「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
clean master 不見 了 在 DavidKo Learning Journey Facebook 的最佳貼文
[數據驅動的互聯網產品設計 課程整理]
課程網址: https://edu.userxper.com/pm01/
講師: 魏銘信 / Ivan Wei
上課整理
(1) 產品設計與迭代流程
產品開發階段
需求探索 (discover)
定義需求 (define)
產品發展方案 (devlop)
落地交付 (deliver)
敏捷開發與迭代
MVP
Sprint
(2) 用戶量快速成長的原因 (以 CM Secuirty 為例)
增長紅利: 搭上了 Android 手機出貨量快速
獲客渠道: Clean Master 用戶量級超高與安裝轉化絕佳
安全感需求: 過去 PC 用戶認為低效能手機也需要防毒
快速試錯: 快速驗證假說, 並以用戶增長為目標
(3) 快速驗證假說
Sprint 1
5 個人花了3 個月做出第一版: 一件掃描的手機安全功能
Build Measure Learn 的過程
提出假說: 全球移動裝置用戶也許有手機安全或防毒的需求
上線驗證: 盡可能花最少時間和資源來打造產品來驗證需求
數據觀察分析: 上線後從數據觀察產品增長情況與用戶行為
是否有持續安裝
是否有留著 App
是否有持續使用
Sprint 2
要有新的增長, 就要有新的功能
是否很多人瀏覽黃頁
是否很多人會去清紀錄
根據這些資料來提供新功能:
在一鍵掃描結果上顯示會清除這些有隱私的紀錄
經過幾個 sprint 才想要做隱私瀏覽器 (不會一開始就做個大功能, 是看 data 來決定是否繼續投資)
(4) MVP
要包含 End 2 End 流程, 而不是 End 2 End 中某些步驟而已
如果是從既有產品要做新功能的 MVP, 要從既有動線裡, 加入可能觸發動機的入口. 如果用新的動線, 用戶可能不見得會想進去
(5) 數據
數據意識 (Data Aware)
凡事都想到要了解產品使用的數據現況
AARRR
用戶獲取: 多少新用戶安裝/到訪
用戶活躍: 多少用戶持續使用
留存/回訪: 隔天多少用戶沒移除, 繼續使用
分享: 用戶願不願意推薦給朋友
獲利: 變現能力如何
AARRR 不是漏斗, 會依產品階段不同, 你要聚焦的指標就不同
數據啟示 (Data Informed)
透過對數據的了解, 提升對用戶行為的認知, 作為下一步行動的參考依據
數據驅動 (Data Driven)
透過對數據分析的結果, 進行產品設計決策的參考依據
當無法解決數據背後的原因時, 需要質性調研的分析
在變化中找到趨勢, 從規律中發現異常
感想
a. MVP 要小, 並且是 End 2 End. 現在的 MVP 還是太大了
b. 要用 Data 來確認是否前進, 而不是拍腦袋決定. 你想要什麼結果, 所以你收集什麼 data. 可是重點在於沒有想清楚想要什麼, 所以不知道要收集什麼.
c. 要讓用戶有高的機率進入新功能. 目前老是弄新的 path, user 根本不知道有這件事, 所以你的實驗根本沒機會發生.
d. 要有新的增長, 需要有新的功能或作法. 什麼都不做, 就不會有新的機會發生. 要小步快速前進, 不要怕犯錯, 只要能快速調整就好
clean master 不見 了 在 黃中岳談吉他 Facebook 的最讚貼文
{{ 貳. 談談電吉他相關 }}_06
如果說到『居家的電吉他練習』器材,我會先假設你的房間就是很正常的居家空間 --- 該有的書桌、衣櫃與床鋪,關上房門還是聽得到家人吵架的那種再正常不過的環境。在這樣的環境裡,意味著如果你想用很正常的音箱工作音量來練習,恐怕那就是引發家人吵架或鄰居抗議的主因;因此,許多市場的產品,包括前幾週聊過的『IR』型器材,大多都附帶了耳機輸出的功能,讓你可以在幾乎不發出任何干擾他人聲響的靜音方式下進行練習。
不是不可以,但我們可能要先有一個觀念:電吉他這項樂器,必須包括琴與音箱所共同發出的聲音,才算是一個完整的樂器。在我很年輕的時候,『彈吉他』這個生涯規劃其實並沒有得到家人的認同與支持,因此,當我應該要練習彈電吉他的時候,我甚至會只用電吉他本身撥弦所發出來的聲音 (沒有接上任何其他的發聲裝置) 就直接來練習 Pick 撥弦的音階爬行速度;一段時間之後,當我有機會可以接上『別人』的音箱來彈奏時,才突然發現我以為可以的撥弦,在音箱放大之後,會顯得非常的骯髒、混濁。為了解決這種狀況,我開始試著用類似 Zoom 9002 (https://www.zoom-na.com/products/guitar-bass-effects/guitar/zoom-9002-advanced-guitar-effects-processor ) 這種可以帶著耳機、還附有 Click 的器材來練習;又過了一段時間,當我還是用著『別人』的音箱來檢查我的練習成果時,才發現我很難在音箱放大的狀態下,讓我的撥弦有著應該要有的輕重動態。
我花了很多時間、試過許多方式,希望在不引發家人前來敲門罵人的狀況下,來增進自己在彈奏電吉他的技術與表情;到最後我不得不承認:如果你無法從音箱直接聽到你彈奏的即時狀況,你就很難有效率地達到該有的練習成效。
也許你比我幸運:家人並不反對你彈吉他;但~如果你在凌晨一點以後,還是希望能聽到從音箱發出來的聲音來進行練習矯正,我不覺得周遭的鄰居會因為知道你未來很可能可以成為偉大的吉他英雄而願意長時間地忍耐你的練習。
