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2021-04-13 20:19:55 有 106 人按讚

@surfaceapparel 2021 Campaign #englishbelow

✨在這個大城市中我們是否曾經迷惘曾經迷失自己呢？

「我 17 歲一個人來台灣的時候其實已在面對憂鬱症兩年在有壓力的狀況下每天想著為何當人那麼難」

「但來到台灣後認識了大海 , 學習不同文化我開始衝浪又創業我給了自己多一些機會去做我熱愛的事情後來的轉折點是透過行動找回了原本一直存在心裡的火花」

✨「人生的意義是每個人自己給它的在我眼裡能活著這本身就是一個禮物」

「但做個現代的都市人我們常把自己綁在一個太小的世界裡我們容易忘記大環境的意思，大自然的重要性，還有它的能量」

「像地球不只是資源，它也是我們的家社會也是 ... 身邊的人都是像兄弟姊妹而就像環境 , 我們要彼此照顧、互相幫忙大家才能享受這趟短短的人生」

「雖然要面對很多的高低潮，但其實就是有這些成長會讓我們感到活著」

「我們來的時候 , 什麼都沒有要走的時候 , 什麼都帶不走我們唯一花了而拿不回來的資源是時間，我們沒得贏沒得輸所以不管好與壞要勇敢付出、勇敢愛,這樣活在當下，才是活的『無後悔』」

- by 艾玲

🏄🏽‍♀ @eileen.carls
🏄🏽 @booasurfing
📹 @palau_ivan

👙 追蹤 @surfaceapparel ✨

～～～english ～～～

"When I came to Taiwan at the age of 17, I had been facing depression for two years. During that stressful phase of life,I always wondered why it’s so complicated to be a human.

But after moving to Taiwan, I got to know the ocean and learn about the culture.
�I got into surfing and started a business.
�I gave myself more chances to do what I love.

And it was only through action,That I rediscovered the spark of life that had always existed in my heart.

The meaning of life is given to it by every person him/herself. And in my eyes, being alive is a gift in itself.

While living a modern urban life,�Many get lost in a small world view.
�We tend to forget about the meaning of the environment, the importance of nature and its energy.

The earth is not only a resource, it is also our home.
�So is society - to me, we are all nothing but brothers and sisters. And just like caring for the environment, we could care for each-other.
�I believe that this is the way we could all love in harmony together.

In life there are many ups and downs, but it’s these hurdles that result in growth - They are what make us feel alive!

When we were born, we came with nothing.�And when we leave, we will leave with nothing.
�The only resource that we spend and will never come back is “time”.

There’s nothing to win and nothing to lose. So come good or bad, be brave to give and brave to love.

💫“Live in the moment.�Live a life with no regrets"

- by me 💛🙏🏽

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living culture meaning 在 VOP Facebook 的最佳解答

By VOP

2020-11-02 13:18:30 有 105 人按讚

新刊預覽 👀⚡️⚡️⚡️

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中！
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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 #StephenSheehi

Artist’s Showcase: #葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com

Tags: living culture meaning 被攝影史胡家瑜黃翰荻高俊宏瓦歷斯諾幹松田京子顧錚 StephenSheehi 葉偉立李威儀李立鈞謝佩君黃建宏黎健強羅苓寧

VOP

About author

《Voices of Photography 攝影之聲》是一份影像文化獨立刊物。自2011年創刊，致力探索攝影的文化、歷史與思潮，並持續推動影像閱讀、書寫和研究。《攝影之聲》長期關注亞洲的攝影發展歷程，重視亞際連結，集結國內外眾多學者、藝術家與文化工作者共同參與撰述，透過每期不同的主題視野，製作出豐富的專題與單元，並收錄了重要的創作文獻與研究資料，同時亦以「影言社」為名出版相關叢書，是台灣少數專注於攝影與視覺文化論述領域的獨立出版單位，曾多次獲頒台灣出版界最高榮譽「金鼎獎」各類獎項。 Voices of Photography (VOP) is an independent publication dedicated to image culture. Since its inception in 2011, VOP has been exploring the culture, history and philosophy of photography, and continually promoting imagery reading, critique, and research. VOP has always focused on the development of photography in Asia and places special importance on inter-Asian connections. Through collaborative effort with scholars, artists and cultural workers locally and from all over the world, VOP has been gathering important literature and research materials, presenting rich and varied features with a different theme every issue. Now engaging in the publication of written work and criticism through VOP BOOKS, VOP is one of the rare few independent publishers in Taiwan that focuses on photography and visual culture, earning many accolades at the Golden Tripod Awards, the highest honor in Taiwan’s publishing industry. ＿＿＿＿＿＿＿＿＿＿訂閱雜誌 SUBSCRIBE www.vopmagazine.com/subscribe/ VOP書店 VOP BOOKSHOP bookshop.vopmagazine.com

