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2020-11-28 17:09:31 有 66 人按讚

.#HannahEdPhd TỔNG HỢP CÁC VỊ TRÍ/HỌC BỔNG PHD

Vô vàn các vị trí nghiên cứu, Phd từ Hàn sang UK, Mỹ cho các bạn quan tâm. Các lĩnhh vực từ Kinh tế tới Kĩ thuật nhé.

🏆6 Ph.D. tại the University of Oxford, Colorado, and Texas 🇺🇸🇬🇧 and 6 Research Engineer Positions in Vietnam Earable Office. Tin do anh Tâm gửi trực tiếp cho HannahEd Scholarship for Vietnamese students
- Mỗi trường sau có 2 suất: he University of Oxford, UK; the University of Colorado, University of Texas Arlington 🇺🇸
- Lĩnh vực nghiên cứu:
(1) Embedded System Machine Learning, (2) Quantum Computing, (3) Mobile Healthcare, (4) Smart Agriculture, and (5) Mobile and Wireless Systems, (6) Wireless Sensing, (7) Mobile System Security, and (8) 5G/6G Communication and Sensing.
- Yêu cầu background: Computer Science, Computer Engineering, Electrical Engineering, Mechanical Engineering, Robotics, Bioengineering
- Hồ sơ: CV. sample of your publications, GRE score, TOEFL
- Contact:
+ [email protected] or [email protected] (Apply vào Oxford or Colorado) hoặc + Info@Earable.AI or Tam@Earable.AI (Apply vào công ty Earable)
Tam’s Homepage: http://mnslab.org/tamvu/
+ [email protected] (If you want to apply to Texas)
VP’s Homepage: http://wsslab.org/vpnguyen/

🏆Ph.D. tại Georgetown University 🇺🇸 . Tin từ anh V.D. Le
- Lĩnh vực nghiên cứu: Economics, Finance
- Link: https://econ.georgetown.edu/academics/phd/admissions/ (deadline January 01 2021),
- Hiện tại Giáo sư Dan Cao, chuyên về macro/finance cũng ở trong hội đồng, các bạn có thể contact: http://www9.georgetown.edu/faculty/dc448)

🏆 3-year Ph.D tại UCL Chemistry Department UK. Tin từ anh Trần Trung Lưu
- Lĩnh vực nghiên cứu: Theoretical Chemistry: Design and Simulation of Organic Radicals for Next-Generation Solar Cells and Light-Emitting Diodes
- Deadline: 8/1/2021
- Link: http://www.ucl.ac.uk/prospective-students/graduate/apply.
- Contact: Dr Hele via t.hele@ucl.ac.uk gửi kèm bảng điểm, motivation letter

🏆1 Ph.D tại Sungkyunkwan Univ Hàn Quốc. Tin từ anh Quy Nguyen
e-post lại thông tin tuyển NCS.
- Lĩnh vực nghiên cứu: “Towards Super Sapiens: Superintelligence for Future Human Innovations” (1. Application of machine learning in networking, iot, sensor to solve pending mathematical issues. (Mainly focused in the lab)
2. Anomaly detection
3. Medical image processing )
- Link: https://supersapiens.skku.edu/main/.
- Miễn học phí mỗi tháng được thêm từ 700-900USD
- Contact:
Prof. Hyunseung Choo, Ph.D. - choo@skku.edu.
College of Software, Sungkyunkwan University (SKKU), KOREA
+82-31-290-7145(O) 7231(FAX) 7226(LAB)
http://monet.skku.edu

🏆Ngoài ra, team Finance bên RMIT Vietnam đang tuyển Giảng viên có PhD. Bạn nào có background trong Finance và Computer Science thì tham khảo nhé. Team finance tập trung mảng Blockchain, Financial Technology, Cryptofinance và Big Data & AI. Tin từ anh Binh Nguyen.
Link: http://careers.rmit.edu.vn/vn/en/job/591931/lecturer-finance?fbclid=IwAR0uO5nwEkOcPjMqxEnSmKn76vBFQznzN5QAfuR-PTPzCjHUn-KdnSC4qGM

