NOTES ON CHARLOTTESVILLE:
OR, WHY WHITE PEOPLE DO NOT EXIST AS A PEOPLE
I've heard some several buddies, people I know well and care about (most of them not in comment boxes or in public) asking about the moral equivalency between the neo Nazis, white nationalists, and other white ethnostate type supporters and groups like Black Lives Matter, Antifa (short for Antifascists), and other direct action groups.
I'd like to speak to that comparison a bit and then turn to a more important part of it that I worry about. Before I get to that, I should first say that I've said enough about Trump. Honestly, the guy confuses me. He swings from a nihilistic idiot to a idiotic nihilist. His inconsistencies pile so high that you either get lost in them or you use them wholesale to try and make your point. He wins in the time and toll it takes. He also, I think, has found a very particular niche worldview for his newfound politics and is willing to, at the end of the day, embrace ANYONE willing to give him what he wants the most: affection. Never, at least to my memory, have we had a more emotionally needy president. But that's neither here nor there at the moment.
If you look at most social protests and revolutionary movements you will find a basic set of factions that don't change. They tend to spread between non violent oppositions and even less violent moderates, both winged by some type of pragmatists who are not in principle opposed to violence. Different sides will use the radicals of different parts of this division to throw away the entire argument of one side or another, and this is not an even equivalent exchange in the history of US racial tension. But I want to stay away, mostly, from broad historical claims here.
The point I am driving at is evident when we realize that the Civil Rights activists who practiced non violent acts of resistance were often lumped in with Black Panthers, or others not opposed to violence, although the two groups were ideologically fairly different. But I am not willing to say that they were so different as to not be judged as being on roughly the same side of the discussion. After all, the Civil Rights movement was not just the movement for the passage of legislation nor did it belong to the non violence of MLK Jr entirely. This is not historical. If you don't see that the US institution of slavery was a grave moral evil and that the Jim Crow laws that succeeded it were demonic in their formal and informal application, and that, as a result, those determined to end these things were in principle on the side of justice, then you really have no moral compass. Say what you will of the vast differences between MLK Jr and Malcolm X, but it is hard to argue that their social protest was off key in the tonic.
The more popular -- but equally as appropriate -- comparison these days is to Nazi Germany. (Of course, a great deal of the sentiment of the Civil Rights movement was a direct result of the effects that US wars had for those within its ranks who were not white, but that might be slightly off the mark in this case.) There is a bright and clear moral line between the Nazi ideology and its perverse Final Solution and those who sought to oppose it. This line, by the way, finds its way directly into the symbolism and rhetoric of the neo Nazi's at Charlottesville. Not only were there swastikas, there were Nazi crosses and other niche paraphernalia. There were the salutes, yes, but there were other salutations and insider ways of speaking going on. There were also the tiki torches, the modern Pepe Wal-Mart replacement for the burning torch rallies and burning crosses of the KKK. The grand knight of that sick group was standing by. They brought their own military-grade armed militia to protect those who came in homemade riot gear. This was not the making of a peaceful protest or free speech of the sort that we see the Westboro Baptists practice (not that they are emblems of public virtue, far, far from it!).
As I said earlier, if you find yourself unable to distinguish between Nazism in its original form and neo Nazis, white nationalists, and others like them and those who through what ever means they find useful (which one can disagree with in practice while still endorsing in principle) oppose them, then you are morally corrupt. If you can't quite figure out how the math works in this moral calculus, you are morally mindless and incompetent.
Of course, within any opposition to these (supposedly) easy immoral targets one can find many arguments and even passionate disavowals. But there are real moments when these lines are simply drawn and one must take a side. I have in the past even used the language of "alt left" in an entirely different usage, but I regret it deeply, now, seeing its life-cycle. I will not exchange my allergies to the ideological types of identity politics I have long opposed nor will my more specific critique of the critics settle. All that fuss gets set aside in these events. If I have to choose whether to stand next to a neo Nazi or Antifa, I'll choose the latter on pain of eternal damnation. To those who say you don't have to choose, that risk is one I am not willing to make. I would rather be a black panther than a lynch mob, as much as my truer sympathies lie somewhere else. Despite all my oppositions to modern warfare, I would pick up arms against the Nazis long before I'd "peacefully" cheer on their side. I think most people feel this way.
