10月節目歌單【好事自在Latte】
10/30(五)
2:04:30 Ghostbusters/Fall Out Boy
2:08:06小氣鬼喝涼水/怕胖團
2:13:02睡美人/古巨基
2:17:10讓人瘋狂/Sistar-孝琳
2:21:26全民偶像/黃明志
2:28:55 In Your Eyes/The Weeknd
2:33:38一下下/同恩
2:38:06 Remember/方大同
2:46:10末日遺緒/陳昇/陳洛
2:52:03 Miss you/M-Flo/Melody
3:04:08落雨聲/江蕙
3:09:00雪花/德永英明
3:14:32一個人/鹿洐人
3:20:53 All The Lovers/Kylie Minogue
3:24:08不解釋親吻/蕭亞軒
3:32:35抱著你/張震嶽
3:36:35最難的是相遇/許茹芸
3:41:48 2U/姜丹尼爾
3:48:58 Future in your eyes/周湯豪
3:52:44 Oye/Gloria Estefan
4:03:56來自你、來自我、來自他/羅大佑/周華健/趙傳
4:08:14我的驕傲/小男孩樂團
4:11:58 Like I Love You/Justin Timberlack
4:19:14遺憾/方炯鑌
4:23:14知難而退/劉思涵/郁可唯
4:26:55 Love Sweet/HEYNE
4:34:18 Please Don't Go/No Mercy
4:38:15嘿/杜德偉
4:42:29心動/庾澄慶
4:49:40真相大白/卓文萱
4:53:39我心躍動/可苦可樂
10/29(四)
2:04:08 Gugoo Game/吳映潔/PIKO太郎
2:06:13新流感/楊丞琳
2:09:36 Dance With You/BEAST
2:14:50他一定很愛你/阿杜
2:18:17傷得起/蔡黃汝
2:22:19 Angel/The Corrs
2:30:10麻辣湯頭/Crispy脆樂團
2:35:12青春小鳥/糯米糰
2:38:16 Diras Que Estoy Loco/Miguel Angel
2:45:20愛是這樣/艾怡良
2:49:50我們都寂寞/陳奕迅
2:54:34 My Last Fight/Love Psychedelico
3:04:18上美麗的情歌/Lulu黃路梓茵
3:09:04你不是說/那英
3:12:26 La Song/Rain
3:18:38陪你過假日/leo王
3:21:51搞定小姐/葛仲珊
3:25:28 My Mama/Lou Bega
3:34:19一無所有的人/白神真志朗
3:39:01 Dreams/John Legend
3:41:36女爵/楊乃文
3:49:50 Future in your eyes/周湯豪
3:53:36愛情釀的酒/高慧君
4:03:56我是真的愛你/李宗盛
4:08:26找錯遊戲/菅田將暉
4:11:58叫快樂來找我/李佳薇
4:19:35別再問我怎麼辦/關詩敏
4:22:07 Problem/Ariana Grande
4:25:17感覺犯/MP 魔幻力量
4:33:47 I Miss You/MAMAMOO
4:38:09桃花籤/王語昕
4:43:26這幾天/小宇-宋念宇
4:50:06你的電話/藍心湄/脫拉庫
4:53:55 Crystal Ball/Keane
10/28(三)
2:04:52格林成人童話/ Spark
2:07:49變奏的浪漫/黃鴻升
2:10:19 Mine我的最愛/Taylor Swift
2:15:50沒有了/曾沛慈
2:19:48你是我最愛的人/王菀之
2:23:08 All of your life/Backstreet Boys
2:31:24糖果/Red Velvet
2:35:38星空/五月天
2:41:22 BAD/Karencici
2:49:18候鳥/蕭煌奇
2:54:29 Chocolate/手越增田
3:04:02你抹了解/董事長
3:08:38 Twisted/Santana/Anthony
3:13:34先生/旺福
3:20:43夏天的浪花/家家
3:24:54 Money Money Money/Meryl Streep
3:33:31 See What You've Done
3:36:48公轉自轉/王力宏
3:42:05 I'm super ready/鼓鼓
3:49:47重傷/林凡
3:54:51 Green Window/AKMU
4:04:08愛如潮水/張信哲
4:08:33會不會你也想念我/廖柏雅
4:12:52 A CA ELLA/Ella 陳嘉樺
4:18:02 CRANK THAT/SOULJA BOY
4:21:43舉起來/黃立成/麻吉
4:29:41好不容易/李千那
4:33:26故事/蘇打綠
4:39:03 Hands on Me/少女時代-太妍
4:46:56赤裸裸的心/Aimyon 愛繆
4:51:40無限度自由/鄧福如
4:54:49飯隨愛人/邱鋒澤
10/27(二)
2:04:45海芋戀/蕭敬騰
2:08:42 No Excuses/Meghan Trainor
2:12:58如果我是一首歌/岑寧兒
2:16:25讓懂你的人愛你/蘇永康
2:21:14 I Wish/FT ISLAND
