關於 not only but also 練習 題 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【國立臺灣大學109學年度畢業典禮 致詞代表 資訊工程學系韓哈斯】
Student Address, National Taiwan University Commencement 2021
International student Seth Austin Harding from Department of Computer Science and Information Engineering

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校長、教授、以及在螢幕前的各位同學，大家好。非常感謝臺大給我這個機會。我是韓哈斯，來自美國華盛頓特區。我會以自身的真實經驗出發，來跟大家分享臺大帶給我的收穫。

我當初為什麼選擇來台灣求學呢？我小時候非常喜歡看武打片，然後我十歲的時候去看了一部電影叫做「功夫熊貓」。這部電影成為了我最喜歡的電影，主角「阿波」的故事跟我的故事很像。我看完了之後就決定要開始學功夫，所以去了「美國武術學院」。那個時候我每天都聽旁邊的人講中文，到了高中我就決定開始學中文。當時我遇到了一位貴人，她是從台北到美國來教書的中文老師，她教的課是我當時最喜歡的課，我每天去她的教室跟好朋友練習。到了高中畢業時，我是全高中中文最好的非母語人士。同時，我第二喜歡的課程是電腦科學，那時候我是程式能力數一數二的學生。後來在成功錄取夢寐以求的學校：臺灣大學之後，我感到雀躍不已，因為我既可以繼續學習中文，也可以持續在世界頂尖的學府中，往電腦科學的方向精進自我。

不過老實說，當我回顧大一的時期，我也曾迷失自我。雖然我修了很多很多的中文課，但是我那時只聽得懂大概一半的課程內容。跟大家對美國人的印象不同，我其實很害羞，也很害怕舉手提問，我甚至不太敢參與社交，所以當時朋友也很少。我開始想家，也變得有一點憂鬱。那時籃球是我唯一的紓壓方式。

但更不幸的是，我在打籃球時弄傷了我的前十字韌帶，做了兩次手術，需要一年半才能恢復。許多的負面情緒壓得我喘不過氣。我被困在人生的低谷，不知如何是好。我覺得我的中文不夠好，我也被診斷出失眠跟ADHD，另外，美國高中的數學太簡單了，來這邊不夠用。種種壓力讓我足不出戶，找不到自己的人生方向。後來，我向臺大心輔中心以及我的心理醫師尋求協助，然後我也開始跟系上有更多互動。有一位教授叫徐宏民跟我說，"Never give up"，雖然那時候我覺得這句話太過於簡化了我的問題，不過，在我仔細思考了一個禮拜之後，我下定決心，發誓不讓自己被這些事擊敗。我決定要克盡全力，認真做好每件事。這是我人生的轉捩點，我開始變得異常自律。當時廖世偉教授和洪士灝系主任帶我進入它們的研究室鑽研學術。這重燃了我對資訊工程的熱忱，提醒了我當初會愛上這個領域的原因。我開始研究人工智慧以及區塊鏈，也開始跟其他系上同學交朋友，一起成立臺大人工智慧應用社NTUAI。NTUAI現在是校內頗具規模的技術研究社團，致力於推廣人工智慧給任何對該領域有熱忱的學生。歡迎加入NTUAI，可以掃描我們的QR CODE。

最近，由於疫情的緣故，我已經一年半沒回美國了。但是沒關係，因為我已經找到了我第二個家。我很愛臺大，以及台灣的人事物。雖然我經歷了人生的低潮，但這裡的一切總是給我滿滿的祝福與協助。最後，我想送給大家「功夫熊貓」裡的一句台詞： "You just need to believe"。只要用樂觀的態度去面對困難，就有能力改變自己，甚至改變身旁所愛的人。就像阿波的父親說的，"心誠則靈，只要你相信，點石就能成金。根本沒有什麼秘笈。只有你。"謝謝大家。

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President, professors, and classmates, I'm very honored to be here. Thank you to NTU for giving me this opportunity. My name's Seth Austin Harding, and I'm from the D.C. metropolitan area. I'm going to tell a real story that's personal but that's relatable and what I see as the real me.

