關於 hong kong buildings ，我們在網路上蒐集到這些相關的討論、資訊與評價

【北京施壓？地產商立刻唔認起納米樓】

#再上外媒

相對於以往發展商自豪起納米樓可以「迎合市場需求」、增加可建單位數目，講到納米樓係窮人上車恩物咁。最近北風起，中央表示「遊戲規則已變」禁止地產商「壟斷行為」後，竟出現地產商對納米樓態度180度轉變（至少表面上）嘅怪現象，好似暗地裡承認起納米樓本來就有問題。

外媒彭博新聞社(Bloomberg News) 翻查最新屋宇署資料，發現新鴻基位於籌備中嘅西貢西沙路大型項目，驚現只得88平方呎實用面積嘅單位，亦引述本研社今年頭發布嘅《納椎之地：香港納米樓研究報告2010－2019年》數據：近十年落成嘅納米樓單位85%連房都無，70%有黑厠，咁大家想像下得88平方呎實用面積嘅單位會係咩樣？

有趣嘅係，新鴻基回覆彭博個圖則唔係最終計劃嚟嘅 (The one currently filed wth the Buildings Department does not reflect the latest design)，暗示樓盤設計將會執過，唔會出現得88平方呎、慘絕人寰嘅蝸居空間。

呢個係咪中央施壓嘅效果無從證實，但明顯香港地產商已經知道形勢已變，需要短期內向外釋出「友善」訊息，避免觸及中央所指嘅「壟斷行為」。但講真個句，過往容許呢啲「壟斷行為」嘅香港政府，又需唔需要被問責呢？

參考資料
Bloomberg. 23 September 2021. H.K. Developer Says Tiny Flat Plans Aren’t Current.
https://www.bloomberg.com/news/articles/2021-09-23/flats-the-size-of-two-kingsize-beds-are-being-built-in-hong-kong

《納椎之地：香港納米樓研究報告2010－2019年》.本土研究社
https://bit.ly/3i128qh

延伸閱讀
【整改清算】香港地產商十大高危「#壟斷行為」 https://www.facebook.com/localresearch/posts/4474556349307070

本研Podcast 閒置中 Ep57 - 施壓中 - 地產商就嚟冇得玩？
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Hong Kong Free Press. 21 September 2021. Hong Kong’s Carrie Lam says developers ‘willing to cooperate’ on housing, but researchers say current schemes ‘negligible’
https://hongkongfp.com/2021/09/21/hong-kongs-carrie-lam-says-developers-willing-to-cooperate-on-housing-but-researchers-say-current-schemes-negligible/

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iPhone. Me. Hong Kong. Buildings. Sky and Clouds. #iphone #photography #amazing #afternoon #hongkong #skyscrapers #architecture #clouds

'Urban Folly – Electric this' shows two women in their Plexiglas bubble, lying in front of a cityscape in LED and neon light.

The background of the work is the acrylic neon sign Urban Folly neon with lights in various colours in an abstract array, representing buildings. In front of the buildings are two women lying down, mother and daughter, cut out from transparent Plexiglas. Over their heads is text (engraved in the Plexiglas), each speaks half a poem, discussing how to be modern with yet allusions to ancient Chinese habits and symbols. Behind the board are speakers left and right (actually, they are the beloved Hong Kong cell phones) that say the English text in Cantonese. The title of the poem (Electric this) is carved in a Plexiglas cloud and hangs over the buildings like a neon sign. The entire work is put in a black protruding frame as if they are inside a casing or exhibited in some kid’s shoebox diorama.

The Urban Folly neon sign creates the virtual environment that influences the way this mom and her daughter live their lives, lying in front of the city as if on the HK beach. And the mom passes on her urban myth while the daughter comments on her mom as a ‘sheep’ that follows fashion and fads to feel unique, not aware of the transparent bubble she, the daughter, lives in herself. But inside is the ancient Chinese core, unbroken.

Through the conceptual visualisation formed by the root-like winding of the neon light, the work hopes to trigger an underlying light and reflection that resonates with citizens in a certain and also manifold way on this modern and traditional soulful land. The continuity of life in progress and the shifts in the flickering and shimmering of neon lights show us something clearer. It is the way and the opening in the frame that one might have overlooked, the energy of life in all the old and fancy of the new from the past to the present...

On 18 May 2021, 4-5pm at JPS Gallery | Hong Kong artist Elaine Chiu joins moderator Kenneth Chan in a conversation of Elaine’s working process, inspirations, and trajectory as an artist. Hong Kong’s endangered buildings, architecture, cityscape and memories are some of the cornerstones of Elaine’s research and practice. Her work not only explores space, memory and the city's evolving urban identity, but also conveys the transience and fragility of Hong Kong's cityscape. In this conversation, Elaine will share the story of her creative practice, her muses, and her work as a personal investigation of Hong Kong’s transient, fluidic, and intersecting memories. This conversation is presented as part of ‘Before Memories Expire’, an exhibition at JPS Art Gallery on view from 6 May 2021 to 6 June 2021.

Makeup @c_chungyee_
#BeforeMemoriesExpire
#回憶若有限期

Back in the days, around the time when YouTube was founded, before most of you were born, I used to Vlog a lot. I was a little ahead of my time because video sharing platforms were premature back then. I Vlogged so that I can remember my experiences back then. You'll get to know me better if you actually spend the time to watch this. If you do have the patience.

This was New York City in 2005. It was my first trip with my good friends from Hong Kong and Japan. A lot have changed since then. There is no more Toys R Us, there are a bunch of new buildings and shopping area in Ground Zero today. Times Square is a lot more sophisticated today too. May this video bring you back to New York City of the past.

I spoke a few languages in this video, be sure to turn on captions.

Year : 2005
Location : Manhattan, New York City

Fan-Made Intro by Blood Shadow
https://www.youtube.com/channel/UCIEX5xLgWC8DyejbRUYPpLw

(Make me a nice short intro, I'll feature you next)

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#vlog #NewYorkCity #USA

The curving façades of tenement blocks built in the colonial era have not only made one of the most unique features of Hong Kong’s urban landscape, these corner buildings were meant to serve the interests of the people as well as that of the developers.

The British colonial government encouraged the construction of balconies and verandas in 1935 by exempting their floor area from the land premium that developers were obliged to pay. These structures were hoped to provide shades to the pedestrian footpaths underneath, hence considered public facilities.

https://hk.appledaily.com/feature/20210207/VMIELGUV2JC63AMQ325PI2L3WE/

原刊日期：20210207

影片:
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【娛樂人物】情願市民留家唔好出街聚餐 鄧一君兩麵舖執笠蝕200萬 (蘋果日報 Apple Daily) (https://youtu.be/e3agbTOdfoY)

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#HongKong #cornerbuildings #balcony #Colony
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