2:29:10小職員日記/旺福
2:33:09無畏的勇氣/李宓
2:37:10 Another Day In Paradise/Phil Collins
2:46:33 I Believe/華原朋美
2:53:19悲傷如雨/Bii畢書盡
3:04:47噶瑪蘭的風吹飛懸懸/楊肅浩
3:09:07兩個人的下雪天/許慧欣
3:13:01 SOS/Take That
3:18:48 Future in your eyes/周湯豪
3:21:26 Woman Like Me/Little Mix
3:25:12傳說/5566
3:33:59 Daisy/PENTAGON
3:37:32尚好的青春/孫燕姿
3:41:51我們怎麼Love/伍家輝
3:50:05 NEW STORY/NEWS
3:54:45永遠不回頭/楊培安
4:03:58燃燒一瞬間/張清芳
4:08:26傷得起/蔡黃汝
4:12:28幸福/SUPER JUNIOR
4:17:57 Medicine/Jennifer Lopez
4:20:47 3D舞力全失/自由發揮
4:24:12人來瘋/溫嵐
4:31:34不想懂得/張韶涵
4:36:03勇者的浪漫/中 孝介
4:42:13認真就輸了/八三夭
4:49:38 Look For The Good/Jason Mraz
4:54:35因為有妳在/Dream Girls
10/26(一)
2:04:14妳是我的花朵/伍佰
2:08:20 Honey Honey/ABBA
2:13:05 1901的上一位房客/光良
2:17:40外面的世界/莫文蔚
2:22:04 Cherry Pop/AOA
2:29:31Can Be Pretended/P!nk
2:34:19別再想見我/許光漢
2:39:45愛是個什麼東西/陶吉吉
2:48:43悲傷的kiss/中島美嘉
2:53:26 Blurred Lines/Robin Thicke
3:04:21夢中作憨人/張惠妹
3:08:23 Tight/10CM
3:11:41樂園/黃韻玲/陳奕迅
3:19:36 Love in this Club/Usher
3:23:50大夥騎/葛仲珊
3:26:49漿果森林/陳瑾緗
3:34:52四季/Selina
3:38:23我是一隻魚/任賢齊
3:43:32純潔悖論/水樹奈奈
3:49:54回憶的閣樓/郭靜
3:55:22 Too Much/Marshmello
4:04:03大約在冬季/齊秦
4:07:47 Photograph/Ed Sheeran
4:12:01深愛著/魏如昀
4:18:36 JioJioMe/黃明志
4:21:33Despacito/Luis Fonsi
4:30:10可惜不是你/梁靜茹
4:34:47末日遺緒/陳昇/陳洛
4:40:40One's Place/Wanna One
4:48:39 Say The World/安室奈美惠
4:54:08 Play我呸/蔡依林
10/23(五)
2:04:40 S.O.S/ABBA
2:07:50別急著說妳愛我到天長地久/糯米糰
2:11:51好好玩/阿喜
2:17:52窗外的天氣/蕭亞軒
2:22:12四季/Selina
2:25:43似曾相識/SS501
2:34:18 No more I love you/Annie Lennox
2:39:42飛人/黃奕儒
2:48:31 Water/Indigo Soul ChiIdren
2:53:38洄海嵐山/臺灣原住民群星
3:04:16雨衣/阿杜
3:08:35赤道上有知更鳥/張若凡
3:12:34 I Won't Let You Down/Ok Go
3:19:09朝溫暖亮光處去/玉置浩二
3:23:22跳舞的梵谷/孫燕姿
3:31:12錯覺/蘇慧倫
3:35:11 I Do 我願意/Colbie Caillat
3:39:07聽說有間店/曹楊
3:46:34還未說出口的話/FT ISLAND-李洪基
3:52:11 Gugoo Game/吳映潔/PIKO太郎
3:54:11看上她/黎明
4:04:01魯冰花/曾淑勤
4:08:08在天空與妳之間/後藤真希
4:13:36帥一個/羅志祥
4:18:2最後一次/高爾宣
4:21:06 Insomnia/Craig David
4:24:25雙人體操/陳珊妮
4:32:59達爾文/蔡健雅
4:37:17命中注定的你/鄭東河
4:42:38 14/盧子杰/屁孩Ryan/柯政宏
4:50:50 Beautiful Now/Zedd/Jon Bellio
4:54:24心跳/弦子
10/22(四)
2:04:53快樂一次擁有/周興哲
2:08:27 Closer/The Chainsmoker
2:14:41炫耀/陳潔儀
2:19:21眼淚博物館/鄭興
2:24:05 NoNoNo/APINK
2:32:14 Everyone Nose/N.E.R.D. 永生樂團
2:36:37一起/吳思賢
2:40:28讓我想一想/陳綺貞
2:48:32候鳥/蕭煌奇
2:53:43 Namie's Style/安室奈美惠
3:05:01海海人生/符瓊音
3:09:32 Close To You/Sensation/曹格
3:13:39 Watch Me/G.O.F.