一份影像文化獨立刊物. An independent publication dedicated to image culture.

living culture meaning 在 VOP Facebook 的最佳解答

By VOP

2020-10-31 09:50:56 有 42 人按讚

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

購書 Order | http://bit.ly/vop-29
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
瓦歷斯．諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 Stephen Sheehi

Artist’s Showcase: 葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com
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Tags: living culture meaning 被攝影史

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一份影像文化獨立刊物. An independent publication dedicated to image culture.

living culture meaning 在 egg Channel Youtube 的精選貼文

By egg Channel

2021-05-01 16:00:02 有 779,455 人看過有 11,864 人喜歡

『ギャルが本気でHIPHOPやってみた』Project始動‼

■2021年5月1日HIPHOPユニット【半熟卵っち】デビュー
egg専属モデルの中でもラップに定評のあるmaami、momoa、YU-chamiを選抜して組んだHIP HOPユニット【半熟卵っち】を結成！デビュー曲の【make up】は、90年代ギャル文化が創り出してきた様々な物へのリスペクトと今を生きる女の子の気持ちを込めたリリックとなっており、幅広い層の女性に向けたエモく切ないナンバーとなっています。90年代渋谷ストリートカルチャーから発展したHIPHOPと渋谷ギャルカルチャーの融合で、音楽業界に新たな旋風を巻き起こします！！今回のデビューを記念してオリジナルグッズを予約販売受付中なのでコチラもチェック‼

■アパレルグッズ販売サイト
https://eggproject.stores.jp/

■楽曲配信
5月10日より各種音楽配信サービスで【半熟卵っち】と検索‼

半熟卵っち / make up

作詞:Young Jojo
作曲:Mozai9 Lee

ーーーー

The next-generation HIP HOP unit [HANJUKUTAMAGOTCHI half-boiled egg], the members are egg`s exclusive models Maami, Momoa, and YU-chami, who have a good reputation for rap music, will debut on May 1,2021.
The origin of the unit name is also the origin of the name of egg, which means children in the state of eggs with infinite possibilities before taking off to society, and the meaning of immature HIPHOP beginners.

The debut song [make up] show a respect for various things created by the 90`s GAL culture and the feelings of girls living in the present, and it is an emotional and nostalgic song for a wide range of women.

Their fusion of HIPHOP and Shibuya GAL culture,which is evolved from the 90`s Shibuya street culture, will create a new sensation in the music industry.

💜eggとは？💜
2014年休刊した伝説のギャル雑誌『egg』が2018年WEBで復活!!
2019年（令和元年）雑誌も復活♥♥

毎日17時〜YouTube配信中🌟🌟

■オフィシャルサイト
https://eggegg.jp/

■Twitter
https://twitter.com/new_eggofficial

■Instagram
https://www.instagram.com/new_eggofficial

■TikTok
https://vt.tiktok.com/ZSJFFmtQw/

■STORE
https://eggproject.stores.jp/

■eggモデル

🌈もも
https://www.instagram.com/__peachstagram__/
🌈きぃりぷ
https://www.instagram.com/kyiiripu.friedegg/
🌈まぁみ
https://www.instagram.com/maaaami79/
🌈せいな
https://www.instagram.com/___seinaaa318/
🌈あいみ
https://www.instagram.com/aichipo07/?hl=ja
🌈なぎ
https://www.instagram.com/naaagi.t/
🌈ゆうちゃみ
https://www.instagram.com/chamitan_0908/
🌈あいめろ
https://www.instagram.com/aisyu0101/
🌈みりちゃむ
https://www.instagram.com/mirichamu_0710/
🌈ゆずは
https://www.instagram.com/_pinkbunnygirl_/
🌈りせり
https://www.instagram.com/rsr_0717/
🌈ももあ
https://www.instagram.com/momoa.seto/
🌈りあな
https://www.instagram.com/im_rianaaa93/
🌈あいり　　
https://www.instagram.com/a12dance07/
🌈マリサ
https://www.instagram.com/marisa_a_pra/

