關於 rash meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

☆ネイティブの生の会話からリアルな英語を学ぶ☆
　
=================================
1) Ingrained（植え付けられた）
=================================
　
Ingrainedは、考え方や習慣が深く根付いていることを表します。日本人が挨拶をする時に無意識にお辞儀をしたり、食べる前に「いただきます」と言うことなどが、その例です。
　
＜例文＞
　
I always bow when I greet people. It’s a habit that’s ingrained in me.
（人に挨拶をする時はいつもお辞儀をします。これは自分に深く根付いた習慣です。）
　
My experience living abroad was so shocking that it’s deeply ingrained in my memory.
（海外生活の経験があまりに衝撃的で、記憶に深く刻まれています。）
　
Showing respect for one’s elders is deeply ingrained in Japanese culture.
（日本の文化では、年長者に敬意を示すことが深く根付いています。）
　
　
=================================
2) Have nothing to do with（〜と関係がない）
=================================
　
Have nothing to do withは「〜とは無関係である」という意味で、日常的によく使われる表現です。例えば、「それは私には関係ない」は、「That has nothing to do with me.」と言います。
　
＜例文＞
　
That has nothing to do with you.
（それはあなたには関係ないでしょう。）
　
Why are you bringing up the past? That has nothing to do with what we’re talking about.
（なんで過去の話を持ち出すの？今話していることと関係ないでしょう。）
　
You’re never too old to learn English. Age has nothing to do with it.
（英語を学ぶのに遅すぎることはないよ。年齢は関係ないから。）
　
　
=================================
3) I’ve been meaning to（ずっと〜しようと思っていた）
=================================
　
ずっと前からしようと思っていたことを伝える時に使える表現が、I’ve been meaning to ____です。例えば、「前からずっと聞きたいことがあったんだけど」は、「I’ve been meaning to ask you something.」と言うことができます。
　
＜例文＞
　
Hey Steve! How are you doing? I’ve been meaning to contact you.
（スティーブ、元気にしてる？ずっと連絡しようと思ってたんだ。）
　
I’ve been meaning to read that book. How do you like it?
（前からその本を読もうと思っていました。どうですか？）
　
I’ve been meaning to sign up to a gym but I haven’t gotten around to it.
（前からジムに申し込もうと思ってたんだけど、その暇がなくて。）
　
　
=================================
4) Set on（〜する気になっている）
=================================
　
何かをしようと決心することをbe set on ____と言います。Have one’s heart set on ____や have one’s mind set on ____とも言いますが、日常会話ではシンプルにbe動詞を使って、be set on ____と言います。
　
✔固く決心している場合は、be dead set on ____と言います。
　
＜例文＞
　
I’m set on studying abroad in LA next year.
（来年、ロスに留学をすると決めています。）
　
I have my heart set on getting that car. I’ve been saving up for years.
（あの車を買うと心に決めています。もう何年も貯金をしているんです。）
　
She’s dead set on moving to Tokyo and starting her own nail salon.
（彼女は東京へ引っ越してネイルサロンを開くと固く決心しています。）
　
　
=================================
5) Rash（軽率な）
=================================
　
Rashは「軽率な」や「早まった」という意味を表す単語です。結果を考えずに物事を判断したり、行動を取るような状況でよく使われ、rash decision（軽率な判断）はよく耳にする表現です。
　
＜例文＞
　
Don’t make a rash decision. Take your time and think about it.
（軽率な判断をしてはいけません。時間をかけてよく考えなさい。）
　
Let’s gather all the facts first before we make a rash judgment.
（軽率な判断をする前に、まずは事実を全て把握しましょう。）
　
Be smart. Don’t do anything rash.
（軽率なことはせず、賢明な行動を取るように。）
　
　
　
　
　
～～～～～～～～～～～～～～～～～～～
本日ご紹介したフレーズは、iTunes Japanの「Best of 2017/2018」に2年連続選出されたHapa英会話の人気コンテンツPodcast第256回「タトゥーを入れる理由」の内容の一部です。Podcastの全内容をご覧になりたい方は、Hapa英会話のブログをチェック！会話の全文、会話の要約、ピックアップしたフレーズ、ポッドキャストでは説明できなかった表現や言い回しが掲載されています。
　
https://hapaeikaiwa.com/podcast256
～～～～～～～～～～～～～～～～～～～