3:21:18 Night & Day/Baha Men
3:25:04 izuwa 有/阿爆(阿仍仍)
3:33:14再生/Perfume
3:38:54習慣這樣/戴佩妮
3:42:46第一個想到你/韋禮安
3:51:55舞曲大帝國/影子計劃
3:56:32 Candy Boy/TWICE
4:04:01誰想輕輕偷走我的吻/張學友
4:08:51 Cry Baby Cry/Santana/Joss Stone
4:12:31不開燈俱樂部/YELLOW
4:19:25我們的情人節/田亞霍
4:23:02 DESSERT/少女時代 孝淵
4:26:16飛起來/徐懷鈺
4:34:21我們的愛/F.I.R.飛兒樂團
4:39:11蝴蝶/派偉俊
4:43:09永遠迴響的旋律/mihimaru GT
4:50:15管他什麼音樂/范曉萱/百分百樂團
4:53:46 Bend And Break/Keane
10/21(三)
2:04:27愛就是咖哩/嚴爵
2:08:06和妳一起/B1A4
2:13:25也許/林憶蓮
2:18:44 Back To You/Louis Tomlinson/BeBeRexha
2:21:51痛快世代/蕭秉治(廷廷)
2:30:00 Super Model/S.H.E
2:34:27 HAVE YOU EVER/Westlife
2:38:50安全感/家家
2:47:15MC來了/熱狗
2:51:54你與連身裙/決明子
3:05:15雨夜花/秀蘭瑪雅
3:08:36白日星辰/圭賢
3:12:26 Sunny Day/廖柏雅
3:18:35 Hope We Meet Again/Pitbull/Chris Brown
3:22:09被愛妄想症/麻吉弟弟/文慧如
3:31:19 My Kind Of Present/Meghan Trainor
3:35:06討人厭的字/張懸(安溥)
3:40:47慢走不送/J.Sheon/艾怡良
3:48:53星期天去哪裡了/松隆子
3:51:24 Let everything happen/閻奕格
3:55:26 My Way/Calvin Harris
4:04:03還隱隱作痛/動力火車
4:08:49不像話/呂薔
4:13:33 Love Is The Way/Red Velvet
4:19:21 Baby, love you/李建軒
4:22:22 Call On Me/JTR
4:30:45愛難求/林慧萍
4:35:07無別/張信哲
4:40:26 Cryin'/Aerosmith
4:50:19我又不是女超人/孫盛希/魏如萱
4:54:05 Fantasy/w-inds.