♂men`s
🌈ひゅうが
https://www.instagram.com/hyuga.0707/
🌈じゅらい
https://www.instagram.com/jurai.com.s/
🌈ハリュー
https://www.instagram.com/hryu_style1130/

BGM：MusMus
Music is VFR
音源提供
Limitex (ORIENTIS RECORDING)
I Love egg / eggオールスターズ
https://avex.lnk.to/eggallstars-iloveegg

egg Channel

About author

渋谷を中心とした数々のギャルカルチャーを生み出し、最盛期には50万部を誇ったモンスターマガジン『egg』。 2014年6月に二度目の休刊となったものの2018年3月よりWEBにて三度目の活動を再開し、SNSを中心に最適化した新たなギャルカルチャーを発信しています。そして新元号”令和”へと変わったその日に雑誌としてeggは完全復活を果たす！！【2019年5月1日"春号"雑誌復活第①号】【2019年10月1日”秋号”雑誌復活第②号】【2020年3月1日”春号”雑誌復活第③号】次回は【2020年8月egg”夏号”発売予定♡】 #やっぱ令和もギャルっしょ　毎日17:00YouTube動画配信中??????

living culture meaning 在 serpentza Youtube 的最佳解答

By serpentza

2018-12-15 01:56:33 有 447,123 人看過有 16,749 人喜歡

Why is it that Chinese people always pull a "Peace Sign" when taking a photo? Come find out!

Andy's instagram: @andyknives
Sky instagram: @cupofkoala
Dave's photography: https://www.facebook.com/davecoulsonphotography/

For Motorcycle adventures around the world, and a talk-show on two wheels go to ADVChina every Monday 1pm EST
https://www.youtube.com/advchina
We were poisoned in China: https://youtu.be/qUSoR5X26GA

For a realistic perspective on China and world travel from an American father and a Chinese mother with two half-Chinese daughters go to Laowhy86 every Wednesday 1pm EST
https://www.youtube.com/laowhy86
Amish-fun-land: https://youtu.be/JRjRSH8tPXA

For a no-nonsense on the street look at Chinese culture and beyond from China’s original YouTuber, join SerpentZA on Friday at 1pm EST
https://www.youtube.com/serpentza
China's golden age is over: https://youtu.be/9J35AxY1pLE

If you missed Conquering Northern China: http://vimeo.com/ondemand/conqueringn...
DISCOUNT CODE: RIDEWITHUS1

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serpentza

About author

For Motorcycle adventures around the world, and a talk-show on two wheels go to ADVChina every Monday 11am PST / 1pm EST https://www.youtube.com/advchina For a realistic perspective on China and world travel from an American father and a Chinese mother with two half-Chinese daughters go to Laowhy86 every Wednesday 11am PST / 1pm EST https://www.youtube.com/laowhy86 For a no-nonsense on the street look at Chinese culture and beyond from China’s original YouTuber, join SerpentZA on Friday at 11am PST / 1pm EST https://www.youtube.com/serpentza

living culture meaning 在 serpentza Youtube 的最佳解答

By serpentza

2016-03-03 18:51:57 有 473,831 人看過有 9,365 人喜歡

The political environment is complicated by the potential for military conflict should Taiwan make overt actions toward de jure independence; it is the official PRC policy to use force to ensure reunification if peaceful reunification is no longer possible, as stated in its anti-secession law, and for this reason there are substantial military installations on the Fujian coast. However, in recent years, the PRC has moved towards promoting peaceful relations, including stronger economic ties, with the current ROC government aimed at unification through the one country, two systems formula or maintaining the status quo under the 1992 Consensus.