What motivated and guided me to take my undergraduate studies in Taiwan? When I was very young, I really loved watching kung fu movies, and when I was 10 years old, I went to the theater to watch "Kung Fu Panda". This became my favorite movie as I felt like the story of the main character Po was one to which I could very much relate. After watching this movie, I decided that I wanted to start learning kung fu, so I went to the United States Wushu Academy. At the time, I began hearing Mandarin on a daily basis, so when I was in high school, I decided to begin formally studying Chinese. It ended up being my Chinese teacher from Taipei who was my favorite teacher who taught my favorite class, so I decided I'd hang out in the Chinese classroom every day and practice lots. By the time graduation came around, I had attained the highest proficiency in Chinese among any non-native speaker in my school. My second favorite class was computer science, and I ended up attaining among the best coding skills in my school. After getting accepted to the school of my dreams -- National Taiwan University -- I felt honored, humbled, and excited; I could now spend time at among the world's finest universities studying Chinese and at the same time advancing my knowledge of computer science.

But when I look back at my freshman year, to be honest with you, I didn't know what I was doing. Despite having taken very many Chinese classes, when I went to the NTU lectures, I understood only about half of what the teachers were saying. Contrary to most people's impressions of an American, I was actually too shy to raise my hand, to ask questions, or to even meet with teachers after class, so I had very few friends at the time. I started to become homesick and depressed. At that time, I found that basketball was the only way I knew of relieving my stress. However, while playing basketball, I had torn my ACL and it would take two surgeries and a year and a half in time to fully recover. At this point, I felt caught between a rock and a hard place. In fact, this was the lowest point of my life, and I didn't know what to do. I felt like my Chinese wasn't good enough, I had been diagnosed with insomnia and ADHD, and I felt like the math taught in America was too simple to allow for me to keep up with my classmates. I was under immense pressure, and at this time, I lost any sense of purpose or direction. Later on, I went to seek help from NTU counseling, from my psychiatrist, and from my department. I reached out to Professor Winston Hsu from CSIE, and he told me this: "Never give up"; it was such an oversimplified way to approach such a complex series of problems, I had thought. However, I pondered these words intensely for one week, and by the end of that week, I had made a firm decision. This would NOT be another example of me giving up. I decided to go all out, to work diligently and passionately on all tasks at hand. This was the turning point of my life; I started to discipline myself to a very high degree. At this time, I met my then-to-become advisors Professor Shih-Wei Liao and Professor Shih-Hao Hung and entered their labs to begin research. Finally, the passion that I had for computer science that I had previously held in high school was kindled again, and I was finally reminded why I loved this field. I began my research life in blockchain and AI, and at the time I entered the lab, I also began creating NTUAI. NTUAI is now a large and highly successful NTU club that is dedicated to the research and public understanding of AI. Welcome one and all to join us; please scan our QR code here.

For a year and a half I haven't returned to America because of covid. But not to worry; I have found my second home, away from home. I love it here in NTU and I cherish all of the things I've had the privilege to experience in Taiwan. I've gone through the most difficult of struggles in my life here, but I've also had the most fortunate and blessed of experiences. To conclude, I'd like to quote a line from "Kung Fu Panda": "You just need to believe". As long as you are willing to adopt an optimistic attitude in facing challenges and hardships, you may become a positive force in changing the lives of those around you as well as your own life. It all depends on how you view it; just like what Po's father says, "there is no secret ingredient. It's just you." Thank you, everyone.

