關於 experience 鋼琴 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【每個音樂人都應該要有張厲害的桌子！Headquarter™ 音樂工作站】

有跟過RuRu的會員直播或是追蹤粉專、IG的滷粉們，應該都對這張桌子不陌生～這款是專為音樂人設計的工作桌 - Headquarter™ 音樂工作站✨

移動式的鍵盤架可以容納88鍵的電鋼琴，在使用上非常的方便～需要編曲或是練琴時，像抽屜一樣拉出來就可以彈琴，小紅終於有專屬的家了！
桌子上方的收納層架，除了可以擺放錄音相關器材之外，剩下空間還完美收納了我的PS5！它陪伴我度過了改編、練琴、混音、練琴、直播、打電動、耍廢等種種時光，簡直是RuRu專屬神桌😂😂😂
-
Wavebone 錄音室傢俱 是台灣的專業音樂傢俱設計品牌，團隊由 工業設計師、物理治療師 與 錄音工程師 組成，結合了人體工學設計和業界音樂老師們的智慧和經驗，致力於為所有音樂人打造兼具美觀與舒適體驗的音樂傢俱。

馬上選購錄音室傢俱 >> https://lihi1.com/u4PL2

Wavebone® is a studio furniture brand based in Taipei, Taiwan. consisted of industrial designers, physiologists, and sound engineers. Combining the wisdom and experience of ergonomics and music industry, Wavebone aim at crafting the optimal studio furnitures for all musicians.

Finally, we're so glad to tell you that we've made a big further step to kick off the US pre-order campaign on Wavebone products!

Here's the USA Online Shop: https://lihi1.com/9X8nL
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Backbone 椎座工學 Wavebone
#Wavebone #Headquarter #音樂工作站
#Ru味春捲 #RUsPiano

V.K克即將席捲KKBOX Hi-Res ，身臨其境般的聽覺享受
https://www.kkbox.com/tw/tc/artist/N-q4q6h3ST8MmY-0F0AAv08J-index-1.html

繼 2020 年底KKBOX推出全台第一個 Hi-Fi 無損音質服務後，四月底宣布高解析音質格式「Hi-Res」上線，讓音樂串流服務的音質超越 CD 格式。

流行鋼琴大師V.K克音樂作品即將在KKBOX Hi-Res上架，眾多名曲《鏡夜》、《琴之翼》，《亞特蘭提斯之戀》、《銀河旅人》、《花水月》、《光 無墜落的美麗》…等個人演奏專輯、EP和擔任音樂總監製作的三部戲劇配樂原聲帶。不論是織華奇綺的《幻城電視配樂原聲帶》，或是由胡夏、曾之喬等純愛系實力巨星傾力詮釋的《泡沫之夏電視原聲帶》以及由歌手陳芳語、羅震環以及X玖少年團彭楚粵所演唱的甜蜜喜劇《好想和你在一起》網劇原聲帶，都將可以享受到超越CD 的無損音質，體驗到最純粹真實的音樂原聲。

還記得被他音樂觸動的那一刻嗎？
他的音符曾經伴隨著我們的生活，宛如心跳、宛如呼吸。

現在，隨時隨地，都可以享受專屬於你的演奏會。

V.K is releasing all his music on KKBOX Hi-Res, offering the most immersive listening experience you’ve ever had.

After launching the first Hi-Fi service in Taiwan at the end of 2020, KKBOX now enables the “Hi-Res” audio format, making the sound quality of its streaming service surpass that of CDs.

And now, pop pianist/composer V.K is releasing all his music on KKBOX Hi-Res, including 5 albums, 2 EPs, and 3 original soundtrack album. You can now enjoy your favorite pieces such as Reflection, Wings of Piano, Atlantis Love, Galaxy Traveller, Hua-Sui-Yue, Endless Falling Lights, etc, with sound quality superior to CDs!

Enjoy your own concert wherever and whenever you want!