On 29 April 2005, Kuomintang Chairman Lien Chan travelled to Beijing and met with Communist Party of China (CPC) Secretary-General Hu Jintao, the first meeting between the leaders of the two parties since the end of the Chinese Civil War in 1949. On 11 February 2014, Mainland Affairs Council Head Wang Yu-chi travelled to Nanjing and met with Taiwan Affairs Office Head Zhang Zhijun, the first meeting between high-ranking officials from either side. Zhang paid a reciprocal visit to Taiwan and met Wang on 25 June 2014, making Zhang the first minister-level PRC official to ever visit Taiwan. On 7 November 2015, Ma Ying-jeou (in his capacity as Leader of Taiwan) and Xi Jinping (in his capacity as Leader of Mainland China) travelled to Singapore and met up, marking the highest-level exchange between the two sides since 1949.

The PRC supports a version of the One-China policy, which states that Taiwan and mainland China are both part of China, and that the PRC is the only legitimate government of China. It uses this policy to prevent the international recognition of the ROC as an independent sovereign state, meaning that Taiwan participates in international forums under the name "Chinese Taipei". With the emergence of the Taiwanese independence movement, the name "Taiwan" has been employed increasingly often on the island.

What is the difference between Mainland China and Taiwan? Come find out and make a choice as to where you'd like to travel or live...

Support me on Patreon: http://www.patreon.com/serpentza
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Music used: VHS Dreams - Ocean Heights

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An initiative putting culture at the heart of European cities with EU support for ... These cities are selected through an 'open competition', meaning that ...

#62. Culture - Definition, Discussion and Examples - ThoughtCo

Find out more, including why culture matters to sociologists. ... function as a society, and live together (ideally) in peace and harmony.

#63. Culture, Wellbeing, and the Living Standards Framework - The ...

A high-level definition of wellbeing for policy purposes needs to allow for the considerable cultural diversity that exists in understanding what wellbeing ...

#64. Lessons from the oldest living culture in the world - Gone Bush ...

Interestingly, the chronology of the '6 Ls' model is seen as critical to considering its meaning, which is why the first 'L', 'Lore', is so ...

#65. "All of those things we don't eat": a culture-centered approach ...

This article applies a culture-centered approach to analyze the dietary health meanings for Asian Indians living in the United States.

#66. Indigenous Peoples Overview - World Bank Group

Indigenous Peoples are distinct social and cultural groups that share collective ancestral ties to the lands and natural resources where they live, ...

#67. Assessment of Impacts to Living Culture - Monroe County ...

The definition of cultural attachment used in this study was developed based on fieldwork in the study area and JKA's experience in other cultural studies.

#68. A living quality culture as the key to successful quality ... - Testify

A subjective definition of the current situation and a rough objective would be completely sufficient as the basis for such a mood test. With a ...

#69. Material Culture and the Living Room

and meanings people attach to domestic decoration and surroundings via an exploration of the material culture of living rooms. In attending to issues and ...

#70. Living on the Creative Edge of Our Culture - American ...

I speak from a Humanist perspective but include in my intent all who strive for a better world. The meaning of the word Humanism has been ...

#71. Living Land Living Culture Aboriginal Heritage and Salinity

Such a definition obviously extends heritage well beyond a limited focus on pre-contact archaeological sites. The Cultural Heritage Division of the Department.

#72. Aboriginal culture at Uluru | Northern Territory, Australia

Learn the ways of the ancient Anangu people of the Uluru region, one of the world's oldest living cultures, dating back thousands of years.

#73. Qishan Living Culture Park - 旗山生活文化園區 - 國家教育研究 ...

出處/學術領域, 英文詞彙, 中文詞彙. 雙語詞彙-公告詞彙場所標示, Qishan Living Culture Park, 旗山生活文化園區. 以旗山生活文化園區進行詞彙精確檢索結果 ...

#74. Culture: The Meaning, Characteristics, and Functions - Your ...

Some of the other important definitions of culture are as follows. “Culture is the expression of our nature in our modes of living and our thinking. Intercourse ...

