CỤM TỪ ĐỒNG NGHĨA PHỔ BIẾN CHỦ ĐỀ FAMILY & CHILDREN [kèm ví dụ]
🍄PHẦN TỪ ĐỒNG NGHĨA
- children who are spoilt = overindulged children: những đứa trẻ được nuông chiều, chiều chuộng
- to rely entirely on the help of their parents = to rely heavily on the support of their parents: phụ thuộc hoàn toàn/ rất nhiều vào sự giúp đỡ/ hỗ trợ của cha mẹ
- to take care of their children = to look after their offspring: chăm sóc con cái
- to have children later in life = to delay parenthood = to postpone parenthood = to decide to give birth later in life: có con trễ/muộn
- to have better education opportunities = to have the chance to study abroad/ enter a prestigious university: có cơ hội giáo dục tốt hơn/ có cơ hội đi du học, học 1 trường đại học danh tiếng
- to have a negative effect on family relationships = to weaken family bonds = to lead to arguments and conflicts between parents and their offspring: có ảnh hưởng tiêu cực lên mối quan hệ gia đình/ làm suy yếu các mối quan hệ gia đình/ dẫn tới tranh cãi và mâu thuẫn giữa cha mẹ và con cái
- to have a positive impact on family relationships = to strengthen family bonds: có ảnh hưởng tích cực lên mối quan hệ gia đình/ củng cố mối quan hệ gia đình
- parental monitoring = parental supervision: sự giám sát của cha mẹ
- to be better prepared to deal with the problems of adult life = to be better prepared for their future: được chuẩn bị tốt hơn để đối phó với các vấn đề trong cuộc sống sau này
- to become more independent = to have to learn how to cook, clean, pay bills and make their own decisions: trở nên tự lập hơn/ phải học các nấu ăn, dọn dẹp, chi trả hóa đơn và tự ra quyết định
- poor children = children who come from poor family backgrounds: trẻ em đến từ những gia đình nghèo khó
- to spend less time with their children = to devote a large amount of time to their work and seem to leave no time for their offspring: dành ít thời gian cho con cái/ dành một lượng thời gian lớn cho công việc và hầu như không có thời gian cho con cái
- to have the most powerful influence on a child’s development = to have a profound impact on their offspring’s development: có ảnh hưởng mạnh mẽ nhất lên sự phát triển của con cái
- to feel lonely and isolated = to experience feelings of loneliness and isolation: cảm thấy cô đơn và cô lập
- parents = mums and dads: cha mẹ
🎗PHẦN VÍ DỤ: https://ielts-nguyenhuyen.com/paraphrasing-chu-de-family-and-children/
#ieltsnguyenhuyen
同時也有1部Youtube影片,追蹤數超過23萬的網紅Qistin Wong TV,也在其Youtube影片中提到,芭樂媽今天跟小元寶一起玩閃卡,小元寶一面看芭樂媽閃閃卡, 一面聽,還會一面笑喔,可見得真的有在認真聽與看, 真的有在刺激到他的腦部神經發展喔。 提到閃卡就會想到,長得很像肯德基爺爺的這一位格連杜曼博士, 他是畢業於1940年心理治療學位,格連杜曼認為在五歲以下的孩童, 他們的精力非常的旺盛...
「profound experience」的推薦目錄:
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- 關於profound experience 在 Qistin Wong TV Youtube 的最佳解答
- 關於profound experience 在 -Profound Experience - YouTube 的評價
- 關於profound experience 在 BBC News - Shatner in space: 'The most profound experience' 的評價
profound experience 在 林郁晉- Yu Jun LIN Facebook 的最佳解答
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
profound experience 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
🎉🎉🎉#新媒體藝術家黃心健《 #輪迴》上集奪 #法國坎城影展最佳VR敘事大獎 ‼️
法國坎城影展市場展( Marché du Film - Festival de Cannes )於台灣時間2021年7月13日午夜於沉浸式虛擬場館MOR ( Museum of Other Reality)舉辦頒獎典禮並揭曉得獎名單,臺師大特聘教授、新媒體藝術家黃心健VR以最新力作《輪迴》上集(Samsara Ep.1)自16部精采的入圍作品中脫穎而出,一舉奪下本屆最佳VR敘事大獎( Best VR Story)殊榮。
《輪迴》上集是首部獲頒此重要獎項的台灣原生VR作品,台灣驚人的VR創作實力再度揚名國際!