#VK克 #VK #鏡夜 #愛無限 #第三樂章 #Ourstory #光無盡墜落的美麗 #幻城 #泡沫之夏
#好想和你在一起 #HiFi #HiRes #KKBOX

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

#No23 #7月23日全面發行 #約書亞樂團 #在地如在天

實體樂譜▸https://bit.ly/3ztsmYr
電子樂譜▸https://bit.ly/3f4rGkT

在地如在天 / Heaven is on Earth
詞曲 Lyricist & Composer：曹之懿 Isabelle Tsao、趙治德 Samuel Chao、洪以琳 Elim Hung、杜威霖 Bukun Isbabanal
英譯詞 Translator：熊乃恩Nathan Hsiung
主唱 Vocals：曹之懿 Isabelle Tsao、趙治德 Samuel Chao (Rap)

[Verse 1]
祢的話 一說出就不會改變
All Your words won’t ever change once it’s spoken
祢的愛 跨越所有時代存在
Your love will cross through generations always
我看見 天使圍繞在我身邊
I can see angels are all around my side
我知道 主祢超越這個世界
I know that You are greater than this whole world

[Chorus 1]
在地如在天的喜樂 woo
Heaven is on earth, full of joy
我無法形容這感覺 woo
Indescribable, this whole

[Verse 2]
不改變 祢的信實直到永遠
You won’t change, You are faithful until the end
祢同在 改寫這世代的明天
Your presence rewrites generations’ future

[Bridge]
祢的意念高過我所有的意念
All Your thinking are higher than my own thinking
祢使瘸腿能行走瞎眼得看見
You make the lame walk and the blind see so clearly
魔鬼敗在祢腳前 這勝負太明顯
Devil lays before Your feet, victory, evident

[Chorus 2]
在地如在天的作為 Woo
Heaven is on earth, His Kingdom
祢榮耀冠冕為我預備 Woo
Your glorious crown, prepared for me

[Rap]
我知道，祢已掌權，困境在改變 我盼望在祢裡面顯現，
I know that it’s You who reigns, challenges have begun to change, my hopes won’t be in vain
我不屬於這個世界，經歷祢的恩典
I don’t belong to this domain experience Your grace,
有時候我覺得新鮮，有時候埋怨
Sometimes I feel so fresh, sometimes I complain,
有時候堅定，有時又太隨便
sometimes I’m fine but sometimes I get too lame,
Uh但是，當我們專心仰望祢，反而，漸漸成為祢國度的將領，
uh huh but, when we focus on You only, somehow bit by bit become your Kingdom’s glory
黑暗的勢力，祢贏的輕易，主在祢的愛裡，我得著安息，
Power of darkness, You defeat easily, God in Your awesome love, I can truly find peace,
我再也不需要被困在埃及
I no longer have to be stuck in Egypt,
就是現在，領受應許之地！
so then right now, get that milk and honey!

[Tag]
在地如在天 在地如在天
Heaven is on Earth, praise Him loud.

-
製作人 Producer / 趙治德 Samuel Chao
配唱製作人 Vocals Producers / 璽恩 SiEnVanessa、曹之懿 Isabelle Tsao (Rap)
編曲 Arrangement / 趙治德 Samuel Chao
電鋼琴 Electric piano / 李匯晴 Green Lee
Keyboard & Synths / 趙治德 Samuel Chao
Electric Guitar / 孫立衡 Peter Sun
Bass / 簡偉倫 Weilun Chien
Drums / 洪德耀 Derek Hung
和聲配唱製作人 Background Vocals Producer / 趙治德 Samuel Chao
和聲編寫 Background Vocals Arranger / 趙治德 Samuel Chao
和聲 Background Vocals / 趙治德 Samuel Chao、何彥臻 Franny Ho
錄音 Recording Engineer / 葉惟恩 Calvin Yeh、李宛叡 Rayya Li、劉員杰 Francis Law、單為明 Link Shan (Drum)
剪輯 Editing Engineer / 劉淑莉 Lily Liu、趙治德 Samuel Chao
混音 Mixing Engineer / 孫立衡 Peter Sun
錄音室 Studio / 異象工場、Lights Up Studio (Drum)
-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP

聯繫約書亞樂團：
https://www.joshua.com.tw/web/
-
這裡可以找到我們！
YouTube▸https://bit.ly/3hBNTH5
Apple Music▸https://apple.co/3Au41TK
Spotify▸https://spoti.fi/3As1fi4
KKBOX▸https://bit.ly/3dJyCTz
My Music▸https://bit.ly/2UnIVpA
friDay音樂▸https://bit.ly/2UkxJdm
LINE MUSIC▸https://bit.ly/3fyxAeu
-
異象工場官方商城▸https://shop.asiaforjesus.net/
約書亞樂團官網▸https://www.joshua.com.tw/
約書亞樂團Facebook▸https://www.facebook.com/joshuaband
約書亞樂團Instagram▸https://www.instagram.com/joshua_band/
約書亞樂團微博▸https://weibo.com/joshuaband
約書亞樂團微信▸joshuaband