所以,你會需要一些必要的器材,來解決這種兩難的局面。
[二. 電吉他相關器材研討]_04
我對於器材的選購,區分為三種不同的目的取向:1. 必要的練習工具 --- 這應該就是今天想要討論的標的。2. 生財工具 --- 到了這個階段目的,你很可能要有相當的把握,知道自己所投資的器材,可以為自己帶來合理的收益。3. 玩具 --- 就是你已經付清了『生財工具』的貸款,而且工作也都帶來合理的報酬之後,那種『擁有了絕對很開心,但不能擁有也不會影響工作』的非必要物件。
在『必要的練習工具』清單中,你當然第一個要處理的,就是你手上的電吉他;如果可以,在這個練習階段,我會建議你應該要有單線圈與雙線圈的琴種各一把。你不必然要有品牌迷思,但你也必須知道,『品牌』之所以成為品牌,還是有它一定的道理。
而第二項你該要處理的,當然是吉他音箱!但在這裡,我想給你兩個建議:
1. 盡量選擇『頭、身分離』的 Stack 組合 (https://www.google.com/search?q=guitar+amp+stack&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjV26u988ffAhULE7wKHRpgBCwQ_AUIDigB&biw=1280&bih=952 ),而不要是 Combo 式 (https://www.google.com/search?biw=1280&bih=952&tbm=isch&sa=1&ei=2ugoXNWsG4KB8wX226DgBA&q=guitar+amp+Combo&oq=guitar+amp+Combo&gs_l=img.3..0i19j0i8i30i19.53279.55389..59127...0.0..0.76.278.5......1....1..gws-wiz-img.......0i5i30i19.eV10Gg7XqY8 ) 的型號。
2. 音箱頭與箱體不見得需要是同一個品牌,而且在價格考量上,我強烈建議要把有限的預算盡量花在箱體 (Cabinet:https://www.google.com/search?biw=1280&bih=952&tbm=isch&sa=1&ei=F-koXKO1NMam8AXrxKrICw&q=guitar+Cabinet&oq=guitar+Cabinet&gs_l=img.3..0j0i30l7j0i5i30l2.177082.187612..190423...2.0..0.76.865.16......0....1..gws-wiz-img.......35i39.AlGmE2BlpkA ) 上。
為什麼呢?因為『箱體』才是決定電吉他整體音色比重最大的器材。它與你手上的電吉他,同樣都可以從『必要的練習工具』一直沿用到『生財工具』的階段;而在這兩個端點之間的破音類效果器、音箱頭以及其他調變系、時間系與空間系效果器,相信我,你一定會因為技術的進步而不斷更新 --- 而且一個不小心,你其實會買了許多你根本不見得有需要的『玩具』。
在箱體的選擇上,我會建議你先購買一個英國或美國製造的 112 Cabinet;如果它的背板可以有拆卸的選項,能夠從 Close back 選擇變成 Open back 的話,絕對是上上之選。而內裝的喇叭單體,建議可以多看一下相關的網站討論文章來評估;但通常先從 Celestion V30 系列 (https://celestion.com/product/1/vintage_30/ ) 開始,應該不會有太大的謬誤。我在十多年前選用了 Bogner 112 close back Cabinet (http://www.bogneramplification.com/1-12-cabinets ) 至今,還沒有後悔過,而它,也的確從每日的練習一直到錄音工作,都扮演著非常稱職的角色。
音箱頭方面,我會建議你還是應該選擇一個小瓦數 (約莫 15~30 瓦) 的全真空管型、帶有 Send、Return 功能的型號 --- 當然!最好的真空管音箱頭線路設計是不應該有『Send、Return』迴路的,因為那會某種程度降低訊號的直接連通而影響音色;但如果考量到我們最重要要解決的『練習音量』問題,我不得不建議你應該要找這種有 Send、Return 迴路的器材。再一次,如果你已經是在考慮『生財工具』或是『玩具』,請不必理會我的建議;而如果你還在『練習』階段,請認真考慮類似 Egnater Tweaker 15W (http://www.egnateramps.com/EgnaterProducts/Tweaker/TweakerHead/TweakerHead.html )、Vox Night Train 15H-G2 (http://www.voxamps.com/nt15h-g2 ) 或 Orange Dark Terron (https://orangeamps.com/products/guitar-amp-heads/terror-series/dark-terror/ ) 這些類型的小瓦數音箱頭。
為什麼是這些款式?因為我發現真正要能有效增進你右手 Picking 『手感』的音色,不是 Clean Tone 或 Heavy Drive tone,而是略帶『微破』的 『Break』或 Low Gain 音色,那樣的聲音,才能在你控制 Picking 輕重時做出適當的『破裂』反應,你才能夠去校正一切撥弦的相關基本動作。
到了這邊,我們應該可以進行每天的練習了?