黃心健在頒獎典禮上致詞:「首先,感謝坎城評審團的肯定與鼓勵,很榮幸能夠得到最佳VR敘事大獎。也感謝 國立臺灣師範大學 National Taiwan Normal University 、 文化內容策進院 Taiwan Creative Content Agency 與VR 體感劇院 VR FILM LAB 的全力支援,才能讓《輪迴》得以順利地製作完成。由衷感謝所有參與製作《輪迴》的幕前、幕後製作人員,一起讓來自於台灣精彩VR作品,再次讓世界看見。」
《輪迴》的劇情牽動著生態、科技、資源分配與戰爭等多元議題,是一段人類自核毀滅後逃離地球的故事。殘存的人類嘗試在無垠的星際中,尋找下一個可以賴以生存的新星球,並以人工方式進化成一種新的生命體。但許多年過去了,人們漸漸發現其實自己永遠到不了夢想中的全新星球,他們只不過是在另一個時代,以不同的生命形式,一遍遍地返回地球。黃心健藉此反思深刻反思生命哲理,並應用了所謂「具身認知」的抽象概念,以此讓觀眾轉換到不同的肉體中,進而以全新的視角來體驗《輪迴》上集片中的世界觀。
作為全球最受矚目的影展項目之一,法國坎城影展市場展為一向是全球影人不容錯過的影壇趨勢指標。而今年度為減緩疫情衝擊,Cannes XR 單元與 VR 線上內容平台 VeeR 攜手合作,特別在虛擬場館 MOR中打造大型的影展會場。活動展間的呈現方式非常活潑豐富,坎城團隊打破了現實世界中音訊、材料與硬體限制,以超現實的效果來為全世界的觀眾提供最為華麗的展場體驗,從觀影、走紅毯、入座到致詞,與會者皆透過VR頭顯連線參與頒獎典禮,黃心健尤其驚豔於主辦單位為他打造的專區。以創新的虛擬形式舉辦典禮,也正契合了VR作為影界新猷的開創性。
《輪迴》上集繼三月榮獲美國西南偏南影展( #SXSW)「虛擬劇場」項目最大獎殊榮「評審團獎」後,再度斬獲國際影展肯定,再次證明了台灣深厚的VR創作實力!完整版《輪迴》預計將於今年九月起展開全球影系列巡演,並將在今年10月回到台灣高雄,作為亞洲首映展出。欲一睹風采的台灣的影迷敬請期待!
🎉Taiwan's VR artist Hsin-Chien Huang Wins the Best VR Story Awards of Cannes XR‼️
The awards ceremony of Le Marché du Film will be held at midnight of July 13, 2021, at the Museum of Other Reality. The latest VR production by Distinguished Professor of NTNU, artist Hsin-Chien Huang, has been riding high among the other 16 nominated productions and bring home the prestigious "Best VR Story" award. " #Samsara Ep. 1" is the first native VR production from Taiwan to receive such honor and has once again put Taiwan on the map!
In the acceptance speech, Huang first mentioned that he would like to thank the jury for the recognition and encouragement. It was a great honor for him personally to win this award. He'd also like to thank the full support from NTNU, Taiwan Creative Content Agency and the VR FILM LAB of Kaohsiung Film Archive for making the production happen. Finally, he thanked all the crew members for showing the world how amazing the VR production from Taiwan.
The plot involves many different social issues, including ecology, technology, natural resource, and war. It's about a journey for humans after destroying the Earth with nukes. The survivors seek a new planet to carry on their lives in the limitless interstellar space, gradually evolve into a new life form artificially. Yet, after so many years, they have come to realize that they would never make it to the new planet that they have been dreaming of. They have been simply returning to the Earth in different life forms time after time. Huang uses the story to reflect on the philosophy of life and applies the concept of "embodied cognition" to teleport audiences to different bodies and experience the worldview of "Samsara" via a new perspective.
