關於 conversation lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

剛剛的北美之行，在演出之餘，當然也勾結了不少的當地的媒體。

#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop

//Anthony Wong’s Forbidden Colors

Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis

BY MICHAEL LUONGO

From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.

Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.

The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.

Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.

Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”

He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”

Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”

Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.

“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenm­ent,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”

As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.

“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginaliz­ed.”

Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.

“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginaliz­ed.”

This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.

“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”

Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.

“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”

In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.

That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.

“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”

That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.

As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.

“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.

Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.

“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”

Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”

That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.

“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.

Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”

Wong’s music is banned in Mainland China because of his outspokenness against Beijing.

Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.

Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”

(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)

Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”

Of that prospect, he said, “That’s very scary.”//

ประภาส ชลศรานนท์ ที่ผมแอบมอง
---
1
จำไม่ได้ว่าผมหยิบหนังสือ "เพลงเขียนคน ดนตรีเขียนโลก" มาจากหิ้งหนังสือของห้องสมุดแห่งไหนในจุฬาฯ แต่จำได้แม่นว่า นี่คือหนังสือเล่มหนึ่งที่เติมสารประกอบสำคัญเข้ามาในสมอง และหล่อหลอมให้เกิดความคิดแบบหนึ่งขึ้นในหัว กระทั่งวันนี้ความคิดนั้นยังคงอวลอยู่ไม่ไปไหน
...Continue ReadingPrapha sachon saranon that I sneak peek at
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1
I don't remember which library I picked up "music writing" from which library in chula, but I remember this is a book that added an important compound into my brain and forged. One thought in my head until today, that thought is still going anywhere.

The idea that is " many more

Along with the feeling that our little hands can write the world.

I have been listening to "Chaliang" since elementary school. Milk hasn't set (now). I still). I understand. When I was in University, the band disband disband has left just a story on the wood sheet for me. A lot of music never old. Those are written from the end of brother chik's pen - prapha chon Sara non

Reading this book makes you see the idea behind each song, and even more you see the author.

For me, whether brother chik wrote a song, wrote a book or made a movie, all he tried to do is ask people to try to look at the corner with more than just the corner.

See the world and your heart will be expansive.

Many more (many more that we don't know. We see it. Just in case we haven't seen it yet), Hibiscus Tree and blind (blind, but the mind is still bonded beauty), if there are only two of us in this world (time I'm hungry. Two of us will eat sticky rice with chicken noodles. Who to buy), it's up to who (it's up to who sees it, who can hear it, who decides), calm down bro (where are you going to fight with? I don't have time. Search for mind) etc.

Many songs of the lyrics are annoying. Such as when a lot of love songs say, " there are only us in this world brother chik asked me. Who will you want to eat noodles, who do you buy from? During a loud song If you don't love me, tell me. Tell me a word. " brother chik also wrote a song. Calm down. Where are you going? Let's see.

Khun Prapha Somchai cuddle will see the world in the drone corner. It's flying up to see the wide picture and spread out that there may be a corner that we forget to look at. The world could be something else.

...

2
"many more" in the meaning of brother chik doesn't eat just one thing. There are hundreds of thousands of possible sources, but it also means looking at everyone. Everything is equally important. Equally beautiful. Not comparing to take it to take the beams, but look beautiful. Of that person then pull out that potential to create value

" Classic, don't insult jazz
Jazz don't watch clan pop
Pop, don't mind the country.
Don't be sulking with doctor lam.
Doctor Lam, don't think more than classic. It's high "

This is a message on the screen in the concert. The song makes me think of what brother chik told me in this book. "people are like fingers. It's not equal but fingers too and have different duties" is a teacher's speech. Teaching kids in the young movie of piak posters.

To this day, the " finger is not equal " has been interpreted and wittalion. But in the meaning that I understand that brother chik wants to press, the " difference " rather than " inequality " is thumb is different from Index Finger and pinky and brother chik says " you could be a pinky finger which is more important than the index finger in some things read and think that our round fingers are valuable in our way.

"Tao" which sees the value of the nature of things like this. Often seen in the work of brother chik.

