โห กี่ปีแล้วเนี่ยประเด็นนี้
สคบ.เรียก “เมฆมังกรบิน” ตรวจสอบกรณีขายน้ำยาขัดเคลือบสีรถ
นายเกริกพล จงเอื้อมกลาง หรือ “เมฆมังกรบิน” เจ้าผลิตภัณฑ์ max nano เข้ามารายการตัวตามหมายเรียก สคบ. หลังจากที่ทำน้ำยาขัดเคลือบสีรถขาย โดย สคบ.ได้มีหนังสือออกคำสั่งเรียกโดยอาศัยมาตรา 5 และมาตรา 45 เรียกตัวไปตรวจสอบ พร้อมทั้งเอกสารบริษัท และสินค้าที่จัดจำหน่าย โดย “เมฆมังกรบิน” เผยว่าเนื่องมาจากเหตุการณ์ในช่วงโควิด ตนได้ขายผลิตภัณฑ์ เคลือบสีรถยนต์ในราคาถูก จึงมีผู้ร้องไปที่ สคบ.ให้เข้ามาตรวจสอบ เราจึงได้เข้ามาที่ สคบ.ในวันนี้ ที่สำนักงานคณะกรรมการคุ้มครองผู้บริโภค ชั้น 5 อาคารรัฐประศาสนภักดี (เมื่อวันที่ 14 สิงหาคม 2563)
PPTV PHOTO #รชานนท์อินทรักษา
#PPTVHD36 #PPTVNews #ช่อง36 #เมฆมังกรบิน #เกริกพลจงเอื้อมกลาง #น้ำยาขัดเคลือบสีรถ #maxnano #สคบ #สำนักงานคณะกรรมการคุ้มครองผู้บริโภค
A relationship with me. Calling ′′ flying dragon cloud ′′ to check the case of selling the car's coating liquid.
Mr. Krikphon Jongmlang or ′′ Flying Dragon Cloud The product of max nano has come to show the subpoena of Aug. After making a car coating polishing. Sold by Aug. Orders have been issued by section 5 and section 45 to investigate and company documents and products distributed by ′′ Mek Dragon Flying ′′ reveals that due to COVID incident, they have sold car coating products at price. That's right so there's a singer going to Aug. Let's check it out so we can come to Aug. Today at the Office of the Consumer Protection Commission, 5th floor, Prasasansaphakdee building (on 14 August 2563)
PPTV Photo # ̒ xin thrạks̄ʹā ̒ xin thrạks̄ʹā
#PPTVHD36 #PPTVNews #ช่อง36 #เมฆมังกรบิน #เกริกพลจงเอื้อมกลาง #น้ำยาขัดเคลือบสีรถ #maxnano #สคบ #สำนักงานคณะกรรมการคุ้มครองผู้บริโภคTranslated
同時也有1部Youtube影片,追蹤數超過3萬的網紅Nicole Chang,也在其Youtube影片中提到,Ever wondered how to make your car even more waterproof than it already is? I've discovered a product that can make water droplets allergic to your ca...
floor coating 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
floor coating 在 雙娜新樂園 Facebook 的精選貼文
216/365
🌲亞馬遜雨林與我們🌲
亞馬遜雨林大火的新聞
完全在中美貿易戰下隱沒😰
直到燃燒3週後新聞披露後
才震驚了全世界
重新重視這個比政治角力還重要的環境問題
📌About Amazon:
#亞馬遜Amazon是全世界最大的雨林
佔地550萬平方公里
範圍遍及八個國家
雨林製造出來的氧氣占了地球所需的20%
因此有 #地球之肺之稱
📌雨林為何會起火?
根據美國太空總署指出
雨林因為環境潮濕
相對來說不易發生火災
但7-10月是南美洲的乾季
氣候變異全球暖化
加上農民和牧場主人習慣使用大火清理土地備用
巴西政府也從未明令禁止
也是亞馬遜頻頻起火的主因
📌面對攸關全人類的生態環境浩劫
我們能和孩子分享什麼?
