方式來錄音，你在調整你手邊現有的數位模擬器材時，也會有比較明確的調整方向。

因為，你知道什麼是什麼了。

在之後的相關討論，我們就要『重回人間』，看看我們在自己的家裡或工作室，究竟有哪些『應變策略』，來讓夜深人靜卻又很想練琴的慾望可以在不打擾任何人的情況下有效地達成；或是～讓我們沒什麼預算的音樂製作，可以有機會再美好一些！

德國憤怒合成器男孩的TLC啊哈哈哈～

Yeahhh... ermmmm............that definitely just happenned....

Multitrack stems for this live jam are now available here :-
https://www.patreon.com/lookmumnocomputer

#TLC No Scrubs Live #Cover / #Remix

Sequenced by two Arturia Beatstep pro's The first beatstep was controlling the two synth lines that were running, which i programmed in at the start on the keyboard. It also controls all the drums, running between two different beats. one for verse (4 to da flooowr) and a breakdown beat for the chorus's, basically just breaking up the kick drum pattern. The second Beatstep in this one was only controlling the JUNO (BUT HOW DO YOU SEQUENCE A POLYPHONIC INSTRUMENT WITH A BEATSTEP PRO??) easy.... the drum channel. assign all of the drum pads to different keys, that way you can play in a polyphonic synth line.
- The first synth line was a single oscillator, running into a moog style ladder filter, with not much attack on its envelope so it sounded like a slow clumsy man being followed by a trombone. In the cover i was adjusting the octave at some points but not much.

- The big bassline which comes in in the chorus is 2 synths. The main part is a triple oscillator going into a ms20 style filter, then into 2 sets of distortion, the second one (a SAFETY VALVE TUBE) has a switch which enables it which boosts the volume, this switch also engages the second bass synth which is a further 3 oscillators and a very low sub oscillator to turn on. These go into a juno style chorus widener and all that stuff. (this switch also fires out a 5v signal to turn up the VCA on the snare spring reverb, and the decay on the high hats) *talk about modular presets hey*

-The juno has 2 midi cables connecting it to the beatstep pro above, so it can send midi and receive midi.

-sadly after however many takes i did of this cover at some point kosmo's face turned off and i didnt realise DOH :(.

-My vocals are running into a roland vocal processor, so i can turn on a pitched down vocal, to add more dynamics, its also going into some saturation and some delay which i turn on and off at points.

-The ms10 is just going through a handful of pedals to make it sound a bit more gnarly, which is tough to saturate a single oscillator synth, so i send it through smallr room reverb first, then into a pitch downing cheapo chinese pedal, then into some distortion then into more reverb. the first instance of reverb gives the distortion something to bite on, instead of just boosting the signal of just a single wave, which aint too fun at all!

I literally listenned to the song a couple of times then just took the essence and forgot most of it haha. hence it ain't really a cover but more a live remix or summit? aaaah who knows!!

Also! the kick trigger is also sent to an envelope generator, which sends out an inverted output to open VCA's on the bass channels, hence you get that snazzy sidechain Ducking **quack quack*

生命活水 / Living Water
詞曲 / Simeon Neese & Zach Neese
演唱者／Gateway Worship ft. 約書亞樂團、趙治德
中譯詞 / 周巽光

樂譜連結 / https://www.pubu.com.tw/ebook/218938

[VERSE 1]
生命泉源 如果我渴慕 祢充滿
Water of life, what if I said I was thirsty
我的靈糧 如果我饑渴 祢餵養
Bread of life, what if I said I was hungry

[PRE CHORUS]
主我呼求 祢聖靈澆灌我
Would You pour Your Spirit on me Lord
榮耀降下來 有如水充滿洋海
Would Your Glory fall like the waters fill the sea

[CHORUS 1]
生命活水 環繞我
Living water cover me
以祢心跳衝擊我的靈
Flood my heart with every single beat
祢所是 滿足一切所需
All You are is all I’ll ever need
我愛祢 我愛祢
I love You, I love You

[VERSE 2]
生命源頭 祢說話使我 聽見祢
Author of life, speak Your Word so I can hear You
眾光之父 我只渴慕能 親近祢
Father of life, all I want is to be near You

[CHORUS 2]
生命活水 環繞我
Living water cover me
以祢心跳衝擊我的靈
Flood my heart with every single beat
祢所是 滿足一切所需
All You are is all I’ll ever need
我愛祢 我愛祢
I love You, I love You

