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你哪一族？情同手足！
Happy national Siblings Day y’all. My sisters and brothers from different parentsss.
#其實是睡眠不足 #回到現實後心還留在台東 #排灣族的服裝真的是華麗一族
#model #actor #actorslife #chrislee1111travels #taitung #taiwan #aboriginal #aboriginaltaiwanese #culture @ 台東縣金峰鄉嘉蘭村
Plus League
I want to first talk about why I love basketball and why all of us love basketball, whether playing it or watching people play.
I think beyond the team work, the leadership, the athleticism, I think it touches upon us something deeper.
And that is that people are equal and on the basketball court, and this game allows for us to be equal on the court.
It doesn’t matter if you’re aboriginal or if you’re local, it doesn’t matter if you’re rich or poor.
If you have a pair of sneakers you can go out and compete.
Work to get better, and understand your place within the context of team.
And so much of basketball teaches us about life. The game of life. How life works.
Show me how a person plays the game of basketball, and I’ll show you how they live, how they negotiate at work, and how they treat people, their friends and their family.
But today is about plus league and my friend and brother blackie.
My background is in venture capital. I primarily invest in Silicon Valley. And previously I was in HK working for Lee Kai Shing and his venture capital fund.
I got the chance to meet the best entrepreneurs in the world, including the founders of zoom which Horizons invested in back in 2015 I believe.
Blackie often jokes among us that he is from 體育班
He’s sort of making fun of himself as someone who is not good with books or academics, something Taiwan culture puts a huge premium on.
But in venture capital, in innovation and entrepreneurship, we talk a lot about what makes someone successful. often it’s not what university they went to.
There are so many difficulties in life to do something big and great, that the tests and university context doesn’t prepare you for.
what I’ve seen blackie do, is that he has the wisdom from the streets. He knows how to work with the corporate, the government, and also just the kid off the street with no background that just wants to play basketball and even the hater that continues to attack him on social media.
The other thing people ask me about what i see in an entrepreneur when i make a decision about investing or not, is what i call the persistence index.
I look at entrepreneur when they’re pitching this dream they have. And i ask myself, at what point, when the shit hits the fan, will this person give up.
I see blackie and the conviction in his eyes and the difficulties he faced in life. And i say to myself, I’m scared for whoever is trying to stop him because this guy will never give up.
This line 二十年磨一劍 means he’s worked for the past 20 years to do this.
I think all of us here that invested. Chris wang, sold his company to disney. Jameson, sold his company to facebook. Steve, who is not here, sold his company to google. Kai, sold his company to Activision all get really excited when we meet an entrepreneur that can execute, that has deep domain knowledge, and finally, has the opportunity to go beyond Taiwan.
Taiwan has so many things to share to this world. And watching blackie how he works with people from corporate, to government, and also through his experience at ABL able to work with people from other countries, show how much of a team player he is on both the basketball court and also in the game of life.
I’m excited to be a part of this journey. I think there will be many difficulties ahead. But Blackie has this cross tattooed on his leg, which means he’s ready for a lot of suffering and challenges ahead. And while he faces these challenges ahead, I’ll be right there with him on this road.
Thank you. Phil Chen P.League+ #是時候了
新刊預覽 👀⚡️⚡️⚡️
Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image
延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。
藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。
專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。
本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。
在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
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購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中！
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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.
With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.
The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.
In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.
At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu
「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di
「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn
關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan
人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko
如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng
我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 #StephenSheehi
Artist’s Showcase: #葉偉立 Yeh Wei-Li
故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I
「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun
偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun
追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung
浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai
攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning
七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I
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更多訊息 More info :
www.vopmagazine.com
大家好，我是威狼
今天要介紹的秘境是『小溪峽谷』
當初我們只是採個野菜作料理
沒想到誤打誤撞找到這個秘境
因為地勢關係
形成了好幾層的瀑布
每個瀑布都有不同峽谷地形
陽光灑落有置身仙境的感覺
至於那個感覺可能要自己親臨才會知道
這個秘境走路只要十分鐘既可抵達
算是一個簡易親人的秘境景點
『小溪峽谷』怎麼去：
可以私訊威狼我
威狼開團帶你們去
因為太秘境了
所以告訴你們
你們可能也到不了
座標:23°46'34.8"N 121°25'05.7"E
Hi everyone! This is Wilang, an explorer from Taiwan. While picking wild vegetables to cook, we happened upon this secret hidden river canon by accident. The landscape has several layers of waterfalls. Each waterfall has a different canyon topography. When the sun shines through, you feel like you are standing in a majestic wonderland. You really have to experience it in person.