#真正的認識比人云亦云更重要
#唯有了解全面知識才能宏觀以對
今年四月復活節前夕
我們走了一趟澳洲
出國前和雙娜一起看了
#神奇樹屋20搶救無尾熊的故事
書中提到許多大家耳熟能詳的澳洲代表動物:無尾熊、鴯鶓、袋鼠
也介紹了會發出笑聲的「笑翠鳥」
最幸運的是我們在旅程中
不僅住在袋鼠牧場旁的旅館
盡情觀賞袋鼠優雅跳躍的姿態
也近距離看到笑翠鳥本尊
真的超級幸運👍👍👍
《搶救無尾熊》這本書設定的情境正巧是澳洲森林大火
於是在旅途時
我們特別注意森林的樹幹是否曾有森林大火留下來的記號:焦黑的樹幹
果不其然在林間漫步時發現為數不少wildfires 的蹤跡
興奮的我們一直拍照留下書中文字的現實照
當時正是澳洲秋天之際
但燠熱乾燥的風一吹來
我們也相當擔心林間突然來場森林大火
這樣可就糟了
幸好我們很幸運
沒有經歷神奇樹屋的彩虹雨那段😜
默默關心了幾天有關亞馬遜雨林大火後
我想應該讓孩子了解wildfires 是什麼
於是除了重拾《神奇樹屋:搶救無尾熊》和照片外
我們還一起共讀 #national geographic kids系列的 #wildfires
非常喜歡國家地理推出針對孩童所看的科普人文系列
圖大精美、中立書寫第一線觀察得知的資訊
讓閱讀時如臨現場
也能忠實傳遞資訊知識
沒有太多的正反評語
留待讀者自行評判
接下來就和大家分享本次共讀心得
#引發森林大火的原因:
1️⃣閃電
2️⃣火山暴發
3️⃣人類有意或無意焚燒
4️⃣乾燥高溫的風助燃
#Fire triangle:
1️⃣heat:starts a fire and keeps it going.
2️⃣fuel:gives a fire the energy it needs to keep burning.
3️⃣oxygen:for fuel to burn,it must react with oxygen in the air.
#森林大火的三種型態
1️⃣ground fire
2️⃣surface fire
3️⃣crown fire
#動物如何逃生
1️⃣small animals burrow underground.
2️⃣Others hide under rocks or in nearby logs.
3️⃣Many run or fly to safety.
#森林火災的益處與必須性
1️⃣After a fire,sunlight can shine on the forest floor,allowing new plants to grow.
2️⃣Wildfires help forests by burning dead leaves and plants and ashes add nutrients to the soil.
3️⃣Fires can remove sick plants and insects that kill trees.
4️⃣Heat can melt the waxy coating on the tree's comes.
After the fire,new trees can sprout in the soil.
#如何滅火?
根據fire triangle的理論
杜絕其中一樣即可滅火
1️⃣#heat:Planes drop thousands of gallons of water on a fire at a time.
2️⃣#fuel:firefighters clear away brush and dig a long ditch to create a fire line.
#After the fire🔥
1️⃣植物:因陽光照射、灰燼成泥土養分使植物得以迅速成長
2️⃣動物:因植物成長,重返森林建立家園
#如何防止因人為不當而引發森林大火?
1️⃣Do not start campfires during dry spells.
2️⃣Build campfires only in fire pits.
3️⃣Do not build a campfire without the help of an adult.
4️⃣Never leave a campfire unattended.
5️⃣Put out a campfire completely before leaving or going to sleep.
6️⃣Call 911if you notice a fire that is out of control or unattended.
#雖然森林大火對自然生態是必須的
#但超過八成以上的森林大火來自人為
👉Smokey bear給人類的敬告:
#Only you can prevent wildfires.
📌看完《Wildfires》後
帶孩子回頭看《神奇樹屋:搶救無尾熊》尋找線索:
#Fire triangle:
1️⃣heat:灼熱刺眼的陽光
2️⃣oxygen:乾燥的空氣
3️⃣fuel:灌木叢和枯瘦的樹林
#如何滅火?
#heat:Planes drop thousands of gallons of water on a fire at a time.
樹屋:大雨澆熄了森林大火
傑克回頭看著樹林
霧茫茫的蒸氣從燒焦的地面和燃燒的灌木叢升起
#讓孩子練習從文本找關鍵線索
#確立對文本重點與脈絡的掌握
#珍惜雨林不是口號
#而是全面性了解認識
#4y5m共讀
floor coating 在 Nicole Chang Youtube 的最佳解答
Ever wondered how to make your car even more waterproof than it already is? I've discovered a product that can make water droplets allergic to your car's surface and protect it at the same time. Curious what I'm talking about, watch on to find out more!
Products featured:
- Glass Guard
- Bodyguard Glass Coat
If you guys are interested in purchasing these products you can get it from:
I'M STARTICE
1 venture avenue singapore 608521
(bigbox 2nd floor)
Music from: https://soundcloud.com/themusemaker
Stalk me at:
Website: https://www.nicolechangmin.blogspot.com
Instagram: https://www.instagram.com/nicolechangmin
Snapchat: @nicolechangmin
Facebook: https://www.facebook.com/nicolechangminofficial
floor coating 在 Garage Floor Coating - 首頁 | Facebook 的美食出口停車場
Garage Floor Coating 。 2272 個讚 · 26 人正在談論這個。 GarageFloorCoating.com, division of Eco-Corflex Industrial Floor Coatings. ... <看更多>