As one of the most famous film festivals globally, the Cannes Film Festival has always been a trial balloon for filmmakers around the globe. This year, to lower the impact of the pandemic, the Cannes XR has built a unique venue in the MOR (Museum of Ohter Reality) with VeeR VR , an online platform for virtual content, offering various exhibitions during the event. The team has broken down the barriers across materials, audio, and hardware, in reality, using surreal effects to provide the most magnificent viewing experience. From screening, walking on the red carpet, being seated to giving speeches, all the details are not left out through the VR headsets. Huang is especially impressed by the special area built for him by the host team. The ceremony is presented virtually innovatively, resonating with the groundbreaking feature in the VR film industry.
After winning the top award of the SXSW, "Jury Awards", "Samsara" has yet again captured the attention of another international film festival, testifying the profound and vibrant creativity of VR from Taiwan. The full version of "Samsara: will start its tour in September this year and come back to host its Asian premiere in Kaohsiung in October.
🔎新聞聯絡人: 陳仲賢
✉️E-Mail: chunghsien1992@gmail.com
▪️更多關於黃心健與《輪迴》消息請繼續
關注黃心健Facebook粉絲專頁:https://www.facebook.com/HuangXinJianHsinChienHuang
🔎News Contact: Chen Chung-Hsien
✉️E-Mail: chunghsien1992@gmail.com
▪️Follow Huang Hsin-Chien’s Facebook page for more information about him and his work: https://www.facebook.com/HuangXinJianHsinChienHuang
profound experience 在 Qistin Wong TV Youtube 的最佳解答
芭樂媽今天跟小元寶一起玩閃卡,小元寶一面看芭樂媽閃閃卡,
一面聽,還會一面笑喔,可見得真的有在認真聽與看,
真的有在刺激到他的腦部神經發展喔。
提到閃卡就會想到,長得很像肯德基爺爺的這一位格連杜曼博士,
他是畢業於1940年心理治療學位,格連杜曼認為在五歲以下的孩童,
他們的精力非常的旺盛,好奇心也強,求知慾也強,
所以透過快速閃示的閱讀方式,可以讓他們很快地吸收,
而且越小讀,可以越容易也越快速的吸收喔。
他們的經驗是難以忘記的,非常的深刻。
格連杜曼博士是兒童大腦開發的先驅,
1955年於費城創立「人類潛能開發研究所」,
發明了世界首屈一指的對於健康兒童至關重要的大腦發育成長理論和訓練方法。
Mentioned flash card will think of Glenn Doman.
He looks like KFC grandfather.
He graduated in 1940 with a degree in Psychotherapy.
Glenn Doman believes that children under the age of five are very energetic.
Strong curiosity.
Strong desire for knowledge.
So through the fast flash reading.
Can make them quickly absorbed.
And the smaller start reading. They can more easier and more faster to absorb.
Their experience is unforgettable.
is very profound
公車|Bus|魚|Fish|冰淇淋|Ice-cream|警車|Police car
蘋果|Apple|飛機|Airplane|羊|Goat|烏龜|Turtle|眼鏡|Glasses
青蛙|Frog|消防車|Fire engines|牛|Cow|汽車|Car|猴子|Monkey
浴缸|Bathtub|你好|How are you|豬|Pig|鴨子|Duck|機車|Motorcycle|
橘子|Orange|香蕉|Banana|西瓜|Watermelon|葡萄|Grape|自行車|Bicycle|
草莓|Strawberry|船|Ship|番茄|Tomato|金魚|Gold fish|鞦韆|Swing|
蛋|Egg|三輪車|Tricycle|米飯|Rice|電車|tram|麵包|Bread|胡蘿蔔|Carrot|
蘿蔔|radish
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profound experience 在 BBC News - Shatner in space: 'The most profound experience' 的美食出口停車場
... <看更多>
profound experience 在 -Profound Experience - YouTube 的美食出口停車場
Highlights from the Shabby Doll House (virtual) World Tour, in celebration of We Die In Italy by Sarah Jean Alexander and Troisième Vague by Lucy K Shaw, ... ... <看更多>