It only takes 10 minutes on foot to get to but the direction of the location is hard to describe. If you are interesting in visiting, message me privately and I can host a group tour to take you there.
Hope you enjoy my videos. Please subscribe, like, and share for more wilderness exploration and aboriginal culture and food. Thank you!
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Wilang的社群連結：
Instagram:
https://www.instagram.com/wilang_explorer/
Facebook：
https://www.facebook.com/%E6%8E%A2%E9%9A%AA%E5%A8%81%E6%9C%97-100459841997534/about?view_public_for=100459841997534
拍攝工具⬇︎
相機：Iphone 11，GoPro 9
麥克風:GoPro 9媒體模組
空拍機：Dji Mini
剪輯工具⬇︎
imovie
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Music:
1.Ambient Music (No Copyright) - Helen 2 by Nikos Spiliotis
2.🌼 Ambient Chillstep Lofi (Music For Videos) - Leaving by AERØHEAD 🇺🇸
大家好，我是威狼
今天要介紹的『野外求生－竹筒料理』
過去因為沒有現在鍋具
所以許多東西就要就地取材
而我們今天就利用原住民耆老智慧
利用桂竹
來製作天然的鍋具、碗筷
而料理都取至於河裡
現抓現撈的河鮮
利用一些簡單的薑片、鹽巴
就能製作一道又一道
經典的原住民族料理
看完影片的你
是不是也食指大動了
有機會威狼跟狼爸煮給你們吃
Hi everyone! This is Wilang, an explorer from Taiwan. I’ll be showing you how to cook in the wild using bamboo to create a classic Taiwanese, aboriginal dish.
In the past when there were no pots and pans, people sourced many things locally from nature. Today we are using the old wisdom of aborigines and turning bamboo into natural pots, bowls and chopsticks.
Our ingredients are wild fish and shrimp freshly caught from the river and seasoned with simple ginger slices and salt.
Hope you enjoy my videos. Please subscribe, like, and share for more wilderness exploration and aboriginal culture and food. Thank you!
===========================================
Wilang的社群連結：
Instagram:
https://www.instagram.com/wilang_explorer/
Facebook：
https://www.facebook.com/%E6%8E%A2%E9%9A%AA%E5%A8%81%E6%9C%97-100459841997534/about?view_public_for=100459841997534
拍攝工具⬇︎
相機：Iphone 11，GoPro 9
麥克風:GoPro 9媒體模組
空拍機：Dji Mini
剪輯工具⬇︎
imovie
=============================================
Music:
1.Dizzy - Joakim Karud [Vlog No Copyright Music]
For Day 2 of our 3 Days 2 Night Taichung trip we are here at the Formosan Aboriginal Culture Theme Park~ 🤩It's such a big big theme park with so many different roller coaster and water rides, super fun that we got to explore the park and ride their cable cars to see the Sun Moon Lake views too!
我們週末台中之旅的第二天來到了日月潭的 ✨九族文化村✨！我們剛好錯過了櫻花季有點小可惜，但是在園裡人不多所以我們玩到了很多好玩的雲霄飛車和很噴水的設施！九族和六福村比起來真的園區有大很多，而且還有景很好的纜車可以眺望日月潭～ 看到最後我們晚餐還吃到了日月潭的夜市小吃唷😋
Connect with Me!
♡ Instagram | @x.yunny.x
♡ Instagram | @my.eatz
♡ Email | yunnyhou@gmail.com
Songs
Music by Dylan Rockoff - Competition - https://thmatc.co/?l=ECA9630E
Music: swipesy cakewalk by E's jammy jams
Music promoted by Chillpeach : https://youtu.be/o9_Gu3TI4IY
Music by Jaylon Ashaun - Poor Excuses - https://thmatc.co/?l=8E57076A
Music by Maria Z - More - https://thmatc.co/?l=59EBB553
Music by Jaylon Ashaun - Forever - https://thmatc.co/?l=3DCFA50A
What I use:
♡ Camera | Canon G7X Mark ii
♡ Doodles | SketchBook iPad App
♡ Editing | Final Cut Pro x Adobe Premiere Pro
taiwan aboriginal culture 在 Taiwan (Vegetarian World) - Pinterest 的美食出口停車場
Taiwan has a mix of Aboriginal Taiwanese and Chinese. The. ... Aboriginal Patterns, Aboriginal Culture, Aboriginal Art, Chinese Dance, Chinese Style, Taiwan. ... <看更多>