But something remains and this is what I worry about and even dread most: we are not fighting Nazis or lynch mobs. Most people would never go to march in Charlottesville. And even when you talk to many of the white nationalists they will say something along the lines of "I'm not racist." To them, their present politics is no longer that of the slaver or the KKK. They don't wear hoods and they don't want to own people as property anymore, it seems. They hate the Jewish people for reasons I am still not able to process in my mind, but their argument is more separatist than colonial -- so they claim.
They seem to think that the USA was founded by *their* ethnic ancestors, who hailed from Europe, gathered together in this ancient race called "White" that has recently, especially after the activism surrounding police brutality against African Americans, fallen into a disrepute that is sending the world into a globalist terror to come, in the biggest of the big governments.
Now, these conspiracy theories do not need to be true or believed to find where they hit a live nerve in a lot of people. Some people do ask why white people cannot have rallies for themselves without longing for ethic purity. Some people do think that white folks today are being washed away through interracial marriage, but many more who don't mind interracial romance still worry that white people are on the losing end of public sentiment. Lots of people who try to counter this tend to make it worse by appealing to gotcha replies about privilege or other things. I tend to find that too complex.
I recently commented to one of my friends that I don't think of myself as having very many "white" friends. Some of you might balk since many extremely intimate people in my life are, supposedly, white. And of course if we use one way of thinking about what "white" is, that is true. On the same logic, I would be, in certain real scenarios, white as well. But what I meant when I wrote to my friend was that I see my friends of European descent as from where they are. Those who don't know where they are from share with me a genealogical confusion that I can also understand.
Maybe this weirdness is partly because, on the vulgar ethnic analysis I am used to, I am neither white nor Black. And, of course, as many Africans who are neither black nor American will remind you, things become quite complex depending on what rules we are using to count the deck.
My point is this, and if you read nothing else, please read this: There is no such thing as "white people" in history. Most folks who use the expression were not allowed to use it only a few decades ago. The white supremacy of the KKK of old hated Blacks, yes, but also Mexicans, and Catholics, and Jews (of course), and atheists, and more. Depending on how you see it, whiteness was either more or less ecumenical, but just as ideologically religious.
Let me say it again: There will never be a "white ethnostate" based on European culture because the history of Europe is covered in ethnic feuds and wars. If you've never heard of a guy named Napoleon, check him out. I'm being serious. If you think of yourself as being "white" in some serious ancestral way, you're not. You are wearing a name tag your family was GIVEN at some point but never had by its own right. There are no white people in this familial sense. (Settle down critical race theorists, I am well aware of the whiteness that is real, too, but this ain't it.) There is no such thing as a white European culture or of a white heritage in that sense at all.
Again and again: The most scandalously false part of the neo Nazi mentality is as old as its previous, original half baked idea in Hitler's weak mind. The concept of a master race doesn't work for mastery of people nor does it work for figuring out who you really are. We come from places with names and languages and peoples and legacies that are concrete. Some of us lost a lot of memory at the hands of another, and others lost through the same hands. Today we tend to think that the ancestors of slaves, or indigenous peoples, or mixed-up mestizos are the ones who lack a strong identity and the rest have theirs in bold font. Not true. From your family to your soul, you don't really know who you are if you are using ideological pet words to hang the hat of your self.
I'm not a real Mexican and I'm not a real American -- and I'm no Canadian, either. My father was an orphan, so I've taken his bloodless name as my own, a Portuguese word by etymology. I of course will pass as a white guy at a Black family reunion, just as I passed as an indigenous guy today on the pier (until I produced a fishing license instead of a status card), just as I passed as an Iranian at a birthday party last week, and so on. But the real facts of who I am don't work in the abstract.