10/20(二)
2:04:29致姍姍來遲的你/阿肆/林宥嘉
2:08:23 Long D. 遠距離戀愛/蕭賀碩/伍家輝
2:12:25 I Just Can't Wait/D'SOUND
2:18:16指望/郁可唯
2:22:06 U/MC THE MAX
2:26:14暫時停止呼吸/鼓鼓
2:34:57只想說,謝謝妳 /MONKEY MAJIK
2:39:44<3/慢慢說樂團
2:42:42啤酒咖啡/許茹芸
2:49:54候鳥/蕭煌奇
2:55:05 Stupid Love/Lady Gaga
3:04:55無名英雄/滅火器
3:08:10 We Built This City/Starship
3:15:15紀念日/炎亞綸
3:19:53裝睡的人/邵雨薇
3:24:06戀愛了/Chara恰拉
3:34:17 Fault/ZELO
3:38:39 Get down on it/BLUE/Kool The Gang
3:43:13我心已打烊/黃莉
3:50:42舞曲大帝國/影子計劃
3:55:19 Something's Got a Hold on/Christina Aguilera
4:04:01愛似狂潮/蘇永康
4:08:10想見你/德永英明
4:12:57 Replay/吳卓源/陳芳語/金寶
4:18:47天亮以後說分手/信樂團
4:23:12 We Are 我們就是我們/ONE OK ROCK
4:31:56秋鄉/魏如昀
4:36:26傘下/張宇
4:42:08 DONE FOR ME/Charlie Puth
4:49:13 心電心/王心凌
4:54:03Devil/Super Junior
🌭10/19(一)
2:04:20珍珠奶茶/品冠
2:07:42 I Really Miss You/S Club 7
2:11:23呼呼/安心亞
2:16:42念念/劉若英
2:19:38妳是我最深愛的人/永邦
2:24:08 Say So/Doja Cat
2:32:38翻滾吧/亂彈阿翔
2:36:32 Let everything happen/閻奕格
2:41:26 Echo/少女時代
2:49:05在我成為井井有條的大人之前/郭采潔
2:53:38 La·La·La Love Song/久保田利伸
3:04:55三瞑三日/吳宗憲
3:08:56暫別我的愛/Ailee
3:16:45不要LU/Lulu黃路梓茵
3:20:22 THAT'S NOT MY NAME/聽聽樂團
3:30:15孤獨/鄧紫棋
3:34:03夜曲/周杰倫
3:38:52太喜歡你所以快氣瘋了/卡莉怪妞
3:48:01寂寞先生/曹格
3:53:29 We Found Love/Che'Nelle
4:04:03短髮/梁詠琪
4:08:34陽光燦爛的原因/鄭茵聲
4:12:54想在淚海被妳擁抱/南方之星
4:19:40 Physical/Dua Lipa
4:22:50 D.I.S.C.O./溫嵐/Dancing Queen
4:30:54一念之間/戴佩妮
4:34:52末日遺緒/陳昇/陳洛
4:40:45 Fergalicious/Fergie
4:49:56狂想曲/蕭敬騰
4:54:18 HOLLYWOOD/After School
⭐10/16(五)
2:04:18 PM彩虹的微笑/王心凌
2:07:05 PM幸福的泡泡/黑澀會美眉
2:09:42 PM觸/SUPER JUNIOR-D&E
2:15:34 PM反對眼淚/朱俐靜
2:19:21 PM上上籤/周華健
2:23:20 PMAnother Place/Bastille
2:31:31 PM愛你一萬年/周渝民
2:35:59 PM最後一封情書/許哲珮/莫子儀
2:40:16 PM星象儀/大塚 愛
2:49:23 PMYou Make It Real/James Morrison
2:53:32 PM玉女穿梭/陳珊妮/鍾玉鳳
3:04:53 PM心情車站/任賢齊
3:10:30 PM唯一的理由/潘嘉麗/周定緯
3:13:37 PMMakes Me Wonder/Maroon 5
3:19:31 PMPUPPY/FTISLAND
3:23:05 PMGood Time/Paris Hilton
3:31:06 PM沒那麼簡單/黃小琥
3:36:07 PM夜裡記得看星星/手越增田
3:42:46 PM二手車/頑童MJ116
3:49:55 PM末日遺緒/陳昇
3:55:48 PMBar Bar Bar/crayon pop
4:03:56 PM煙雨濛濛/江淑娜
4:08:06 PM別客氣/蘇盈之
4:11:40 PMDiamonds/Sam Smith
4:17:43 PMBaby/ASTRO
4:21:02 PM你是我的菜/周湯豪
4:29:17 PM追光者/岑寧兒
4:32:57 PM抱歉 我不抱歉/A-Lin
4:38:14 PMRemember The Name/Ed Sheeran
4:50:16 PM我的快樂/錦繡二重唱
4:53:26 PM怪物小姐/平井堅/Aimyon
◀️10/15(四)
2:04:45 PMStuck On U 偷心賊/李玟
2:08:15 PMPlease Don't Let Me Go/Olly Murs
2:13:39 PM天堂/庾澄慶
2:17:51 PMYoung And Beautiful/Lana Del Rey
2:21:42 PMBody Sing/楊乃文
2:29:58 PM敏感/艾怡良
2:33:21 PMStuck On You /伊藤由奈
2:38:07 PM慢慢走/張信哲
2:46:14 PM剪刀石頭布/影子計劃
2:50:10 PMOS不一樣/溫嵐
2:55:10 PMI Don't Feel Like Dancing/Scissor Sisters
3:04:17 PM我不是空笑夢/黃鴻升
3:07:30 PMBorn To Be My Baby/Bon Jovi
3:15:21 PM天黑黑/方炯鑌
3:19:04 PMI Knew I Loved You/Savage Garden
3:22:40 PM妳, 這個小東西/小男孩樂團
3:31:50 PM還是應該再多/大原櫻子
3:38:20 PM假高潮/Spark/Karencici
3:41:13 PMFor You/Liam Payne/Rita Ora
3:49:15 PMMoment/2AM-李昶旻
3:54:20 PM永遠的快樂/張惠妹
4:03:56 PM一生愛你千百回/梅艷芳