<3 Like page, tag và share bạn bè nhé <3
#HannahEd #scholarshipforVietnamesestudents #Phd #research

Tags: image your korea HannahEdPhd HannahEd scholarshipforVietnamesestudents Phd research

Scholarship for Vietnamese students

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How we can support you to win scholarship: - HannahEd Scholarship Class & Mentorship Program, Review Application, Mock Interview, Career Coach, HannahEd Phd - Experience to apply successfully scholarship - Which scholarship and university to apply - How to prepare your profile and a successful applications for scholarship & job - Media partnership

HannahEd Scholarship for Vietnamese students cung cấp thông tin học bổng, du học, kĩ năng, việc làm. Giúp các bạn thành công qua các Khóa học bổng, Mentor, Review, Mock Interview HannahEd.

image your korea 在 VOP Facebook 的最讚貼文

By VOP

2020-02-05 20:38:15 有 81 人按讚

新刊預覽~~✨👀

Voices of Photography 攝影之聲
Issue 27 : 歷史與書寫專題
Histories and Writings Issue

自創刊以來，《攝影之聲》持續關注影像書寫、歷史與文化樣態，隨著2019年我們在台北「空總台灣當代文化實驗場」策劃一系列攝影史敘事工作坊並舉辦戰後東亞攝影史論壇，邀請攝影史研究者共同參與，推進攝影史研究與影像歷史意識的討論契機。本期特別刊載主講者文稿，在日本、韓國與台灣研究者對東亞攝影歷程不同的關注面向中，作為攝影與歷史論述的反思與參照。

其中，金子隆一重新定位1970年代攝影家自主藝廊在日本攝影發展中的位置，揭示非主流的創作脈動，何以是日本攝影史論中需要補遺的重要章節；陳佳琦探討1960年代台灣業餘攝影者參與日本攝影比賽的風潮，以及以日本攝影雜誌作為平台的競賽文化的可能影響，呈現出戰後台、日攝影界另類的民間交流場域；朴平鍾細述自日本殖民統治結束後，韓國攝影在現實主義與現代主義之間引發的論爭，疏理戰後韓國對於攝影認知的辯證與反省；戶田昌子析論1950年代的日本攝影表現，在脫離戰時的壓抑並逐漸獲得解放之後，受國際「主觀主義攝影」潮流影響所開展出日本攝影美學進程的時代軌印；張世倫從冷戰年代深埋於台灣社會的檔案線索與政治意識，檢視戰後台灣的影像操縱、治理機制，以及國族攝影史本身的建構和詮釋問題。

攝影，在與光學、化學、政治社會學、文化研究，乃至符號學與精神分析等學科譜系的結合中，已不斷延展、流動、重構，打開了攝影本體論的探索空間。謝佩君縷析自上世紀以來的攝影書寫歷程與跨領域的視覺理論，勾勒攝影理路的發展形貌，本期將開啟系列討論的首章。顧錚分享於德國海德堡大學客座期間開設攝影史課程的自身經驗，並提出攝影史學門研究邊界的批判思索。黎健強剖析攝影術初登香港的歷史推論系列來到末篇，為濕版法在1850年代於香港興起的考據，展現不同的史料論證。

此外，本期我們特別專訪陳傳興，刊載他於上世紀七〇年代末拍攝、四十年間未曾公開的照片及底片，一探銀鹽與光交集而生的影像喻意，以及他不停思辨的攝影本質論題。同時，我們也介紹高重黎的聲音與投影裝置新作，析解視聽機器現成物及獨特的一鏡到底、史上最長的「放影機電影」中的技術哲學。「攝影書製作現場」連載則進入「設計」單元，本期專訪日本設計師森大志郎，分享他細膩的平面設計語彙。