This is why if you want to find a better substitute for whiteness find a Greek Festival or an Irish Pub or a German Beer Garden or a French Restaurant. This is food and drink, and it is a set of multicultural cliches, but enjoy an Italian family dinner and tell me there is nothing about who someone is at stake there. The point is that the real identity we can and do celebrate is everywhere and it is not necessarily riddled with guilt, even if sometimes it could use some (or far less). None of it calls itself "white." None. If you are using "white" as your only name tag, then I am sorry to say that you've been fooling yourself. You don't have a people by that name. There is no such thing. Your great-great-great grandmother would mostly likely not answer to "white."
Personal history quickly becomes social, national, and regional histories and we find ourselves, again, at Charlottesville. All I can say for now about it, to my dear and beloved friends who I suspect think that they are "white," is this: We cannot have white rallies because there is no such thing as a "white" people. Black Lives Matter is not a movement for everyone who is of one dark color in the world -- it is about the US experience for those living within the legacy of slavery and Jim Crow over the past three years (some Black activist groups are critical of this aspect of BLM, by the way). If you want a "white" identity, then look to the folk expressions of it that we have and should treasure like music, food, and regional folk ways of being. Poetry, dance, dialect, accent, story. These are not safe or sanitary places -- I tend to think this story of a "white people" got made up there, too -- but they also don't pretend like people are any more or less related than they really are.
Donald Trump is a German-American man, not a white man. His whiteness is an entirely different issue that I am disinterested in getting into right now. If you wonder why white people are seen as bad sometimes, it is largely because of this false assumption: that white people exist as a people when they so manifestly do not.
同時也有4部Youtube影片,追蹤數超過5萬的網紅Loki Yamatoちゃんねる,也在其Youtube影片中提到,すばらしきこのせかいシリーズ最新作! 渋谷を舞台に、当たらな主人公「リンドウ」が自身の生死をかけた「死神のゲーム」に挑む。 ----------------------------------------------- 【配信のお願い】 ・シナリオのネタバレダメ絶対! ・配信しているゲーム以外の話...
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情報正式解禁!!!! 2017.04.22 James Lavelle presents UNKLE Sounds x DJ Mykal 20周年 at Neo Studio
James Lavelle對我生涯影響的重要性早已無庸置疑,很榮幸可以在我20周年系列Project裡再次邀請他訪台,而且是首次以UNKLE SOUNDS名義來台演出~~
限量早鳥票明天(周三)中午KKTIX正式開賣!!!
【James Lavelle presents UNKLE Sounds x DJ Mykal 20周年】
★ 2017.03.29(三)中午12:00 限量早鳥票NT800元搶先開賣! ★
購票連結☞http://rokon2future.kktix.cc/events/422unklesoundsxdjmykal
2017.04.22 Neo Studio
傳奇廠牌Mo'Wax主腦James Lavelle
台灣潮流音樂指標 DJ Mykal a.k.a.林哲儀
聯手出擊,再創傳奇經典夜!
James Lavelle,你永遠不知道他的下一步又將如何超越世界!
身為英國著名樂團UNKLE的首腦 、Mo’Wax音樂廠牌創始人,多年來James Lavelle與DJ Shadow、Radiohead主唱Thom Yorke、DJ Krush、Mike D等世界頂尖音樂人合作發行了無數音樂作品,並建立起「Trip Hop」的不敗地位。此外,擔任知名品牌如:Nike、Converse以及日本潮流教主Nigo長期合作夥伴、邀請Futura 創作經典的Point Man圖像,James Lavelle的一舉一動永遠是全球潮流時尚的領導指標。
距前次James Lavelle訪台已有10年時間,這一次James Lavelle將首度以「UNKLE SOUNDS」派對系列登台演出,同時今年也是DJ Mykal a.k.a.林哲儀DJ生涯20周年,作為系列Project以及ROKON滾石電音首發派對,台灣英國兩地潮流音樂指標領袖,聯手轟炸、精彩可期!
限量早鳥票:NT800 (不含酒水)
預售票:NT1200 with 1 Drink
現場票:NT1500 with 1 Drink
*一人一票,請攜帶證件憑票入場,票券遺失恕不補發,18歲以下不得入場
Support by
DJ Mykal a.k.a.林哲儀
OVDS(special club set)
Slamer
林貓王
-----------------------------------------
Everything James Lavelle has created and initiated has been driven by the same irrepressible sense of curiosity and an incorruptible willingness to take risks. The music released today under the banner of UNKLE is very different from early UNKLE records. The spirit is the same.