詳見：
https://www.facebook.com/NTUCommencement/posts/2718185771805180

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#臺灣大學 #畢業典禮 #NTUCommencement2021 #學生致詞代表 #臺大資訊工程學系 #韓哈斯 #SethAustinHarding

diligent 勤勉的、勤奮的 (a.)
E.g. Kevin is not only diligent but also intelligent.
Kevin不僅很認真也很聰明。

assiduous / diligent / industrious / sedulous 勤勉的、勤奮的(adj.)
E.g. The government has been assiduous in the fight against the pandemic.
政府一直不遺餘力地在對抗這個嚴重傳染病。.

avid / enthusiastic / interested / keen / spirited (adj.) 熱衷的
E.g. David is very enthusiastic about the plan.
David對該項計畫十分熱心。

go all out / make an all-out effort 竭盡洪荒之力
E.g. That swimmer made an all-out effort to win a bronze medal.
那名🏊‍♀️選手用盡洪荒之力贏得一面🥉。

insistent / persistent / pertinacious / tenacious / unyielding 堅決的、頑強的 (a.)
E.g. Rina is a tenacious woman. She never gives up.
RIna是個堅毅的人，她從不放棄。

✨同場加映 ✨
proactive 主動的、積極的 (a.)
E.g. They should be more proactive about their schoolwork.
他們必須更積極面對學校課業。

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【プロとは「塩梅」である】

毎日、いろんな方とお仕事をさせていただくのですが、「この人、プロだなぁ」と思う瞬間がいくつかありまして…そのうちの一つに「自分の能力と役割を見極めている」があります。

チームプレーになった場合！プロは出るべきポイントで出て、控えるべきポイントで控える。

とりわけ、「今回は、取り扱う素材に対して、自分の能力をどこまで出せばいいか？」という答えを探るのが本当に上手で……たとえばダウンタウンの浜田さんなんて、ご自身でガーッと前に出ていかれる時もあれば、場合によっては手を叩いて笑っているだけの時もある。

後者の場合は、だいたいゲストがゾーンに入った瞬間で、こうなると、番組全体の面白さを見たときに、脂が乗っているゲストにシュートを打たせた方がよくて、手を叩いて笑っているだけの方が絶対に良い。

「仕事をする」とは、そういうことだと思います。

決して「いついかなる時も自我を出す」ということではない。
出る時は出て、引くときは引く。
この「塩梅」ですね。

そして、「引く」ということは、このターンではシュートは打てないわけですから、「今回はどうぞ」と譲れるだけの余裕を持っておかなくちゃいけない。

つまり、他で圧倒的な結果を出しておかなくちゃいけない。
他で結果を出せるから、引くべきポイントで引ける。

これ、普段から結果を出していない人だと、「ここで爪痕を残さねば！」というモードに入っちゃって、せっかくゴール前の良い場所に仲間がポジションを取れているのに、パスを出さずに、一人でボールを持ち込んでしまうので、アマチュアは、ここが厄介です。



今朝、映画『えんとつ町のプペル』の主題歌のダンスバージョンのMVがYouTubeで公開されました。


制作に至るまでの経緯を簡単にお話ししますと……映画というのは、いろんな会社がお金を出し合って作っていて、その中には「宣伝費」というものが確保されているんですね。

ただ、その「宣伝費」だって、皆から集めた限られたお金なわけで、もちろん乱暴な使い方はできない。

なので「あれに使おう」「これに使おう」と皆と話し合って、宣伝費の使い道を探っていくのですが、一方で、結果がどっちに転ぼうが、つまり宣伝効果がゼロであろうが、どうしてもやりたい表現が僕にはあります。

それって、自分のお金で勝手にやる分にはどこからも誰からも文句が出ないじゃないですか？


というわけで、オンラインサロンの売り上げをブチ込んで、映画『えんとつ町のプペル』のエンディング主題歌のダンスバージョンのレコーディングをして、そのミュージックビデオを超個人的に作ってみました。

「個人的に」といっても、たとえば今回は「ロザリーナ」というアーティストに歌ってもらっているので、キチンと事務所さんとの契約もして、大人の手続きは済ませています。「ただ、制作費は全額ボクが出します」と（笑）
　
そうすれば、どこにもお伺いを立てることなく、フルスイングできるので。


で、今回のダンスの振り付けをお願いしたのは「バブリーダンス」でお馴染みの登美丘高校のakaneさんです。

かなり早い段階でakaneさんにお伝えしたのは、テレビの歌番組に見られるカメラワークに対する違和感についてです。
ダンスって、基本は正面（客席）から見られることを想定して作られてるじゃないですか？