儘管維持出版的路途艱辛，這些年我們仍努力在有限的資源下，持續進行資料考掘整理、訪談記錄等基礎工作，緩緩開展以台灣及亞洲地緣為核心的攝影文化與歷史論述。感謝親愛的讀者與朋友的支持，讓我們在新的一年裡，繼續探索未知的影像星河。

▍購買本期 BUY | http://bit.ly/vop-27

Since its inception, Voices of Photography has always focused on the aspects of image writing, history and cultural forms. In 2019, we held a series of workshops on photography history narratives and a forum on history of post-war East Asian photography, at the Taiwan Contemporary Culture Lab in Taipei, Taiwan. We invited researchers in this field to join us, creating the opportunity to advance discussions on photography history research and awareness of imagery history. This issue features the manuscripts of our speakers at the event, which will serve as a reflection and reference for the photography and historical discourse in the eyes of our counterparts in Japan, South Korea and Taiwan.

Among them, Kaneko Ryuchi has redefined the position of independent photography galleries in the development of Japanese photography in the 1970s, revealing the creative pulses that transcended the mainstream and why it became an important chapter in the history of Japanese photography, waiting to be filled. Chen Chia-Chi takes a look at the trend of Taiwanese amateur photographers participating in photography contests in Japan in the 1960s, and the possible influence that Japanese photography magazines had on the culture of photo competition, thereby shedding light on an alternative platform through which folk exchanges happened between the Taiwanese and Japanese photography fields. Park Pyungjong details the controversy between realism and modernism in Korean photography following the end of colonial rule by the Japanese, and evaluates the dialectics and reflections surrounding Korea’s understanding of photography after the war. Toda Masako analyzes Japanese photography in the 1950s, the era of Japanese photographic aesthetics that was influenced by the trend of “subjectivism” in the international arena as the oppression of war gradually faded in time. Through archives and political consciousness buried deep in the core of the Taiwanese society since the Cold War era, Chang Shih-Lun examines the manipulation and governance mechanism of images, and issues with the construction and interpretation of the nationality in photography history.

When analyzed in combination with other disciplines such as optics, chemistry, political sociology, cultural studies, and even semiotics and psychoanalysis, the space for exploration of the ontology of photography is constantly stretched, moved, and reconstructed. Hsieh Pei-Chun analyzes the photographic writing process and the cross-domain visual theory since the last century while outlining the development of photography theories. This issue is the first in a series of discussions. Gu Zheng shares his own experience as a visiting professor on photography history at the University of Heidelberg, Germany, where he put forward a critical reflection on the boundaries of research in the field of photography history. Edwin K. Lai's analysis of the series of historical inferences from when photography first came to Hong Kong comes to an end, presenting historical evidence of the rise of the “wet-plate method” in Hong Kong in the 1850s.

In addition, we have a special interview with Cheng Tsun-Shing, featuring never-before-published photographs and negatives that he had taken in the late 1970s. We explore the imagery metaphors that are born when silver salt and light meet, and the issue of the essence of photography that he constantly philosophizes. At the same time, we feature Kao Chung-Li’s new works of sound and projection installations, analyzing the ready-made audio-visual equipment and the technical philosophy behind the unique one-take "projector movie", that is also the longest ever such film in history. The "Photobook Making Case Study" series also enters the "Design" chapter. In this issue, we interview Japanese designer Mori Daishiro and he shares his experiences in the area of graphic design.

Although the journey of publication is difficult, we have been striving to continue with the basics of data exploration, collation, and interviews with limited resources, as we slowly expand the photography culture and historical discourses of Taiwan and Asia and showcase them to the world. We would like t✨o thank all our dear readers and friends for your utmost support. Let us continue to explore the unknown universe of images in the new year.

