粉紅電影（ピンク映画, Pinku eiga ）是指含有裸露或性內容的軟性情色片。由於在日本大銀幕上不能展露生殖器官，情色導演想盡各式各樣的精緻道具或拍攝方法，務求讓演員的「工作部位」不會在性愛戲中顯露。
1960年，粉紅電影異常流行。在東京有數千家播放粉紅電影的戲院，每周更會不停轉畫。1970年代，粉紅電影幾乎是某幾家主要影視公司唯一的收入來源。
粉紅電影有一系列嚴格的製作指引：影片必須每5分鐘左右有一場性愛戲。片長至少一小時，並要用16mm或35mm菲林在一星期內拍好，剪接一周內完成。種種的挑戰、快速的調度和有限的預算，都讓粉紅電影成為培育很多年輕導演的完美訓練場。
然而，粉紅電影在今天經已沒落。不久之前向人打聽，在粉紅影圈堅持不懈的導演只餘下3人。所以我能被邀請掌鏡首部粉紅音樂劇電影《河童之戀》實在與有榮焉。
根據製作指引，我們用35mm菲林拍攝，花了4日半時間，完成了這部90分鐘的作品。我們不單止每5分鐘有一場（很輕柔的）性愛戲，還要不是每次在性愛戲之後，每7分鐘加插到一首歌曲﹗
能夠在如此緊絀的時間和預算內完成這作品，基本上全靠 一take過拍攝每幕戲和歌曲。還記得拍到最後一日，需要拍攝最後一幕戲和一首歌，因為我們的進度比預期中快很多，也沒有超出預算，歌曲又很盞鬼，最終拍了三次合剪成現在這個版本。
Pink film(ピンク映画, Pinku eiga ) are from of soft-core theatrical films that include nudity or deal with sexual content. But since genitals are banned from Japanese screens, film-makers have come up with all sorts of ingenious props and techniques to make sure that the actors “ working parts “ are not revealed during any sex scenes.
Pink films became extremely popular in the 1960. There were thousands of Pink cinemas in Tokyo alone, all changing programme every week. In the 1970’s, they are said to have been the only way that the major studios survived.
Pink films have strict production rules: The film must have a sex scene every five minutes or so. The film must be approximately one hour in duration. It must be filmed on 16 mm or 35 mm film within one week, and edited the following week. These challenges, the quick turnaround, and limited budgets made Pink films an ideal training ground for many talented young film makers.
But the genre is dying. There were only three dedicated directors in Pink Cinemas last time I asked, so I was proud to be invited to make the first Pink musical film Underwater Love.
As per the rules we shot on 35mm film. We finished the whole ( 90 minute ) film in four and a half days . And not only did we have a ( very soft ) sex scene every five minutes, we also had a song every seven minutes or so, as often as not after the sex !
The only way to get all done in the little time and with the budget we had was basically to shoot one take of each set up, even the songs. On the last day and for the last song / scene we were far enough ahead of schedule and under budget enough and the song was so much fun that we allowed ourselves three whole takes which are edited into this clip.
影片來源Video:《河童之戀》“Underwater Love” (2011)
#河童之戀 #今岡信治 #性與電影
#UnderwaterLove #ShinjiImaoka #sexandcinema
seven days of the week song 在 The Singing Walrus - Seven Days a Week - YouTube 的美食出口停車場
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