なので、やっぱり個人的には正面から見たいんですね。


ところが歌番組だと、「今、正面から見たいのに！」という時でも、クレーンカメラとか使って、ナナメ上から撮ったりするじゃないですか？

勿論、それが効果的な時もあります。
ただ、その一方で演出のエゴでしかない場合も確実にある。
僕は、その仕事を「プロ」とは呼びません。

本音を言うと、三浦大知さんのダンスとか、なんなら、正面の固定カメラで見たいです（笑）


振付師の方は、「このシーンのダンスは、この角度から見たら一番綺麗」という答えをお持ちだと思って、akaneさんと呑みに行った時に、「ぶっちゃけ、どうなんですか？」と聴いたら、「正直、『ああ、そこから撮っちゃうか〜（涙）』という時があります」とおっしゃっていたので、「それならば、今回はakaneさんが映像監督をしてください」とお願いしました。



んでもって、ダンスというのは「正面から見られること」を想定されて作られているので、撮影する場所も、「正面から見られることを想定して作られた空間にした方がいいだろう」という判断で、劇場の、さらにはステージ上で撮影することになりました。


そのあたりからかな。

今回のダンスMVのテーマが「お遊戯会」になってですね、そのテーマに合わせて、一線でバッチバチにやっているクリエイター達が、空間と映像を仕上げていくのですが……冒頭申し上げました通り、そこに集まったのは正真正銘プロなので、全員、その塩梅が絶妙なんです。

いつもは、「お前、ちょっと前に出過ぎ」とか「ここは、ゴリっと行け」とか言ったりするんですけど、今回に関しては本当に何も言ってなくて、「やっぱプロだなぁ」と思いました。

たとえば、完璧に踊りきってくれる子をキャスティングしようと思ったらできたんですが、
今回に関しては「寸分の狂いもない踊り」よりも「子供が頑張って練習して覚えた踊り」が前に出た方がいいので、その感じが出せる子に声をかけたり、

舞台美術にしても、いわゆる「かきわり」なのですが、まさか手を抜いているわけではなくて、プロが本気で手作り感を残した「かきわり」を作っているんですね。

　
あそこで、ゴリゴリの美術を建ててしまうと、目がそっちにいっちゃって、子供のダンスに光が当たらなくなる。

照明も衣装も演出もカメラワークも全て、塩梅がとれていて、見ていただくと分かると思うのですが、すっごい心地良いんです。

　
あと、ひたすら楽しいことをやっているハズなのに、なんか泣けてきちゃう。
もしかしたら、どこかで「２０２０年」の状況を重ねちゃって見ているのかもしれませんが。



今回は、「プロが本気でお遊戯会を作ったら、こうなる」という一つの正解です。

「この現場では何を見せるべきか？」、もっと言うと、「チームとして、自分がどれだけ前に出て、自分がどれだけ後ろに引けば、人の胸をうつことができるのか？」ということを表しているこの映像作品から学ぶことってメチャメチャ多いと思います。


是非、ご覧ください。

(※こちら→https://youtu.be/Rihe2JOyLQA)

　

　

▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
[Professional is ′′ Seasoning ′′

Every day, I'm going to work with all kinds of people, but there are a few moments that I think ′′ this person is a professional... one of them ′′ I'm seeing my ability and role ′′ There is.

If you become a team play! Pros go out at the point to get out and refrain from the point to refrain.

Especially," this time, I'm really good at exploring the answer that I can get my ability to the material I handle?" for example, Hamada-San in downtown is going to be in front of myself. Sometimes it's time to go, sometimes it's just a bit of a bit of a bit of a bit of a bit of a bit of a

In the latter case, it's almost the moment when the guest enters the zone, and this is how it's better to shoot a greasy guest when you see the funny of the whole program, and it's better to clap your hands. It's absolutely better to just laugh.

I think that's what it's like to ′′ work ′′

It never means ′′ always put out your ego
Get out when you get out, pull when you pull.
This ′′ Seasoning ′′ isn't it?