4:08:28 PMNights Cold/山下智久
4:11:40 PM狂愛潮浪/炎亞綸
4:18:53 PM三人舞Triangle/孫盛希
4:22:58 PMShow Me What You Got/Jay-Z
4:30:57 PM我拿什麼愛妳/齊秦
4:35:45 PM還原/關詩敏
4:40:31 PMeight/IU/SUGA
4:52:06 PM聊天/郭靜
4:56:01 PMLove You Like A Love Song/Selena Gomez
🌺10/14(三)
2:04:47 100萬/Crispy脆樂團
2:08:03 Good Time/Owl City
2:13:21 You Are So Beautiful/Babyface
2:16:35簡單愛/周杰倫
2:20:55 BAZAAR/張靚穎
2:29:31Your Kisses Are Wasted/The Pipettes
2:31:39 SAPPY/Red Velvet
2:35:58 May I Love You/張智成
2:44:39數到三不哭/胡夏
2:48:58愛不凋零/李宓
2:53:33 All That Jazz/Chicago
3:05:13爸爸/李千娜
3:09:51 Trouble/Coldplay
3:14:14給你看/佛跳牆
3:20:18一點點喜歡/鄧福如
3:23:26 Piggy Piggy/黃明志
3:31:12 HOLY/Justin Bieber
3:34:40都是他/林凡
3:39:24流星冒險王國/陳惠婷
3:48:52朋友首日封/光良
3:54:47 WANNA BE MYSELF/MAMAMOO
4:04:03想愛你/黃大煒
4:09:08 In The Mood/久保田利伸
4:15:34我知道/By2
4:21:48蕭灑小姐/蕭亞軒
4:25:26喂?/BTOB
4:33:10寂寞寂寞不好/曹格
4:37:09寫一首歌/順子
4:43:08 Beautiful Now/Zedd/Jon Bellio
4:54:06獨一無二的女孩/謝沛恩
💜10/13(二)
2:04:43咬一口/陳夢晨
2:08:19 Mercy/Duffy
2:13:39秋天別來/伍思凱
2:18:11微光/梁靜茹
2:22:59 Don't stop Can't stop/2PM
2:31:28 All I Wanna Do/Sheryl Crow
2:36:37單飛/郭采潔
2:41:02交換餘生/林俊傑
2:49:48想要變得溫柔/齊藤和義
2:54:35會咬人的狗/Tizzy Bac
3:05:21 Boom Cha Cha La Ka/G.O.F.
3:08:42 She Bangs/Ricky Martin
3:15:30多年後/曾沛慈
3:19:42何苦/溫昇豪
3:24:14 Some Girls/Jc Chasez
3:33:39 Happy Birthday/OVAN
3:36:48愛到/飛輪海
3:41:54 Shut up/彭佳慧
3:49:12剪刀石頭布/影子計劃
3:54:16 I'm Real/Jennifer Lopez
4:03:57為了愛 夢一生/王傑
4:08:25 I wanna say I love you/木村拓哉
4:13:29少在那邊/葉瑋庭/賴聖恩
4:19:01美麗時光/強辯樂團
4:22:14 When It's Over/Sugar Ray
4:30:07刻在我心底的名字/盧廣仲
4:35:16買你/魏如萱
4:39:44 No Tears Left To Cry/Ariana Grande
4:50:55還是會寂寞/陳綺貞
4:55:17 Love Sweet/HEYNE
🙏10/12(一)
2:05:17 PM放肆一下/福茂女朋友
2:09:31 PMNobody Compares/One Direction
2:13:01 PM肝功能衰竭/旺福
2:18:35 PMThe Rose/中島美嘉
2:22:57 PM就別愛我/李建軒
2:27:05 PMLove Love Love/王力宏
2:35:15 PM所以說,我們/N.Flying
2:39:23 PM不自由/家家
2:49:13 PM蕭志達/獅子LION
2:55:31 PMDarkside/Alan Walker/TomDifferent World
3:04:01 PM阿母的手/黃妃
3:08:03 PM伯樂/林宥嘉
3:12:31 PMWrapped Up/Olly Murs
3:19:29 PM作為怪物/李宇春/吳青峰
3:23:50 PMSexyBack/Justin Timberlake
3:32:55 PM慣性失蹤/羅莎莎
3:38:15 PMThe Bird And The Worm/Owl City
3:45:43 PMFragile/Every Little Thing
3:52:40 PM假裝/蔡依林
4:04:03 PM你的眼睛/熊天平/許茹芸
4:08:44 PMBeautiful/Christina Aguilera
4:12:38 PM獨上C樓/YELLOW/范曉萱
4:18:38 PMSucker/Jonas Brothers
4:21:37 PMRock your body/高以愛Alisa
4:29:16 PM知足/五月天
4:33:25 PM愛不凋零/李宓
4:38:30 PM我的小姐/SHINee
4:49:22 PM你給我聽好/陳奕迅
4:53:57 PMAnalyse/The Cranberries
😎10/9(五)
2:03:55 PM沒在怕的/小春Kenzy
2:06:59 PM忽然東風/莫文蔚
2:10:46 PMAlone/Alan Walker
2:16:15 PM好好走 /葛西瓦/Matzka
2:19:31 PM很好/孫燕姿
2:24:03 PMPom Poms/Jonas Brothers
2:32:21 PMFairy Temple/G.O.F.
2:36:33 PM我的一天/朴正炫
2:40:37 PM楓/周杰倫
2:49:53 PM光輝歲月/迪克牛仔/楊培安
2:54:58 PMCIRCLE THE DRAIN/Katy Perry
3:04:18 PM水潑落地難收回/黃乙玲
3:08:16 PMAll Time Low/The Wanted
3:11:37 PM麻木/王大文
3:16:42 PM說到愛/蔡健雅
3:21:02 PM人間失格/李玖哲
3:25:26 PMBoy With Luv/BTS