#No23 #7月23日全面發行 #約書亞樂團 #在地如在天

實體樂譜▸https://bit.ly/3ztsmYr
電子樂譜▸https://bit.ly/3f4rGkT

在地如在天 / Heaven is on Earth
詞曲 Lyricist & Composer：曹之懿 Isabelle Tsao、趙治德 Samuel Chao、洪以琳 Elim Hung、杜威霖 Bukun Isbabanal
英譯詞 Translator：熊乃恩Nathan Hsiung
主唱 Vocals：曹之懿 Isabelle Tsao、趙治德 Samuel Chao (Rap)

[Verse 1]
祢的話 一說出就不會改變
All Your words won’t ever change once it’s spoken
祢的愛 跨越所有時代存在
Your love will cross through generations always
我看見 天使圍繞在我身邊
I can see angels are all around my side
我知道 主祢超越這個世界
I know that You are greater than this whole world

[Chorus 1]
在地如在天的喜樂 woo
Heaven is on earth, full of joy
我無法形容這感覺 woo
Indescribable, this whole

[Verse 2]
不改變 祢的信實直到永遠
You won’t change, You are faithful until the end
祢同在 改寫這世代的明天
Your presence rewrites generations’ future

[Bridge]
祢的意念高過我所有的意念
All Your thinking are higher than my own thinking
祢使瘸腿能行走瞎眼得看見
You make the lame walk and the blind see so clearly
魔鬼敗在祢腳前 這勝負太明顯
Devil lays before Your feet, victory, evident

[Chorus 2]
在地如在天的作為 Woo
Heaven is on earth, His Kingdom
祢榮耀冠冕為我預備 Woo
Your glorious crown, prepared for me

[Rap]
我知道，祢已掌權，困境在改變 我盼望在祢裡面顯現，
I know that it’s You who reigns, challenges have begun to change, my hopes won’t be in vain
我不屬於這個世界，經歷祢的恩典
I don’t belong to this domain experience Your grace,
有時候我覺得新鮮，有時候埋怨
Sometimes I feel so fresh, sometimes I complain,
有時候堅定，有時又太隨便
sometimes I’m fine but sometimes I get too lame,
Uh但是，當我們專心仰望祢，反而，漸漸成為祢國度的將領，
uh huh but, when we focus on You only, somehow bit by bit become your Kingdom’s glory
黑暗的勢力，祢贏的輕易，主在祢的愛裡，我得著安息，
Power of darkness, You defeat easily, God in Your awesome love, I can truly find peace,
我再也不需要被困在埃及
I no longer have to be stuck in Egypt,
就是現在，領受應許之地！
so then right now, get that milk and honey!

[Tag]
在地如在天 在地如在天
Heaven is on Earth, praise Him loud.

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製作人 Producer / 趙治德 Samuel Chao
配唱製作人 Vocals Producers / 璽恩 SiEnVanessa、曹之懿 Isabelle Tsao (Rap)
編曲 Arrangement / 趙治德 Samuel Chao
電鋼琴 Electric piano / 李匯晴 Green Lee
Keyboard & Synths / 趙治德 Samuel Chao
Electric Guitar / 孫立衡 Peter Sun
Bass / 簡偉倫 Weilun Chien
Drums / 洪德耀 Derek Hung
和聲配唱製作人 Background Vocals Producer / 趙治德 Samuel Chao
和聲編寫 Background Vocals Arranger / 趙治德 Samuel Chao
和聲 Background Vocals / 趙治德 Samuel Chao、何彥臻 Franny Ho
錄音 Recording Engineer / 葉惟恩 Calvin Yeh、李宛叡 Rayya Li、劉員杰 Francis Law、單為明 Link Shan (Drum)
剪輯 Editing Engineer / 劉淑莉 Lily Liu、趙治德 Samuel Chao
混音 Mixing Engineer / 孫立衡 Peter Sun
錄音室 Studio / 異象工場、Lights Up Studio (Drum)
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Mantra Ho'oponopono


Thank You I Love You track...
The beautiful healing mantra ‘Thank You, I Love You’

It’s a Hawaiian healing technique called Ho’oponopono that recognises the self, responsibility and gratitude, even when we face really challenging circumstances.

In my experience, when we give to others, be it through giving our time, our love, money, service, flowers, etc. When we give, it opens us up to be able to receive.
It puts us into a stronger flow of energy. So when you give for a healing, or for a teaching, your telling the universe that I have gratitude and I really value what this is. It grows, amplifies and returns to you.

Head over to the shop on www.xmen330.com

Enjoy

Namaste