#75. Encompassing Culture: Definition & Example | Study.com

In this lesson, we'll talk about how culture is encompassing, meaning that it... ... meaning that it shapes our personalities, values, and way of living.

#76. UNICEF's culture

UNICEF's culture. Living our core values. موظفة تابعة لليونيسف تجلس مع صبي صغير، العراق. UNICEF/UN071851/UN049380/Khuzaie. Available in: English; Français ...

#77. 生活文化Living Culture - Home | Facebook

生活文化Living Culture. 1438 likes · 1 talking about this. 店主為資深媒體工作者，在香港經營出版社多年，為圓開書店夢想，以「生活文化Living Culture 」為記， ...

#78. Food: Identity of Culture and Religion, ResearchGate - WATHI

The areas in which families live and where their ancestors originated ... The meaning of food is an exploration of culture through food.

#79. Living Cultures: Collected and Exhibited | Nicola Ashmore

Curating in this respect can be usefully considered as a process of meaning making that involves a range of people from both inside and outside of the museum ...

#80. Culture and Society Defined - Cliffs Notes

Culture consists of the beliefs, behaviors, objects, and other ... their current meanings, most people in the world worked and lived in small groups in the ...

#81. Indigenous ways of living, culture, language, and connection ...

Indigenous ways of living, culture, language, and connection as a source for mental ... ways of living; connection and relationships; and making meaning.

#82. Questions about culture, gender equality and development ...

culture because they shape the way daily life is lived in the family, but also in the ... because of the cultural meanings given to being male or female.

#83. World's oldest living culture should be brought into 21st century

That's the definition of what a living culture is all about. ... for instilling meaning into the built environment which surrounds us.

#84. British Council | The UK's international culture and education ...

The British Council is the United Kingdom's international organisation for cultural relations and educational opportunities.

#85. cultural evolution | Definition, History, Theories, & Facts

He held that human cultures evolved from less-complex “species” to those that were more so: people at first lived in undifferentiated hordes; then developed ...

#86. Living tradition – living knowledge – living culture – living world

Living tradition – living knowledge – living culture – living world. 1. The international banner exhibition “Safeguarding of traditional crafts and arts as ...

#87. German Culture | People, Traditions, Customs and Facts

German Lifestyle. Most German's neither live to work nor work to live. But a lot of Germans find that the two can be enjoyed harmoniously (the rest ...

#88. Living culture | Prefeitura de Limeira

Limeira has a great relevance in the cultural scenario of the State. One of the most important attraction is the Limeira Symphony Orchestra, maintains just ...

#89. DNA Study Finds Aboriginal Australians World's Oldest ...

Although they had a sweeping impact on ancient Australian culture, ... And people just carry on living in isolation the same way they always ...

#90. DNA confirms Aboriginal culture one of Earth's oldest

Aboriginal Australians are the oldest continuous culture on Earth, ... are one of the oldest living populations in the world, certainly the ...

#91. 82 Synonyms & Antonyms for CULTURE | Thesaurus.com

Find 82 ways to say CULTURE, along with antonyms, related words, and example sentences at Thesaurus.com, ... See definition of culture on Dictionary.com.

#92. Cultural - Definition, Meaning & Synonyms | Vocabulary.com

The adjective cultural comes from the noun "culture" but has several, ... denoting or deriving from or distinctive of the ways of living built up by a group ...

#93. Aboriginal Culture and History - Victorian Public Sector ...

Before colonisation Aboriginal people lived in small family groups ... to the land and the spirit beings which determine lore and meaning.

#94. Understanding a different culture - ReachOut Australia

You're living in a vibrant multicultural country, so it's great that you want to understand cultures other than your own. There are a few ways to do this, ...

#95. What is intercultural competence ?

Culture can be defined as “the sum of a way of life, including expected behaviour, beliefs, values, language and living practices shared by members of a ...

#96. Integral Senior Living: Culture | LinkedIn

Integral Senior Living, a senior living community management company, ... To protect & promote the Culture at ISL, we work hard to identify and reward those ...

#97. Cultural Sensitivity - NYC.gov

Culture and customs include how people live, role expectations, child rearing ... can have different meanings in different cultures. They may not.

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