2014 was a landmark year for independent music svengali James Lavelle. Coinciding with his 40th birthday he launched Mo’ Wax21: Urban Archaeology - a mind blowing Kickstarter resourced exhibition and a lavish Rizzoli published book to celebrate the 21st birthday of Mo’ Wax records, the label he launched as a teenager. He was also the curator for Meltdown on London’ s South Bank. Joining a long list musical luminaries such as Yoko Ono, Ornette Coleman, Massive Attack, Nick Cave, John Peel, Lee ‘ Scratch’ Perry, Patti Smith, amongst others, is according to James, “one of the proudest moments of my life in music so far.”
Since the early Nineties James Lavelle has been on a global roller coaster ride. It’ s taken him from being an obsessive 18 year old indie record label boss to the heart of corporate record company darkness and back to the light with an array of dynamic visual adventures based around the collective musical experience of his UNKLE project. A child of the sampling generation, he has honed his curatorial skills while riding the tidal wave of information technology. The Nineties were hectic - an endless cycle of clubbing and unfettered creativity and his Mo’ Wax label was bold, irreverent and “Kicking More Phunk Than A Shaolin Monk”. He released a flood of hip, deftly packaged 12”singles and ventured far and wide in search of like-minded souls. He forged links with Japan’ s hip hop originals Major Force and DJ Krush but it was in Oakland California that he found the future - Josh Davis aka DJ Shadow.
In ‘ 96 Rolling Stone magazine declared Mo’ Wax as the true source of ‘ Trip Hop’ - a decision underpinned by the aural impact of DJ Shadow’ s ‘ In/Flux’ 12” single – but In reality, it was the ‘ Headz’ compilation, released in ‘ 94, complete with cover art by Massive Attack’ s 3D that took ‘ trip hop’ worldwide. What followed was DJ Shadow’ s skillfully crafted ‘ Endtroducing’ LP – a homage to his trusty Akai MPC60 and a seminal slab of vinyl that has since notch up sales in excess of a million. A label deal with A&M appeared to give James the freedom to pursue the Mo’ Wax grail and UNKLE was chosen to deliver the vision. DJ Shadow took on the producer role of ‘ Psyence Fiction’ . Meanwhile James commissioned Futura2000 to provide the artwork and succeeded in enlisting Radiohead’ s Thom Yorke and ex-Verve frontman Richard Ashcroft to the project. It was a radical venture that predictably met with the glint of sharpened critical knives. A combination of youth and boundary breaking ambition has never endeared James Lavelle to the critics. Ironically, the deal-breaker when signing to A&M records was a Jean-Michel Basquiat drawing that declared “Cowards with get rid of you, the sky is the limit”. It proved an apt warning. At the dawn of the new millennium A&M imploded andtook Mo’ Wax with it. Financial uncertainty ensued. He sold the Basquiat, reverted to his DJ career and pressed on with UNKLE.
James Lavelle loves DJing. It’ s back to basics. He describes his five year long residency at Fabric as “insane” and is happy to point out that he’ s had residencies in all of the Top 10 clubs in the world including Zouk and Womb.
Obsessed with the collision of music, fashion and art James forged links with Nigo at A Bathing Ape and launched Mo' Wax Arts to translate Futura 2000’ s concepts and images into merchandise, toys and fashion. He was mates with iconoclastic London fashion genius Lee Alexander McQueen and continues to work with McQueen collaborators Warren Du Preez and Nick Thornton Jones. Daydreaming with.... James Lavelle was launched at London’ s Museum Of Mankind and has produced collaborations with celebrated artists like Jonathan Glazer, 3D, Jonas Burget, Doug Foster and Turner Prize nominee Nathan Coley.
In 2005, he set up Surrender - a clothing line and boutique record label dedicated to all things UNKLE. Over a five period they produced three UNKLE albums - ‘ War Stories’ , ‘ End Titles- Stories For Films’ , ‘ Where Did Night Fall’ and around 150 tracks. UNKLE's progression in the studio from a classic hip hop aesthetic to breakbeats-meet-house to electronica to rock has also been instrumental in UNKLE manifesting as a live band that’ s successfully toured the world.