---
Voices of Photography 攝影之聲
www.vopmagazine.com

Tags: image your korea

VOP

About author

《Voices of Photography 攝影之聲》是一份影像文化獨立刊物。自2011年創刊，致力探索攝影的文化、歷史與思潮，並持續推動影像閱讀、書寫和研究。《攝影之聲》長期關注亞洲的攝影發展歷程，重視亞際連結，集結國內外眾多學者、藝術家與文化工作者共同參與撰述，透過每期不同的主題視野，製作出豐富的專題與單元，並收錄了重要的創作文獻與研究資料，同時亦以「影言社」為名出版相關叢書，是台灣少數專注於攝影與視覺文化論述領域的獨立出版單位，曾多次獲頒台灣出版界最高榮譽「金鼎獎」各類獎項。 Voices of Photography (VOP) is an independent publication dedicated to image culture. Since its inception in 2011, VOP has been exploring the culture, history and philosophy of photography, and continually promoting imagery reading, critique, and research. VOP has always focused on the development of photography in Asia and places special importance on inter-Asian connections. Through collaborative effort with scholars, artists and cultural workers locally and from all over the world, VOP has been gathering important literature and research materials, presenting rich and varied features with a different theme every issue. Now engaging in the publication of written work and criticism through VOP BOOKS, VOP is one of the rare few independent publishers in Taiwan that focuses on photography and visual culture, earning many accolades at the Golden Tripod Awards, the highest honor in Taiwan’s publishing industry. ＿＿＿＿＿＿＿＿＿＿訂閱雜誌 SUBSCRIBE www.vopmagazine.com/subscribe/ VOP書店 VOP BOOKSHOP bookshop.vopmagazine.com

一份影像文化獨立刊物. An independent publication dedicated to image culture.

image your korea 在 VOP Facebook 的最佳解答

By VOP

2020-02-04 22:43:54 有 208 人按讚

Voices of Photography 攝影之聲
Issue 27 : 歷史與書寫專題
Histories and Writings Issue

自創刊以來，《攝影之聲》持續關注影像書寫、歷史與文化樣態，隨著2019年我們在台北「空總台灣當代文化實驗場」策劃一系列攝影史敘事工作坊並舉辦戰後東亞攝影史論壇，邀請攝影史研究者共同參與，推進攝影史研究與影像歷史意識的討論契機。本期特別刊載主講者文稿，在日本、韓國與台灣研究者對東亞攝影歷程不同的關注面向中，作為攝影與歷史論述的反思與參照。

其中，金子隆一重新定位1970年代攝影家自主藝廊在日本攝影發展中的位置，揭示非主流的創作脈動，何以是日本攝影史論中需要補遺的重要章節；陳佳琦探討1960年代台灣業餘攝影者參與日本攝影比賽的風潮，以及以日本攝影雜誌作為平台的競賽文化的可能影響，呈現出戰後台、日攝影界另類的民間交流場域；朴平鍾細述自日本殖民統治結束後，韓國攝影在現實主義與現代主義之間引發的論爭，疏理戰後韓國對於攝影認知的辯證與反省；戶田昌子析論1950年代的日本攝影表現，在脫離戰時的壓抑並逐漸獲得解放之後，受國際「主觀主義攝影」潮流影響所開展出日本攝影美學進程的時代軌印；張世倫從冷戰年代深埋於台灣社會的檔案線索與政治意識，檢視戰後台灣的影像操縱、治理機制，以及國族攝影史本身的建構和詮釋問題。

攝影，在與光學、化學、政治社會學、文化研究，乃至符號學與精神分析等學科譜系的結合中，已不斷延展、流動、重構，打開了攝影本體論的探索空間。謝佩君縷析自上世紀以來的攝影書寫歷程與跨領域的視覺理論，勾勒攝影理路的發展形貌，本期將開啟系列討論的首章。顧錚分享於德國海德堡大學客座期間開設攝影史課程的自身經驗，並提出攝影史學門研究邊界的批判思索。黎健強剖析攝影術初登香港的歷史推論系列來到末篇，為濕版法在1850年代於香港興起的考據，展現不同的史料論證。