And," pulling ′′ can't hit the shoot in this turn, so you have to be able to afford a negotiable one.

In other words, you have to make other overwhelming results.
I can make other results, so I can draw it with a point to pull.

This is a person who doesn't usually make results," I have to leave a claw here!" I'm in the mode, and I'm going to have a good time with my friends in a good place before the goal, but I'm going to pass it out I'm going to bring the ball alone, so amateurs are messy here.



This morning, the music video for the dance version of the main theme song for the movie ′′ a no-Cho ′′ has been released on Youtube.


It's easy to talk about how to make it to the production...... the movie is that all kinds of companies are making money, and some of them are secured by ′′ publicity expenses ′′

It's just that ′′ publicity expenses ′′ is a limited money collected from everyone, and of course it can't be used rowdy.

So, ′′ Let's use it for that "" let's use it for this "" I'm going to talk to everyone, and I'm going to search for the use of the promotion expenses, but on the other hand, the result is which one is the one who is the one who is the one who But I have an expression that I really want to do.

Doesn't it complain about anyone from anywhere when you do it with your own money?


So, I tried to make the music video super personal with the recording of the dance version of the ending theme song of the movie ′′ a in town ′′ with the sales of the online salon.

′′ personally." for example, this time, I'm singing by an artist called ′′ b." so I'm going to have a contract with the office, and I'm going to have a good time with the adult procedure." just production The cost is full I will put it out lol
　
If so, you can do it without being able to visit anywhere.


So, this is Mr. Akane from tomigaoka high school, who is familiar with the ′′ ba dance ′′ that I asked for the choreography of this dance.

I told akane at a pretty early stage about the discomfort of the camera work that can be seen on the tv song program.
Dance is made to assume that the basics are seen from the front (audience)?

So, personally, I want to see it from the front.


But when it's a song program," I want to see it from the front now!" but I'm going to use a crane camera and take it from Nana Shark?

Of course, sometimes it's effective.
It's just that it's only the ego of the staging on the other hand.
I don't call the job ′′ professional

To say the truth, I want to see daichi miura's dance, or something, with a fixed camera in the front (lol)


The Choreographer is," the dance of this scene is the most beautiful if you see it from this angle," when you go to drink with akane," what do you think? ?" when I listened to it," honestly," oh, I'm going to take it from there ~ (tears)," so," if that's it, Akane will be a video director this time. Please



And the dance is made by assuming ′′ to be seen from the front," so the place to shoot is also," it's better to make it a space made by assuming to be seen from the front. I'm going to take a picture of the theater, and more on the stage.


I wonder if it's from around it.

The theme of the dance mv this time is ′′ Yugi-GI-Kai...... the creators who are doing the batch drumstick on the line are finishing the space and video...... opening As I did, it's a real professional that gathered there, so all of them are exquisite.

I always say, ′′ you're a little bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of Yes.

For example, I thought I was going to casting a child who is going to dance perfectly.
As for this time, it's better to go out before ′′ the dance that kids practice hard and remember ′′ rather than ′′ a dance without a crazy dance ′′ so I'm going to shout out to a child who can feel it.

Even if it's a stage art, it's the so-called ′′ and ′′ but it's not that I'm out of hand, but I'm making a ′′ and ′′ that the professional is seriously handmade.

　
When you build a grind art over there, your eyes go there, and the light won't hit the child's dance.

The Lighting, the costumes, the performance, and the camera work are all seasoning, and I think I'll know that I'm going to take a look at it, but it's really comfortable.

　
I'm going to cry even though I'm doing something fun.
Maybe I'm looking at the situation of ′′ 2020 ′′ somewhere.



This time, it's one correct answer to ′′ if the professional is seriously making a yugi party,"

′′ what should I show in this site?", to say more?" as a team, how much I get out of front and how much I pull behind, I can get a person's chest," I think it's totaled to learn from this video that represents it.


Please take a look.