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

訂閱收看更多影片 ➫ http://bit.ly/STELLAMA1111

▎A B O U T
這次影片是在5月21日，家庭旅遊前一日拍的。
旅遊回來後，懶惰了兩個星期。
本來想在6月12日發佈，但是香港病了。
所以，我選擇放下手頭上剪片的工作，盡一點公民責任去表達意見。

還拍了影片分享感受：https://youtu.be/VKkhOdFwaAw

回到這次的題片，拍攝當日說話口齒不太清。
（雖然平常都是不太清，不過那天有比較嚴重 ._. ）
所以這次影片加了字幕，各位可以開字幕看～
本來是想分享在ASOS買到的東西，卻又忍不住說起其他事來。
談拍攝問題、談購物態度、談環保，還有分享家庭旅行、新髮色、新美甲等等。
希望大家不嫌悶～ ( ꈍ∇ꈍ) Yeah

P.S. 資料應該不update了，還望見諒，不要退訂喔 ?

▎I T E M S
➥ Accessories
My Accessories belt with gold buckle (on sales)
http://bit.ly/2WYuJ69

French Connection belt with gold buckle
http://bit.ly/2X0uw29

ASOS DESIGN 2 pack belts
http://bit.ly/2WYHmOr

Glamorous bag with bamboo handle
black: http://bit.ly/2WVNHKN

ASOS DESIGN asymmetric bag
http://bit.ly/2X7R01C

ASOS DESIGN stella’s fav earrings
http://bit.ly/2WYsTC9 (sold out)
Similar: http://bit.ly/2WViVBG
http://bit.ly/2X2cay2
http://bit.ly/2R2W9m5

➥ Shoes
New Look classic trainer in white
http://bit.ly/2R4tm0m
➥ Tops
COLLUSION t-shirt in lilac
http://bit.ly/2R72qwX

COLLUSION t-shirt in black
http://bit.ly/2R4rYLc

COLLUSION Unisex t-shirt in dusky pink
http://bit.ly/2X0r7AA

ASOS DESIGN cropped t-shirt in lilac
http://bit.ly/2R5kR5m

New Look square neck top in black
http://bit.ly/2WVPtLV

ASOS DESIGN bralet with gold buttons
http://bit.ly/2WYw7pn

Vero Moda Check Cami Top
http://bit.ly/2WVOMlP

➥ Swimwear
New Look scoop swimsuit in orange
http://bit.ly/2R1NZKG

South Beach Crinkle Frill Edge Swimsuit
http://bit.ly/2R1nBk0

Weekday bikini top in bright red
http://bit.ly/2R73px9

Weekday high leg bikini brief in bright red
http://bit.ly/2R73AbN (sold out)

Nike swim rash top in black
http://bit.ly/2RcOuSl (sold out)
another: http://bit.ly/2R2WZPL

▎W H E R E
Instagram ➫ http://bit.ly/STELLAMA-IG
Facebook ➫ http://bit.ly/STELLAMA_FB
Lookbook ➫ http://bit.ly/STELLAMA-LB
Blog ➫ https://www.theStarterfly.com

▎W H O
➥ Filmed & edited by STELLA MA
➥ Music: Joakim Karud - Dreams

多謝收看！
Thank you so much for watching :D

Ⓢ

FTC: not sponsored. Some of the above links are affiliate links, meaning I may earn a small commission via those links. It doesn’t cost you anything extra, but can support my channel and allow me to make more videos!