此外，本期我們特別專訪陳傳興，刊載他於上世紀七〇年代末拍攝、四十年間未曾公開的照片及底片，一探銀鹽與光交集而生的影像喻意，以及他不停思辨的攝影本質論題。同時，我們也介紹高重黎的聲音與投影裝置新作，析解視聽機器現成物及獨特的一鏡到底、史上最長的「放影機電影」中的技術哲學。「攝影書製作現場」連載則進入「設計」單元，本期專訪日本設計師森大志郎，分享他細膩的平面設計語彙。

儘管維持出版的路途艱辛，這些年我們仍努力在有限的資源下，持續進行資料考掘整理、訪談記錄等基礎工作，緩緩開展以台灣及亞洲地緣為核心的攝影文化與歷史論述。感謝親愛的讀者與朋友的支持，讓我們在新的一年裡，繼續探索未知的影像星河。

▍購買本期 BUY | http://bit.ly/vop-27

Since its inception, Voices of Photography has always focused on the aspects of image writing, history and cultural forms. In 2019, we held a series of workshops on photography history narratives and a forum on history of post-war East Asian photography, at the Taiwan Contemporary Culture Lab in Taipei, Taiwan. We invited researchers in this field to join us, creating the opportunity to advance discussions on photography history research and awareness of imagery history. This issue features the manuscripts of our speakers at the event, which will serve as a reflection and reference for the photography and historical discourse in the eyes of our counterparts in Japan, South Korea and Taiwan.

Among them, Kaneko Ryuchi has redefined the position of independent photography galleries in the development of Japanese photography in the 1970s, revealing the creative pulses that transcended the mainstream and why it became an important chapter in the history of Japanese photography, waiting to be filled. Chen Chia-Chi takes a look at the trend of Taiwanese amateur photographers participating in photography contests in Japan in the 1960s, and the possible influence that Japanese photography magazines had on the culture of photo competition, thereby shedding light on an alternative platform through which folk exchanges happened between the Taiwanese and Japanese photography fields. Park Pyungjong details the controversy between realism and modernism in Korean photography following the end of colonial rule by the Japanese, and evaluates the dialectics and reflections surrounding Korea’s understanding of photography after the war. Toda Masako analyzes Japanese photography in the 1950s, the era of Japanese photographic aesthetics that was influenced by the trend of “subjectivism” in the international arena as the oppression of war gradually faded in time. Through archives and political consciousness buried deep in the core of the Taiwanese society since the Cold War era, Chang Shih-Lun examines the manipulation and governance mechanism of images, and issues with the construction and interpretation of the nationality in photography history.

When analyzed in combination with other disciplines such as optics, chemistry, political sociology, cultural studies, and even semiotics and psychoanalysis, the space for exploration of the ontology of photography is constantly stretched, moved, and reconstructed. Hsieh Pei-Chun analyzes the photographic writing process and the cross-domain visual theory since the last century while outlining the development of photography theories. This issue is the first in a series of discussions. Gu Zheng shares his own experience as a visiting professor on photography history at the University of Heidelberg, Germany, where he put forward a critical reflection on the boundaries of research in the field of photography history. Edwin K. Lai's analysis of the series of historical inferences from when photography first came to Hong Kong comes to an end, presenting historical evidence of the rise of the “wet-plate method” in Hong Kong in the 1850s.

In addition, we have a special interview with Cheng Tsun-Shing, featuring never-before-published photographs and negatives that he had taken in the late 1970s. We explore the imagery metaphors that are born when silver salt and light meet, and the issue of the essence of photography that he constantly philosophizes. At the same time, we feature Kao Chung-Li’s new works of sound and projection installations, analyzing the ready-made audio-visual equipment and the technical philosophy behind the unique one-take "projector movie", that is also the longest ever such film in history. The "Photobook Making Case Study" series also enters the "Design" chapter. In this issue, we interview Japanese designer Mori Daishiro and he shares his experiences in the area of graphic design.