但我們還沒有解決最重要的音量問題啊!而且這些小瓦數真空管音箱頭,其實很大聲 ……
為了解決音量問體,市場上有許多『音量衰減』裝置 (Attenuator/Load Box: https://www.sweetwater.com/c1117--Attenuators_and_Simulators );但這一類的衰減裝置大多都是從音箱頭到箱體之間的後級輸出去做處裡,而衰減後的音色表現,從大多數的用戶反應中可以知道其實不甚理想,而且這些器材都所費不貲;但如果單純從音箱頭的前級音量或後級音量去控制,往往又無法讓真空管在適當的工作狀態,而不能得到正確的音色來鍛鍊手感。
我可以建議的簡單解決方案,是在音箱頭的 Send、Return 迴路中,加上一臺可以調整 Master Volume 的數位效果器,在這種接線方式下,我可以讓我的音箱頭後級音量全開、前級音量在音色飽和的工作音量下,用數位音量減量的方式,來得到非常合宜的練習音量。因為數位器材在處理音量輸出的變化曲線,遠比類比式的可變電阻電路要來得平均與圓滑,因此在音量的控制上,能夠有非常理想的表現。
例如相片 1 中,當我用 Tweaker 15W 接 Bogner 112 Cab 時,我選用了非常便宜的 Vox StompLab IIG (http://www.voxamps.com/stomplab ) 來接在迴路中控制控制音量,我 Bypass 了所有有關於音箱模擬的部份,只使用它的調變、時間與空間效果器;在相片 2 中,我在類似 Krank 或 Soldano 這類大瓦數音箱頭的迴路中接上了 Zoom G5 (https://www.zoom-na.com/products/efectos-guitarrabajo/guitarra/zoom-g5-guitar-effects-amp-simulator-pedal ),這個可以同時運作九種任意組合、變更效果器順序,並且搭配了 Looper 與節奏鼓機的器材,讓我能在練習的過程中,得到更多元的工作選項。這兩種數位效果器,除了都有非常平順的總音量控制之外,還都搭載了表情踏板,可以用來指定控制任何一種效果器參數;以及,最重要的是:這些器材都是二手市場常見的、價格非常低廉的工具。
事實上,在這個數位競賽的時代,還有很多類似的器材可以選擇;而這樣訊號串接的音色表現,可以讓我在極低的音量下,還能有效訓練我的撥弦手感。在許多個寧靜的深夜,我甚至可以在數位音量只有『1』的設定下,繼續我的練習。
如果你還是一位在學的學生,上面所有提到的物件,除了電吉他之外,對你而言都仍然還是一個不小的負擔的話,你可以參考一下相片 3。這裡展示的核心器材是 Hotone 的 British Invasion Mini Amp Head (http://www.hotoneaudio.com/products/nanolegacy/Amplifier1/2016/1114/184.html ),這個類比前級、D類後級放大的 20W 音箱頭,所表現模擬 Vox type 音箱的微破音色,真的非常可圈可點。而迴路中串接的是 Zoom MS-50G (https://www.zoom.co.jp/products/multistomp/zoom-ms-50g-multistomp-guitar-pedal );我在 MS-50G 六個效果器組合的最後一顆,設定為『LineSel』,這個位置可以讓『LineSel』這個效果器像是兩組的音量控制,我可以在『Off』的狀態設定一種音量、在『On』的狀態設定成另一個較大的音量,來讓它產生類似 Solo Volume Boost 的功能 (相片 5) --- 當然,它可以將音量控制在非常低的範圍。單以 British Invasion 與 MS-50G 這兩個器材的二手價格來說,絕對是學生所能負擔,並且表現極為超值的選擇。
再一次我想強調,你應該要能從音箱箱體聽到你所彈奏的內容,這樣的練習才真的能達到功效;但因為我們都還在『練習』的階段,而且還必須突破客觀環境的限制,所以任何可以有效幫助我們達成練習目的的工具,我們都不必預設立場、而應該多方嚐試。我當然希望在孜孜不倦的練習之後,我們很快就可以進入到『到底應該投資哪一種生財工具』的階段,只是,在那之前,本文所提供的建議,都是些可以一試的折衷方案。
在相片 3、4 中,除了 British Invasion 與 MS-50G 這兩個器材之外,主要是一些 Drive 類效果器的搭配;下一次,我們就來聊一些我自己覺得可以分享的 Drive Pedal 串接的心得與想法。
然後,2019年就到來了。