3:34:15 PM孤獨患者/陳奕迅
3:38:47 PMChill/吳卓源
3:43:03PMDay Drinking/Pitbull
3:50:30 PMConversation/德永英明
3:55:50 PM信者得愛/鄭秀文
4:03:56 PM串起每一刻/張清芳
4:08:01 PM搞笑/星野 源
4:12:34 PMBon Bon Bon Bon/宇宙人/熊仔
4:19:38 PMS&M/Rihanna
4:23:39 PM我想買可樂/rika 劉艾立
4:31:21 PM下雨天/南拳媽媽
4:35:27 PM抱歉 我不抱歉/A-Lin
4:40:05 PMDrive兜風/東方神起
4:49:43 PM底里歇斯/田馥甄
4:53:28 PMWhen They Come For Me/Linkin Park
💗10/8(四)
2:04:01 PM無限大/孫燕姿
2:08:03 PMYou Smile/Sweetbox
2:14:18 PM男人‧海洋/周傳雄
2:18:11 PM她 未知者/亦帆
2:22:20 PMSHINE/SHINee
2:31:04 PMThinking Of Me/Olly Murs
2:34:27 PMLife Can Be So Beautiful/葉秉桓
2:39:21 PM祝我幸福/楊乃文
2:48:22 PM新相信未來/動靜樂團
2:53:56 PMSmily 笑嘻嘻/大塚 愛
3:04:09 PM假日花市/施文彬
3:08:05 PM小男人大男孩/蕭敬騰
3:15:35 PM千言萬語/彭佳慧/齊秦
3:19:49 PM囚/J.Sheon
3:23:52 PMBig Big World/Emilia
3:32:41 PM那隻貓的故事/迷悠奈
3:37:48 PM狠不下心/黃品源
3:41:58 PM像天堂的懸崖/李佳薇
3:50:25 PMMessed Up/文慧如/邱鋒澤
3:55:04 PMWithout You/Avicii/Sandro
4:03:56 PM從來不肯對你說/林志炫
4:09:46 PMCourage To Change/Sia
4:17:17 PM差不多先生/MC HotDog熱狗
4:21:41 PMGet Down On It/Kool & The Gang
4:30:51 PMAll With You/少女時代-太妍
4:34:41 PM不習慣喊痛/陳勢安
4:39:50 PMCall Me/徐懷鈺
4:48:59 PM無人知曉/田馥甄
4:53:36 PMHigh/James Blunt
🌵10/7(三)
2:04:51 PM愛洗蝦米/旺福
2:09:19 PMI'm a Lady/Meghan Trainor
2:14:50 PM香格里拉/魏如萱
2:18:51 PM麻雀/李榮浩
2:22:52 PMHot/BIGBANG-太陽
2:29:15 PMOne Love/Karencici
2:32:47 PM唯有妳能鼓動的心跳/平井堅
2:37:48 PM如果愛/方大同
2:46:41 PM小小/戴佩妮
2:50:19 PM甜甜甜/傅薇
2:55:17 PMMagic/One Direction
3:05:04 PM感情放一邊/江蕙
3:08:14 PM最高品質靜悄悄/9m88/leo王
3:11:36 PMMalibu/Miley Cyrus
3:18:05 PMDon't Phunk With My Heart/The Black Eyed Peas
3:22:03 PM頑美/PER6IX
3:24:44 PM很大的世界/魏妙如/吳健豪
3:33:50 PMOne Too Many/Keith Urban/P!nk
3:38:17 PM堅持到底/阿杜
3:42:19 PM我行我素我愛你/郁可唯
3:50:00 PM我一定會愛上你/梁文音
3:56:06 PMSugar Lady/河村隆一
4:04:03 PM每一次想你/李玟
4:08:18 PMSign Of The Times/Harry Styles
4:16:46 PM Everybody Bounce/高爾宣
4:19:40 PM Ice Cream/BLACKPINK/Selena
4:23:06 PM Super Style/Spexial
4:31:00 PM伴/黃小琥
4:35:26 PM背光旅行/黃偉晉
4:40:47 PM我愛你(Love is...)/FT ISLAND
4:49:42 PM諷刺的情書/田馥甄
4:53:48 PM (I Can't Make It) Another/Michael Jackson
🌈10/6(二)
2:04:51 PMJust believe/頑童MJ116
2:08:33 PMMake Me Feel/Janelle Monae
2:11:40 PM最親的擁抱/大嘴巴
2:18:39 PM一天一萬年/游鴻明
2:23:21 PM落落大方/路嘉欣
2:27:23 PMPerfect Man/Shinhwa
2:35:26 PM打起精神/島谷瞳
2:39:43 PM城裡的月光/蕭敬騰
2:51:21 PMMessed Up/文慧如/邱鋒澤
2:54:53 PMMisery/Maroon 5
3:04:36 PM有時/楊肅浩
3:08:48 PM旋木/王菲
3:12:50 PMIf You're Over Me/Years & Years
3:18:23 PMGo/吳映潔
3:21:42 PMGonna Make You Swear/C+C Music Factory
3:31:06 PMTight/10CM
3:34:27 PM獨唱情歌/TANK/Selina
3:40:08 PM造夢者/F.I.R.飛兒樂團
3:48:02 PM新相信未來/動靜樂團
3:53:36 PM15 Doors 15扇門/moumoon
4:03:56 PM深秋的黎明/黎明
4:08:33 PM你懂我說的嗎/呂薔
4:14:10 PMLucky Star/倖田來未
4:20:13 PMRadioactive/Rita Ora
4:24:14 PM箇中強手/羅志祥
4:32:03 PM每一天都不同/郭靜
4:36:05 PM鯨魚聊天/陳昇
4:40:29 PMRun Devil Run/少女時代
4:49:24 PM或是一首歌/田馥甄
4:53:38 PMHunting for you/Robbie Williams
🌐10/5(一)
2:04:45 PMLemon Tree/蘇慧倫