Oh耶穌在這裡
Oh Jesus fill this room
每顆心都單單呼求祢
Every heart is crying out to You
迫切渴望看見祢運行
Desperately we need to see You move
我愛祢 我愛祢
We love You, We love You

[BRIDGE]
澆灌祢榮耀
Pour Your Glory down
澆灌祢榮耀
Pour Your Glory down
澆灌祢榮耀
Pour Your Glory down
讓饑渴的喝活水
Let the thirsty drink and live
-
Vocal Producer 璽恩SiEnVanessa
Backing Vocal 璽恩SiEnVanessa
Vocalists 陳州邦Ben Chen、杜威霖Bukun Isbabanal、鄭牧德Darren Cheng、陳雅玲Sunay Chen、馬永蒂Matilda Ma、蔡依純Anna Cai
Choir Directors 璽恩SiEnVanessa
Vocal Recorded by 李宛叡Rayya Li、劉員杰Francis Law
Vocal Edited by 劉淑莉Lily Liu
Vocals Recorded Live at Vision Studio
-
Producer Kyle Lee
Recorded Live by Mitch Waddell
Engineered by Patrick Smith at Gateway Studios, Southlake, TX; Kyle Lee at The Court, Franklin, TN
Mixed by Sean Moffitt at Yoda’s Palace Studios, Nashville, TN Except “Stand In Your Love” Mixed by Kyle Lee at The Court, Franklin, TN
Mix Assistant Daniel Mikesell
Mastered by Joe LaPorta at Sterling Sound, Edgewater, NJ
-
Acoustic Guitars Austin Benjamin, Mark Harris, Matthew Harris, Kyle Lee, David Moore, Andrew Morris & Levi Smith
Electric Guitars Cole Novak & Michael Phelps
Piano Julian Collazos, Kyle Lee & David Ramirez
Synth Pads Kevin Melton
Synth Programming Julian Collazos, Kyle Lee & David Ramirez
Bass Josiah Funderburk
Drums Ish Melton
-
Gateway Music Project Manager James Reid
Gateway Music Project Assistants Jessica Cisarik, Cady Claterbaugh & Caleb Jobe
Gateway Worship Project Managers Tiffany Buchanan & Hilary Johnston
-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP

聯繫約書亞樂團：
https://www.joshua.com.tw/web/
-
這裡可以找到我們！
YouTube▸https://bit.ly/3hBNTH5
Apple Music▸https://apple.co/3Au41TK
Spotify▸https://spoti.fi/3As1fi4
KKBOX▸https://bit.ly/3dJyCTz
My Music▸https://bit.ly/2UnIVpA
friDay音樂▸https://bit.ly/2UkxJdm
LINE MUSIC▸https://bit.ly/3fyxAeu
-
異象工場官方商城▸https://shop.asiaforjesus.net/
約書亞樂團官網▸https://www.joshua.com.tw/
約書亞樂團Facebook▸https://www.facebook.com/joshuaband
約書亞樂團Instagram▸https://www.instagram.com/joshua_band/
約書亞樂團微博▸https://weibo.com/joshuaband
約書亞樂團微信▸joshuaband

停留 / Linger
詞曲 / David Leonard & Levi Smith
演唱者／Gateway Worship ft. 約書亞樂團、周巽光
中譯詞 / 周巽光

樂譜連結 / https://www.pubu.com.tw/ebook/218940

[VERSE 1]
我不想趕時間
I don’t want to hurry
只想放慢一點
No, I don’t want to move
祢是我的馬可樓 我至聖所
You are my sanctuary, my upper room
讓我停留祢懷中
So I’ll linger here with You

[VERSE 2]
不害怕安靜等候
Push through the fear of silence
就算時間靜止
‘Til time has been removed
祢是我的馬可樓 我至聖所
You are my sanctuary my upper room
讓我停留祢懷中
So I’ll linger here with You

[CHORUS]
暴風雨中
My dwelling place
祢成為我
Where I am safe
安歇避難居所
My refuge from the storm
敞開我心
Open my heart
聽祢聲音
To hear Your heart
讓我更加愛祢
To love You more and more
我不走 我停留祢懷中
I won’t move, I’ll linger here with You

[VERSE 3]
專注此時祢的工作
Keep me present in this moment
在祢還有更多
There’s more You want to do
祢是我的馬可樓 我至聖所
You are my sanctuary my upper room
讓我停留祢懷中
So I’ll linger here with You