The UNKLE crew has been populated by a bunch of serious players who have made a massive impact on the UK music scene and beyond. Tim Goldsworthy set up DFA records, Nick Huggett signed Adele, M.I.A and Dizzee Rascal, Damian Taylor is Bjork’ s right hand person, Cameron Craig is a Grammy winning engineer and Jim Abiss and Paul Epworth are both producers at the top the game – think: Adele, Kasabian, Plan B, Florence & The Machine. Another UNKLE veteran Toby Feltwell went on to run Bathing Ape and Billionaire Boys Club with Nigo and Pharrell.
Here in lies the journey of a hip hop, subway art, Massive Attack obsessed kid from Oxford. It’ s been a wild and mind expanding journey. His focus is always on the future. Watch this space.
LIMITED EARLY BIRD : NT800 with NO Drink
PRE-SALE : NT1200 with 1 Drink
AT DOOR : NT1500 with 1 Drink
VENUE: NEO STUDIO
5F., No.22, Songshou Rd., Xinyi Dist., Taipei City
neo the world end with you 在 Loki Yamatoちゃんねる Youtube 的最佳貼文
すばらしきこのせかいシリーズ最新作!
渋谷を舞台に、当たらな主人公「リンドウ」が自身の生死をかけた「死神のゲーム」に挑む。
-----------------------------------------------
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新すばらしきこのせかい NEO : The World Ends with You
発売日:2021年7月27日発売 ※Epic Games Storeについては2021年夏に発売予定
希望小売価格:パッケージ版:7,480円(税込) / ダウンロード版:7,480円(税込)
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プレイ人数:1人
CERO:B
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CHARACTER DESIGN:TETSUYA NOMURA & GEN KOBAYASHI & MIKI YAMASHITA
※-----【オススメ動画】-----※
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neo the world end with you 在 Warner Music Malaysia Youtube 的最佳解答
Blimey - sunshine [Official Music Video]
#sunshine #blimey
Kenali Blimey di:
Youtube: https://www.youtube.com/c/Blimeywow
Tiktok: https://www.tiktok.com/@blimey.wow
Instagram: http://www.instagram.com/blimeytoyou
Facebook: https://www.facebook.com/wow.Blimey
Twitter: https://twitter.com/wow_Blimey
Lirik
[Yerim]
Sunshine 과 바람 (Sunshine gwa baram/ Sunshine and breeze)
햇살을 가르며 (Hae-ssa-reul kareumyo/ Touching the sunshine)
하이파이브하는 기분 (High five ha-neun kiboon/ high fiving the breeze)
[Jade]
Sunshine (Sunshine)
Indah (Majestic)
Ayuh Kita Tertawa (Let’s laugh the sadness away)
Hilangkan semua duka (Get rid of all grief)
[Dasol]
비가 쏟아져도 괜찮아 (Bi-ga ssoda jyeodo gwen chan-a/ It’s alright even it’s raining)
Baby alright
느낌이 좋아 (Neukkim-i Joah/It feels good)
[Jade]
Tata langkah
Terjaga (Be responsible for your deed)
Sederhana (Even though a little)
Asal Bahagia (Your happiness is important)
[Yerim]
마음이 설레 (Ma-eum-i seollae/ I feel butterflies)
너와 이렇게 (Neo wa eroke/ When I go somewhere new with you)
새로운 곳을 향해 갈 때 (Sae-ro-eun go-sseul hyang hae gal ttae)
[Yerim & Dasol]
아픔은 기억 못 하게 (A-peum-eun Ki-eok mo-ta-ge/ Let’s not remember darkness)
밝은 기대들로 가득해 (Bal-geun Ki-dae-deul-lo Ga-deuk-hae/ Full of hope)
[Jade]
Sunshine dan (Sunshine and)
Badai (the wind)
Melewati hari (At the end of the day)
Bahagia menanti (Happiness will come)
[Dasol]
Sunshine
Don’t be shy
눈치볼 필요없어 (Noon chi bol pil yo Up seo/ Don’t think about others)
실컷 소리질러볼래 (Silkeot sori jilleo bollae/ Shout it out loud)
[Yerim]
Cerah duniaku (My bright world)
Gembira (Full of joy)