...

3
Mr. Prapha is not a big person. If there are two sides, brother chik will not stand on one side. Maybe because of the eyes that sees the beauty of each thing, each mind and an open view. I don't believe that anyone is all right. Or all wrong. Everything is good or bad.

Most importantly, this kind of thought resilience is believed that the people or the extreme thoughts we see are not eternal, but it can always change. The Extreme can also be adjusted, divided, exchange. New ingredients in themselves.

Once I had an opportunity to sit and talk with brother chik. Then we went to consult about making tv show. Our team is interested in a program that focuses on content. Easy, I want to pass knowledge to the audience. When I tell you the pattern and content to you. Listen to the brother ask, " is knowledge necessary that it must not be fun stop thinking and continue asking " is entertainment necessary to be ridiculous "

Just these two questions expand our view. We can see a new area that there is still space in the middle that combines what we thought were irrelevant. Different Worlds. and if we could, we could, we wouldn't cut off any kind of value.

...

4
That's another feature of brother chik that I secretly look at. This guy doesn't teach straight away, doesn't comment, but he likes to ask questions. Let the partner to consider it himself. This technique is used in writing as well.

The question that brother chik throws at can make us think " can it be something else " or " can it really see one way

This kind of conversation is like a kind adult who doesn't block. It doesn't draw the line what it should be. But let us choose by ourselves. This is how to tease you think with the question that khun prapha can use this kind of weapon. Praew praew praw praw praw praw The more and more.

If anyone has worked with brother chik, maybe it feels why I came up with this idea! I'm really good! But in fact, we can think because we are triggered by his brother's questions, but we will feel good because no one has ordered us to do that. We make our own decisions.

So it's not just creative work, but the way of working is also creative.

...

5
The Picture of brother chik that I remember when I was looking at the idol in the conference room is a picture of a playful executive like a little boy who had the big one who had the power to make any decision.

I saw his brother spinning pen, drawing a picture, and poke him out while everyone was meeting seriously thinking about it.

Good ideas often come up during our relaxing time -- I've heard many good thinking people say that. Many people say that if we don't lose our children, we will always keep the potential to imagine and creative.

Photo of Mr. Prapha in the conference room for me like a playful kid.

Another picture that I remember is in the conference room and dining table of the group who often meet each other. Brother Chik will tease the scared by putting a glass of water. The Edge of the table. It seems to fall to test if that person can endure enough. That person keeps moving deep. Mr. Prapha will laugh and says, " can't you stand it? Can't you stand this kind of thing

A Writer, a creative thinker that we have been following for a long time. Admired and thought that he would be quiet. But when he met the real one, he became a playful little boy, fast talking, Pear, praw and questioning. A very fun conversation.

...

6
If I would write about "the" from the eyes that I would have written many pages of paper because I have been looking at brother chik since the work behind my thoughts to read every interview that I saw until I had a chance to meet on the occasion. I'm always looking at verbs, symptoms and thoughts of brother chik. Teacher's Melody.

Finally, brother chik is not crazy. People may see the work, but they don't have to see his own. We know the song. Scream and laugh with brothers and musicians. We love the program of work. Point or many other creative works caused by this brother's mind, but often we don't even know or don't even think there is him behind it.

This is another thing that brother chik taught me. We can make a change or create something without letting people see us. in some cases, it's more powerful than having better cuddle results.

We have seen Mr. Prapha through some work, but I believe there are many pieces of this sharp and round anchor that we didn't know was his work.

The fit of being seen is something that brother chik manages to learn and nan cuddle baht.

Prapha Chon Saranon is a teacher with many lessons to sneak peek and learn.

Thank you brother chik for being an inspiration, an open thought perspective. He ignites the dream of writing books and giving "many more" tips in my heart since I was in teenagers through your work.

Congratulations to brother chik for the National Artist Award in performing arts as the creator of International Thai entertainment and music event this year.

I really want to tell brother chik that "music writing music"

At least one of me is the productivity from your song.