[BRIDGE]
我要更深追求
I want to go deeper
同行更遠更久
I want to go further
我要有祢更多
I want more of You Lord
我要更深追求
I want to go deeper
同行更遠更久
I want to go further
經歷我前所未有
Than I’ve ever been before

[Tag]
我不走
I won’t move
喔 我不走
No I won’t move
我停留祢懷中
I’ll linger here with You
-
Vocal Producer 曹之懿Isabelle Tsao
Vocalists 曾晨恩Yosifu Tseng、杜威霖Bukun Isbabanal、馬勝恩Asiwa.mavaliw，陳雅玲Sunay Chen、何彥臻Franny Ho、吳宇婕Christine Wu
Choir Directors 璽恩SiEnVanessa
Vocal Recorded by 李宛叡Rayya Li、劉員杰Francis Law
Vocal Edited by 劉淑莉Lily Liu
Vocals Recorded Live at Vision Studio
-
Producer Kyle Lee
Recorded Live by Mitch Waddell
Engineered by Patrick Smith at Gateway Studios, Southlake, TX; Kyle Lee at The Court, Franklin, TN
Mixed by Sean Moffitt at Yoda’s Palace Studios, Nashville, TN Except “Stand In Your Love” Mixed by Kyle Lee at The Court, Franklin, TN
Mix Assistant Daniel Mikesell
Mastered by Joe LaPorta at Sterling Sound, Edgewater, NJ
-
Acoustic Guitars Austin Benjamin, Mark Harris, Matthew Harris, Kyle Lee, David Moore, Andrew Morris & Levi Smith
Electric Guitars Cole Novak & Michael Phelps
Piano Julian Collazos, Kyle Lee & David Ramirez
Synth Pads Kevin Melton
Synth Programming Julian Collazos, Kyle Lee & David Ramirez
Bass Josiah Funderburk
Drums Ish Melton
-
Gateway Music Project Manager James Reid
Gateway Music Project Assistants Jessica Cisarik, Cady Claterbaugh & Caleb Jobe
Gateway Worship Project Managers Tiffany Buchanan & Hilary Johnston
-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP

聯繫約書亞樂團：
https://www.joshua.com.tw/web/
-
這裡可以找到我們！
YouTube▸https://bit.ly/3hBNTH5
Apple Music▸https://apple.co/3Au41TK
Spotify▸https://spoti.fi/3As1fi4
KKBOX▸https://bit.ly/3dJyCTz
My Music▸https://bit.ly/2UnIVpA
friDay音樂▸https://bit.ly/2UkxJdm
LINE MUSIC▸https://bit.ly/3fyxAeu
-
異象工場官方商城▸https://shop.asiaforjesus.net/
約書亞樂團官網▸https://www.joshua.com.tw/
約書亞樂團Facebook▸https://www.facebook.com/joshuaband
約書亞樂團Instagram▸https://www.instagram.com/joshua_band/
約書亞樂團微博▸https://weibo.com/joshuaband
約書亞樂團微信▸joshuaband

這是一場告別的領悟
Goodbye 2020
說著You are not here anymore
放下執著歪念多餘的事
拾回自己的步伐

This is the experience of leaving someone
Say Goodbye to 2020
Admitted you are not here anymore
Leave your stubbornness, fantasy behind
Pick yourself up again

《You are not here anymore》
written by Zelos Wong
arranged and produced by Hei Wong / Terry Tong

Lyrics :
Empty room
Lonely chair
Silence and the gloom

Like the shoes
Without you
What else can it choose
You are not here anymore

You were kind
you were mine
and you said goodbye

I'm not mad
I'm not sad
But I can’t forget
You are not here anymore

Empty room
Lonely chair
They are waiting you
You are not here anymore

Production Credits :
Cast | Zelos Wong
Director | Locker
Producer | Locker
Director of Photography | Locker
Assistant Camera | Bryan Chan
Still Photographor | GG Hungry yuen
Art Director | Locker
Art Direction Assistant | Kinglok
Production Assistant | Always Hungry wu
Equipment | Impules Creation

Song Credits :
Keyboards and programming | Hei Wong@ dom
All guitars and bass | Terry Tong@ dom
Drums and percussions | Benjamin Tu
Chorus arranged | Hei Wong
Chorus | Zelos Wong
Recorded| | CM Lui/ Hei Wong/ Terry Tong@ dom recording studio
Audio edited | CM Lui@ dom
Mixed and mastered | CM Lui@ dom recording studio
OP: Duality of Music Limited (admin by Kobalt Music Publishing Asia Ltd.)