Walau gentar (Even if it's hard)
Kita upaya (We can stay strong)
[Dasol]
창 밖에 손 내밀면 (Chang bakke Son-nae mil myeon/ My hands outside the window)
스며드는 바람이 좋아 (Sse myeo deu neun Baram-i Joah/ I like the feeling of the breeze)
(yeah)
[Jade]
Mahuku terus
Bersama kamu (I want to be with you)
Jelajahi benua baru (Exploring new worlds)
Masa depan yang menunggu (Even there's a worry about tomorrow)
Tulus mendekatiku (It will be alright)
[Blimey]
Sunshine 과 바람 (Sunshine gwa baram/ Sunshine and breeze)
햇살을 가르며 (Hae-ssa-reul kareumyo/ Touching the sunshine)
하이파이브하는 기분 (High five ha-neun kiboon/ high fiving the breeze)
Sunshine (Sunshine)
Indah (Majestic)
Ayuh Kita Tertawa (Let’s laugh the sadness away)
Hilangkan semua duka (Get rid of all grief)
[Feat. Will Rise]
아무도 모르게 (just by myself)
떠날거야 (I'll leave)
눈치 못 채게 (without anyone knowing)
조금씩 더 (So we are)
가까워지고 있어 (getting closer)
너와의 간격은 (Closer to you)
혹시 (Maybe)
길을 잃거나 (I get lost)
어둠이 잦아도 (I go into the dark)
전부 다 괜찮아 (It's all alright)
벌써 우린 즐기고 있어 (We enjoy this)
[Blimey]
Sunshine dan (Sunshine and)
Badai (the wind)
Melewati hari (At the end of the day)
Bahagia menanti (Happiness will come)
Sunshine
Don’t be shy
눈치볼 필요없어 (Noon chi bol pil yo Up seo/ Don’t think about others)
실컷 소리질러볼래 (Silkeot sori jilleo bollae/ Shout it out loud)
MV directed by: 0.100 Kim, Cleeff (Afefilm.com, https://www.youtube.com/c/AP_051)
Composer: will rise(https://bit.ly/3f4nLDk), blcn (https://www.instagram.com/blcn_floor_label/)
Publisher: Blimey
Lyricist: will rise, Blimey Dasol, Blimey Jade, Blimey Yerim, Puteri Fatin Nursyasya Binti Mohd Fozae (https://www.youtube.com/c/AnnyeongAisyasya)
Producer: blcn
Arranger: blcn, Kim Jinseop
Recording Musicians:
-Vocal by Blimey, will rise
-Guitar by Kim Jinseop
-Bass by Kim Jinseop
-Vocal Directed by Kim Kiwon (https://www.instagram.com/kiwon1005)
-Chorus Arranged by Shin Yona (https://www.instagram.com/yona_shin)
-Chorus Recorded by Ko Donghyuk
-Chorus by Meanz (https://www.instagram.com/meanzminjee)
neo the world end with you 在 Zermatt Neo Youtube 的最讚貼文
For this video, I present to you my attempts at the Monster Curry Level 100 Spicy Challenge! The challenge involves completing a plate of their standard Chicken/Pork Katsu Curry Rice, except the curry is topped with a deadly-looking black concoction made from ridiculously spicy chillies. For those spice-averse, eating the first few bites might make the challenge seem doable, but the excruciating burning sensation kicks in after a minute. Completing it in under 10 minutes makes the dish free.
It was a true challenge for me due to my well-known low spice tolerance, but I grit my teeth and took it one bite (sometimes two) at a time, attempting this for a total of 6 times. Initially my time was in the 1-2 minute range, but by the end I was able to do it sub 1-min, with my final attempt being my best time at 52.13s and also the best ranked time for this challenge.
Check out the end for a bonus clip of Mervin attempting the challenge!
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Instagram - http://instagram.com/zermattneo
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