With love and thanks

Ehhh (round finger)Translated

ผู้เข้าร่วมกิจกรรมหมายเลข 1 Thanh Loan จากเวียดนามจ้า

กิจกรรมประกวด cover เพลง
“ปากร้ายใจรัก @Carson” เริ่มแล้วนะจ๊ะ ลุ้นรางวัลกว่า 30,000 บาท!
ทำตามกติกาที่ปักหมุดไว้ ใครคัฟเวอร์โดนใจ #พลอยชมพู จะเลือกมาแชร์ลงเพจให้
วันนี้ - 31 ตุลาคมนี้เท่านั้น! 😘💕
Thank you for your nice cover, @Thanh Loan. //Ad Eke
#ปากร้ายใจรัก #Carson #JannineWeigel

"ปากร้ายใจรัก" @Carson cover by Thanh Loan 🍀

#ปากร้ายใจรัก #พลอยชมพู #JannineWeigel #Carson

I am a foreign fan. I enjoy the song even though I don't understand the meaning of the song. I try to practice singing this song, although the pronunciation is not correct. While singing karaoke, I read the lyrics with English subtitles. I find the song very meaningful, it is like beautiful narrative stories, for me it is like a beautiful teenage love story. The song is about a girl who loves a guy but does not speak out, every time she meets a guy, the girl is in trouble with the guy so their conversation becomes tense. Girls do not want to do that but really girls love boys. The last sentence "Do you hear me?".Does it mean the guy hears the girl's heart? I really choked on this statement. I love this song😍

Aisho Nakajima “Needed” 
“Needed” on Spotify : https://open.spotify.com/artist/73TJEwnZTYd2p0qRbn2Pi3
“Needed” on Apple Music : https://music.apple.com/us/artist/aisho-nakajima/1503461433

MV credits
film director - MATHEUS KATAYAMA (W)
director of photography - Yuki Yamaguchi
assistant director - Yui Nogiwa
camera assistant - Ali Yokota
on-set photographer - Haruki Koyama
hair cut/colored - Ryo
hair & makeup - Aisho Nakajima
nails - Aisho Nakajima
wardrobe styling - Aisho Nakajima

Aisho’s Instagram : https://www.instagram.com/aishonakajima/?hl=en
Aisho’s Twitter : https://twitter.com/aishooo74?lang=en

‘Needed’
Written by Aisho Nakajima
Produced by ELI 
Recorded/ Mixed by Aisho Nakajima 
Mastering by Wax Alchemy 

Lyrics - 

“Want you”
Skin on skin on crescent moon 

I wanna hear you say “I love you”
Why is it so hard to say it, hard to play it

All the private shit I ask why 
Whole lot of complicated shit on ur mind 

“You can do you”
Needed that from you 

Why is everything so secretive 
My mind is always over weighted 

Tell me how u got me, got me, got me to 
Convince me that I’m crazy, crazy. 
Tell me how’s the view 
The walls you built around me
Tell me why don’t you love me 
I’m tired of the separation 
it’s time to have this conversation 
ohh

Traumatized, you just don’t know it 
All my issues, you still don’t get it 
Act like ain’t nothing wrong 
You made me feel I don’t belong 

Ashes, tragic, if you only took in action
Tired of crying
Tired of fighting 

Childish games 
But I always was the one to blame 
It wasn’t worth it 
U weren’t just messing around 

Whole lot of anxiety 
All I wanted was a family 

Years without you 
Been in my head since u left me 

Tell me how u got me, got me, got me to 
Convince me that im crazy, crazy. 
Tell me how’s the view 
The walls you built around me
Tell me why don’t you love me 
I’m tired of the separation 
it’s time to have this conversation

Don't forget to turn on the bell icon for future uploads 🔔✔️

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▶ Download / Stream link : https://jupitamusic.com/inmyhead/

👑Jupita:
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https://www.youtube.com/channel/UCiV5_x7hvgwDU39VY3BkXIg
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https://www.instagram.com/wckid_

👑OUTSHADES
https://www.facebook.com/itsoutshades
https://www.instagram.com/itsoutshades

----------------------------------------------------------

Lyrics:

Holdin' onto things that are changing me
Thinking I knew it all, but now I see
You showed me all that I could be
And with regret I turned, and now I don't know me

I've been running circles in my head, hiding from things left unsaid
I think I need a heartcheck
I think I need that conversation

I've been running circles in my head (in my head), hiding from things left unsaid (things unsaid)
I think I need a heartcheck
I think I need that conversation

It can't be out of sight, out of mind
I don't have much time to turn my wrongs to right
Running away like I'm the only one
Coming right back 'cause I'm the prodigal son
Insecure and that's what it was
Your love is all I need because

I've been running circles in my head, hiding from things left unsaid
I think I need a heartcheck
I think I need that conversation

I've been running circles in my head (in my head), hiding from things left unsaid
I think I need a heartcheck
I think I need that conversation

#WCKiD #OUTSHADES #InMyHead #Lyrics #輕電音

ต้นฉบับ https://www.youtube.com/watch?v=A2LV98jddzU

Lead Vocal : กีกี้ Khuanreudee Yuensuwan
IG : kieky_yue
Facebook : Khuanreudee Yuensuwan

Music and Guitar : ZaadOat
IG : zaadoat.t
Facebook : Thanakorn ZaadOat

ติดต่องาน Line : zaadoat


ARTIST : BAIKWAN , P-HOT
LYRICS : (เอก ) สุระเชษฐ์ ศรีพรม , P-HOT
Produce by : (อ้น) Passawit Strat , (เอก) สุระเชษฐ์ ศรีพรม


เนื้อเพลง

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หรืออะไรที่มีก็ได้
ติดตามกันไว้ เผื่ออยากมีใคร
ที่เป็นคนจีบก่อน และพร้อมจะเปย์ให้เธอได้ง่ายๆ

ขอได้ไหม ขอเป็นคนช่วยดูแลเธอนะ
จีบก่อนได้เปรียบกับตัวและหัวใจ
ตอบมาทางไหน ก็ไม่หวั่นไหว
I'm already to standby

ถ้าตกลงก็พร้อมโอน
โอนทั้งใจไปเลยไม่คิดนาน
ชอบใครทั้งทีจะทุ่มเทที่มี เธอจะลองไหม

P-hot baby Alright!
จีบเธอผ่าน Application
ได้พูดคุยกันเป็น Conversation
กดไลค์ให้เธออยู่แทบจะทุกวัน
เมื่อไหร่เราสองถึงจะได้คบกัน
รู้ไหมในใจของฉันมันรู้สึกหวั่นไหวเพราะเธอใช่ไหม Aye!
ฉันอยากจะบอกเอาไว้ ว่าไม่มีวันไหนที่ไม่คิดถึงเธอ Ah!
กดไลค์เป็น ออร์เดิฟ และกดเลิฟเป็นจานหลัก
นี่หล่ะเวิร์สจีบเธอเป็นงานหลัก
เห็นเธอวาดวิมานอยู่บนคานมาตั้งนาน
ถ้ายังไม่ยอมลงจะกระแทกให้คานหัก Ah!
ชัดเจนในเจตนารมณ์ไม่โลเล
I wanna be your boyfriend ไม่โมเม
Stand by รอตั้งนาน Everytime Everyday
เมื่อไหร่จะตกลงและตอบฉันว่า OK

Need your id line ขอ follow IG
หรืออะไรที่มีก็ได้
กดติดดาวไว้ เผื่ออยากมีใคร
ที่เป็นคนจีบก่อน ก็ขอเป็นคนจีบเธอก่อนก็ได้

รู้บ้างไหมใครคนหนึ่งแอบชอบเธออยู่นะ
จีบก่อนได้เปรียบกับตัวและหัวใจ
ตอบมาทางไหน ก็ไม่หวั่นไหว
I'm already to standby

ขอได้ไหม ขอเป็นคนช่วยดูแลเธอนะ
จีบก่อนได้เปรียบกับตัวและหัวใจ
ตอบมาทางไหน ก็ไม่หวั่นไหว
I'm already to standby