2:07:53 PMBig Girl/Mika 米卡
2:11:52 PMOK啦/五月天
2:17:06 PM在那個冬天的下午,我愛你/萬芳
2:21:30 PM壞天氣/孫燕姿
2:25:52 PMHeaven/VIXX
2:33:45 PMWhat I Like About You/Jonas Blue
2:37:18 PMFENDI GIRL/Spark
2:40:58 PM我們沒有在一起/劉若英
2:50:21 PM頑美/PER6IX
2:53:55 PMA·RA·SHI/嵐
3:05:08 PM純情青春夢/潘越雲
3:10:32 PM白雪/KOKIA
3:14:45 PM搖勒搖勒/八三夭
3:22:33 PMMarry You/Bruno Mars
3:26:19 PM小婚禮/吳建豪
3:36:48 PM慣性失蹤/羅莎莎
3:41:59 PMStaring At The Stars/Passenger
3:49:32 PMIris/Ronan Keating
3:53:50 PM甜甜甜/傅薇
4:04:04 PM又下雨了/李心潔
4:08:42 PMTo you, Tomorrow/SUPER JUNIOR-D&E
4:12:40 PMI'm Not Yours/蔡依林/安室奈美惠
4:19:11 PMLET IT GO/周興哲
4:23:02 PMTurn Me On/David Guetta
4:31:24 PM海神之樹/元 千歲
4:37:05 PM夏夜晚風/伍佰
4:40:55 PM熱愛/王心凌
4:50:18 PM一一 /田馥甄
4:54:13 PMLove Love Love/James Blunt
🍈10/2(五)
2:04:01 PM一點點喜歡/鄧福如
2:07:09 PM雲霄飛車/王大文
2:11:01 PMRoller Coaster/CNBLUE
2:16:35 PM台北的天空/張清芳
2:21:40 PM適得其所的悲傷/廖文強
2:25:49 PMYou Should Be Dancing/Bee Gees
2:35:01 PM主打歌/屁孩 Ryan/rgry,
2:39:13 PMNobody's Perfect/Miley Cyrus
2:47:21 PM4AM CALLS/KIMBERLEY 陳芳語
2:51:02 PM你把我灌醉/黃大煒
3:04:09 PM善良的歹人/蘇明淵
3:08:35 PM每一天,活下去的話/大塚 愛
3:13:14 PMShout Out to The World/紅孩兒
3:19:37 PM滿座/李榮浩
3:24:57 PM最好的事/林憶蓮
3:28:27 PMJenny From The Block/Jennifer Lopez
3:36:40 PM情非得已/庾澄慶
3:41:32 PMMe Enamore/HAKIRA
3:49:39 PM未來/江靜
3:54:18 PM情歌/Shinhwa
4:03:56 PM捨不得把眼睛睜開/李度
4:07:50 PM壞男人/Rain
4:11:22 PM一杯起/葛仲珊
4:18:43 PMFollow me/BIGBANG
4:22:12 PM愛的天靈靈 /王心凌
4:31:19 PM完美落地/亂彈阿翔
4:35:58 PM如今/楊乃文
4:41:05 PMDespacito/Luis Fonsi
4:52:41 PM我的驕傲/小男孩樂團
💙10/1(四)
2:03:55 PM在你心裡打個卡/邱勝翊
2:07:28 PMI Love It/Icona Pop
2:12:50 PM好想你/蔡依林
2:16:38 PM我知道你愛我/JS
2:21:46 PM怪物/星野 源
2:29:17 PM不為失戀說抱歉/梁靜茹
2:33:39 PM愛情那麼傻/品冠
2:38:41 PMGood Time/INNA/Pitbull
2:46:45 PM連擊Combo/影子計劃
2:49:07 PM一個人生活/林凡
2:53:25 PM太陽滿照/SMTOWN
3:04:18 PM衝衝衝/伍佰
3:07:53 PMLove Makes The World Go/Santana/Ronald
3:16:13 PM沒有找到你/劉思涵
3:21:04 PM孟婆湯/游鴻明
3:25:12 PMEgotistic/MAMAMOO
3:34:28 PM白泥/上白石萌音
3:38:19 PM都是你/光良
3:42:19 PM睡過頭/溫嵐
3:49:25 PM無人知曉/田馥甄
3:54:57 PMUptown Funk/Bruno Mars
4:03:56 PM絕口不提愛你/鄭中基
4:08:33 PM不虧不欠/袁婭維
4:11:50 PM能不能關手機/BTS
4:19:38 PM有人在嗎/邱鋒澤
4:23:29 PMShake It Off/Taylor Swift
4:32:33 PM風箏/孫燕姿
4:37:07 PM讓我留在你身邊/陳奕迅
4:40:30 PMWe Don't Talk Anymore/Charlie Puth
4:52:20 PM王妃/蕭敬騰
4:55:56 PMLost/Coldplay
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everybody come to hollywood 在 半瓶醋 Facebook 的精選貼文
【水世界】的前製設定與現場劇照
WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD
The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.
Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.
This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.
The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.
Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.
Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,
“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.
He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.
As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.
Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.
The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.
The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.
The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.
Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,
“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”
The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.
During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.
They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.
Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.
The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.
Shooting out on the open sea presented a series of logistical problem as Reynolds describes,
“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.
And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.
Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.
And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”
The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.
Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.
During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.
The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!
Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.
sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.
There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.
This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.
Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.
In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.
Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.
Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.
Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.
As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,
“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.
And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.
Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.
And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,
“Well, it didn’t suck.”
It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.
During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.
As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.
The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,
“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.
When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,
“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.
Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,
“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”
Written by John Abbitt | Follow John on twitter @UKFilmNerd
If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
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