(* HERE → https://youtu.be/Rihe2JOyLQA)

　

　

▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated

Wings of Piano 為【Deemo】遊戲收錄曲。

Intro ~未来へ ~ Intro Future
琴之翼 Wings of Piano


V.K克 Facebook http://www.facebook.com/VKstyle
V.K克 國際官方網站 http://www.VK-style.com/

演出曲目
Intro ~未来へ ~ Intro Future 0:36
琴之翼 Wings of Piano 1:43

絕對沒想過，鋼琴可以這樣彈
你絕對沒看過，創意如此無限
顛覆你的所有想像空間
一場華麗的聲音饗宴
今晚，我們將重新定義《鋼琴》
歡迎進入《V.K克》的魔幻世界

You have never thought piano could be played this way
Endless creativities one has not yet seen
Overturning your every imaginations
A splendid musical feast
Tonight we shall redefine "Piano"
Welcome to V.K's magical world of piano

《V.K克》，台灣新生代跨界演奏音樂最傑出的鋼琴演奏藝術家！
2009年推出第一張個人鋼琴演奏創作專輯《鏡夜》，以不採用唱片行銷售的方式，只在網路上販售，引起廣大迴響及話題，甚至擊敗已經在KKBOX心靈演奏排行榜蟬聯三年冠軍寶座的國外輕音樂大師《凱文‧柯恩》，並同時在海外下載試聽次數達25萬次之多。

2010年V.K更推出他的第二張全新創作專輯《愛‧無限》，不但再度攻陷台灣KKBOX心靈演奏類排行榜冠軍,更在短短一周內，在網路商城博客來演奏銷售排行榜上攻進前三名，引爆風潮，也在兩岸三地華人區引起熱烈討論。
在這樣的好成績之下，V.K擁有來自11個國家的粉絲團，聽眾年齡層從9歲到90歲，無遠弗屆的影響力建立在V.K對音樂及對人的一顆誠摯的心。V.K在14歲時即罹患僵直性脊椎炎病症，每天早晨永遠是最痛苦的時刻，錐心的痛卻養成了V.K對人生不屈不撓的毅力與堅持。一天四、五個小時的鋼琴練習，成了V.K最重要的功課，他用音樂來忘卻痛苦，也用音樂記錄人生每一刻的點點滴滴。
V.K的音樂最大的特色是結合各項華人音樂的元素，融合多種樂器，曲風多變，時而清新自然，時而開闊千里；縷縷扣人心弦卻又能讓人感到加倍幸福溫馨。一直對台灣有著相當大的關懷以及情感的《V.K》,利用音樂及網路的力量,在國際間發光發熱,為台灣的藝術音樂文化，增添一筆筆佳話。




V.K, Taiwan's most prominent cross-performing pianist!

Not taking the usual channels but selling only through the internet, V.K released his first piano performing debut album 《Reflection》in 2009. It soon reverberant became a hot topic and also overtaken Kevin Kern's three year top position in New Age genre and become the top number one in "KKBOX", the biggest digital music chart in the Chinese region, while at the same time, overseas trial download hit the number of 250,000.
In 2010, V.K released his second album 《Love ‧Infinity》, again it soon climbed to number one on the KKBOX's New Age genre chart and hit into the top three selling records in music performing chart in online bookstore "Books.com" within a week of releasing. Not only did it create a wave but also brought hot discussions among the Chinese regions.
In light of these accomplishments, V.K's burgeoning numbers of fans are spreaded all over the world, with the age group from 9 to 90. These far-reaching, borderless influences are built on V.K's strong devotion to music and people. V.K has suffered from Ankylosing Spondylitis from the age of 14. However, he chose to fight against pain and turn them into musical endeavors. 4-5 hours of piano practice is a daily routine, it is the moment when he can forget his pain through music and to write down the moments of his life with music.
The special characteristic in V.K's music is that he combines every Chinese musical elements, fuse with different instruments to compose different styles and types of music pieces, sometimes refreshing and natural, sometimes vast and grand. However, they will always touch one's heart and make one feel surrounded by warmth and happiness.
Through the power of music and internet, V.K shines internationally and continuously his accomplishments for Taiwan's music performing culture.