Although the journey of publication is difficult, we have been striving to continue with the basics of data exploration, collation, and interviews with limited resources, as we slowly expand the photography culture and historical discourses of Taiwan and Asia and showcase them to the world. We would like to thank all our dear readers and friends for your utmost support. Let us continue to explore the unknown universe of images in the new year.

---
Voices of Photography 攝影之聲
www.vopmagazine.com

Tags: image your korea

VOP

About author

一份影像文化獨立刊物. An independent publication dedicated to image culture.

image your korea 在 Nicole Chang Youtube 的精選貼文

By Nicole Chang

2019-09-22 14:45:25 有 2,336 人看過有 120 人喜歡

So I new K-beauty store just opened in town and I thought I should give it a visit and do some shopping for you guys at the same time ? Watch the video to see which items I picked out for you in the end!

HOW TO WIN THIS WHOLE BAG OF GOODIES:
1. Be a follower of @koscos_official on their instagram page (https://www.instagram.com/koscos_official/) and like their Facebook at https://www.facebook.com/koscosofficial
2. Like this video and leave a comment below which product you're the most excited to try out from the store!

1 winner will be picked 3 weeks from now, good luck ☺️ (opened to Singapore residents only)
Same giveaway will be happening on my Instagram, so to increase your chances of winning, you can take part on both platforms. 1 winner will be chosen from YouTube and 1 winner will be chosen from Instagram! So feel free to hop over~

At the same time, during this 3 week period, redeem a FREE Yadah mask pack when you upload a picture of KO'SCOS (could be a screenshot of this video, their store image or social media images etc) with the hashtags #nicolexkoscos , #kbeauty and tag @koscos_official. Flash your post when you visit their store to claim your free maskpack at the spot! ?

KO'SCOS store address:
Bugis Junction
200 Victoria Street
#02-25

Wanna be featured in my videos? Pop me an email at: nicolechangmin@gmail.com
(for collaboration/advertising opportunities)
I would to hear how we can work together and let our creative juices flow!

Stalk me at:
Website: https://www.nicolechangmin.com
Instagram: https://www.instagram.com/nicolechangmin
Second IG: https://www.instagram.com/nicolechangmin.raw
Snapchat: @nicolechangmin
Facebook: https://www.facebook.com/nicolechangminofficial

nicolexkoscos kbeauty

Nicole Chang

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Because I do not have sisters to play with. https://www.instagram.com/nicolechangmin https://www.nicolechangmin.com

image your korea 在 Sunshine Kelly Youtube 的最讚貼文

By Sunshine Kelly

2017-09-02 00:17:08 有 1,263 人看過有 1 人喜歡

Oral hygiene is very important for our self image and confidence but some are not aware it. What Causes Bad Breath and How To Overcome It With IBKEEO. Read more at sunshinekelly.com link to my review https://goo.gl/PuRXhg
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Do you have bad breath? If your friends, family or loved ones have bad breath how are you going to tell them politely? Say goodbye to bad breath and start to care of your oral hygiene with IBKEEO

Sunshine Kelly

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Sunshine Kelly Beauty | Lifestyle | Travel Youtuber and Vloger

image your korea 在 fishmeatdie Youtube 的最佳解答

By fishmeatdie

2016-09-30 08:49:36 有 4,365 人看過有 117 人喜歡

fishmeatdie

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Beauty boy who believes that the beauty game is for everyone! I blog about skincare, lifestyle, events, K-pop and my daily life. Currently based in Malaysia, I enjoy café hopping, taking pictures and marinating myself in a million skincare products. For business enquiries, email me at: [email protected]

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關於 image your korea ，我們在網路上蒐集到這些相關的討論、資訊與評價

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